The last thing Nancy Ellis-Bell expected to descend on her life was a neglected, too-tall, smart-mouthed, one-legged, blue-and-gold rescue macaw named Peg Leg. And yet, it made perfect sense. A lifelong animal lover, Nancy could never turn away a stray cat, dog, squirrel, or raccoon from her California farm. But the macaw, quickly rechristened Sarah, was a whole new challenge, as Nancy, her husband, Kerry, and their furry menagerie would find out. Initially timid of her new surroundings, Sarah soon imposed her four-foot wingspan into the family homestead—first claiming the laundry basket, then conquering a prized dresser—and achieved complete household domination. Nancy couldn’t “bird-proof” the place fast enough, and it was not long before Sarah started stealing the dogs’ toys—using her enormous beak to disembowel Ben the mutt’s treasured stuffed bear—and bathing her richly hued feathers in their water bowl. She also peppered Nancy’s phone conversations with expletive-laden outbursts. There seemed no end to Sarah’s realm, nor her destruction, and it dawned on Nancy that the entire house had slowly transformed into a birdcage. On the other side of the coin, Sarah started to abandon her own raptor instincts when she discovered that dog food was pretty tasty and that she had a knack for “barking” (and a few other sounds that alarmed the neighbors). As they all learned to live together, Nancy marveled that Sarah had truly found a place to call home, but she sensed that there was something she could give Sarah to make her feel more complete: a chance to fly again. Touching, eye-opening, and laugh-out-loud funny, The Parrot Who Thought She Was a Dog is a tender tale of two worlds colliding, two lives enriched, and two souls restored. It is also a rewarding reminder that love can come from the most unexpected places.
Before Martha Stewart named him her “pet keeper,” and before millions of people turned to him for advice, Marc Morrone had a simple dream: to learn everything he possibly could about every kind of animal and share that knowledge with others. In this lively, colorful memoir, Morrone offers a heartfelt and candid look inside a life well-lived with creatures great and small, from the domestic to the exotic, from frisky ferrets to renegade reptiles to rare parrots. Morrone is an enthusiastic champion of all animals—furred, feathered, or scaled, domestic or wild—and his lifelong adventures take us from his internationally renowned pet store, Parrots of the World, to his home and personal menagerie, covering his media roles on both television and radio. Inspiring, informative, and frequently amazing, Morrone’s story is a memorable tribute to one man’s passion for the world of animals and his enduring commitment to their care. In A Man for All Species, animal expert Marc Morrone weaves thrilling, inspiring, strange, and often hilarious experiences with practical advice gleaned over his forty-year career, revealing a world of adventure and anguish, humor and heart, that every pet owner and animal lover will recognize.
A touching, laugh-out-loud memoir that reminds us that love can come from the most unexpected places Nancy Ellis-Bell has always had a love–and a weakness–for animals. She’d already spent a lifetime taking in rescue animals when she and her husband brought home an exotic, wild-caught, one-footed macaw. And so it was that Sarah came into their lives–and changed them forever. Life with Sarah was anything but average. With a huge beak, raptor claws, and a four-foot wingspan, Sarah quickly staked her claim on anything and everything around, including the dogs’ toys, the humans’ food, and the prized furniture. But just when taking in this rowdy, unruly creature began to feel like an utter disaster, Nancy was able to coax Sarah to spread her atrophied wings–weak from years of being confined to a cage–and fly.
Desire and Domestic Fictionargues that far from being removed from historical events, novels by writers from Richardson to Woolf were themselves agents of the rise of the middle class. Drawing on texts that range from 18th-century female conduct books and contract theory to modern psychoanalytic case histories and theories of reading, Armstrong shows that the emergence of a particular form of female subjectivity capable of reigning over the household paved the way for the establishment of institutions which today are accepted centers of political power. Neither passive subjects nor embattled rebels, the middle-class women who were authors and subjects of the major tradition of British fiction were among the forgers of a new form of power that worked in, and through, their writing to replace prevailing notions of "identity" with a gender-determined subjectivity. She also examines the works of such novelists as Richardson, Jane Austen, and the Bront s to reveal the ways in which these authors rewrite the domestic practices and sexual relations of the past to create the historical context through which modern institutional power would seem not only natural but also humane, and therefore to be desired.
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