The resurrection of Jesus from the dead lies at the heart of the Christian faith. It is the turning point of history, with far-reaching implications for our understanding of what God is doing in the world. Resurrection and Renewal is a fresh contribution by an award-winning scholar to the study of Jesus's resurrection. The book is not an apologetic; rather, it takes the resurrection as a given reality and examines what the Bible says about it. Murray Rae surveys the Gospel accounts, looks at the resurrection as the fulfillment of God's Old Testament promises to Israel, and examines how the resurrection reshaped the life of the apostle Paul and informed his theology. He explores how resurrection influences our understanding of Christ, salvation, the future, mission, the church, and the unfolding purpose of history. Attention is given to its implications for Christian living and ethics, the nature of Christian community, and the promises of Christian hope. This is invigorating reading for all who desire greater understanding of participation in the resurrection life made possible through the risen Lord.
Challenging widely followed theological epistemologies, Rae develops a new interpretation of Kierkegaard, and concludes that the account of Christian conversion given by Climacus is a faithful elucidation of the concept of metanoia.
Examines the relation between historiography and hermeneutics on three hundred years of western thought. The author offers a theological account of what history is, centred on the categories of creation and divine promise, and proposes that it is within this theological conception of history that the Bible may be understood on its own terms.
The theology of salvation stands at the heart of the Christian faith. Very often the structure of Christian salvation is seen in terms of a single theme, such as atonement for sins, forgiveness, liberation or friendship with God. It is easy to reduce soteriology to a matter of merely personal experience, or to see salvation as just a solution to a human problem. This book explores a vital yet often neglected aspect of Christian confession - the essential relationship between the nature of salvation and the character of the God who saves. In what ways does God's saving outreach reflect God's character? How might a Christian depiction of salvation best bear witness to these features? What difference might it make to start with the identity of God as encountered in the gospel, then view everything else in the light of that? In addressing these questions, this book offers fresh appraisals of a range of major themes in theology: the nature of creaturely existence; the relationship between divine purposes and material history; the holiness, love and judgement of God; the atoning work of Jesus Christ; election, justification and the nature of faith; salvation outside the church; human and non-human ends; the nature of eschatological fellowship with God. In looking at these issues in the light of God's identity, the authors offer a stimulating and tightly-argued reassessment of what a Christian theology of salvation ought to resemble, and ask what the implications might be for Christian life and witness in the world today.
This book examines encounters between the Christian church and Maori. Christian faith among Maori changed from Maori receiving the missionary endeavours of Pakeha settlers, to the development of indigenous expressions of Christian faith, partnerships between Maori and Pakeha in the mainline churches, and the emergence of Destiny Church. The book looks at the growth, development and adaptation of Christian faith among Maori people and considers how that development has helped shape New Zealand identity and society. It explores questions of theology, historical development, socio-cultural influence and change, and the outcomes of Pakeha interactions with Maori.
Eco-disasters such as coal-mining accidents, oil spills, and food-borne diseases appear regularly in the news, making them seem nearly commonplace. These ecological crises highlight the continual tensions between human needs and the environmental impact these needs produce. Contemporary documentaries and feature films explore environmental-human conflicts by depicting the consequences of our overconsumption and dependence on nonrenewable energy. Film and Everyday Eco-disasters examines changing perspectives toward everyday eco-disasters as reflected in the work of filmmakers from the silent era forward, with an emphasis on recent films such as Dead Ahead, an HBO dramatization of the Exxon Valdez disaster; Total Recall, a science fiction action film highlighting oxygen as a commodity; The Devil Wears Prada, a comment on the fashion industry; and Food, Inc., a documentary interrogation of the food industry. The authors evaluate not only the success of these films as rhetorical arguments but also their rhetorical strategies. This interdisciplinary approach to film studies fuses cultural, economic, and literary critiques in articulating an approach to ecology that points to sustainable development as an alternative to resource exploitations and their associated everyday eco-disasters.
The author of the national bestseller Making a Difference presents the indispensable characteristics every twenty-first century leader needs. In A New Breed of Leader, Dr. Sheila Murray Bethel-global leadership expert, bestselling author, and award-winning speaker-will show readers how to develop the essential qualities needed to become an effective leader: ? Competence-building purpose ? Accountability-fostering trust ? Openness-generating integrity ? Humility-inspiring authenticity ? Language-connecting relationships ? Values-forging community ? Perspective-establishing balance ? Power-mastering influence Filled with stories about and interviews with successful leaders such as golf legend Arnold Palmer; Andrea Young, CEO Avon Corporation; Howard Schultz, CEO Starbucks; and David Neeleman, CEO JetBlue; this book offers valuable insights and teaches readers how to take advantage of the immediately usable action steps.
To Samuel Taylor Coleridge, tragedy was not solely a literary mode, but a philosophy to interpret the history that unfolded around him. Tragic Coleridge explores the tragic vision of existence that Coleridge derived from Classical drama, Shakespeare, Milton and contemporary German thought. Coleridge viewed the hardships of the Romantic period, like the catastrophes of Greek tragedy, as stages in a process of humanity’s overall purification. Offering new readings of canonical poems, as well as neglected plays and critical works, Chris Murray elaborates Coleridge’s tragic vision in relation to a range of thinkers, from Plato and Aristotle to George Steiner and Raymond Williams. He draws comparisons with the works of Blake, the Shelleys, and Keats to explore the factors that shaped Coleridge’s conception of tragedy, including the origins of sacrifice, developments in Classical scholarship, theories of inspiration and the author’s quest for civic status. With cycles of catastrophe and catharsis everywhere in his works, Coleridge depicted the world as a site of tragic purgation, and wrote himself into it as an embattled sage qualified to mediate the vicissitudes of his age.
Hampshire at War 1939-45 looks at the pivotal role Hampshire played during the Second World War, including principal details of the genesis for D-Day and how the Battle for Britain happened on a day by day basis. The author highlights the peoples experience of total war from the blitz in Portsmouth, Gosport and Southampton, along with raids throughout the county, not to mention the role played by the Royal Navy at sea and in the dockyards. As well as saluting the role of civilians who created and built Spitfires and Hurricanes, the book places a rightful spotlight on the role Hampshire's women played in the final victory.Hampshires major effort towards final victory arose from the towns and hamlets of the county. Training for the secret war and espionage took place in Beaulieu and the training for the Cockleshell Heroes took place around Southsea. Hampshires war involved the arrival of men and women from all over the world, but in particular from Canada and America with important cultural changes for everyone living there. When invasion threatened in 1940, a defence of Britain had to be organised and Hampshire's coast was particularly vulnerable. Details of how German troops would be resisted after landings in the Solent and along Hampshires coast are also explored.Hampshire at War 1939 - 1945 traces the progress of evacuating its children from vulnerable cities such as Southampton and Portsmouth, and records the experiences of the children themselves. But most importantly, Murray Rowlands provides the experience of living through the Second World War, as it happened.
After Adam Smith' looks at how politics & political economy were articulated & altered in the century following the publication of Smith's 'Wealth of Nations'.
This is the first book to investigate the social, political, cultural, artistic and economic forces which created conditions for the rise, success and decline of mime and physical theatre in the United Kingdom, from the 1970s to 2000. Unpicking the various routes through which mime and physical theatre emerged into wider prominence, this book outlines key thematic strands within this history of practice. The book blends historical description and refl ective analysis. It aims to juxtapose the various histories at play within this field, giving critical attention to the voices of the artists, funders and venue managers who were there at the time, particularly recognising the diversity of practitioners and the network of relationships that supported their work. Drawing upon over 40 original interviews, including, amongst others: Joseph Seelig, Helen Lannaghan, Steven Berkoff, Julian Chagrin, Annabel Arden, Nola Rae, Denise Wong, David Glass, Justin Case and Toby Sedgwick, the book offers unique testimonies and memories from key figures active during these three decades. This wide-ranging account of the history, social context, key moments and practical methods gives an unparalleled chronicle of one of the UK’s most vital and pioneering forms of theatre. From undergraduate students to established scholars, this is a comprehensive account for anyone studying contemporary theatre, theatre history, mime, physical theatre and the structures that support the performing arts in the United Kingdom.
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