Kate Moss is one of the newest of the supermodels. Her unique look has inspired top photographers, including Stephen Meisel, Bruce Weber, Herb Ritts, Helmut Newton and Richard Avedon, top fashion editors and top fashion designers, particularly Calvin Klein.
An astounding collaboration between Agent Provocateur, Mike Figgis and Kate Moss, "The 4 Dreams of Miss X" breaks new ground. Genius innovators in haute couture, AP have commissioned Mike Figgis to portray Moss in her first acting role, resulting in four unique films: "Shadows", "Scale", "Exhibitionist and "Narcissus" - "The 4 Dreams of Miss X". Shot in night vision, these films are intensely intimate: a beautiful woman's private dream experiences. Two films have been released online in 2006, with the final two released in January and March 2007. Brought together for the first time on DVD, you can now enjoy Kate Moss' first ever speaking role at home and full screen.
Lake: A See to Learn Book, the second book in the See to Learn series, is designed to inspire scientific curiosity, appreciation of beauty and connection to the natural world, through gentle questions and vibrant illustrations. Lake: A See to Learn Book is the second title in a series of non-fiction picture books for very young children that uses lyrical language to encourage a sensitive perception of the natural world and a caring connection with it. The text asks young readers to consider what they see and experience at a lake through the seasons — from dragonflies and hummingbirds in summer, to crimson leaves in fall, to goslings on the lake’s icy surface in winter, to moose calves by the water’s edge in spring — drawing local connections alongside those of a global sensibility. Gorgeous illustrations show a child and adult appreciating the lake’s beauty, learning its secrets and enjoying moments of wonder, all first steps toward developing a lifelong awareness of our interconnectedness to the Earth and our impact on the environment. Includes suggestions for further reading and an author’s note regarding aspects of shaping our inner environmental compass. Key Text Features author's note further reading Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses.
Examining the erosion of people's democratic rights and the potential catastrophic dangers of neglecting civil liberties, this book explores the endemic danger of the enlarged power of the state and the central role of Government in undermining personal freedoms through the use of state force in the name of the protection of security.
Everyone working in education, and beyond, is fully aware of the current mental health crisis for pupils. Understanding and Reducing Anxiety in the Primary School combines the expert knowledge of a specialist in formative assessment, a child and adolescent psychotherapist and an outstanding headteacher to address how we may tackle this issue and improve the wellbeing of children in our schools. Formative assessment, one of the key techniques explored within this book, has explicit links with reducing anxiety: raising children’s belief in their ability to achieve and giving them clear frameworks of learning intentions and success criteria as well as in-the-moment feedback so that they are reassured and able to voice any worries while they are working. Written in a practical and accessible manner, the authors unpack the psychology behind issues related to students’ mental health and provide illustrative, relatable anecdotes and helpful strategies to support a positive, anxiety-free learning environment. The book is divided into four distinct sections: Why is everyone so anxious and what can we do about it? Understanding and dealing with extreme behaviour Supporting the learning to reduce anxiety Creating a containing and compassionate school This is a must read for anyone working in a primary school. Readers will benefit from learning strategies to reduce the anxiety of the children they work with and to support the wellbeing of the wider educational community.
This writing describes a life journey: it is a quest for meaning behind the motives and actions of others. It is told through the eyes and voice of Katherine; she seeks understanding of people close to her. Misunderstandings produce anger, hatred, apathy, and a lack of compassion. She relies on addictive behaviours to change the way she feels. Katherine wishes to rid herself of this negativity which creates bondage and which has the potential to destroy her, injure others, or even drive her to commit a murder. After many years, she gains insight into her fellow, human beings. She understands. She sees more clearly but not without the aid of others. She discovered she couldn't accomplish serenity and acceptance on her own. Kate's story introduces the reader to the persons on her team that guided her to a stage in her life where she is able to find contentment, peace, and love. LOVE becomes her state of being. She learns to accept and love herself as well as her fellows.
Forest: A See to Learn Book is the first book in a series of non-fiction picture books for very young children, using lyrical phrasing to encourage a sensitive perception of the natural world and a caring connection with it. Through gentle questions, the text asks young readers to consider what they see and experience in the forest through the seasons — animal tracks, tiny creatures in the soil, birds soaring in the sky above, towering trees, shade and dappled sunlight — drawing local connections alongside those of a global sensibility. Stunningly beautiful illustrations show a child and grownup exploring the forest, appreciating its beauty, learning its secrets and enjoying moments of wonder, all first steps toward developing a lifelong awareness of our interconnectedness to the Earth and our impact on the environment. Key Text Features author’s note Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.K.1 With prompting and support, ask and answer questions about key details in a text. CCSS.ELA-LITERACY.RL.1.4 Identify words and phrases in stories or poems that suggest feelings or appeal to the senses. CCSS.ELA-LITERACY.RL.1.5 Explain major differences between books that tell stories and books that give information, drawing on a wide reading of a range of text types.
Kateas Life is a story of abuse. The inspiration for Kateas Life came to me when I read an article that stated, aabusers breed abusers.a I strongly disagree with that statement. Many people grow up in abusive families and do not abuse. I also wrote the story with the hope to help at least one person. If you or someone you know is in an abusive relationship, please seek help today, for tomorrow could be too late.
Considering the question of how levels of security allow state power to be increased to the point at which it infringes essential civil liberties, this book explores the creeping power of the executive and the unfeasibility of widespread use of the Human Rights Act as a bulwark against the oppressive use of state power.
Women’s rough sleeping is a major issue across Europe and is especially problematic within the current economic climate. Based on a European Union DAPHNE III-funded project, this important book tells the story of the women and organisations that took part in the study. Revealing a number of truths about women’s rough sleeping across Europe, the authors argue that there is little or no specific provision for this vulnerable and hard to reach group. The book focuses on the adoption of effective policy, strategies and services to meet the needs of homeless women, specifically women rough sleepers who are the victims of domestic abuse. It will be a valuable resource for academics and students of criminology, social policy, law, social work and probation, as well as housing/homelessness practitioners, policy makers, local authorities and NGOs.
“A slim, tense page-turner . . . I gulped The Fell down in one sitting.” —Emma Donoghue, author of The Pull of the Stars From the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster. At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can’t take it anymore—the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she’s stepped out. Kate planned only a quick walk—a stretch of the legs, a breath of fresh air—on paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case. Sarah Moss’s The Fell is a story of mutual responsibility, personal freedom, and compassion. Suspenseful, witty, and wise, it asks probing questions about how close so many live to the edge and about who we are in the world, who we are to our neighbors, and who we become when the world demands we shut ourselves away.
Providing the first ever statistical study of a professional cohort in the era of the industrial revolution, this prosopographical study of some 450 surgeons who joined the army medical service during the Revolutionary and Napoleonic wars, charts the background, education, military and civilian career, marriage, sons' occupations, wealth at death, and broader social and cultural interests of the members of the cohort. It reveals the role that could be played by the nascent professions in this period in promoting rapid social mobility. The group of medical practitioners selected for this analysis did not come from affluent or professional families but profited from their years in the army to build up a solid and sometimes spectacular fortune, marry into the professions, and place their sons in professional careers. The study contributes to our understanding of Britishness in the period, since the majority of the cohort came from small-town and rural Scotland and Ireland but seldom found their wives in the native country and frequently settled in London and other English cities, where they often became pillars of the community.
This writing describes a life journey: it is a quest for meaning behind the motives and actions of others. It is told through the eyes and voice of Katherine; she seeks understanding of people close to her. Misunderstandings produce anger, hatred, apathy, and a lack of compassion. She relies on addictive behaviours to change the way she feels. Katherine wishes to rid herself of this negativity which creates bondage and which has the potential to destroy her, injure others, or even drive her to commit a murder. After many years, she gains insight into her fellow, human beings. She understands. She sees more clearly but not without the aid of others. She discovered she couldn’t accomplish serenity and acceptance on her own. Kate’s story introduces the reader to the persons on her team that guided her to a stage in her life where she is able to find contentment, peace, and love. LOVE becomes her state of being. She learns to accept and love herself as well as her fellows.
“A slim, tense page-turner . . . I gulped The Fell down in one sitting.” —Emma Donoghue, author of The Pull of the Stars From the award-winning author of Ghost Wall and Summerwater, Sarah Moss's The Fell is a riveting novel of mutual responsibility, personal freedom, and the ever-nearness of disaster. At dusk on a November evening, a woman slips through her garden gate and turns up the hill. Kate is in the middle of a two-week mandatory quarantine period, a true lockdown, but she can’t take it anymore—the closeness of the air in her small house, the confinement. And anyway, the moor will be deserted at this time. Nobody need ever know she’s stepped out. Kate planned only a quick walk—a stretch of the legs, a breath of fresh air—on paths she knows too well. But somehow she falls. Injured, unable to move, she sees that her short, furtive stroll will become a mountain rescue operation, maybe even a missing person case. Sarah Moss’s The Fell is a story of mutual responsibility, personal freedom, and compassion. Suspenseful, witty, and wise, it asks probing questions about how close so many live to the edge and about who we are in the world, who we are to our neighbors, and who we become when the world demands we shut ourselves away.
A string of unusual crimes hits Castle Key and the chief suspect seems to be a skeleton! Scott, Jack, Emily and Drift the dog immediately start investigating, but nothing about the mystery makes sense. Will the friends finally be defeated by this baffling mix of crimes and the mysterious culprit, or can they uncover the sinister secret that connects them all? The sixth gripping mystery in the exciting new Adventure Island series!
The Dramatic Story that Capitvated a Generation With this new edition, the classic best-selling autobiography by the late playwright Moss Hart returns to print in the thirtieth anniversary of its original publication. Issued in tandem with Kitty, the revealing autobiography of his wife, Kitty Carlisle Hart, Act One, is a landmark memoir that influenced a generation of theatergoers, dramatists, and general book readers everywhere. The book eloquently chronicles Moss Hart's impoverished childhood in the Bronx and Brooklyn and his long, determined struggle to his first theatrical Broadway success, Once in a Lifetime. One of the most celebrated American theater books of the twentieth century and a glorious memorial to a bygone age, Act One if filled with all the wonder, drama, and heartbreak that surrounded Broadway in the 1920s and the years before World War II.
There's a new resident in Castle Key - and somebody is watching him! Scott, Jack, Emily and Drift soon suspect that the new resident is an enemy spy. It explains the bullet-proof glass in the windows of his house. And the MI5 agent who is clearly keeping tabs on him! But what is an enemy spy doing in Castle Key? Can the friends reveal his true identity? And uncover his top secret mission? Join Scott, Jack, Emily and Drift as they investigate a man so mysterious he's almost invisible!
When Scott and Jack Carter have to stay with their great aunt for the summer they steel themselves for the most boring holiday ever. But then they meet Emily Wild and her loveable dog, Drift. Emily shows them the lighthouse, the castle - and the amazing whistling caves. Legend has it that when the caves stop whistling the castle will be attacked - and that's exactly what happens! Priceless treasures are stolen and Emily and the boys are determined to investigate. But how was the treasure smuggled out of the castle? Why did the caves stop whistling? And can the friends solve the mystery in time to catch the thief? The first in an exciting new adventure series - with five more gripping mysteries to come!
A game of hide and seek in the old Castle Key lighthouse during a violent thunder storm leads to an amazing discovery - a tattered old treasure map! Scott, Jack and Emily can't wait to search for the hidden gold but first they must solve the clues to uncover its secret hiding place. And someone else is after the gold too - someone who doesn't plan to let anyone get in their way! Can our heroes figure out the map, outwit their enemy and find the hidden treasure? The third title in this fabulous new series packed with mystery and adventure!
THE STORY: Growing up in an impoverished family in the Bronx, Moss Hart dreamed of being part of the glamorous world of the theatre. Forced to drop out of school at age thirteen, Hart’s famous memoir Act One is a classic Hortatio Alger story that plots Hart’s unlikely collaboration with the legendary playwright George S. Kaufman. Tony Award-winning writer and director James Lapine has adapted Act One for the stage, creating a funny, heartbreaking, and suspenseful play that celebrates the making of a playwright and his play Once in a Lifetime. ACT ONE offers great fun to a director to utilize over fifty roles, which can be played by a cast as few as twelve, and in a production that can be done as simply or elaborately as desired.
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