Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-siècle culture in the Austro-Hungarian Monarchy by looking at the preoccupation with embroidery, fabrics, clothing, and fashion. The author resurrects lesser known critics, practitioners, and curators, while also discussing the textile interests of better known figures. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe.