In January 2017, President Trump signed an executive order banning people from seven Muslim-majority countries – Iran, Iraq, Libya, Syria, Somalia, Sudan and Yemen – from entering the United States, effectively slamming the door on refugees seeking safety and tearing families apart. Mass protests followed, and although the order has since been blocked, amended and challenged by judges, it still stands as one of the most discriminatory laws to be passed in the US in modern times. Banthology brings together specially commissioned stories from the original seven ‘banned nations’. Covering a range of approaches – from satire, to allegory, to literary realism – it explores the emotional and personal impact of all restrictions on movement, and offers a platform to voices the White House would rather remained silent. Part of our 'Banned Nations Showcase'.
The stories are funny, satirical, absurd, serious and surrealistic, but they make they make their point both about the repression in a strict Muslim society but, more particularly, about the horrors of the political situation in Libya where civilians are the main victim. The book is short so it won’t take you long to read and it will be well worth it.' John Alvey in The Modern Review 'Each story in Catalogue of a Private Life by Libyan author Najwa Bin Shatwan navigates a topic that feels resonant with our modern, more intimate understanding of worldwide worries. Strong images abound, stirring up questions: what can we as individuals do to help the collective good? Passing, almost trivial statements stick in the mind – the first story (of eight) in Catalogue Of A Private Life includes the gem, “White socks were naturally a great measure at how fashionable a man was or how noble.” The dinkus is used to denote transitions through time, much like a film shifting through events. Another story, The Irresponsible Director, speaks volumes about the role food has in narratives: everyday observations that will likely strike a chord with us in their minutiae. In Catalogue of a Private Life, Bin Shatwan writes complex characters into stories that create a unique space to explore the rich tapestry of human behaviour, of lives from a place that a Westerner such as myself may find difficult to fully comprehend. An air of religious sobriety underlines almost surreal scenarios – here, fictional elements are believable if you hold them within a heightened world built on truth.' Billie Ingram Sofkleous in Buzz Magazine
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