Sun Records gave us rock and roll, Motown Records gave us pop soul, and Chess Records gave us the blues. Chess was label for Muddy Waters, Howlin' Wolf, Chuck Berry, Etta James, and Bo Diddley--and in this critcially acclaimed history we learn the full story of this legendary label. The greatest artists who sang and played the blues made their mark with Leonard and Phil Chess, whose Chicago-based record company was synonymous with the sound that swept up from the South, embraced the Windy City, and spread out like wildfire into mid-century America. Spinning Blues into Gold is the impeccably researched story of the men behind the music and the remarkable company they created. Chess Records--and later Checkers, Argo, and Cadet Records--was built by Polish immigrant Jews, brothers who saw the blues as a unique business opportunity. From their first ventures, a liquor store and then a nightclub, they promoted live entertainment. And parlayed that into the first pressings sold out of car trunks on long junkets through the midsection of the country, ultimately expanding their empire to include influential radio stations. The story of the Chess brothers is a very American story of commerce in the service of culture. Long on chutzpah, Leonard and Phil Chess went far beyond their childhoods as the sons of a scrap-metal dealer. They changed what America listened to; the artists they promoted planted the seeds of rock 'n' roll--and are still influencing music today. In this book, Cohodas expertly captures the rich and volatile mix of race, money, and recorded music. She also takes us deep into the world of independent record producers, sometimes abrasive and always aggressive men striving to succeed. Leonard and Phil Chess worked hand-in-glove with disenfranchised black artists, the intermittent charges of exploitation balanced by the reality of a common purpose that eventually brought fame to many if not most of the parties concerned. From beginning to end, as we find in these pages, the lives of the Chess brothers were socially, financially, and creatively entwined with those of the artists they believed in.
It would be easy for the modern reader to conclude that women had no place in the world of early modern espionage, with a few seventeenth-century women spies identified and then relegated to the footnotes of history. If even the espionage carried out by Susan Hyde, sister of Edward Hyde, Earl of Clarendon, during the turbulent decades of civil strife in Britain can escape the historiographer's gaze, then how many more like her lurk in the archives? Nadine Akkerman's search for an answer to this question has led to the writing of Invisible Agents, the very first study to analyse the role of early modern women spies, demonstrating that the allegedly-male world of the spy was more than merely infiltrated by women. This compelling and ground-breaking contribution to the history of espionage details a series of case studies in which women -- from playwright to postmistress, from lady-in-waiting to laundry woman -- acted as spies, sourcing and passing on confidential information on account of political and religious convictions or to obtain money or power. The struggle of the She-Intelligencers to construct credibility in their own time is mirrored in their invisibility in modern historiography. Akkerman has immersed herself in archives, libraries, and private collections, transcribing hundreds of letters, breaking cipher codes and their keys, studying invisible inks, and interpreting riddles, acting as a modern-day Spymistress to unearth plots and conspiracies that have long remained hidden by history.
Born Eunice Waymon in Tryon, North Carolina, Nina Simone (1933-2003) began her musical life playing classical piano. A child prodigy, she wanted a career on the concert stage, but when the Curtis Institute of Music rejected her, the devastating disappointment compelled her to change direction. She turned to popular music and jazz but never abandoned her classical roots or her intense ambition. By the age of twenty six, Simone had sung at New York City's venerable Town Hall and was on her way. Tapping into newly unearthed material on Simone's family and career, Nadine Cohodas paints a luminous portrait of the singer, highlighting her tumultuous life, her innovative compositions, and the prodigious talent that matched her ambition. With precision and empathy, Cohodas weaves the story of Simone's contentious relationship with audiences and critics, her outspoken support for civil rights, her two marriages and her daughter, and, later, the sense of alienation that drove her to live abroad from 1993 until her death. Alongside these threads runs a more troubling one: Simone's increasing outbursts of rage and pain that signaled mental illness and a lifelong struggle to overcome a deep sense of personal injustice.
“An extraordinary work of women’s history, offering a candid consideration of the wifely role in politics during a pre-women’s movement era.” —Texas Observer Child of the Great Depression, teenage “Duchess of Palms” beauty queen, wife of an acclaimed novelist and later of a brilliant U.S. congressman, and ultimately a successful single working woman and mother, Nadine Eckhardt has lived a fascinating life. In this unique, funny, and honest memoir, she recounts her journey from being a “fifties girl” who lived through the men in her life to becoming a woman in her own right, working toward her own goals. Eckhardt’s first marriage to writer Billy Lee Brammer gave her entrée to liberal political and literary circles in Austin and Washington, where she and Brammer both worked for Senator Lyndon B. Johnson. She describes the heady excitement of LBJ’s world—a milieu that Brammer vividly captured in his novel The Gay Place. She next recalls her second marriage to Bob Eckhardt, whom she helped get elected to the U.S. House of Representatives, as well as her growing involvement with the counterculture of social protest, sexual revolution, and drug use. Eckhardt honestly recounts how the changing times changed her perception of herself, recalling that “I didn’t know how to achieve for myself, only for others, and I felt ripped off and empty.” This painful realization opened the door to a new life for Eckhardt. Her memoir concludes with a joyful description of her multifaceted later life as a restaurateur, assistant to Molly Ivins, writer, and center of a wide circle of friends. “The ‘answer record’ to The Gay Place—by Brammer’s ex-wife.” —Texas Monthly
The dazzling new biography of one of history's most misunderstood queens Elizabeth Stuart is one the most misrepresented - and underestimated - figures of the seventeenth century. Labelled a spendthrift more interested in the theatre and her pet monkeys than politics or her children, and long pitied as 'The Winter Queen', the direct ancestor of Elizabeth II was widely misunderstood. Nadine Akkerman's biography reveals an altogether different woman, painting a vivid picture of a queen forged in the white heat of European conflict. Elizabeth Stuart, daughter of James VI and I, was married to Frederick V, Elector Palatine in 1613. The couple were crowned King and Queen of Bohemia in 1619, only to be deposed and exiled to the Dutch Republic in 1620. Elizabeth then found herself at the epicentre of the Thirty Years' War and the Civil Wars, political and military struggles that defined seventeenth-century Europe. Following her husband's death in 1632, Elizabeth fostered a cult of widowhood, dressing herself and her apartments in black, and conducted a long and fierce political campaign to regain her children's birthright - by force, if possible - wielding her pen with the same deft precision with which she once speared boars from horseback. Through deep immersion in the archives and masterful detective work, Akkerman overturns the received view of Elizabeth Stuart, showing her to be a patron of the arts and canny stateswoman with a sharp wit and a long memory. On returning to England in 1661, Elizabeth Stuart found a country whose people still considered her their 'Queen of Hearts'. Akkerman's biography reveals the impact Elizabeth Stuart had on both England and Europe, demonstrating that she was more than just the grandmother of George I.
Drawing on personal documents and interviews with family and colleagues, a biography of the legendary singer chronicles the music and personal life of Dinah Washington, describing her rise to success, quest for love, and tragic death at the age of thirty-nine from an overdose of prescription weight-loss drugs.
The Project on Reproductive Laws for the 1990s began in 1985 with the realization that reports of scientific developments and new technologies were stimulating debates and discussions among bioethicists and policymakers, and that women had little part in those discussions either as participants or as a group with interests to be considered. With the help of a planning grant from the Rutgers University Institute for Research on Women, the Women's Rights Litigation Clinic at Rutgers University Law School-Newark held a planning meeting that June attended by approximately 20 theorists and activists in the area of reproductive rights. Project purposes, methods, and general shape took form at the meeting. Two goals have characterized the Project's work since then: first, to generate discussion, debate, and, where possible, consensus among those committed to reproductive autonomy and gender equality as to how best to respond to the questions raised by re ported advances in reproductive and neonatal technology and new modes of reproduction; and second, to ensure that those shaping reproductive law and policy appreciate the ramifications of these developments for gender equality. In meeting this twofold agenda, the Project focused on six areas: time limits on abortion; prenatal screening; fetus as patient; reproductive hazards in the workplace; interference with reproductive choice; and alternative modes of reproduction. The Project identified individuals to take respon sibility for drafting model legislation and position papers in the six areas (for the drafters, see the Appendix).
A fascinating exploration of the devious tricks and ingenious tools used by early modern spies--from ciphers to counterfeiting, invisible inks to assassination Early modern Europe was a hotbed of espionage, where spies, spy-catchers, and conspirators pitted their wits against each other in deadly games of hide and seek. Theirs was a dangerous trade--only those who mastered the latest techniques would survive. In this engaging, accessible account, Nadine Akkerman and Pete Langman explore the methods spies actually used in the period, including disguises, invisible inks, and even poisons. Drawing on a vast array of archival sources, they show how understanding the tricks and tools of espionage allows us to re-imagine well-known stories such as the Babington and Gunpowder plots. Exposing the murky world of spies, they demonstrate how the technological innovations of petty criminals, secretaries, and other hitherto invisible actors shaped the fate of some of history's most iconic figures. Spycraft explains how early modern spies sought to protect their own secrets while exposing those of their enemies, showing the reader how to follow in their footsteps.
Nadine Poser highlights the need for digital transformation in international organizations, not only from a business perspective but from a human point of view. Information technology is on the rise and with it the demand for highly influential digital leaders. The book covers the question under which conditions leadership can overcome physical distance. The author deliberately shifts the attention from those who lead to those who follow.
A provocative overview of the history of the race concept in European and American science, based on current research that shows how race and science grew together in Western thought. What, historically, has the term 'race' meant? What is the relationship between the scientific study of race and racism? Race, Racism, and Science: Social Impact and Interaction explores these questions as it recaps the history of race-centered research from its origins in the late 1700s to Darwin's influential work on natural selection to the present. It is a compelling introduction to the way race science initially gained acceptance and how race studies both reflect and shape their times. Readers will see how scientific and pseudoscientific explanations of racial differences (social Darwinism, eugenics, craniometry, scientific racism) provided intellectual cover for inhuman acts, and how Ashley Montagu, Richard Lewontin, and other 20th-century antiracists fought to refute the scientific support of bigotry.
DanceHall combines cultural geography, performance studies and cultural studies to examine performance culture across the Black Atlantic. Taking Jamaican dancehall music as its prime example, DanceHall reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance. Combining the rhythms of reggae, digital sounds and rapid-fire DJ lyrics, dancehall music was popularized in Jamaica during the later part of the last century by artists such as Shabba Ranks, Shaggy, Beenie Man and Buju Banton. Even as its popularity grows around the world, a detailed understanding of dancehall performance space, lifestyle and meanings is missing. Author Sonjah Stanley Niaah relates how dancehall emerged from the marginalized youth culture of Kingston's ghettos and how it remains inextricably linked to the ghetto, giving its performance culture and spaces a distinct identity. She reveals how dancehall's migratory networks, embodied practice, institutional frameworks, and ritual practices link it to other musical styles, such as American blues, South African kwaito, and Latin American reggaetòn. She shows that dancehall is part of a legacy that reaches from the dance shrubs of West Indian plantations and the early negro churches, to the taxi-dance halls of Chicago and the ballrooms of Manhattan. Indeed, DanceHall stretches across the whole of the Black Atlantic's geography and history to produce its detailed portrait of dancehall in its local, regional, and transnational performance spaces.
A historian of science examines key public debates about the fundamental nature of humans to ask why a polarized discourse about nature versus nurture became so entrenched in the popular sciences of animal and human behavior. Are humans innately aggressive or innately cooperative? In the 1960s, bestselling books enthralled American readers with the startling claim that humans possessed an instinct for violence inherited from primate ancestors. Critics responded that humans were inherently loving and altruistic. The resulting debateÑfiercely contested and highly publicÑleft a lasting impression on the popular science discourse surrounding what it means to be human. Killer Instinct traces how Konrad Lorenz, Robert Ardrey, and their followers drew on the sciences of animal behavior and paleoanthropology to argue that the aggression instinct drove human evolutionary progress. Their message, spread throughout popular media, brought pointed ripostes. Led by the anthropologist Ashley Montagu, opponents presented a rival vision of human nature, equally based in biological evidence, that humans possessed inborn drives toward love and cooperation. Over the course of the debate, however, each side accused the other of holding an extremist position: that behavior was either determined entirely by genes or shaped solely by environment. Nadine Weidman shows that what started as a dispute over the innate tendencies of animals and humans transformed into an opposition between nature and nurture. This polarized formulation proved powerful. When E. O. Wilson introduced his sociobiology in 1975, he tried to rise above the oppositional terms of the aggression debate. But the controversy over WilsonÕs workÑled by critics like the feminist biologist Ruth HubbardÑwas ultimately absorbed back into the nature-versus-nurture formulation. Killer Instinct explores what happens and what gets lost when polemics dominate discussions of the science of human nature.
The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
“Very funny . . . An involving story that brings together the important things in life?love, romance, family, parenthood, and obscure pop culture references.” —Frank Conniff, writer and actor, Mystery Science Theater 3000 Easy Hardwick has it made. At just about thirty, she’s got a tumbledown cottage in small-town Oregon and an uncomplicated acting gig as the space-babe eye candy on a sci-fi parody show. She spends her downtime online, bickering with fans and fellow culture vultures about film trivia and relishing her minor-but-satisfying celebrity. Enter Harrison. What begins as a jocular online flirtation spills into a messy IRL affair, and Easy finds herself pregnant with twins and sharing her home with the love of her life . . . plus the teenage daughter, baby son, and slightly unhinged soon-to-be ex-wife she kind of didn’t totally know he had . . . Easy may play a space ditz in hot pants on TV, but her voice is restlessly intelligent, negotiating the absurdities of a world lived onscreen and online and striving to make sense of heady problems: love affairs, ex-wives, teen girls, eating disorders, and whether cannibalistic flies count as zombies. Like the captive great white shark that sets Easy’s story in motion, Nadine Darling’s writing has got teeth. Her pointed, precise dialogue, empathetic insights, and live-wire observations elevate this novel from zany domestic drama to outlandish comic masterpiece. “Darling entertains with a dry, witty humor.” —Booklist “While the circumstances around Easy spin wildly out of control, it’s her grounded-yet-comical narration that makes the book stand out. Her snarky asides and darkly funny quips will make readers laugh out loud, even in the face of death, divorce, mental illness, and heartbreak . . . a debut novel that’s truly like nothing else . . . a weirdly delightful read.” —Kirkus Reviews
This is the complete story, in one volume, of Nadine's bestselling Four Streets Trilogy. Set in the Irish Catholic community of 1950s Liverpool and on the west coast of Ireland, this is a saga of working-class families. Despite living on the edge of poverty, they are bound together by humour and loyalty, gossip, grumbling – and endless cups of tea. It is also the gripping, horrifying story of a young girl betrayed by a man who is trusted and revered by the people of the Four Streets. The community's revenge is played out over a drama in three acts: The Four Streets, Hide Her Name and The Ballymara Road.
In this first extensive analysis of Chris Marker and Alain Resnais's works, Nadine Boljkovac draws on concepts and images from film and Deleuzian philosophy to show the ethical possibilities of post-World War II cinema.
This book investigates Joan Littlewood's theatre productions and her community-based projects and activism, drawing upon extensive primary archival material.
During the eighteenth-century, at a time when secular and religious authors in France were questioning women’s efforts to read, a new literary genre emerged: conduct books written specifically for girls and unmarried young women. In this carefully researched and thoughtfully argued book, Professor Nadine Bérenguier shares an in-depth analysis of this development, relating the objectives and ideals of these books to the contemporaneous Enlightenment concerns about improving education in order to reform society. Works by Anne-Thérèse de Lambert, Madeleine de Puisieux, Jeanne Marie Leprince de Beaumont, Louise d'Epinay, Barthélémy Graillard de Graville, Chevalier de Cerfvol, abbé Joseph Reyre, Pierre-Louis Roederer, and Marie-Antoinette Lenoir take up a wide variety of topics and vary dramatically in tone. But they all share similar objectives: acquainting their young female readers with the moral and social rules of the world and ensuring their success at the next stage of their lives. While the authors regarded their texts as furthering the common good, they were also aware that they were likely to be controversial among those responsible for girls' education. Bérenguier's sensitive readings highlight these tensions, as she offers readers a rare view of how conduct books were conceived, consumed, re-edited, memorialized, and sometimes forgotten. In the broadest sense, her study contributes to our understanding of how print culture in eighteenth-century France gave shape to a specific social subset of new readers: modern girls.
A riveting history of South Africa and a penetrating portrait of a courageous woman." -- The New Yorker A must read fiction of South Africa from the winner of the Nobel Prize in Literature This is the moving story of the unforgettable Rosa Burger, a young woman from South Africa cast in the mold of a revolutionary tradition. Rosa tries to uphold her heritage handed on by martyred parents while still carving out a sense of self. Although it is wholly of today, Burger's Daughter can be compared to those 19th century Russian classics that make a certain time and place come alive, and yet stand as universal celebrations of the human spirit. Nadine Gordimer, winner of the 1991 Nobel Prize in Literature, was born and lives in South Africa.
The unauthorised and ambitiously defintive guide to Ian Rankin and John Rebus, now including EVEN DOGS IN THE WILD! In 1987 Ian Rankin published the first John Rebus book; even he didn't know what he was unleashing. Nearly thirty years later Rankin and Rebus are the kings of crime fiction, but they are more than that. The books are cultural history of Scotland too. This is the all-purpose handbook to the John Rebus universe. Contained in this volume is everything you could reasonably want to know about the books, their creation and the characters within them, from the birth of the character to the old man staring retirement in the face. The book will answer such questions as: why is Rankin obsessed with Saabs? Why doesn't Siobhan Clarke age but perhaps more importantly it will get to the heart of why we all love John Rebus so much.
In the last century food has become a multibillion-dollar industry, resulting in the world's population becoming fatter and fatter. This has resulted in rapidly growing cases of obesity, and its accompanying health conditions such as diabetes, hypertension and heart problems. Food, Glorious Food will explore the origins of the importance of food in our society, and through a Jungian lens, what it is about food that drives us, as a society, beyond the point of satiety. The book also explores the culture symbols of the unconscious narrative around food, using Lewis Carroll's Alice in Wonderland as a text to further illustrate this.
The first qualitative exploration of home births in the UK Explores the opinions of expectant mothers and professionals in a way accessible to student and practicing midwives and obstetricians An academically outstanding work
Better Britons charts an innovative approach to the politics of reproduction by reading an array of works and discourses that reflect on the significance of reproductive behaviours for civic, national, and racial identities.
From celebrated astrologer Nadine Jane, a guide to the journey of every day and birthday of the year, revealing how the current astrological season, along with the wisdom of tarot and numerology, can help you lead a happier and more fulfilled life Fans and celebrities alike flock to Nadine Jane for custom astrological readings that focus on self-understanding, self-empowerment, and self-care. Now, for the first time, readers have access to her insights in this comprehensive guide to the inherent magic of every day of the year, unveiling the daily inspirations, challenges, and guides that will help you take care of yourself every day. For each day of the year, you’ll discover guidance for the day’s particular journey based on the astrology, tarot, and numerology, along with a mantra, a ritual, and a journaling prompt, so you can home in on the lessons and wisdom that come from that particular moment in time, whether it's Capricorn or Aries season. You’ll also find special information if it’s your birthday, so you can take the day’s celestial wisdom to heart when it comes to your personal journey, relationships, goals, and dreams. Whether you’re a novice looking for your first introduction to spiritual practices, a lost soul who could use some direction in life, a jaded expert looking for a bird's-eye view of the topics you know far too well, an empathic people-reader who loves to understand others, or a complete skeptic who considers this “spiritual nonsense” while secretly delighting in the inexplicable accuracy of it all, you’ll find something for every day of your luminous life in Magic Days.
Research Paper (undergraduate) from the year 2007 in the subject Business economics - Offline Marketing and Online Marketing, grade: 1,3, University of Applied Sciences Berlin, course: Marketing, language: English, abstract: Due to strong competition and a continuous market change, most companies engage in strategic planning today to become or stay competitive in the long run. Strategy is all-embracing. Strategy has to capture internal and external aspects, that means to comprise competencies and market opportunities. Strategy has to keep in view the own company, the customers and the competitors. The challenge is to create customer values and competitive advantages to assure benefits and growth. As a result, the starting point of every strategic decision demonstrates the recognition and the analysis of the company’s current situation containing a high variety of parameters. These parameters are generally defined by the company’s influence into internal and external parameters. However, the understanding of the company’s situation is only defined in absolute by analysing parameters and its bilateral dependencies. Therefore, the combination of the company’s internal factors and the external environmental circumstances presents the basis for the strategy development and the resulting organisational marketing goals and application of the marketing instruments. The SWOT analysis is a strategic planning tool used to evaluate the Strengths, Weaknesses, Opportunities and Threats of a company. It provides information that is helpful in matching the company’s resources and capabilities to the competitive environment in which it operates. The resulting SWOT matrix contrasts the results of the internal analysis (strengths and weakness) and the external analysis (opportunities and threats) to define strategic fields of action. That application of a SWOT analysis is therefore instrumental in strategy formulation and selection.
Studies of millinery tend to focus on hats, rather than the extraordinarily skilled workers who create them. American Milliners and their World sets out to redress the balance, examining the position of the milliner in American society from the 18th to the 20th century. Concentrating on the struggle of female hat-makers to claim their social place, it investigates how they were influenced by changing attitudes towards women in the workplace. Drawing on diaries, etiquette books, trade journals and contemporary literature, Stewart illustrates how making hats became big business, but milliners' working conditions failed to improve. Taking the reader from the Industrial Revolution of the 1760s to the sexual revolution of the 1960s, and from Belle Epoque feathers to elegant cloches and Jackie Kennedy's pillbox hat, the book offers a new insight into the rise and fall of a fashionable industry. Beautifully illustrated and packed with original research, American Milliners and their World blends fashion history and anthropology to tell the forgotten stories of the women behind some of the most iconic hats of the last three centuries.
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