The blind matriarch, Matangi-Ma, lives on the topmost floor of an old house with many stories. From her eyrie, she hovers unseeingly over the lives of her family. Her long-time companion Lali is her emissary to the world. Her three children are by turn overprotective and dismissive of her. Her grandchildren are coming to terms with old secrets and growing pains. Life goes on this way until one day the world comes to a standstill-and they all begin to look inward. This assured novel records the different registers in the complex inner life of an extended family. Like the nation itself, the strict hierarchy of the joint-family home can be dysfunctional, and yet it is this home that often provides unexpected relief and succour to the vulnerable within its walls. As certainties dissolve, endings lead to new beginnings. Structured with the warp of memory and the weft of conjoined lives, the narrative follows middle India, even as it records the struggles for individual growth, with successive generations trying to break out of the stranglehold of the all-encompassing Indian family. Ebbing and flowing like the waves of a pandemic, the novel is a clear-eyed chronicle of the tragedies of India's encounter with the Coronavirus, the cynicism and despair that accompanied it, and the resilience and strength of the human spirit.
The blind matriarch, Matangi-Ma, lives on the topmost floor of an old house with many stories. From her eyrie, she hovers unseeingly over the lives of her family. Her long-time companion Lali is her emissary to the world. Her three children are by turn overprotective and dismissive of her. Her grandchildren are coming to terms with old secrets and growing pains. Life goes on this way until one day the world comes to a standstill-and they all begin to look inward. This assured novel records the different registers in the complex inner life of an extended family. Like the nation itself, the strict hierarchy of the joint-family home can be dysfunctional, and yet it is this home that often provides unexpected relief and succour to the vulnerable within its walls. As certainties dissolve, endings lead to new beginnings. Structured with the warp of memory and the weft of conjoined lives, the narrative follows middle India, even as it records the struggles for individual growth, with successive generations trying to break out of the stranglehold of the all-encompassing Indian family. Ebbing and flowing like the waves of a pandemic, the novel is a clear-eyed chronicle of the tragedies of India's encounter with the Coronavirus, the cynicism and despair that accompanied it, and the resilience and strength of the human spirit.
A story of unrequited love. This is the story of Parvati, young, beautiful and doomed, and Mukul Nainwal, the local boy made good who returns to the Nainital of his youth to search for the only woman he has ever loved, a search that will bring him face to face with all that he has lost and can never reclaim.
Bitiya is a young university lecturer in Delhi whose external beauty has been destroyed in an acid attack. Unable to bear the pain of her scars, or of the sympathetic looks she receives, she decides to leave the city to live in the hills of the Himalayas. There, in an old rambling house, she spends time alone, save for the company of an eccentric, almost magical manservant, Lohaniju. And as the days go by, her face covered by a soft gauze veil, her brightly painted nails the only hint of colour, Bitiya becomes transfixed by the voices that sing out from the foundations of her new home. There is the original English missionary and his wife, she frail, he determined, ignorant, foolish. The two homosexual army officers, under the influence of both one another and of their erstwhile companion, Alaistair Crowley, infamous dabbler in black magic. The Captain and his exquisite, sensual, delicate wife. The Catholic priest, at one with himself and God. And last, but never least, the ghost of the house itself, always there, interfering,controlling, both calming and provocative.
From a septuagenarian who has completed her semi-fictional novel but does not want to publish it, to an author who receives a threat in the form of an anonymous letter, from a historian who reunites with a past lover, to a burglar who is passionate about poetry, from a young woman who has no idea what this world has in store for her, to an American woman looking for the India of her hippie youth, this metafictional, wryly funny, pacey novel is an ode to literature. Told from multiple perspectives, set against the backdrop of the vibrant multilingual Jaipur Literature Festival, diverse stories of lost love and regret, self-doubt, and new beginnings come together in a narrative that is as varied as India itself. Partly a love letter to the greatest literary show on earth, partly a satire about the glittery set that throngs this literary venue year on year, and partly an ode to the millions of aspiring writers who wander the earth with unsubmitted manuscripts in their bags, Jaipur Journals is a light-footed romp that showcases in full form Gokhale's unsparing eye for the pretensions and the pathos of that loneliest tribe of them all: the writers.
A story of unrequited love. This is the story of Parvati, young, beautiful and doomed, and Mukul Nainwal, the local boy made good who returns to the Nainital of his youth to search for the only woman he has ever loved, a search that will bring him face to face with all that he has lost and can never reclaim.
India is shining, and Suresh Kaushal, the stout lawyer -of sober habits', has propelled himself up the political ladder to become Minister of State for Food Processing, Animal Husbandry, Fisheries and Canneries. His wife Priya can't believe their luck and, determined to ensure it doesn't run out, struggles valiantly with -social vertigo', infidelity and menopause. Along the way she also learns vital lessons on survival, as she watches her glamorous new friend Pooonam chase status, sex and Jimmy Choo shoes, and her radical old friend Lenin ride a donkey and lose his bearings. In this wickedly funny, occasionally tender, book, Namita Gokhale resurrects some unforgettable characters from her 1984 cult bestseller Paro, and plunges them neck-deep into Delhi's toxic waste of power, money and greed.
Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused to follow him back after a second trial, is often forgotten. However she is remembered, revered or written about, Sita continues to exert a powerful influence on the collective Indian psyche. In Search of Sita presents essays, conversations and commentaries that explore different aspects of her life. It revisits mythology, reopening the debate on her birth, her days in exile, her abduction, the test by fire, the birth of her sons and, finally, her return to the earth—offering fresh interpretations of this enigmatic figure and her indelible impact on our everyday lives.
An essential traveller's companionThis is an unusual collection of travel pieces by writers ranging from M.J. Akbar and Aman Nath to Devdutt Pattanaik, Jerry Pinto, Rahul Pandita and Advaita Kala.Featured here are essays on the changing face of the popular hill resort-Nainital, living as a Pakistani in the remote city of Copenhagen, a woman traveller being strip-searched at an American airport and traversing the dark interiors of the haunted Bhangarh Fort in Rajasthan, among others. Focusing on the Indian experience, the book captures a country of shifting landscapes - physical, cultural, psychological. A departure from the traditional travel narrative, this is a unique collection for the travel-book buff.
1944, Kohima — a small, sleepy town in northeast India. Subhash Chandra Bose and his Indian National Army (INA) along with the Japanese, are on the brink of bringing the Empire to its knees and forcing the British out of India. But, inexplicably, the tables turn. The INA’s advance is thwarted and the victory march to Delhi is halted. Seventy years later, the British admit that the Battle of Kohima was the greatest battle they had ever fought. Even more so than the battles of Waterloo and Dunkirk. Was it then that old Indian curse — betrayal? Someone from within Netaji’s own ranks? Were there forces other than the British, waiting in the shadows closer to home, who stood to gain even more from the INA’s defeat? Or was it just love that irrevocably altered the course of India’s destiny? The Wrong Turn: Love and Betrayal in the Time of Netaji, is a sweeping tale of passion set against the freedom struggle. Debraj, the rakish playboy and scion of a distinguished Calcutta family, and Nishonko, the fiery revolutionary sworn to the cause of the INA, must not only fight their common enemy, but also for the love of Aditi, the rebel with the healing touch. A haunting tale of love, friendship and betrayal of an entire nation, The Wrong Turn veers inexorably towards a poignant redemption.
I am the rakshasa Ghatotkacha, born of the Lord Bhimasena and the lady Hidimba. I rule over hill and vale, wood and stream, protecting the spirit of the forest and all who live in it.' Young Chintamani Dev Gupta, on holiday in a bird camp near Lake Sattal, is transported via a wormhole to the days of the Mahabharata. Trapped in time, he meets Ghatotkacha and his mother, the demoness Hidimba. But the gentle giant, a master of illusion and mind-boggling rakshasa technology, wields his strength just as well as he knows the age-old secrets of the forest and the elemental forces. And in his enlightening company, Chintamani finds himself in the thick of the events of the most enduring Indian epic. An intense yet tender look at a rare friendship as well as the abiding puzzles of the past, this is a fascinating read.
Key Features A collection of elegantly told stories about women by a well-known writer. About the Book: The Habit of Love Collection of stories offering a profound insight into the female mind!. The Habit of Love is a collection of stories about the inner lives of women. Some of these women inhabit the ancient past, some the present day but they share the whimsical humour with which they speak of themselves. Journalist Madhu Sinha strikes up a friendship with a young man the same age as her indifferent children; a messenger swan relates the story of the doomed lovers Nala and Damayanti; Vatsala Vidyarthi suspects her one night stand of stealing her money.
Since the 1990s, development-induced displacement has emerged as a major human rights concern. At the heart of this debate lie the issues of equity, governance, justice and power. There are many examples of dam-induced displacement and resettlement being mismanaged and thus leading to enormous social and environmental costs. The developing impasse necessitated fresh insights into the lives of affected people, and a review of assumptions, questions and options in social engineering, a challenge that was taken up in sociological and anthropological research. This book is an endeavour to fill this gap by providing a comprehensive outlook on the human rights issues involved in development induced displacement. This book is a sincere effort to provide a critical analysis of the environmental, social and economic impacts of development projects. It further calls for a serious deliberation on the human rights aspects of development induced displacement.
Shiva: Destroyer and Protector, Supreme Ascetic and Lord of the Universe. He is Ardhanarishwara, half-man and half-woman; he is Neelakantha, who drank poison to save the three worlds-and yet, when crazed with grief at the death of Sati, set about destroying them. Shiva holds within him the answers to some of the greatest dilemmas that have perplexed mankind. Who is Shiva? Namita Gokhale examines this question and many others that lie within the myriad of stories about Shiva. Even as she unravels his complexities, she finds a philosophy and worldview that is terrifying and yet life affirming-an outlook that is to many the essence of Indian thought.
‘A long, long time ago, in the ancient lands of India, known in those days as Bharatvarsha, a family quarrel grew into a bloody war. There had been wars before, and there have been wars since, but that mighty battle between warring cousins of the Kuru clan has become a part of the mythology and history of India. Told and retold a million times, the story of the Mahabharata is about defeat as much as victory, about humility as much as courage. It is the greatest story ever told.’ Like a modern-day suta or storyteller, Namita Gokhale brings alive India’s richest literary treasure with disarming ease and simplicity. She retells this timeless tale of mortals and immortals and stories within stories, of valour, deceit, glory and despair, for today’s young reader in a clear, contemporary style. A brilliant series of evocative and thoughtful illustrations by painter and animator Suddhasattwa Basu brings the epic to life in a vibrant visual feast. Matchless in its content and presentation, The Puffin Mahabharata is a book that will be cherished by readers of all ages.
‘A long, long time ago, in the ancient lands of India, known in those days as Bharatvarsha, a family quarrel grew into a bloody war. There had been wars before, and there have been wars since, but that mighty battle between warring cousins of the Kuru clan has become a part of the mythology and history of India. Told and retold a million times, the story of the Mahabharata is about defeat as much as victory, about humility as much as courage. It is the greatest story ever told.’ Like a modern-day suta or storyteller, Namita Gokhale brings alive India’s richest literary treasure with disarming ease and simplicity. She retells this timeless tale of mortals and immortals and stories within stories, of valour, deceit, glory and despair, for today’s young reader in a clear, contemporary style. A brilliant series of evocative and thoughtful illustrations by painter and animator Suddhasattwa Basu brings the epic to life in a vibrant visual feast. Matchless in its content and presentation, The Puffin Mahabharata is a book that will be cherished by readers of all ages.
WINNER OF THE KALINGA LITERARY FESTIVAL FICTION BOOK OF THE YEAR AWARD 2020-2021 Michael Madhusdan Dutt (1824--1872), a maverick who changed the scope of Bengali poetry in the nineteenth century, especially with his free-verse epic, 'Meghnadhbadh Kabya', was a genius who never got his due. Throughout his life, Madhusudan was caught in an identity crisis: he wrote in the English language, changed his religion and was a restless traveller, yearning to belong somewhere. After an extended sojourn in London and Paris, with misery and poverty as his constant companions, the poet finally found his metier in his mother tongue. Betrayed By Hope, a play-script based on the letters Michael Madhusudan Dutt wrote to friends, well-wishers and patrons, paints the portrait of an artist as he plunges headlong into crisis after crisis, even as his imagination and creativity soar. Namita Gokhale and Malashri Lal pay tribute to his extraordinary life in a story that will lay bare our deep-set contradictions about art and life.
It is best, in one's sojourns across the Himalaya, to be cautious in chance encounters, for one could well encounter a saint, a siddha, a madman or a charlatan. Mystics and Sceptics, edited by Namita Gokhale, comprises essays on all of these. This uniquely insightful anthology traverses the sacred geography of the Himalayan range, encompassing different cultures and religious traditions in its living legacy. Through myth, legend and anecdotal memory, it includes narratives of wanderers and seekers, gurus and enlightened souls, tricksters and delusionists. The spiritual seekers discussed here include Guru Milarepa, Neem Karoli Baba and Siddhi Ma, Paramhansa Yogananda, Swami Rama, Guru Nanak, Swami Vivekananda, Haidakhan Baba, Yeshe Tsogyal, Lal Ded and Sri Madhav Ashish. Also discussed are the sacred traditions of the dhuni and chimta, the shakti peeths in the Himalayan region, trance runners of Tibet and Bhutan and the Khasi rituals of divination and prophecy. The stories herein are as varied as the flora and fauna of the mountains. Some of them display the resilient scepticism that is the foundation of true belief; others take a leap of faith. There are encounters and quests, wanderings and lost paths, disappointments and betrayals, but they carry the spirit of the seeker, of the search and the continuing journey within them. This book is a tribute to the mysteries of the Himalaya and the mystic secrets it contains. Authors: Holly Gayley, Andrew Quintman, W.Y. Evan Wentz, Ranjit Hoskote, Navtej Sarna, Makarand R. Paranjape, Alexandra David-Neel, Rajiv Mehrotra, Paramhansa Yogananda, Sujata Prasad, Romola Butalia, Madhu Tandan, Namita Gokhale, Rene von Nebesky-Wojkowitz, Swami Rama, Devyani Mungali, Bhushita Vasistha, Sidharth, Tsering Dondrup, Jono Lineen, Tshering Tashi, Bijoya Sawian, Alka Pande and Vaibhav Kaul.
A rich, panoramic historical novel shows you Kumaon and the Raj as you have never seen them It is 1856, in picturesque Kumaon. History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians, and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic—and Namita Gokhale’s most ambitious novel yet.
Shiva: Destroyer and Protector, Supreme Ascetic and Lord of the Universe. He is Ardhanarishwara, half-man and half-woman; he is Neelakantha, who drank poison to save the three worlds-and yet, when crazed with grief at the death of Sati, set about destroying them. Shiva holds within him the answers to some of the greatest dilemmas that have perplexed mankind. Who is Shiva? Why does he roam the world as a naked ascetic covered with ash? What was the tandava? What is the story behind the worship of the linga and what vision of the world does it signify? Namita Gokhale examines these questions and many others that lie within the myriad of stories about Shiva. Even as she unravels his complexities, she finds a philosophy and worldview that is terrifying and yet life affirming-an outlook that is to many the essence of Indian thought.
Before Mother Left, In A Long-Ago Time, We Had Been Very Rich&. My Grandmother Had Been A Great Singer, A Kothewali Whose Voice Was More Liquid And Beautiful Than Lata Mangeshkar S. Eleven Nawabs And Two Englishmen Were Besotted With Love Of Her&. From These Great Heights Gudiya S World Plunges Into The Depths Of Almost Complete Penury When She Arrives In Delhi With Her Ancient Grandmother, Ammi, Fleeing Small-Town Scandal And Disgrace. Just When All Seems Lost, Ammi Works A Miracle: A Slab Of Green Marble Stolen From A Building Site, And Five Rounded Pebbles From A Sahib'S Garden, Are Transformed By The Power Of Her Singing Voice Into An Inviolable Place Of Worship. From Here On, Gudiya S Life Takes On An Extraordinary Momentum Of Its Own. Ammi Dies A Small-Time Saint, Pandit Kailash Nath Shastri Predicts A Future Of Impossible Luck, The Irrepressible Phoolwati Becomes An Unlikely Guardian, And The Inhumanly Handsome Kalki Rides In On His White Horse And Steals Her Heart. As We Follow The Twists And Turns Of Gudiya S Story, We See Unfold Before Us The Peculiar Dance Of Chance And Will That Is Human Existence.
An essential traveller's companionThis is an unusual collection of travel pieces by writers ranging from M.J. Akbar and Aman Nath to Devdutt Pattanaik, Jerry Pinto, Rahul Pandita and Advaita Kala.Featured here are essays on the changing face of the popular hill resort-Nainital, living as a Pakistani in the remote city of Copenhagen, a woman traveller being strip-searched at an American airport and traversing the dark interiors of the haunted Bhangarh Fort in Rajasthan, among others. Focusing on the Indian experience, the book captures a country of shifting landscapes - physical, cultural, psychological. A departure from the traditional travel narrative, this is a unique collection for the travel-book buff.
On the ghats of Kashi, a sightless priest directs a young woman to come to terms with an earlier life that binds her in the eternal cycle of death & rebirth. In the life she recalls, she was Shakuntala - spirited, imaginative & adventurous, but destined, like her legendary namesake, to suffer 'the samskaras of abandonment'.
The Avengers Of My Vanity Have Broken Me, Humbled Me With These Small Depredations Of Skin And Bone And Tissue, Leaving Me Less Than I Was. Scarred By Her Lover S Suicide And An Acid Attack That Has Left Her Permanently Disfigured, Rachita Tiwari Has Sought Refuge In A Remote House In The Himalayan Foothills. In This Rambling House, Built By A Foolhardy Missionary Over A Hundred Years Ago, She Lives Alone-Save For The Company Of The Ancient And Mysterious Manservant, Lohaniju-Painting And Repainting Her Nails A Bright Red, Careful Not To Look Into Mirrors. As She Retreats Into Herself, Battling For Her Sanity And Fearful Of A World She No Longer Trusts, A Different Dimension Claims Her And The Tremendous History Of The House Is Played Out Before Her. There Is The Vain Fool, Captain Wolcott, And His Tragically Sensuous Mistress, Dona Rosa, Of The Wandering Heart ; The Doomed Lovers Marcus And Munro, Disciples Of Aleister Crowley, Infamous Dabbler In Black Magic; Father Benedictus, Seeker Of Knowledge , At Peace With Himself And His God; And The All-Knowing, Sage Crows. With And Above Them All Is The Resident Ghost Of The House, Solitary And Sad, At Times Merely An Observer As The Fantastical Destinies Unfold Around Him, And At Times Unable To Remain Detached. After A Century Of Silence Something Compels Him To Speak-Words That The Injured Woman Now Inhabiting The House Will Hear; Words That Will Give Her Back To Herself. Part Ghost Story, Part Erotic Romance, The Book Of Shadows Is An Ambitious Book That Investigates The Nature Of Reality, Love And Faith. It Is A Work Of Startling Originality By One Of India S Most Daring And Talented Writers. Our Kind Is Not Nourished By The Sun: It Is The Moon Which Gives Us Sustenance. We Wax And Wane With The Moon, Except When Harnessed By A Human Energy, When The Pull Of The Tides Loses Its Grip. As Dawn Broke Over The Mountains, Lighting Up The Still White Presences Of The Snows, I Fled To My Refuge, My Fated Spot. This Night Of Passion, My First, Had Initiated Me Into The Sorrows Of Mankind; The Unfaith, The Terrible And Tenuous Link Of Love.
‘The history of women is left to us in folklore and tradition, in faintly-remembered lullabies and the half-forgotten touch of a grandmother’s hand, in recipes, ancestral jewellery, and cautionary tales about the limits of a woman’s empowerment. Mountain Echoes describes the Kumaoni way of life through the eyes of four highly-talented and individualistic women. Their recollections mirror a social universe that no longer exists, that has been dissolved in the mainstream of modernization and urbanization, of democracy, education and emancipation. Shivani, Tare Pande, Jiya, and Shakuntala Pande were all alive and well when this book was first published in 1998. In the midst of all the rapid and unrecognizable charge that surrounds us, their stories and their memories are distilled into an even more precious evocation of times past.’
Sita is one of the defining figures of Indian womanhood, yet there is no single version of her story. Different accounts coexist in myth, literature and folktale. Canonical texts deify Sita while regional variations humanize her. Folk songs and ballads connect her timeless predicament to the daily lives of rural women. Modern-day women continue to see themselves reflected in films, serials and soap operas based on Sita’s narrative. Sacrifice, self denial and unquestioning loyalty are some of the ideals associated with popular perceptions of Sita. But the Janaki who symbolized strength, who could lift Shiva’s mighty bow, who courageously chose to accompany Rama into exile and who refused to follow him back after a second trial, is often forgotten. However she is remembered, revered or written about, Sita continues to exert a powerful influence on the collective Indian psyche. In Search of Sita presents essays, conversations and commentaries that explore different aspects of her life. It revisits mythology, reopening the debate on her birth, her days in exile, her abduction, the test by fire, the birth of her sons and, finally, her return to the earth—offering fresh interpretations of this enigmatic figure and her indelible impact on our everyday lives.
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