Throughout the dozens of interviews in this book with veterans of four wars, veterans who have experienced combat, there seems to be a consistent thread that goes through the veterans’ words about wars, politics, weapons, biases, and human life. The words go, “War does not end war, it begets war,” “Stronger weapons may hinder but do not stop war.” “Individuals, in spite of their gender, color, or culture have become more equal in the military due to their courage, bravery, and proof of equal abilities.” Humans will go forth to protect their beliefs, their homes and their country when they believe it is a justified cause, and are willing to risk life and limb. There are three things that stayed the same throughout all the interviews. One: Wars are usually concocted by politics, greed, money and power and that these are the root of most wars. Two: The young, even before their brain is totally developed, are the ones who do the dying. Three: Although the military was ready to desegregate around 1947 the country still continued with the Jim Crow laws and the Green Book Travel Guide until sometime in the sixties. My question to you is, our young joined or were drafted, and they went to war, stayed the course, did the job, paid the price, and paid it forward. Could we at least pay it back? Could we at least know who they were and are? These are the people we are speaking about when we say “boots on the ground.”
Throughout the dozens of interviews in this book with veterans of four wars, veterans who have experienced combat, there seems to be a consistent thread that goes through the veterans’ words about wars, politics, weapons, biases, and human life. The words go, “War does not end war, it begets war,” “Stronger weapons may hinder but do not stop war.” “Individuals, in spite of their gender, color, or culture have become more equal in the military due to their courage, bravery, and proof of equal abilities.” Humans will go forth to protect their beliefs, their homes and their country when they believe it is a justified cause, and are willing to risk life and limb. There are three things that stayed the same throughout all the interviews. One: Wars are usually concocted by politics, greed, money and power and that these are the root of most wars. Two: The young, even before their brain is totally developed, are the ones who do the dying. Three: Although the military was ready to desegregate around 1947 the country still continued with the Jim Crow laws and the Green Book Travel Guide until sometime in the sixties. My question to you is, our young joined or were drafted, and they went to war, stayed the course, did the job, paid the price, and paid it forward. Could we at least pay it back? Could we at least know who they were and are? These are the people we are speaking about when we say “boots on the ground.”
A portrait of a young artist's formative years studying sculpture in Paris, recounted in her own words Angela Gregory is considered by many the doyenne of Louisiana sculpture and is a notable twentieth century American sculptor. In A Dream and a Chisel, Angela Gregory and Nancy Penrose explore Gregory's desire, even as a teenager, to learn the art of cutting stone and to become a sculptor. Through sheer grit and persistence, Gregory achieved her dream of studying with French artist Antoine Bourdelle, one of Auguste Rodin's most trusted assistants and described by critics of the era as France's greatest living sculptor. In Bourdelle's Paris studio, Gregory learned not only sculpting techniques but also how to live life as an artist. Her experiences in Paris inspired a prolific sixty-year career in a field dominated by men. After returning to New Orleans from Paris, Gregory established her own studio in 1928 and began working in earnest. She created bas-relief profiles for the Louisiana State Capitol built in 1932 and sculpted the Bienville Monument, a bronze statue honoring the founder of New Orleans, in the 1950s. Her works also include two other monuments, sculptures incorporated into buildings, portrait busts, medallions, and other forms that appear in museums and public spaces throughout the state. She was the first Louisiana woman sculptor to achieve international recognition, and, at the age of thirty-five, became one of the few women recognized as a fellow of the National Sculpture Society. Gregory's work appeared in group shows at many prestigious museums and in exhibitions, including the Salon des Tuileries and the Salon d'Automne in Paris, the Palace of the Legion of Honor in San Francisco, the National Collection of Fine Arts in the Smithsonian in Washington, D.C., and the Metropolitan Museum of Art in New York. This memoir is based on Penrose's oral history interviews with Gregory, as well as letters and diaries compiled before Gregory's death in 1990. A Dream and a Chisel demonstrates the importance of mentorships, offers a glimpse into the realities of an artist's life and studio, and captures the vital early years of an extraordinary woman who carved a place for herself in Louisiana's history.
With her superb coloratura soprano, passion for the world of opera, and down-to-earth personality, Beverly Sills made high art accessible to millions from the time of her meteoric rise to stardom in 1966 until her death in 2007. An unlikely pop culture phenomenon, Sills was equally at ease on talk shows, on the stage, and in the role of arts advocate and administrator. Merging archival research with her own love of Sills's music, Nancy Guy examines the singer-actress's artistry alongside the ineffable aspects of performance that earned Sills a passionate fandom. Guy mines the memories of colleagues, critics, and aficionados to recover something of the spell Sills wove for people on both sides of the footlights during the hot moments of onstage performance. At the same time, she analyzes essential questions raised by Sills's art and celebrity. How did Sills challenge the divide between elite and mass culture and build a fan base that crossed generations and socio-economic lines? Above all, how did Sills capture the unnameable magic that joins the members of an audience to a performer--and to one-another? Intimate and revealing, The Magic of Beverly Sills explores the alchemy of art, magnetism, community, and emotion that produced an American icon.
As the first book of its kind, Nancy Lee Harper’s Portuguese Piano Music: An Introduction and Annotated Bibliography fills the gap in the historical record of Portuguese piano music from its start in the 18th century to the present. While although Spanish piano music is well documented owing to the reputation of such composers as Isaac Albéniz, Enrique Granados, and Manuel de Falla, our knowledge of compositions in the tradition of Portuguese piano music has not fared as well, barring the work of Carlos Seixas (1704–1742). This obscurity, however, reflects poorly on the history of early piano music in light of the many compositions written for fortepiano on behalf of the Portuguese court during the first half of the 18th century. Indeed, it was in the royal halls of King John V during his reign from 1706 to 1750 where the early fortepiano was frequently heard. In Portuguese Piano Music, Harper explores this rich musical tradition, offering a brief introduction to the pianistic history of Portugal and overviews of Portugal’s contributions to solo piano music, piano in instrumental chamber music, piano concerti, piano for multiple pianists including with works with electronics, and didactic piano. While paying close attention to female composers, Harper adds an annotated and graded bibliography that presents readers with a comprehensive inventory of compositions. Appendixes include a selected discography, list of publishers, and other types of critical source information. To further illustrate its contents, Portuguese Piano Music contains a CD on which Harper performs representative repertoire, some of which are world premieres. This work is aimed at pianists, teachers, pupils, musicologists, and music lovers seeking to discover the remarkable world of Portuguese piano music.
Mitford’s most enduringly popular novel, The Pursuit of Love is a classic comedy about growing up and falling in love among the privileged and eccentric. Now an original series on Prime Video. Mitford modeled her characters on her own famously unconventional family. We are introduced to the Radletts through the eyes of their cousin Fanny, who stays with them at Alconleigh, their Gloucestershire estate. Uncle Matthew is the blustering patriarch, known to hunt his children when foxes are scarce; Aunt Sadie is the vague but doting mother; and the seven Radlett children, despite the delights of their unusual childhood, are recklessly eager to grow up. The first of three novels featuring these characters, The Pursuit of Love follows the travails of Linda, the most beautiful and wayward Radlett daughter, who falls first for a stuffy Tory politician, then an ardent Communist, and finally a French duke named Fabrice. Featuring an introduction by Zoë Heller.
In one of the wittiest novels of them all, Nancy Mitford casts a finely gauged net to capture perfectly the foibles and fancies of the English upper class. Set in the privileged world of the county house party and the London season, this is a comedy of English manners between the wars by one of the most individual, beguiling and creative users of the language.
Nancy Reagan describes her life from her happy childhood to her exciting stage and film career to her experiences as the wife of a famous actor, governor, and presidential candidate and expresses hopeful views on America's future.
Coming in 2018 to Disney Junior, Fancy Nancy will star in her own fabulous TV show! This tabbed board book, based on the show and inspired by the New York Times bestselling series by Jane O’Connor and Robin Preiss Glasser, introduces Nancy Clancy, her family, and her friends. With 8 colorful tabs and simple text, this sturdy board book is great for even the youngest fans of Fancy Nancy.
Nancy discovers a new talent for repairing broken toys in the neighborhood. But can she keep her cool when her prized doll, Marabelle, needs help? Disney Junior Fancy Nancy: Operation Fix Marabelle is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated preschool series starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser.
The author provides answers to the various letters she receives from her fans, offering information about her writing career and the characters in her novels, and supplying advice on friends, family, boyfriends, adolescence, and religion.
When Dad makes a plan to fix the walkway in front of their house with new cement, Nancy knows just how to make the walkway parfait—which is French for perfect! Disney Junior’s Fancy Nancy: Nancy Makes Her Mark is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated family comedy starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and Robin Preiss Glasser.
Coming in 2018 to Disney Junior, Fancy Nancy will star in her own fabulous TV show! Nancy has a new playhouse, and it’s time for some ooh-la-la fancy fun! But when one friend wants to be the boss of who can come to play, Nancy has to decide what it means to be a good friend. Based on the new Disney Junior TV show and inspired by the classic picture book series by Jane O’Connor and Robin Preiss Glasser, this brand-new Level One I Can Read retells key moments from the show. Fancy Nancy: Chez Nancy is a Level One I Can Read, which means it’s perfect for children learning to sound out words and sentences.
When Mom gets sniffles that are worse than awful, Nancy decides she can help Mom by tidying up and watching JoJo. After all, Nancy is practically an expert at being a big sister, so how hard could it be? Disney Junior’s Fancy Nancy: Mademoiselle Mom is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated family comedy starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and Robin Preiss Glasser.
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