Completed in 1930 while the author was living in Paris--imbibing and boxing with James Joyce and Ernest Hemingway--this novel has violence at its core. The story opens with the hanging of an ex-World War I soldier for involuntary murder. First and foremost, though, it is a story of love--a love haunted by that hanging.
Eighty-five stories by one of Canada's greatest writers are collected in this four-volume anthology. Several pieces of Morley Callaghan's short fiction are collected here for the first time, while some which have been out of print for decades are now made available. Each volume contains a section providing the year of publication for each story, a question-and-answer section, and comprehensive editorial notes. As a whole, this series is essential reading for understanding the growth and importance of Canadian literature.
Eighty-five stories by one of Canada's greatest writers are collected in this four-volume anthology. Several pieces of Morley Callaghan's short fiction are collected here for the first time, while some which have been out of print for decades are now made available. Each volume contains a section providing the year of publication for each story, a question-and-answer section, and comprehensive editorial notes. As a whole, this series is essential reading for understanding the growth and importance of Canadian literature.
Eighty-five stories by one of Canada's greatest writers are collected in this four-volume anthology. Several pieces of Morley Callaghan's short fiction are collected here for the first time, while some which have been out of print for decades are now made available. Each volume contains a section providing the year of publication for each story, a question-and-answer section, and comprehensive editorial notes. As a whole, this series is essential reading for understanding the growth and importance of Canadian literature.
Originally published in New York in 1928, this book announced the coming of the urban novel in Canada through the story of Harry Trotter--a "hero” who cannot escape his tendancy toward brutality. Incapable of reflection, he does not realize that he has become a thug, believing instead that if he feels good, things must be right.
Luke is not yet 12 when his father dies of a heart attack, leaving him an orphan. Small for his age and something of a loner, Luke goes to live with his Uncle Henry and Aunt Helen in Collingwood on Georgian Bay, where Uncle Henry has a saw mill on the edge of town. The practical Uncle Henry sees that the family dog, Dan, is old and lame and no longer useful, and he concludes the dog should be destroyed. Luke, whose sense of dignity and loyalty transcend the practical, fights to save his dog, and in his struggle, he comes to a better understanding not only of Uncle Henry, but of the expedient world of adults.
A story of a boy and his dog and their adventures, which will appeal to the many children who are dog lovers. It is also a sensitive story of love and loss, and of making a new life for oneself. Luke is not yet 12 when his father dies of a heart attack, leaving him an orphan. Small for his age and something of a loner, he moves from the city to the country to live with his aunt and uncle. He is naturally homesick and grieving the loss of his father. His well-meaning and kindly aunt and uncle do their best for him; but his only real friend and comfort becomes Dan, the farm's elderly, one-eyed collie. Practical Uncle Henry considers Dan useless now that he is too old to be a watch-dog and decides that Dan should be "put down." Luke, whose sense of dignity and loyalty transcend the practical, frantically tries to save Dan's life, providing for heart-racing suspense as he makes his stand against the expedient world of adults.
This audacious and intriguing new version of the story of Christ’s trial, crucifixion, and resurrection is based on the writings of Philo of Crete, a secretary to Pontius Pilate. Throughout his time as Pilate’s scribe, he attended Christ’s trial, mingled with city prostitutes and desert bandits, and became acquainted with Judas Iscariot. It was through Judas that he learned the real story of the betrayal and what actually happened to Christ’s body. His convincing account is a radical and dramatic version of the commonly accepted story.
The complete short fiction of Morley Callaghan appears as he comes into full recognition as one of the singular storytellers of our time. In four volumes, several stories are collected for the first time, two of which--"An Autumn Penitent” and "In His Own Country”--have been out of print for decades.
Completed in 1930 while the author was living in Paris--imbibing and boxing with James Joyce and Ernest Hemingway--this novel has violence at its core. The story opens with the hanging of an ex-World War I soldier for involuntary murder. First and foremost, though, it is a story of love--a love haunted by that hanging.
Luke is not yet 12 when his father dies of a heart attack, leaving him an orphan. Small for his age and something of a loner, Luke goes to live with his Uncle Henry and Aunt Helen in Collingwood on Georgian Bay, where Uncle Henry has a saw mill on the edge of town. The practical Uncle Henry sees that the family dog, Dan, is old and lame and no longer useful, and he concludes the dog should be destroyed. Luke, whose sense of dignity and loyalty transcend the practical, fights to save his dog, and in his struggle, he comes to a better understanding not only of Uncle Henry, but of the expedient world of adults.
One of the great novels of the 1930s, Such Is My Beloved recounts the tragic story of two down-and-out prostitutes and the young priest who aspires to redeem their lives. The novel is at once a compassionate portrait of innocence and idealism, and an emphatic condemnation of a society where the lines between good and evil are essentially blurred. Such Is My Beloved is widely considered to be Morley Callaghan’s finest novel.
How have the school effectiveness and school improvement movements arrived where they are today? Over the past three decades there has been a great deal of development, from the 1960s when debates arose regarding equality of opportunity, to the 1980s when market concepts came into play. This book contrasts current thinking on educational standards with prevailing thought from prior decades, and tackles difficult questions of quality and educational outcomes. Anyone wishing to improve their understanding of school effectiveness will find this book interesting and highly informative.
A new selection of stories by Canada's Hemingway, with an afterword by Pulitzer Prize--winner William Kennedy. Morley Callaghan's literary circle included Hemingway, Fitzgerald, and Joyce. In a career spanning more than six decades, he published sixteen novels and more than one hundred works of short fiction. Bringing together more than twenty-five stories from five different collections, Ancient Lineage and Other Stories confirms Callaghan's pre-eminent status.
This audacious and intriguing new version of the story of Christ’s trial, crucifixion, and resurrection is based on the writings of Philo of Crete, a secretary to Pontius Pilate. Throughout his time as Pilate’s scribe, he attended Christ’s trial, mingled with city prostitutes and desert bandits, and became acquainted with Judas Iscariot. It was through Judas that he learned the real story of the betrayal and what actually happened to Christ’s body. His convincing account is a radical and dramatic version of the commonly accepted story.
In 1928, just after he published his first novel, Morley Callaghan asked his editor, "Do you think The New Yorker would be a good magazine for my stories? They have never printed fiction before, but are going to start with that story of mine called 'An Escapade.'" Through these short stories from Callaghan--whom Ernest Hemingway compared to James Joyce--readers will realize just how good a fit is was.
It was the fabulous summer of 1929 when the literary capital of North America moved to La Rive Gauche—the Left Bank of the Seine River—in Paris. Ernest Hemingway was reading proofs of A Farewell to Arms, and a few blocks away F. Scott Fitzgerald was struggling with Tender Is the Night. As his first published book rose to fame in New York, Morley Callaghan arrived in Paris to share the felicities of literary life, not just with his two friends, Hemingway and Fitzgerald, but also with fellow writers James Joyce, Ford Madox Ford, and Robert McAlmon. Amidst these tangled relations, some friendships flourished while others failed. This tragic and unforgettable story comes to vivid life in Callaghan's lucid, compassionate prose.
Originally published in New York in 1928, this book announced the coming of the urban novel in Canada through the story of Harry Trotter--a "hero” who cannot escape his tendancy toward brutality. Incapable of reflection, he does not realize that he has become a thug, believing instead that if he feels good, things must be right.
Based on personal interviews and declassified US government documents, this book, first published in 1994, studies US policy toward Nicaragua during the Nixon, Ford, and Carter presidencies.
This book provides a detailed analysis of the bureaucratic politics of US foreign policymaking with respect to Chile during the 1970s. On the basis of original interviews with key officials from the Nixon, Ford and Carter administrations, congressional staffers, human rights activists, and Chilean opposition figures during the Pinochet dictatorship, together with extensive archival research (in the US, Canada and the UK), it recreates the internal debates in Washington over appropriate policy approaches and traces how faithfully these approaches were implemented down to the level of desk officer in the US embassy in Santiago. Assessing what impact US influence had on developments inside Chile is also an important part of this study. The findings make for vital reading for students and researchers of US foreign policy making, diplomatic history, and US-Chilean relations, although the book will also appeal to the general reader with an interest in the same issues.
Born of Irish immigrant stock, Kennedy earned his own living from the age of fourteen after his formal education ended at Grade Six. In a circle of privilege, he was the outsider. Despite this, his intelligence, imagination, and wit, coupled with an intense love of language and learning, opened many doors. Kennedy's choices in religion, friendship, marriage, and business were deeply influenced by the same yearning for justice and defence of humane values that informed his verse, stories, and essays. A successfully published poet at the age of 26 (The Shrouding, 1933), Kennedy soon left his literary world for that of the emerging business of advertising in order to support his family during the Depression. Acknowledging Kennedy's tendency to embroider the facts of his life a tendency rooted in the same talent that made him an important poet and an extremely successful advertising copywriter in corporate America Patricia Morley traces the roots of Kennedy's preoccupations and the development of his art from his birth in Liverpool in 1907 to his self-described "exile" in the United States. His return to Canada in 1976 brought renewed public recognition of his place among the "Montreal Poets." Kennedy experienced culture shock, yet he thrived and, in blackly comic letters, raged against the youth culture of his grandsons and the ironies of aging. With sympathy and insight into the vulnerability of genius, Morley catches the triumph of a most unusual life and restores a forgotten writer to his rightful place.
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