The fifth part of the Corinth volume dedicated to the Sanctuary of Demeter and Kore publishes the large-scale terracotta sculpture found in the sanctuary. Extending from the late 7th through the 4th century B.C., the sculpture consists of fragments from 132 to as many as 147 statues, from half- to nearly life-size. These are, for the most part, statues of young males, both draped and nude, although females and seated infants appear as well. Several introductory chapters discuss the types represented, the findspots and possible original placement of the sculptures, and the techniques involved in their construction. The fragments are presented in 156 well-illustrated catalogue entries. This volume greatly expands our knowledge of the history of Corinth, broadening our understanding both of cult practices at the site and of the manufacture of terracotta sculpture.
When the Roman tourist Pausanias visited Corinth around A.D. 160, he saw many shrines and buildings high up to the south of the city, on the slopes of Acrocorinth. This booklet describes excavations at one of these, the Sanctuary of Demeter and Persephone (Kore). The details of religious rites revealed are of particular interest since the cult of the two goddesses, also celebrated at Eleusis, is one of the most mysterious in antiquity, and no literary testimony exists to explain what may have happened behind the high walls. Terracotta dolls, ritual meals of pork, and miniature models of food-filled platters hint at a vigorous religious tradition associated with human and agricultural fertility.
This volume continues the publication of excavations conducted by the American School of Classical Studies at Athens in the Sanctuary of Demeter and Kore on Acrocorinth. It incorporates two bodies of material: Greek lamps and offering trays. The lamps include those made from the 7th through 2nd centuries B.C., together with a few Roman examples not included in Corinth XVIII.2. They served to provide light and to accompany the rites of sacrifice. The offering trays differ from the liknon-type offering trays published by A. Brumfield; they support a variety of vessels rather than types of food and had a symbolic function in the Sanctuary rituals. They are extremely common in the Sanctuary and only rarely attested elsewhere.
A careful and detailed presentation of the architectural remains of the Sanctuary of Demeter and Kore on the slopes of Acrocorinth, beginning with the earliest traces of occupation in the Mycenaean period and ending with the Late Roman cemetery. The first chapter presents the ancient testimonia for the location of the sanctuary and details its discovery by the excavators. In the chapters on the architecture, arranged chronologically, the authors describe in detail the buildings found on each of the three terraces of the sanctuary, including the dining rooms, cooking and bathing facilities, and religious structures. A separate chapter discusses the elements of the Acrocorinth dining rooms and their place in the architecture of sacred dining. Extensively illustrated with section drawings and plans.
When the Roman tourist Pausanias visited Corinth around A.D. 160, he saw many shrines and buildings high up to the south of the city, on the slopes of Acrocorinth. This booklet describes excavations at one of these, the Sanctuary of Demeter and Persephone (Kore). The details of religious rites revealed are of particular interest since the cult of the two goddesses, also celebrated at Eleusis, is one of the most mysterious in antiquity, and no literary testimony exists to explain what may have happened behind the high walls. Terracotta dolls, ritual meals of pork, and miniature models of food-filled platters hint at a vigorous religious tradition associated with human and agricultural fertility.
The fifth part of the Corinth volume dedicated to the Sanctuary of Demeter and Kore publishes the large-scale terracotta sculpture found in the sanctuary. Extending from the late 7th through the 4th century B.C., the sculpture consists of fragments from 132 to as many as 147 statues, from half- to nearly life-size. These are, for the most part, statues of young males, both draped and nude, although females and seated infants appear as well. Several introductory chapters discuss the types represented, the findspots and possible original placement of the sculptures, and the techniques involved in their construction. The fragments are presented in 156 well-illustrated catalogue entries. This volume greatly expands our knowledge of the history of Corinth, broadening our understanding both of cult practices at the site and of the manufacture of terracotta sculpture.
When Dad makes a plan to fix the walkway in front of their house with new cement, Nancy knows just how to make the walkway parfait—which is French for perfect! Disney Junior’s Fancy Nancy: Nancy Makes Her Mark is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated family comedy starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and Robin Preiss Glasser.
Nancy discovers a new talent for repairing broken toys in the neighborhood. But can she keep her cool when her prized doll, Marabelle, needs help? Disney Junior Fancy Nancy: Operation Fix Marabelle is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated preschool series starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and illustrated by Robin Preiss Glasser.
Coming in 2018 to Disney Junior, Fancy Nancy will star in her own fabulous TV show! Nancy has a new playhouse, and it’s time for some ooh-la-la fancy fun! But when one friend wants to be the boss of who can come to play, Nancy has to decide what it means to be a good friend. Based on the new Disney Junior TV show and inspired by the classic picture book series by Jane O’Connor and Robin Preiss Glasser, this brand-new Level One I Can Read retells key moments from the show. Fancy Nancy: Chez Nancy is a Level One I Can Read, which means it’s perfect for children learning to sound out words and sentences.
When Mom gets sniffles that are worse than awful, Nancy decides she can help Mom by tidying up and watching JoJo. After all, Nancy is practically an expert at being a big sister, so how hard could it be? Disney Junior’s Fancy Nancy: Mademoiselle Mom is a Level One I Can Read, perfect for children learning to sound out words and sentences. Disney Junior’s Fancy Nancy is an animated family comedy starring six-year-old Nancy, a girl who is fancy in everything from her advanced vocabulary to her creative, elaborate attire. The show is based on the New York Times bestselling book series Fancy Nancy by Jane O’Connor and Robin Preiss Glasser.
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