The follow-up to the internationally acclaimed The President's Gardens "Al-Ramli is a remarkable storyteller, and in Daughter of the Tigris he creates a dynamic, intricately plotted narrative, brimming with stories and a host of memorable characters" Susannah Tarbush, Banipal On the sixth day of Ramadan, in a land without bananas, Qisma leaves for Baghdad with her husband-to-be to find the body of her father. But in the bloodiest year of a bloody war, how will she find one body among thousands? For Tariq, this is more than just a marriage of convenience: the beautiful, urbane Qisma must be his, body and soul. But can a sheikh steeped in genteel tradition share a tranquil bed with a modern Iraqi woman? The President has been deposed, and the garden of Iraq is full of presidents who will stop at nothing to take his place. Qisma is afraid - afraid for her son, afraid that it is only a matter of time before her father's murderers come for her. The only way to survive is to take a slice of Iraq for herself. But ambition is the most dangerous drug of all, and it could just seal Qisma's fate. Translated from the Arabic by Luke Leafgren REVIEWS FOR THE PRESIDENT'S GARDENS 'Though firmly rooted in its context, The President's Gardens' concerns are universal. It is a profoundly moving investigation of love, death and injustice, and an affirmation of the importance of dignity, friendship and meaning amid oppression. Its light touch and persistent humour make it an enormous pleasure to read' Robin Yassin-Kassab, Guardian. The President's Gardens evokes the fantastical, small town feel of One Hundred Years of Solitude Tom Gordon, Financial Times 'No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting' Hassan Blasim, winner of the Independent Foreign Fiction Prize
This unique anthology of Iraqi noir fiction collects fourteen original stories of crime, conspiracy, regret, and revenge in the capital of Iraq. The centuries-old city of Baghdad has known many rulers, many troubles, and many crimes. But while most Iraqis would agree that their life has always been noir, there has not been a literary tradition to capture this aspect of the culture. By commissioning the fourteen stories collected here—most by Iraqi writers, all by authors familiar with Baghdad—editor Samuel Shimon and Akashic Books have created what may be the first anthology of Iraqi crime fiction ever assembled. Here you will read of life in Baghdad both during and after the Saddam Hussein era, with stories of fear in the shadow of a ruthless dictator; kidnappings in the time of U.S. occupation; detectives who investigate political conspiracies; and tales of revenge, assassination, mental illness, and family struggle in the war-torn City of Peace. Baghdad Noir includes brand-new stories by Sinan Antoon, Ali Bader, Mohammed Alwan Jabr, Nassif Falak, Dheya al-Khalidi, Hussain al-Mozany, Layla Qasrany, Hayet Raies, Muhsin al-Ramli, Ahmed Saadawi, Hadia Said, Salima Salih, Salar Abdoh, and Roy Scranton.
In this extraordinary novel by heralded Iraqi author Muhsin Al-Ramli, One Hundred Years of Solitude meets The Kite Runner against the backdrop of Saddam Hussein's Iraq. "A profoundly moving investigation of love, death, and injustice." --The Guardian "A standard in contemporary Middle Eastern literature." --Booklist "A stunning achievement." --The National On the third day of Ramadan, a small village in Iraq wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop. One of them belonged to one of the most wanted men in Iraq, known to his friends as Ibrahim the Fated. How did this good and humble man earn the enmity of so many? What did he do to deserve such a death? The answer lies in his lifelong friendship with Abdullah Kafka and Tariq the Befuddled, who each have their own remarkable stories to tell. It lies on the scarred, irradiated battlefields of the Gulf War and in the ashes of a revolution strangled in its cradle. It lies in the steadfast love of his wife and the festering scorn of his daughter. And, above all, it lies behind the locked gates of the President's gardens, buried alongside the countless victims of a pitiless reign of terror.
In this extraordinary novel by heralded Iraqi author Muhsin Al-Ramli, One Hundred Years of Solitude meets The Kite Runner against the backdrop of Saddam Hussein's Iraq. "A profoundly moving investigation of love, death, and injustice." --The Guardian "A standard in contemporary Middle Eastern literature." --Booklist "A stunning achievement." --The National On the third day of Ramadan, a small village in Iraq wakes to find the severed heads of nine of its sons stacked in banana crates by the bus stop. One of them belonged to one of the most wanted men in Iraq, known to his friends as Ibrahim the Fated. How did this good and humble man earn the enmity of so many? What did he do to deserve such a death? The answer lies in his lifelong friendship with Abdullah Kafka and Tariq the Befuddled, who each have their own remarkable stories to tell. It lies on the scarred, irradiated battlefields of the Gulf War and in the ashes of a revolution strangled in its cradle. It lies in the steadfast love of his wife and the festering scorn of his daughter. And, above all, it lies behind the locked gates of the President's gardens, buried alongside the countless victims of a pitiless reign of terror.
Set in an Iraqi village during the Iran-Iraq war, Scattered Crumbs critiques a totalitarian dictatorship through the stories of an impoverished peasant family. A father, a fierce supporter of Saddam Hussein—here called only “The Leader”—clashes with his artist son, who loves his homeland but finds himself literally unable to paint the Leader's portrait for his father's wall. The narrator remembers the disintegration of his family as he leaves the village to search for his cousin, even as he realizes that the only thing he really knows of this cousin is his absence. Translator Hanoosh says that the novel “evokes the processes of deterioration undergone both by the country and by the individual characters caught up in the maelstrom.” Scattered Crumbs was first published in Arabic in Cairo in 2000. This translation captures the subtle sarcasm of the original text and its elliptical rhythms.
Set in an Iraqi village during the Iran-Iraq war, Scattered Crumbs critiques a totalitarian dictatorship through the stories of an impoverished peasant family. A father, a fierce supporter of Saddam Hussein—here called only “The Leader”—clashes with his artist son, who loves his homeland but finds himself literally unable to paint the Leader's portrait for his father's wall. The narrator remembers the disintegration of his family as he leaves the village to search for his cousin, even as he realizes that the only thing he really knows of this cousin is his absence. Translator Hanoosh says that the novel “evokes the processes of deterioration undergone both by the country and by the individual characters caught up in the maelstrom.” Scattered Crumbs was first published in Arabic in Cairo in 2000. This translation captures the subtle sarcasm of the original text and its elliptical rhythms.
Saleem, fed up with all the violence, religiosity, and strict family hierarchies of his Iraqi village, flees to Spain to establish a new life for himself. But his lonely exile is turned upside down when he encounters his father, Noah, in a Madrid nightclub after not seeing him in more than a decade. Noah looks and acts like a new man, and Saleem sets out to discover the mystery of his father's presence in Spain and his altered life. In doing so, he recalls formative moments in Iraq of familial love, war, and the haunting accidental death of his cousin Aliya, Saleem's partner in the hesitant, tender exploration of sexuality. When the renewed relationship with his father erupts in a violent conflict, Saleem is forced to rediscover his sense of self and the hard-won stability of his life. Through Saleem's experiences and reflections, the fast-paced narrative carries the reader between Spain and Iraq to a surprising resolution.
The follow-up to the internationally acclaimed The President's Gardens "Al-Ramli is a remarkable storyteller, and in Daughter of the Tigris he creates a dynamic, intricately plotted narrative, brimming with stories and a host of memorable characters" Susannah Tarbush, Banipal On the sixth day of Ramadan, in a land without bananas, Qisma leaves for Baghdad with her husband-to-be to find the body of her father. But in the bloodiest year of a bloody war, how will she find one body among thousands? For Tariq, this is more than just a marriage of convenience: the beautiful, urbane Qisma must be his, body and soul. But can a sheikh steeped in genteel tradition share a tranquil bed with a modern Iraqi woman? The President has been deposed, and the garden of Iraq is full of presidents who will stop at nothing to take his place. Qisma is afraid - afraid for her son, afraid that it is only a matter of time before her father's murderers come for her. The only way to survive is to take a slice of Iraq for herself. But ambition is the most dangerous drug of all, and it could just seal Qisma's fate. Translated from the Arabic by Luke Leafgren REVIEWS FOR THE PRESIDENT'S GARDENS 'Though firmly rooted in its context, The President's Gardens' concerns are universal. It is a profoundly moving investigation of love, death and injustice, and an affirmation of the importance of dignity, friendship and meaning amid oppression. Its light touch and persistent humour make it an enormous pleasure to read' Robin Yassin-Kassab, Guardian. The President's Gardens evokes the fantastical, small town feel of One Hundred Years of Solitude Tom Gordon, Financial Times 'No author is better placed than Muhsin Al-Ramli, already a star in the Arabic literary scene, to tell this story. I read it in one sitting' Hassan Blasim, winner of the Independent Foreign Fiction Prize
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