Argues for postcoloniality as a model for philosophical practice. In this ambitious book, Namita Goswami draws on continental philosophy, postcolonial criticism, critical race theory, and African American and postcolonial feminisms to offer postcoloniality as a model for philosophical practice. Moving among and between texts, traditions, and frameworks, including the work of Gayatri Spivak, Theodor Adorno, Barbara Christian, Paul Gilroy, Neil Lazarus, and Hortense Spillers, among others, she charts a journey that takes us beyond Eurocentrism by understanding postcoloniality as the pursuit of heterogeneity, that is, of a non-antagonistic understanding of difference. Recognizing that philosophy, feminism, and postcolonial theory share a common concern with the concept of heterogeneity, Goswami shows how postcoloniality empowers us to engage more productively the relationships between these disciplines. Subjects That Matter confronts the ways Eurocentrism, an identity politics that considers difference as inherently oppositional, relegates minority traditions to a diagnostic and/or corrective standpoint to prevent their general implications from playing a critical and transformative role in how we understand subjectivity and agency. Through unexpected, often surprising, and thought-provoking analytic connections and continuities, this book’s interdisciplinary approach reveals a postcolonial pluralism that expands philosophical resources, confounds and limits our habitual disciplinary lexicons, and opens up new areas of inquiry. “This is a groundbreaking contribution to a number of distinct but intersecting fields.” — Amy Allen, author of The End of Progress: Decolonizing the Normative Foundations of Critical Theory
At a mere four hours’ notice, at 8.00 p.m., on March 24th 2020, the Indian Prime Minister Modi announced a lockdown to contain the spread of virus in order to jumpstart an already-crumbling healthcare system for one of the most devastating pandemics soon to envelop India. People stormed out to panic-buy ration stocks; India’s migrant working classes started walking back to the villages, left hungry and desolate without homes, work and wages - a scene not very short of an apocalypse. Over two summers, India woke up to similar headlines: a shortage of hospital beds, oxygen, medicines; a languishing economy; cases rising and falling; governments greenlighting Hindu religious, superspreader that compounded the second wave; misled unlocking schools, business and the social sphere, and reversed lockdowns when cases went up; underreporting of cases and deaths; lakhs dead to the virus and crores of people infected, and still counting. While the pandemic continues to rage on, notwithstanding its ebbs and flows, its real impact on society may start to be visible only much later. Over a year of tracking how the pandemic ravaged India’s society, economy, politics and culture, nine of finest India’s writers try and make sense of this difficult reality. The Dark Hour is a publisher’s anthology of specially commissioned long-form essays that unpack two dreadful summers of the pandemic that wreaked havoc on the many Indias within India.
Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused to follow him back after a second trial, is often forgotten. However she is remembered, revered or written about, Sita continues to exert a powerful influence on the collective Indian psyche. In Search of Sita presents essays, conversations and commentaries that explore different aspects of her life. It revisits mythology, reopening the debate on her birth, her days in exile, her abduction, the test by fire, the birth of her sons and, finally, her return to the earth—offering fresh interpretations of this enigmatic figure and her indelible impact on our everyday lives.
In this ambitious book, Namita Goswami draws on continental philosophy, postcolonial criticism, critical race theory, and African American and postcolonial feminisms to offer postcoloniality as a model for philosophical practice. Moving among and between texts, traditions, and frameworks, including the work of Gayatri Spivak, Theodor Adorno, Barbara Christian, Paul Gilroy, Neil Lazarus, and Hortense Spillers, among others, she charts a journey that takes us beyond Eurocentrism by understanding postcoloniality as the pursuit of heterogeneity, that is, of a non-antagonistic understanding of difference. Recognizing that philosophy, feminism, and postcolonial theory share a common concern with the concept of heterogeneity, Goswami shows how postcoloniality empowers us to engage more productively the relationships between these disciplines. Subjects That Matter confronts the ways Eurocentrism, an identity politics that considers difference as inherently oppositional, relegates minority traditions to a diagnostic and/or corrective standpoint to prevent their general implications from playing a critical and transformative role in how we understand subjectivity and agency. Through unexpected, often surprising, and thought-provoking analytic connections and continuities, this book's interdisciplinary approach reveals a postcolonial pluralism that expands philosophical resources, confounds and limits our habitual disciplinary lexicons, and opens up new areas of inquiry.
The Himalayas, the tallest and the youngest mountains in the world, spread from Afghanistan and Pakistan through India, Bhutan, Nepal and Myanmar with their northern extrusions - the Ximalaya Shanmai - across the Tibetan plateau in China. Despite border restrictions, the inhabitants of this region continue to share a trans-Himalayan identity, fragile yet enduring. The Himalayan Arc focuses on a crucial, enthralling, politically turbulent, yet often underreported part of this Himalayan belt - the 'East of South-east'. With over thirty contributors, it attempts to describe the sense of shared lives and cultural connectivity between the denizens of this area. Poetry, fiction, and mysticism are juxtaposed with essays on strategy and diplomacy, espionage and the deep state, photographs, folk tales, and fables. From the unique identity of a Himalayan citizen to the 'geopolitical jigsaw' that is the region; from the hidden spy network in Kathmandu to intimate portraits of Shillong, Gangtok, Darjeeling, and other cities; from the insurgency in Assam to a portrait of Myanmar under military rule, the essays, stories, and poems in this anthology highlight the similarities within the differences of the Himalayan belt. Providing insider and outsider perspectives on this intriguing part of the world, The Himalayan Arc is a travel book with a difference. Contributors: Janice Pariat, Salil Tripathi, Ma Thida, Indra Bahadur Rai, Prajwal Parajuly, David Malone, Chetan Raj Shrestha, Kanak Mani Dixit, Sujeev Shakya, Pushpesh Pant, John Elliott, Amish Raj Mulmi, Thomas Bell, Sushma Joshi, Sanjoy Hazarika, Sudhindra Sharma, Tshering Tashi, Abhay K., Manoj Joshi, Catherine Anderson, Andrew Duff, Binodini, Jacqueline Zote, Aruni Kashyap, Sameer Tanti, Nitoo Das, Lutfa Hanum Selima Begum, Uddipana Goswami, Robin Ngangom, Akhu Chingangbam, Indira Goswami, Andrew Selth, Tulsi Badrinath, Meghna Pant, Mamang Dai, Desmond Kharmawphlang
At a mere four hours’ notice, at 8.00 p.m., on March 24th 2020, the Indian Prime Minister Modi announced a lockdown to contain the spread of virus in order to jumpstart an already-crumbling healthcare system for one of the most devastating pandemics soon to envelop India. People stormed out to panic-buy ration stocks; India’s migrant working classes started walking back to the villages, left hungry and desolate without homes, work and wages - a scene not very short of an apocalypse. Over two summers, India woke up to similar headlines: a shortage of hospital beds, oxygen, medicines; a languishing economy; cases rising and falling; governments greenlighting Hindu religious, superspreader that compounded the second wave; misled unlocking schools, business and the social sphere, and reversed lockdowns when cases went up; underreporting of cases and deaths; lakhs dead to the virus and crores of people infected, and still counting. While the pandemic continues to rage on, notwithstanding its ebbs and flows, its real impact on society may start to be visible only much later. Over a year of tracking how the pandemic ravaged India’s society, economy, politics and culture, nine of finest India’s writers try and make sense of this difficult reality. The Dark Hour is a publisher’s anthology of specially commissioned long-form essays that unpack two dreadful summers of the pandemic that wreaked havoc on the many Indias within India.
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