The author introduces the reader to key concepts and debates that contextualize the obstacles women have faced and continue to face in the fields of science and engineering. She focuses on the history of women's education in mathematics and science through the ages, from antiquity to the Enlightenment. While opportunities for women were often purposely limited, she reveals how many women found ways to explore science outside of formal education. The book examines the lives and work of three women - Sophie Germain, Mileva Einstein, and Rosalind Franklin - that provide excellent examples of how women's contributions to science have been dismissed, ignored or stolen outright. She concludes with an in-depth look at women's participation in science and engineering throughout the twentieth century.
The author introduces the reader to key concepts and debates that contextualize the obstacles women have faced and continue to face in the fields of science and engineering. She focuses on the history of women's education in mathematics and science through the ages, from antiquity to the Enlightenment. While opportunities for women were often purposely limited, she reveals how many women found ways to explore science outside of formal education. The book examines the lives and work of three women - Sophie Germain, Mileva Einstein, and Rosalind Franklin - that provide excellent examples of how women's contributions to science have been dismissed, ignored or stolen outright. She concludes with an in-depth look at women's participation in science and engineering throughout the twentieth century.
The gripping sequel to bestselling THE FOUR STREETS. Shot through with darkness, but also humour, warmth and charm. In the Four Streets in Liverpool, a dreadful murder has been committed, and 14-year-old Kitty Doherty is pregnant with the dead man's child. This secret is so dangerous that her mother, Maura, and the redoubtable Kathleen, her best friend Nellie's grandmother, decide the girls must be spirited away quietly to Ireland to await the birth of the baby. But back in Liverpool, the police are not giving up their search for the truth. Somewhere, in this tight-knit Irish Catholic community, someone must know something. Someone surely will talk one day. The streets are alive with gossip and rumour and it isn't easy to keep a secret that big. Can't wait for the next one? THE BALLYMARA ROAD is out now! What people are saying about HIDE HER NAME: 'The events of the book are still with me days after finishing it, such a compelling read I cannot recommend it enough' 'This book is just as strong as Four Streets and had me hooked straight away' 'This is a powerful novel which challenges the emotions of its reader; feelings of anger, sadness, joy' 'I also liked the gentle humour that emerged - very much a feature of the gallows humour of that time
Conversations with Nadine Gordimer edited by Nancy Topping Bazin and Marilyn Dallman Seymour Nadine Gordimer is one of the contemporary world's most admired writers of novels and short stories. This volume collects three decades of her interviews. In them she presents her attitudes toward her art and its interconnection with the oppressive, volatile politics in her native land. She has traveled extensively to other countries only to discover that no matter how white her skin she is indeed African and the only country she can call home is South Africa. If you write honestly about life in South Africa, apartheid damns itself, she says. She is ruthlessly honest, and her fiction has played the vital role of communicating in detail to the rest of the world the effects of apartheid upon the daily lives of the South African people. To maintain her integrity, she writes as though she were dead, without any thought of how anyone will react to what she has written. She remains heroically undaunted both by the banning of three of her novels by the white government and by the protests of radical blacks who assert that whites cannot write convincingly about blacks.She is concerned neither with the image of blacks nor with the image of whites, only with revealing the complexity, the full truth. This truth condemns the racism upon which apartheid is built. In her nine novels and eight volumes of short stories, Gordimer digs deeper and deeper until she has thematic layers. These include betrayal-political, sexual, every form and power, the way human beings use power in their relationships. Her accounts in these interviews of how she works and of which writers she admires will fascinate readers, scholars, teachers, and students alike. Co-editors Nancy Topping Bazin retired from the faculty of the English and women's studies departments at Old Dominion University, and Marilyn Dallman Seymour retired from the staff of the Government Publications Department of the Old Dominion University Library.
A comprehensive collection of the author's nonfiction works ranges from reports on the 1976 Soweto uprising and observations of Zimbabe at the dawn of independence to portraits of such figures as Nelson Mandela and Desmond Tutu.
Nadine Gordimer's life reflects the true spirit of the writer as moral activist, political visionary and literary icon. Telling Times collects together all her non-fiction for the first time, spanning more than half a century, from the twilight of colonial rule in South Africa, to the long, brutal fight to overthrow South Africa's apartheid regime and to her leadership role over the last 20 years in confronting the dangers of AIDS, globalisation, and ethnic violence. The range of this book is staggering, from Gordimer's first piece in The New Yorker in 1954, in which she autobiographically traces her emergence as a brilliant, young writer in a racist country, to her pioneering role in recognising the greatest African and European writers of her generation, to her truly, courageous stance in supporting Nelson Mandela and other members of the ANC during their years of imprisonment. Given that Gordimer will never write an autobiography, Telling Times is an important document of twentieth-century social and political history, told through the voice of one of its greatest literary figures.
A stunning new short story from Sunday Times bestseller Nadine Dorries. 1950s Liverpool. Christmas is one of the most harrowing times of year for the nurses of St Angelus Hospital. The Matron takes on Tilly, a new clerk, to ease the load in the busy festive period. Tilly is bright and hard-working, but she is keeping a secret from her colleagues. Everyday Tilly makes a heartbreaking decision – but she has no other choice. If Matron – with her traditional values and strict discipline – learnt the truth about her new clerk, Tilly's career would be ruined. Could Matron ever forgive the deceit? 'Captivating, phenomenal and touching' 23 REVIEW STREET. 'A funny and sometimes shocking saga. I couldn't put it down' CRISTINA ODONE. 'The characters are engaging... and the theme of the novel powerful' THE TIMES.
Sun Records gave us rock and roll, Motown Records gave us pop soul, and Chess Records gave us the blues. Chess was label for Muddy Waters, Howlin' Wolf, Chuck Berry, Etta James, and Bo Diddley--and in this critcially acclaimed history we learn the full story of this legendary label. The greatest artists who sang and played the blues made their mark with Leonard and Phil Chess, whose Chicago-based record company was synonymous with the sound that swept up from the South, embraced the Windy City, and spread out like wildfire into mid-century America. Spinning Blues into Gold is the impeccably researched story of the men behind the music and the remarkable company they created. Chess Records--and later Checkers, Argo, and Cadet Records--was built by Polish immigrant Jews, brothers who saw the blues as a unique business opportunity. From their first ventures, a liquor store and then a nightclub, they promoted live entertainment. And parlayed that into the first pressings sold out of car trunks on long junkets through the midsection of the country, ultimately expanding their empire to include influential radio stations. The story of the Chess brothers is a very American story of commerce in the service of culture. Long on chutzpah, Leonard and Phil Chess went far beyond their childhoods as the sons of a scrap-metal dealer. They changed what America listened to; the artists they promoted planted the seeds of rock 'n' roll--and are still influencing music today. In this book, Cohodas expertly captures the rich and volatile mix of race, money, and recorded music. She also takes us deep into the world of independent record producers, sometimes abrasive and always aggressive men striving to succeed. Leonard and Phil Chess worked hand-in-glove with disenfranchised black artists, the intermittent charges of exploitation balanced by the reality of a common purpose that eventually brought fame to many if not most of the parties concerned. From beginning to end, as we find in these pages, the lives of the Chess brothers were socially, financially, and creatively entwined with those of the artists they believed in.
This is the complete story, in one volume, of Nadine's bestselling Four Streets Trilogy. Set in the Irish Catholic community of 1950s Liverpool and on the west coast of Ireland, this is a saga of working-class families. Despite living on the edge of poverty, they are bound together by humour and loyalty, gossip, grumbling – and endless cups of tea. It is also the gripping, horrifying story of a young girl betrayed by a man who is trusted and revered by the people of the Four Streets. The community's revenge is played out over a drama in three acts: The Four Streets, Hide Her Name and The Ballymara Road.
Adaptation to discontinuous technological change constitutes a major, yet vincible challenge for established companies. This book reveals crucial differences between the challenges that family-owned and managed firms face as compared to non-family firms. Series of case studies in the German retailing and book publishing industries illustrate those differences. Empirical evidence as presented in the book further shows how organizational identity affects whether and in what way firms adapt to radical shifts in their environment.
In this deeply resonant book, Nobel Prize laureate Nadine Gordimer examines the tension for a writer between life's experiences and narrative creations, investigating where characters come from--to what extent are they drawn from real life?--and using the writings of South African revolutionaries to show how their struggle is contrastingly expressed in factual fiction and in lyrical poetry.
Birthing Autonomy brings some balance to the difficult arguments that arise from debates about home births, and focuses on women’s views and their experiences of planning home births. It provides an in-depth exploration of how women make decisions about home births and what aspects matter most to them. Comparing how differently the pros and cons of home births are constructed and contemplated by mothers and by the medical profession, the book looks at how current obstetric thinking and practices can disempower and harm women emotionally and spiritually as well as physically. Written in an accessible style, this book is enlightening for student and practicing midwives and obstetricians, as well as researchers and students of nursing, medical sociology, health studies, gender studies, feminist practitioners and theorists. It will also be invaluable to expectant mothers who want to be more informed about the choices they are facing and the wider context within which their birth options are considered.
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