This book provides hands-on experience with a major area of modern phonology, including phonetics; phonetic variation; natural classes of sounds; alternations; rule systems; and prosodic phonology. Working with problems is an essential part of courses that introduce students to modern phonology. This book provides hands-on experience with a major area of modern phonology, including phonetics; phonetic variation; natural classes of sounds; alternations; rule systems; and prosodic phonology. An introductory essay gives an overview of some of the principal results and assumptions of current phonological theory. The problems are taken from a wide variety of languages, and many are drawn from the authors' firsthand research. All have been used by the authors in their introductory courses, primarily at Harvard and MIT, and are meant to be used in conjunction with a textbook and/or other materials provided by the classroom instructor.
Many of the great works of world literature are composed in metrical verse, that is, in lines which are measured and patterned. Meter in Poetry: A New Theory is the first book to present a single simple account of all known types of metrical verse, which is illustrated with detailed analyses of poems in many languages, including English, Spanish, Italian, French, classical Greek and Latin, Sanskrit, classical Arabic, Chinese, Vietnamese, and Latvian. This outstanding contribution to the study of meter is aimed both at students and scholars of literature and languages, as well as anyone interested in knowing how metrical verse is made.
Jakobson and Halle's initial statement of the principles of linguistic organization should be made available to all future generations of linguists. It builds a solid foundation for Saussurean thinking about linguisic oppositions and establishes distinctive feature theory as the basis of their formal treatment." Prof. Dr. William Labov, University of Pennsylvania, Department of Linguistics
Many of the great works of world literature are composed in metrical verse, that is, in lines which are measured and patterned. Meter in Poetry: A New Theory is the first book to present a single simple account of all known types of metrical verse, which is illustrated with detailed analyses of poems in many languages, including English, Spanish, Italian, French, classical Greek and Latin, Sanskrit, classical Arabic, Chinese, Vietnamese, and Latvian. This outstanding contribution to the study of meter is aimed both at students and scholars of literature and languages, as well as anyone interested in knowing how metrical verse is made.
This collection offers a snapshot of current research in Distributed Morphology, highlighting the lasting influence of Morris Halle, a pioneer in generative linguistics. Distributed Morphology, which integrates the morphological with the syntactic, originated in Halle's work. These essays, written to mark his 90th birthday, make original theoretical contributions to the field and emphasize Halle's foundational contributions to the study of morphology.The authors primarily focus on the issues of locality, exploring the tight connection of morphology to phonology, syntax and semantics that lies at the core of Distributed Morphology. The nature of phases, the notion of a morpho-syntactic feature, allomorphy and exponence, the synthetic/analytic alternation, stress assignment, and syntactic agreement are all shown to link to more than one grammatical module.Animated discussion with students has been central to Halle's research, and the development of Distributed Morphology has been shaped and continued by his students, many of whom have contributed to this volume. Halle's support, advice, and enthusiasm encouraged the research exemplified here. In the Hallean tradition, these papers are sure to inspire all generations of morphologists.ContributorsKarlos Arregi, Jonathan David Bobaljik, Eulàlia Bonet, David Embick, Daniel Harbour, Heidi Harley, Alec Marantz, Tatjana Marvin, Ora Matushansky, Martha McGinnis, Andrew Nevins, Rolf Noyer, Isabel Oltra-Massuet, Mercedes Tubino Blanco, Susi Wurmbrand
An Essay on Stress presents a universal theory for the characterization of the stress patterns of words and phrases encountered in the languages of the world. The heart of the theory is constituted by the formal mechanism for characterizing "action at a distance", which is a special case of the formalism needed for the construction of constituent structure.Morris Halle is Institute Professor at MIT. Jean-Roger Vergnaud is Professor of Linguistics at the University of Maryland and Senior Researcher at the Centre National de la Recherche Scientifique and the Centre d'Etudes et de Recherche en Informatique Linguistique in France.
These eighteen original essays pay tribute to Morris Halle, Institute Professor of Linguistics and Philosophy at MIT. Halle's impact on the study of language has been enormous; he and his students represent a continuous and coherent tradition which is unique in modern linguistics. Although they range from poetry to phonetics, the contributions share the common method of formal phonological analysis which reflects Halle's own work. With the exception of Roman Jakobson, his teacher, all of the contributors are Morris Halle's Ph.D. students. Contributors include Roman Jakobson, Samuel J. Keyser, Paul Kiparsky, Sanford A. Schane, Arnold M. Zwicky, James W. Harris, Stephen R. Anderson, Elisabeth Selkirk, William R. Leben, Shosuke Haraguchi, Mark Liberman, Janet Pierrehumbert, Alan S. Prince, John Goldsmith, Jill Carrier Duncan, Joan Mascaro, John J. McCarthy, Bruce Hayes, Rochelle Lieber, and Moira Yip.
The book includes a selection of articles by Morris Halle dealing with issues in the theory and practice of phonetics and phonology. The articles, written in the course of the last forty years, concern matters that remain to this day at the cutting edge of the discipline.
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