Titles: * The Boogie Man * A Change in Scenery * Chattanooga Choo Choo * Don't Fence Me In * Embraceable You * Fire and Ice * New Orleans Blues * No More Blues * The Pink Panther * Rock 'r' Roll Boogie * Spots Before My Eyes * Three Swingy Boatmen.
Baptists have a long and rich heritage of congregational song. The hymns Baptists have sung and the books from which they have sung them have been shaping forces for Baptist theology, worship, and piety. Baptist authors and composers have provided songs that have made an impact not only among Baptists in America but also across denominational and geographic lines. Congregational singing continues to be a key component of Baptist worship in the twenty-first century. Beginning with an overview of the British background, this book is a survey of the history of Baptist hymnody in America from Baptist beginnings in the New World to the present. Its intent is to help the reader better understand the background against which current Baptist congregational song practices operate. Unlike earlier writings on the subject, this book provides both comprehensive coverage and a continuous narrative. It gives thorough attention to the major Baptist bodies in America as well as calling attention to the contributions of significant smaller groups. The British Baptist background is dealt with in an introductory section. The book also includes many texts and tunes as illustrations of the topics being discussed and focuses on some of the contributions of Baptist authors and composers to the repertory of congregational song. Book jacket.
Topics addressed include the unique aspects of music librarianship, the growth and diversity of the profession, a profile of persons planning to enter the field, and the question of longevity and stability of practitioners of the profession.
Presents 72 primary documents illustrating the philosophy and practice of congregational singing during various historical periods of the Christian Church, including the early Church and Middle Ages, the Reformation, and English and American hymnody. Among them are letters, diaries, prefaces to hymnals and tunebooks, controversial books and pamphlets, theological treatises, and the deliberations of Vatican II and other church councils. Annotation copyright by Book News, Inc., Portland, OR
Discussions are designed to expand the music cataloger's understanding of publishing practices peculiar to sheet music. While much of the content emphasizes the description of the music, there are also sections devoted to subject access to illustrations, first-line/chorus/refrain text, illustrators, engravers, and publishers, and extensive reproductions of title pages from the 18th through mid-20th centuries, accompanied by examples of the cataloging, are also included.
A Guide to the Bibliographic Control of Videorecordings and Films of Musical Performances and Other Music-related Moving Image Material : with Examples in MARC Format
A Guide to the Bibliographic Control of Videorecordings and Films of Musical Performances and Other Music-related Moving Image Material : with Examples in MARC Format
Cadence explores the many ways in which the component parts of a classical composition achieve a sense of ending. The book examines cadential practice in a wide variety of musical styles in the eighteenth and nineteenth centuries, including works by well-known composers such as Bach, Mozart, Beethoven, Schubert, Chopin, and Brahms.
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set.To purchase the set please go to:http://www.routledge.com/9780415972932.
Twelve essays study the commercialization of ethnic music for markets in the developed world, and the impact on local music and performers in the third world. Drawing on a number of academic disciplines, and music from, among other places, West Africa, Indonesia, Slovenia, Colombia, Israel, and Cuba, the contributors challenge both traditional and progressive assumptions about music. No index. Distributed by St. Martins Press. Annotation copyrighted by Book News, Inc., Portland, OR
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