Seminar paper from the year 2004 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Bayreuth, course: Proseminar, 9 entries in the bibliography, language: English, abstract: Civilization has developed itself from nature, but it has also changed nature in the process. Apart from theories of much cited social analysts like Rousseau or John Locke, one equally well known example is that of man as the hunter: in his natural state, man only hunted to find food, to ensure the survival of himself and his family. In our society, humans do not have to hunt their food by themselves anymore, but we still don't seem to have lost our natural instincts, our natural aggressions. One logical consequence is that we direct our aggressions towards each other, that we decimate our own species; the problem is, however, that natural reasons like ensuring the best breed possible don't exist anymore, that we don't have explanations why we kill each other apparently at random. Tim Marshall writes about a crime known as 'The Edinburgh scandal', which took place in the years of 1828 and 1829. Dr. Robert Knox, an anatomist from Edinburgh and very engaged in the newly upcoming art of dissection, employed two criminals to bring him fresh corpses for his dissections. At this time, grave robbing in order to obtain corpses was an usual occurrence in British graveyards, but in this case the acquired 'objects' didn't come from those who had died naturally, but from people who had been murdered only for the sake of dissection. The reason for these murders was science, and with it civilization, therefore human nature was misused for the sake of science which in turn needed the bodies to explore the secrets nature still withheld from science. The resemblance to Mary Shelley's novel is apparent. But in Frankenstein, nature and civilization are also set in opposition to each other by the attributes they are given: nature as feminine, civilization as masculine. S
Master's Thesis from the year 2008 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, language: English, abstract: For a long time, the genre of fantasy has not been regarded as 'real' literature, because it apparently did not deal with problems from the real world and was often published in cheap paperbacks or journals. Furthermore, because its story did not take place in the real world, it was deemed to be unimportant and inconsequential. This was the reason why writers of fantastic stories could not until the middle of the twentieth century openly write about strange worlds which were so much different from ours. They had to disguise their stories as wondrous travel stories or accounts of strange dreams. However, things changed. J. R. R. Tolkien's novels became an immediate success and prepared the readers for all those other fantasy writers who followed. This is one of the reasons why he is considered to be the father of modern fantasy. Among the fantasy genre, there are various sub-genres. I will focus on the Dragonlance series by Margaret Weis and Tracy Hickman, which is a mixture of Epic Fantasy and Sword & Sorcery. The next work, the trilogy His Dark Materials by Philip Pullman, is Children's Fantasy, with the main protagonists being adolescents. Lastly, I will single out an aspect from the science fiction series Star Wars by George Lucas, which is his concept of the Force. The genres of science fiction and fantasy are closely related, because the first depicts a fictional future or a fictional future civilisation in a different universe, and the latter often depicts fictional stories that, were it not for their fantastic elements, could well have taken place somewhere in the past. Therefore, it is not too astonishing that elements of science fiction stories could just as well exist in fantasy literature. The religious concepts which I will analyse in this thesis are taken from various culture groups
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 2,3, University of Bayreuth, 16 entries in the bibliography, language: English, abstract: The film The Crowd and the novel Manhattan Transfer are both products of the American 1920s, the Jazz Age. It was a time of great economic upswing, and money and success became very important. The society was in a state of flux as well, especially the women of the younger generation wanted to gain more independence. The Great War had not only changed the old conventions of young women, however. People moved into the big cities, harbouring great expectations and hope for a better life. New York was of course one of the cities to go to, not at last because it was considered the 'capital' of the Jazz spirit. This economic boom ended with the great Wall Street Crash in 1929.1 King Vidor, producer of The Crowd, was born on February 8th 1894 in Galveston, Texas. His family was of Hungarian origin, which mirrors itself in his not necessarily ordinary name. The Crowd came into the cinemas in 1928 and is one of Vidor's "Late Silents", as Durgnat and Simmon call them. Vidor has earned himself the label 'epic poet', "given to large, almost abstract expressions of a man's role in nature and society". One of this 'abstract expressions' we can find in The Crowd in the role of John Sims, of whom will be taken a closer look at later in this work. About tree years earlier, John Dos Passos published his novel Manhattan Transfer. He was born in Chicago on January the 14th in 1896. After he graduated from Harvard College, he decided to serve in the United States Medical Corps during the end of World War I. In his novels One Man's Initiation and Three Soldiers he processes the experiences and impressions from those yeas. He continues with an acute awareness of his senses in Manhattan Transfer, a novel full of detailed descriptions, of smells, sounds, and impressions, making the story so
Bachelor Thesis from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 2,0, University of Bayreuth, 31 entries in the bibliography, language: English, abstract: "There would be a day - there must be a day - when he would come back to Gramarye with a new Round Table which had no corners, just as the world had none - a table without boundaries between the nations who would sit to feast there. The hope of making it would lie in culture. (...) The cannons of his adversary were thundering in the tattered morning when the Majesty of England drew himself up to meet the future with a peaceful heart. RE X] QUONDAM RE X]QUE FUTUR US] THE BEGINNING" (Terence Hanbury White, "The Once and Future King") This quote from T. H. White's "The Once and Future King" is not the only reference to King Arthur's return we can find when looking through the different Arthurian stories or that which is scattered among folk tales. Arthur is often carried away in a boat to Avalon, to be healed of his wounds and to return afterwards. In Italy, an "Arturo Magno" is believed to live within Mount Etna, occasionally seen, and also waiting for the day of his return. The Irish say he "rides round a rath" with raised sword, to the tune of Londonderry Air. The Scottish swear to him in Edinburgh, believing he presides from Arthur's Seat. The Britons still can hear his horn and see his armour. There seems to be a strong yearning within all kinds of people that refuses to let King Arthur die. T.H. White first published his book in 1958, about one millennium and a century after the early medieval historian Nennius wrote about Arthur, and eight centuries after Geoffrey of Monmouth's influential book "The History of the Kings of Britain". And even today, in the early days of the third millennium, the mystery and fascination about Arthur, his knights, his queen Guinevere and Merlin the Wizard is still unbroken.
Seminar paper from the year 2005 in the subject Economics - Industrial Economics, grade: A, International Business School Budapest, course: Industrial Organziations, 4 entries in the bibliography, language: English, abstract: In this paper the article "The fall in British electricity prices: market rules, market structure, or both?" from Natalia Fabra and Juan Toro will be summarized first, mentioning the argumentation concerning their research and the contribution of the findings to theoretical or empirical knowledge. Subsequently, conclusions made in the article "How sweet it is" by Dennis W. Carlton and Jeffrey M. Perloff, are examined stressing the theoretical model of performance measurement with regard to the Lerner Index which both papers are based on.
Change your present and seize your exceptional future by escaping your painful trauma bond, healing, and thriving! At age twenty-two, Nadine married Jordan Belfort, the nefarious stockbroker portrayed in the Hollywood blockbuster The Wolf of Wall Street. Their marriage began as a fairy tale, but once they were bonded, Jordan’s “mask” began to slip, and acts of infidelity, narcissistic abuse, insatiable greed, and uncontrollable drug addiction became Nadine’s nightmare. The horrific relationship gave Nadine the inspiration to become a psychotherapist specializing in narcissistic abuse, trauma bonds, and complex PTSD. Her private practice quickly flooded with women recounting an all-too-familiar story of abuse with a pathological partner. Perhaps this scenario resonates with you. In Run Like Hell, Nadine brings you her personal experience and years of expertise to explain • the mental health of the narcissistic pathological lover (PL), • the traits of women who are the perfect “victims” of these PLs, • how you can leave a trauma bond safely, and • how you can heal. Nadine also shows how you and other women can be surthrivers of these trauma bonds and go on to have healthy, positive relationships and lives, armed with knowledge and awareness. So Run Like Hell from damaging trauma bonds and live with awareness, practice self-love and care, and thrive, regardless of your past.
This second volume of the Applied Human Cryobiology series contains presentations on the second German scientific symposium 2014 in Dresden as well as contributions of outstanding scientists in cryonics. Included are laudations to the awardees of the Robert Ettinger Medal. The brain as the only totally individualized human organ cannot be replaced (e.g. by cloning or stem cells). Therefore analyses of brain structure as well as studies in the postmortem stability of this organ are crucial for methods of vitrification and the rewarming of cryonics patients. Other organs and organisms are useful models for the development and testing of cryopreservation methods. These require strategies for the control and prevention of cryopreservation damage as well as damage caused by dying. New technologies can help to achieve these aims. An important field of research in this context is molecular repair. The further development of cryonics needs self-control, e.g. by analysis of its historical development and actual progress. Cryonics represents a method of life span extension and can be supported by other methods favoring longevity. This volume demonstrates that substantial progress has been made in all of these fields of research as well as in the application of the results of this research.
In the last century food has become a multibillion-dollar industry, resulting in the world's population becoming fatter and fatter. This has resulted in rapidly growing cases of obesity, and its accompanying health conditions such as diabetes, hypertension and heart problems. Food, Glorious Food will explore the origins of the importance of food in our society, and through a Jungian lens, what it is about food that drives us, as a society, beyond the point of satiety. The book also explores the culture symbols of the unconscious narrative around food, using Lewis Carroll's Alice in Wonderland as a text to further illustrate this.
Elizabeth Stuart is one the most misrepresented - and underestimated - figures of the seventeenth century. This biography reveals the impact that she had on both England and Europe
Sun Records gave us rock and roll, Motown Records gave us pop soul, and Chess Records gave us the blues. Chess was label for Muddy Waters, Howlin' Wolf, Chuck Berry, Etta James, and Bo Diddley--and in this critcially acclaimed history we learn the full story of this legendary label. The greatest artists who sang and played the blues made their mark with Leonard and Phil Chess, whose Chicago-based record company was synonymous with the sound that swept up from the South, embraced the Windy City, and spread out like wildfire into mid-century America. Spinning Blues into Gold is the impeccably researched story of the men behind the music and the remarkable company they created. Chess Records--and later Checkers, Argo, and Cadet Records--was built by Polish immigrant Jews, brothers who saw the blues as a unique business opportunity. From their first ventures, a liquor store and then a nightclub, they promoted live entertainment. And parlayed that into the first pressings sold out of car trunks on long junkets through the midsection of the country, ultimately expanding their empire to include influential radio stations. The story of the Chess brothers is a very American story of commerce in the service of culture. Long on chutzpah, Leonard and Phil Chess went far beyond their childhoods as the sons of a scrap-metal dealer. They changed what America listened to; the artists they promoted planted the seeds of rock 'n' roll--and are still influencing music today. In this book, Cohodas expertly captures the rich and volatile mix of race, money, and recorded music. She also takes us deep into the world of independent record producers, sometimes abrasive and always aggressive men striving to succeed. Leonard and Phil Chess worked hand-in-glove with disenfranchised black artists, the intermittent charges of exploitation balanced by the reality of a common purpose that eventually brought fame to many if not most of the parties concerned. From beginning to end, as we find in these pages, the lives of the Chess brothers were socially, financially, and creatively entwined with those of the artists they believed in.
If you are a musician, you need this book, which is rooted in real-life music business experience, not classroom theory. It reveals the secrets of artist development using the creative process as the foundation for success, and provides solid direction for you to plan and evaluate your path to success. Hot Hits, Cheap Demos shows you how to: jumpstart your career * create a press kit and develop sure-fire marketing strategies * contact clubs and alternative venues * produce and promote your own shows * make an eye-catching web site * create a standout song, find a producer, and even package a CD. Written by Nadine Condon, a 20-year music industry veteran who's been instrumental in the success of such acts as Smash Mouth, Stroke 9, Third Eye Blind and Train.
A young woman’s coming-of-age through a toxic relationship, isolation, and betrayal—set against the stark landscape of the far north Millicent is a shy twenty-four-year-old reporter who moves to Whitehorse to work for a failing daily newspaper. With winter looming and the Yukon descending into darkness, Millicent begins a relationship with Pascal, an eccentric and charming middle-aged filmmaker who lives on a converted school bus in a Walmart parking lot. What begins as a romantic adventure soon turns toxic, and Millicent finds herself struggling not to lose herself and her voice. Events come to a head at Thaw di Gras, a celebration in faraway Dawson City marking the return of light to the north. It’s here, in a frontier mining town filled with drunken tourists, eclectic locals, and sparkling burlesque dancers, that Millicent must choose between staying with Pascal or finally standing up to her abuser. In the style of Ottessa Moshfegh’s honest exploration of dysfunctional relationships, and with the warmth and energy of Heather O’Neill, Rabbit Rabbit Rabbit illuminates what it’s like to be young, impulsive, and in love in one of the harshest environments in the world.
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Anna is unhappy when her tired mother says no to all of her after-school plans but after an evening of letting only Daddy do things for her, Anna cannot go to sleep until she and Mama make up.
This volume features the refereed proceedings of the 17th International Workshop on Power and Timing Modeling, Optimization and Simulation. Papers cover high level design, low power design techniques, low power analog circuits, statistical static timing analysis, power modeling and optimization, low power routing optimization, security and asynchronous design, low power applications, modeling and optimization, and more.
Living Through Poetry: The World Through Our Eyes was written by Mrs. Nadine Ebris third grade class during the 2015-2016 school year. Nadine Ebri is a graduate of the University of North Florida where she majored in Elementary Education. She has taught for three years in high-poverty schools in Jacksonville, Florida and is currently pursuing a masters degree in Educational Leadership. Nadines passion for teaching and love for poetry inspired her to awaken each students inner poet. The 18 poems in this book are original pieces written by her students who hope to show children around the world that being a student has no limits, and that writing has no boundaries.
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
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