Engrossing and memorable' Ben Okri 'Meditative, gestural, philosophic: a brave reinvention of the immigrant narrative ... Unprecedented' Taiye Selasi 'I read this novel very slowly. I didn't want to miss anything ... It is a rich, beautiful book and when I got to the end, I wanted to start again' Chibundu Onuzo Maya grows up in Germany knowing that her parents are different: from one another, and from the rest of the world. Her reserved, studious father is distant; and her beautiful, volatile mother is a whirlwind, with a penchant for lavish shopping sprees and a mesmerising power for spinning stories of the family's former glory – of what was had, and what was lost. And then Kojo arrives one Christmas, like an annunciation: Maya's cousin, and her mother's godson. Kojo has a way with words – a way of talking about Ghana, and empire, and what happens when a country's treasures are spirited away by colonialists. For the first time, Maya has someone who can help her understand why exile has made her parents the way they are. But then Maya and Kojo are separated, shuttled off to school in England, where they come face to face with the maddening rituals of Empire. Returning to Ghana as a young woman, Maya is reunited with her powerful but increasingly troubled cousin. Her homecoming will set off an exorcism of their family and country's strangest, darkest demons. It is in this destruction's wake that Maya realises her own purpose: to tell the story of her mother, her cousin, their land and their loss, on her own terms, in her own voice.
Engrossing and memorable' Ben Okri 'Meditative, gestural, philosophic: a brave reinvention of the immigrant narrative ... Unprecedented' Taiye Selasi 'I read this novel very slowly. I didn't want to miss anything ... It is a rich, beautiful book and when I got to the end, I wanted to start again' Chibundu Onuzo Maya grows up in Germany knowing that her parents are different: from one another, and from the rest of the world. Her reserved, studious father is distant; and her beautiful, volatile mother is a whirlwind, with a penchant for lavish shopping sprees and a mesmerising power for spinning stories of the family's former glory – of what was had, and what was lost. And then Kojo arrives one Christmas, like an annunciation: Maya's cousin, and her mother's godson. Kojo has a way with words – a way of talking about Ghana, and empire, and what happens when a country's treasures are spirited away by colonialists. For the first time, Maya has someone who can help her understand why exile has made her parents the way they are. But then Maya and Kojo are separated, shuttled off to school in England, where they come face to face with the maddening rituals of Empire. Returning to Ghana as a young woman, Maya is reunited with her powerful but increasingly troubled cousin. Her homecoming will set off an exorcism of their family and country's strangest, darkest demons. It is in this destruction's wake that Maya realises her own purpose: to tell the story of her mother, her cousin, their land and their loss, on her own terms, in her own voice.
The first book to focus on Black women and depression, through the author’s “absorbing and inspirational” (Washington Post) personal journey. When Nana-Ama Danquah, a twenty-two-year-old single mother, began to suffer from a variety of depressive symptoms after giving birth to her daughter, she thought she was going crazy. Determined to portray strength in a world that often undervalues Black women’s lives, she shrouded her debilitating despair in silence and denial. But when she befriends other Black women who suffer with depression, she finds the support she needs to confront the traumatic childhood events that lie beneath her grief. Twenty-five years after its initial publication, as best-selling author Andrew Solomon writes in an illuminating foreword, Willow Weep for Me “remains a brave book . . . but at the time of its writing it was humblingly audacious.” Also including an afterword from the author, this groundbreaking classic is a powerful meditation on courage and a litany for survival. “An important and moving memoir. [Danquah] describes beautifully her experiences with depression.” —Kay Redfield Jamison, author of An Unquiet Mind
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