First Contact walks the instructor through the course design and execution process for the Introductory Sociology or the first course in sociology. It is an invaluable resource for new instructors in sociology, graduate students learning how to teach, seasoned professors who want to refresh their courses, but also administrators who review and evaluate these courses.
Thirteen-year-old Guinevere learns more about her destiny when she accompanies her aunt and uncle to an important council of Welsh kings and finds that she has a powerful enemy in the High King's sister, Morgan.
In this study, Nancy Bradbury presents a spectrum of medieval English romances that extends from the fragmentary remains of a predominantly oral tradition to a writerly work that proclaims its own place in the European tradition of canonical poetry. By focusing on works composed at the interface of oral and literary tradition, Bradbury tracks the movement of folkloric patterns from the shared culture of oral storytelling to the realm of elite literature.
Drunken Bride, Texas, April 1875. Writing furiously in a jail cell in the days leading up to his hanging, former slave Persimmon "Persy" Wilson's last wish is to set the record straight. He may be guilty, but not of what he stands accused: the kidnapping and rape of his master's wife. Fifteen years earlier, Persy had been sold to Sweetmore, a Louisiana sugar plantation, alongside a striking young house slave named Chloe. Persy and Chloe arrive bound together in chains, a circumstance out of which is forged a perilous love affair and dreams of escape. But on the eve of the Union Army's takeover of New Orleans, an outraged and jealous Master Wilson shoots Persy and flees with Chloe and his other slaves to Texas. So begins Persy's epic journey, a sweeping tale that takes readers from the sweltering exhaustion of plantation life to the final battles of the Civil War, from the isolation and bitter cold of the Texas frontier to the brutal yet life-affirming ways of the Comanche warriors who show Persy what it means to control one's own destiny. Facing unimaginable hardship in his quest to find Chloe -- the sole silver lining of an awful past -- Persimmon gradually regains the dignity and selfhood that years of brutal subjugation had eroded. Perfect for fans of Cold Mountain and The Invention of Wings, this is the moving testimony of a man whose remarkable odyssey reveals the power of love and the depth of the human spirit"--Publisher's description.
Renewed arguments over the definition of Romanticism warrant a new look at the narrative poetry of Sir Walter Scott. Nancy Moore Goslee's study, the first full treatment of Scott's poems in many years, will do for his poetry what Judith Wilt's book has done for his novels. Already a subtle reader of the high Romantics and their celebrations of the visionary imagination, Goslee draws upon several recent critical developments for this study of Scott: a growing tendency among critics of his novels to see romance as a positive strength, the broader development of narrative theory, and feminist theory. Like Thomas the Rhymer, the half-historical, half- mythic minstrel who rides off with the elfin queen, Scott's poems repeatedly accept the world of romance and yet challenge it, often wittily, with an array of hermeneutic perspectives upon its function. The perspectives Goslee considers most fully are the development of poetry from a communal, oral performance to a written, published document; the larger, more violent development of Scottish and British history from feudal to modern cultures; and the repeated contrast, in that succession of cultures, between the limited, passive role of most actual women and their active, powerful role as elfin queen or enchantress in the romance. As if drawn toward yet simultaneously repelled by such women, Scott alternates between poems in which enchantresses seem to control their worlds and those in which women are only pawns, desirable for the land they inherit. The poems of the latter group are more realistically historical in plot, turning upon major battles; those of the former are more romantic and magical. Yet both follow similar narrative patterns derived from medieval and especially Renaissance romance. Both, too, show a wandering in more primitive, violent societies which delays the rational, gradual progress seen as cultural salvation by Enlightenment historians.
Lyrical, emotional, dramatic, and packed with Nancy Thayer’s trademark warmth and wisdom, Heat Wave tells the moving story of a woman who, after her seemingly perfect life unravels, must find the strength to live and love again. After her husband’s sudden death, Carley Winsted is determined to keep her two daughters in their beloved home on Nantucket. To ease the family’s financial strain, she decides to transform their grand, historic house into a bed-and-breakfast. Not everyone, however, thinks this plan prudent or quite respectable—especially not Carley’s mother-in-law. Further complicating a myriad of challenges, a friend forces Carley to keep a secret that, if revealed, will undo families and friendships. And her late husband’s former law partner is making Carley confront an array of mixed feelings. Then, during a late-summer heat wave, the lives of Carley and her friends and family will be forever changed in entirely unexpected ways.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.