Nadine Orenstein's Books

Genoa

Drawings and Prints, 1530-1800

By: Carmen Bambach,Nadine Orenstein,William Griswold,Metropolitan Museum of Art (New York, N.Y.)

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Genoa

Drawings and Prints, 1530-1800

By: Carmen Bambach,Nadine Orenstein,William Griswold,Metropolitan Museum of Art (New York, N.Y.)

This publication is a study of technically masterful, even boldly experimental, graphic art that illustrates Genoa's growth by the seventeenth century into an important regional art school. -- Metropolitan Museum of Art website.

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Metropolitan Museum of Art

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ISBN 10

0870997726

ISBN 13

9780870997723

Man, Myth, and Sensual Pleasures

Jan Gossart's Renaissance : the Complete Works

By: Jan Gossaert,Stijn Alsteens,Nadine Orenstein,Lorne Campbell,Metropolitan Museum of Art (New York, N.Y.),National Gallery (Great Britain)

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Man, Myth, and Sensual Pleasures

Jan Gossart's Renaissance : the Complete Works

By: Jan Gossaert,Stijn Alsteens,Nadine Orenstein,Lorne Campbell,Metropolitan Museum of Art (New York, N.Y.),National Gallery (Great Britain)

Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).

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498

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Metropolitan Museum of Art

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ISBN 10

1588393984

ISBN 13

9781588393982

Infinite Jest

Caricature and Satire from Leonardo to Levine

By: Metropolitan Museum of Art (New York, N.Y.),Constance C. McPhee,Nadine Orenstein

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Infinite Jest

Caricature and Satire from Leonardo to Levine

By: Metropolitan Museum of Art (New York, N.Y.),Constance C. McPhee,Nadine Orenstein

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.

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226

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Metropolitan Museum of Art

Published Date

ISBN 10

1588394298

ISBN 13

9781588394293

The Renaissance of Etching

By: Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer

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The Renaissance of Etching

By: Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer

The Renaissance of Etching is a groundbreaking study of the origins of the etched print. Initially used as a method for decorating armor, etching was reimagined as a printmaking technique at the end of the fifteenth century in Germany and spread rapidly across Europe. Unlike engraving and woodcut, which required great skill and years of training, the comparative ease of etching allowed a wide variety of artists to exploit the expanding market for prints. The early pioneers of the medium include some of the greatest artists of the Renaissance, such as Albrecht Dürer, Parmigianino, and Pieter Bruegel the Elder, who paved the way for future printmakers like Rembrandt, Goya, and many others in their wake. Remarkably, contemporary artists still use etching in much the same way as their predecessors did five hundred years ago. Richly illustrated and including a wealth of new information, The Renaissance of Etching explores how artists in Germany, the Netherlands, Italy, and France developed the new medium of etching, and how it became one of the most versatile and enduring forms of printmaking. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

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311

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

1588396495

ISBN 13

9781588396495

A Centennial Album

Drawings, Prints, and Photographs: The Metropolitan Museum of Art Bulletin, v.74, no. 3 (Winter, 2017)

By: Nadine M. Orenstein ,Jeff L. Rosenheim,Stephen C. Pinson

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A Centennial Album

Drawings, Prints, and Photographs: The Metropolitan Museum of Art Bulletin, v.74, no. 3 (Winter, 2017)

By: Nadine M. Orenstein ,Jeff L. Rosenheim,Stephen C. Pinson

The Met’s collection of drawings, prints, and photographs is an expansive work in progress and is considered one of the nation’s greatest repositories of humanity’s creativity. This Bulletin celebrates the centennial of the founding of the Department of Prints. William M. Ivins, the visionary founding curator of the department, had an expansive view of what constituted a “work on paper”—a philosophy that informed much of The Met’s collecting over the next century. The result today is a comprehensive repository reflecting an astonishing diversity of artists, genres, and media. Arranged as a provocative series of pairings—one drawing or print with one photograph—this Bulletin invites the reader to find connections and divergences between works of art that are rarely seen together, ranging in date from the fifteenth century to present day.

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Metropolitan Museum of Art

Published Date

ISBN 10

1588396126

ISBN 13

9781588396129

The Renaissance of Etching

By: Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer

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The Renaissance of Etching

By: Catherine Jenkins,Nadine M. Orenstein,Freyda Spira,Peter Fuhring,Donald J. La Rocca,Anne Varick Lauder,Christof Metzger,Femke Speelberg,Ad Stijnman,Pierre Terjanian,Julia Zaunbauer

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311

Publisher

Metropolitan Museum of Art

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ISBN 10

1588396495

ISBN 13

9781588396495

A Centennial Album

Drawings, Prints, and Photographs: The Metropolitan Museum of Art Bulletin, v.74, no. 3 (Winter, 2017)

By: Nadine M. Orenstein ,Jeff L. Rosenheim,Stephen C. Pinson

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A Centennial Album

Drawings, Prints, and Photographs: The Metropolitan Museum of Art Bulletin, v.74, no. 3 (Winter, 2017)

By: Nadine M. Orenstein ,Jeff L. Rosenheim,Stephen C. Pinson

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Metropolitan Museum of Art

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1588396126

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9781588396129

Grand Design

Pieter Coecke van Aelst and Renaissance Tapestry

By: Elizabeth A. H. Cleland

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Grand Design

Pieter Coecke van Aelst and Renaissance Tapestry

By: Elizabeth A. H. Cleland

Pieter Coecke van Aelst (1502 – 1550) was renowned throughout Renaissance Europe as a draftsman, painter, and publisher of architectural treatises. The magnificent tapestries he designed were acquired by the wealthiest clients of the day, up to and including rulers such as Emperor Charles V, King Francis I of France, King Henry VIII of England, and Grand Duke Cosimo I de’ Medici of Tuscany. At the same time, Coecke was remarkable not only for the complexity and unparalleled quality of his tapestries, but also for his fluency in various media: this lavishly illustrated volume examines the full range of his work, from tapestry and stained-glass window designs to panel paintings, prints, drawings, and architectural treatises. Though only forty-eight when he died, Coecke was one of the greatest Netherlandish artists of the sixteenth century. His paintings and drawings, initially wrought in the style of the Antwerp Mannerists, evolved through his enthusiastic response to Italian Renaissance design, and influenced generations of artists in his wake. This comprehensive study explores Coecke’s stylistic development, as well as his substantial contribution to the body of great Renaissance art in Flanders. Featuring twenty monumental tapestries, along with many of their cartoons and preparatory sketches, plus seven paintings, additional drawings, and printed matter—many of them newly photographed for this volume—Grand Design provides a thorough reappraisal of Coecke’s work, amply justifying the high regard in which Coecke’s work was held and its wide dissemination long after his death.

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416

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

0300208057

ISBN 13

9780300208054

Man, Myth, and Sensual Pleasures

Jan Gossart's Renaissance : the Complete Works

By: Jan Gossaert,Stijn Alsteens,Nadine Orenstein,Lorne Campbell,Metropolitan Museum of Art (New York, N.Y.),National Gallery (Great Britain)

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Man, Myth, and Sensual Pleasures

Jan Gossart's Renaissance : the Complete Works

By: Jan Gossaert,Stijn Alsteens,Nadine Orenstein,Lorne Campbell,Metropolitan Museum of Art (New York, N.Y.),National Gallery (Great Britain)

Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).

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Page Count

498

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

1588393984

ISBN 13

9781588393982

Genoa

Drawings and Prints, 1530-1800

By: Carmen Bambach,Nadine Orenstein,William Griswold,Metropolitan Museum of Art (New York, N.Y.)

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Genoa

Drawings and Prints, 1530-1800

By: Carmen Bambach,Nadine Orenstein,William Griswold,Metropolitan Museum of Art (New York, N.Y.)

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Metropolitan Museum of Art

Published Date

ISBN 10

0870997726

ISBN 13

9780870997723

Infinite Jest

Caricature and Satire from Leonardo to Levine

By: Metropolitan Museum of Art (New York, N.Y.),Constance C. McPhee,Nadine Orenstein

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Infinite Jest

Caricature and Satire from Leonardo to Levine

By: Metropolitan Museum of Art (New York, N.Y.),Constance C. McPhee,Nadine Orenstein

Published in conjunction with an exhibition held at the Metropolitan Museum of Art, New York, Sept. 13, 2011-Mar. 4, 2012.

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226

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Metropolitan Museum of Art

Published Date

ISBN 10

1588394298

ISBN 13

9781588394293

Unfinished

Thoughts Left Visible

By: Kelly Baum,Andrea Bayer,Sheena Wagstaff

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Unfinished

Thoughts Left Visible

By: Kelly Baum,Andrea Bayer,Sheena Wagstaff

This groundbreaking book explores the evolving concept of unfinishedness as essential to understanding art movements from the Renaissance to the present day. Unfinished features more than 200 works, created in a variety of media, by artists ranging from Leonardo, Titian, Rembrandt, Turner, and Cézanne to Picasso, Warhol, Twombly, Freud, Richter, and Nauman. What unites these works, across centuries and media, is that each one displays some aspect of being unfinished. Essays and case studies by major contemporary scholars address this key concept from the perspective of both the creator and the viewer, probing the impact that this long artistic trajectory—which can be traced back to the first century—has had on modern and contemporary art. The book investigates the degrees to which instances of incompleteness were accidental or intentional experimental or conceptual. Also included are illuminating interviews with contemporary artists, including Tuymans, Celmins, and Marden, and parallel considerations of the unfinished in literature and film. The result is a multidisciplinary approach and thought-provoking analysis that provide valuable insight into the making, meaning, and critical reception of the unfinished in art.

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Page Count

342

Publisher

Metropolitan Museum of Art

Published Date

ISBN 10

1588395863

ISBN 13

9781588395863

Book's by Nadine Orenstein

Genoa

Genoa

Man, Myth, and Sensual Pleasures

Man, Myth, and Sensual Pleasures

Infinite Jest

Infinite Jest

The Renaissance of Etching

The Renaissance of Etching

A Centennial Album

A Centennial Album

The Renaissance of Etching

The Renaissance of Etching

A Centennial Album

A Centennial Album

Grand Design

Grand Design

Man, Myth, and Sensual Pleasures

Man, Myth, and Sensual Pleasures

Genoa

Genoa

Infinite Jest

Infinite Jest

Unfinished

Unfinished

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