Eight old friends reunite for a week in the sun... What could possibly go wrong? When her old flame Sam rings up one day and invites her on a villa holiday in Italy, Jen is completely thrown off balance. Sam, as she cannot help but recall, was the best kiss of her life. With her husband Marcus constantly travelling the world for work, and seven-year-old Alfie still in the marital bed, the joys of marriage and motherhood are thin on the ground for Jen these days... What could be more appealing than being with old friends and recapturing a little bit of their youth? Two months later, Jen and Marcus arrive at the stunning Villa La Silerchie. There to greet them are Jen's best friend Tara and her new husband Dave, a struggling writer; there's also vain, neurotic Miranda and her fiancé Toby; Jack, a handsome and successful actor, recently separated; and Sam - funny, laid-back, sexy Sam... Everything's set for the holiday of a lifetime; but as the week progresses, and tensions rise in the August heat, relationships unravel, old rivalries re-emerge, and uncomfortable truths have to be faced. Who knew what seven days in the sun could lead to...
Winner of the 2019 Western Fictioneers Peacemaker Award The Lily of the West, winner of the 2019 Western Fictioneers Peacemaker Award for Best First Western Novel is the story of Mary Katherine Haroney, known as the notorious "Big Nose Kate." In the American West of the 1800s, women had few choices, but Kate made her own way. A Hungarian immigrant, Kate forged her way across the American frontier, an orphaned stowaway on a Mississippi riverboat who became the belle of the Dodge City music halls, known for her outspoken manner and her alluring appearance. Classically educated, she spoke four languages, finding love and much in common with a charming but volatile dentist from Atlanta, Dr. John Henry (Doc) Holliday. She was a trusted friend of the Earps and Bat Masterson, an adventurous woman who witnessed the violent lawlessness that preceded the end of an era. I was moved to tears many times by the story of Kate's love for Doc Holliday and impressed by the vivid detail with which the author painted the story of star-crossed lovers. A new take on the O.K. Corral, from a woman's point of view. —Roundup Magazine, Western Writers of America Writing in first person, Morris gives the woman's struggle an immediacy and poignancy not usually found in a traditional western. A good companion for Mary Doria Russell's Doc (2011), this compelling debut will appeal to readers of any gender. —Booklist
When Mary–Kate takes a summer job as a lifeguard at a Malibu beach club, she soon finds that it's not all about saving lives, it's about meeting guys. Mary–Kate is about to have the most romantic summer of her life. Ages 9–15
A distinctly Indigenous form of landscape representation is emerging among contemporary Indigenous artists from North America. For centuries, landscape painting in European art typically used representational strategies such as single-point perspective to lure viewers—and settlers—into the territories of the old and new worlds. In the twentieth century, abstract expressionism transformed painting to encompass something beyond the visual world, and, later, minimalism and the Land Art movement broadened the genre of landscape art to include sculptural forms and site-specific installations. In Shifting Grounds, art historian Kate Morris argues that Indigenous artists are expanding and reconceptualizing the forms of the genre, expressing Indigenous attitudes toward land and belonging even as they draw upon mainstream art practices. The resulting works evoke all five senses: from the overt sensuality of Kay WalkingStick’s tactile paintings to the eerie soundscapes of Alan Michelson’s videos to the immersive environments of Kent Monkman’s dioramas, this art resonates with a fully embodied and embedded subjectivity. Shifting Grounds explores themes of presence and absence, survival and vulnerability, memory and commemoration, and power and resistance, illuminating the artists’ engagement not only with land and landscape but also with the history of representation itself.
The end of the world doesn't happen with a bang. It takes slightly longer than that but not by much. Research projects, Gross Anatomy class, tests and fancy coffee drinks will cease to be important. The fight for her life will become the only thing that matters." Reagan McClane is a prodigy med school student on the brink of a brilliant career, but the United States and the rest of the world are headed towards total economic and social collapse. And it doesn't take more than a few hours for mass crime, looting and pillaging to spread across the country like a plague. A brutal attack at her university leads to a fight for her life before Reagan barely makes it home to the safety of her awaiting grandparents and sisters on their family farm in Tennessee. Three sexy Army Rangers, one of whom is married to Reagan's eldest sister, will join the McClane family to build their farm into an impenetrable fortress that they will fight to keep, no matter the cost. Reagan will find that defending her hardened, scarred heart against ever letting anyone in again will prove even more difficult than survival as one Ranger, in particular, tries to invade it. The McClane Apocalypse is a story of love, survival and the importance of family during the worst of times imaginable. Look for Book 2 of the trilogy coming in July!
Meet Ellie. She's been married to Jack for seven years, has two occasionally-adorable-but-mostly-demanding children and is about to open a café with her friend, Tilda. But Jack is a soap actor whose long-running character has been killed off, leaving him hanging around the house and getting under the feet of Petra, an au pair too glamorous for her own good - even if she is a dab hand with glitter and glue. Meanwhile Ellie's excitement about the café is making her marriage seem dreary in comparison and when the gorgeous Mark moves in next door (with a wife in tow, admittedly) she asks herself when she and Jack went past their sell-by-date. How can she put the sizzle back into her love life without breaking the rules? And is there really something better out there - or is she just scratching a classic seven year itch?
Many policy and practice initiatives that aim to prevent social exclusion focus on children and young people. This book seeks to consider new approaches to understanding the complexities of prevention, and how these new understandings can inform policy and practice. The authors use evidence from the National Evaluation of the Children's Fund to illustrate and explore the experiences of children and families who are most marginalised. They consider the historical context of approaches to child welfare, and present a new framework for understanding and developing preventative polices and practice within the context of social exclusion. Preventative initiatives such as the Children's Fund have supported large-scale complex evaluations that have generated rich and important data about strategies for addressing social exclusion and what they can achieve. The findings of this book have direct relevance for all those engaged in developing preventative policy and practice and will therefore be of interest to policy makers, practitioners and students of child welfare and social policy more broadly, in providing a timely discussion of key debates in designing, delivering and commissioning preventative services.
Secret St Albans explores the lesser-known history of the Hertfordshire city of St Albans through a fascinating selection of stories, unusual facts and attractive photographs.
How do workers around the world balance risk and support to ensure that their practice meets the ever-changing needs of children and their families? Renowned authors Marie Connolly and Kate Morris join forces to explore the frameworks and ideas which have shaped contemporary child and family welfare practice. From definitions of abuse to assessment models, they examine the knowledge base which lies at the heart of safe and effective statutory practice with children and families. Drawing on examples from a range of English-speaking jurisdictions, the book explores: - How to engage families, including participatory approaches and the role of the Family Group Conference - How to create positive out-of-home environments for children, discussing foster, kinship and residential care and adoption settings - How to improve professional decision-making through supervision and other organizational frameworks. At a time when child welfare systems across the globe are undergoing review, Understanding Child and Family Welfare provides a timely exploration of the reform agendas which will shape future practice. With sharp analytic insights into the difficulties and dilemmas which characterize this field, it is fundamental reading for all students studying child and family support or child protection, as well as for practitioners working within children and family settings.
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Huckleberry Finn dressing as a girl is a famously comic scene in Mark Twain's novel but hardly out of character--for the author, that is. Twain "troubled gender" in much of his otherwise traditional fiction, depicting children whose sexual identities are switched at birth, tomboys, same-sex married couples, and even a male French painter who impersonates his own fictive sister and becomes engaged to another man. This book explores Mark Twain's extensive use of cross-dressing across his career by exposing the substantial cast of characters who masqueraded as members of the opposite sex or who otherwise defied gender expectations. Linda Morris grounds her study in an understanding of the era's theatrical cross-dressing and changing mores and even events in the Clemens household. She examines and interprets Twain's exploration of characters who transgress gendered conventions while tracing the degree to which themes of gender disruption interact with other themes, such as his critique of race, his concern with death in his classic "boys' books," and his career-long preoccupation with twins and twinning. Approaching familiar texts in surprising new ways, Morris reexamines the relationship between Huck and Jim; discusses racial and gender crossing in Pudd'nhead Wilson; and sheds new light on Twain's difficulty in depicting the most famous cross-dresser in history, Joan of Arc. She also considers a number of his later "transvestite tales" that feature transgressive figures such as Hellfire Hotchkiss, who is hampered by her "misplaced sex." Morris challenges views of Twain that see his work as reinforcing traditional notions of gender along sharply divided lines. She shows that Twain depicts cross-dressing sometimes as comic or absurd, other times as darkly tragic--but that even at his most playful, he contests traditional Victorian notions about the fixity of gender roles. Analyzing such characteristics of Twain's fiction as his fascination with details of clothing and the ever-present element of play, Morris shows us his understanding that gender, like race, is a social construction--and above all a performance. Gender Play in Mark Twain: Cross-Dressing and Transgression broadens our understanding of the writer as it lends rich insight into his works.
This story of a middle-aged woman's odyssey down the Mississippi River is a funny, beautifully written, and poignant tale of a journey that transforms a life In fall 2005 acclaimed travel writer Mary Morris set off down the Mississippi in a battered old houseboat called the River Queen, with two river rats named Tom and Jerry—and a rat terrier, named Samantha Jean, who hated her. It was a time of emotional turmoil for Morris. Her father had just died; her daughter was leaving home; life was changing all around her. It was then she decided to return to the Midwest where she was from, to the river she remembered, where her father had played jazz piano in tiny towns. Morris describes living like a pirate and surviving a tornado. Because of Katrina, oil prices, and drought, the river was often empty—a ghost river—and Morris experienced it as Joliet and Marquette had four hundred years earlier. As she learned to pilot her beloved River Queen without running aground and made peace with Samantha Jean, Morris got her groove back, reconnecting to her past. More important, she came away with her best book, a bittersweet travel tale told in the very real voice of a smart, sad, funny, gutsy, and absolutely appealing woman.
Her paternal grandmother, was only known as a forgotten lady from Virginia who came to Arkansas to teach school; had a family; died at an early age then disappeared into genealogical listings in history books...until the letters. The author's acquisition of fifteen letters while in college led her to a lifelong pursuit of the woman behind them, her life, her loves and her courageous battle to persevere in the face of all odds. The letters, sometimes humorous and clever, sometimes profound, allow us a glimpse into a forgotten world, a piece of history that through their very existence preserve a time past for future generations. The author, through "Finding Kate," allows us to share her journey by way of personal letters, written to and from Catherine Lewis, as she traces her family lineage. The woman affectionately known as "Kate" is no longer a footnote in history, but an inspiration to all of us to search out our own "Kate." In the process as the author quietly says, she "found" her grandmother.
This book challenges the current child protection culture and calls for family-minded humane practice where children are understood as relational beings, parents are recognized as people with needs and hopes and families as carrying extraordinary capacities for care and protection.
Imagine a book that transports kids thousands of miles away with the fresh, healthy dishes of different lands. This book leads little people to explore countries and cuisines to try themselves. Simple recipes, using fresh, healthy and easy-to-source ingredients, with suggested substitutions, will open up different tastes, aromas and cuisines.
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