In Schools of Fiction, Morgan Day Frank considers a bizarre but integral feature of the modern educational experience: that teachers enthusiastically teach literary works that have terrible things to say about school. From Ishmael's insistence in Herman Melville's Moby-Dick that "a whale-ship was my Yale College and my Harvard," to the unnamed narrator's expulsion from his southern college in Ralph Ellison's Invisible Man, the most frequently taught books in the English curriculum tend to be those that cast the school as a stultifying and inhumane social institution. Why have educators preferred the anti-scholasticism of the American romance tradition to the didacticism of sentimentalists? Why have they organized "African American literature" as a discursive category around texts that despaired of the post-Reconstruction institutional system? Why did they start teaching novels, that literary form whose "very nature," in Mikhail Bakhtin's words, is "not canonic"? Reading literature in class is a paradoxical undertaking that, according to Day Frank, has proved foundational to the development of American formal education over the last two centuries, allowing the school to claim access to a social world external to itself. By drawing attention to the transformative effect literature has had on the school, Schools of Fiction challenges some of our core assumptions about the nature of cultural administration and the place of English in the curriculum. The educational system, Day Frank argues, has depended historically on the cultural objects whose existence it is ordinarily thought to govern and the academic subject it is ordinarily thought to have marginalized.
In Schools of Fiction, Morgan Day Frank considers a bizarre but integral feature of the modern educational experience: that teachers enthusiastically teach literary works that have terrible things to say about school. From Ishmael's insistence in Herman Melville's Moby-Dick that a whale-ship was my Yale College and my Harvard, to the unnamed narrator's expulsion from his southern college in Ralph Ellison's Invisible Man, the most frequently taught books in the English curriculum tend to be those that cast the school as a stultifying and inhumane social institution. Why have educators preferred the anti-scholasticism of the American romance tradition to the didacticism of sentimentalists? Why have they organized African American literature as a discursive category around texts that despaired of the post-Reconstruction institutional system? Why did they start teaching novels, that literary form whose very nature, in Mikhail Bakhtin's words, is not canonic? Reading literature in class is a paradoxical undertaking that, according to Day Frank, has proved foundational to the development of American formal education over the last two centuries, allowing the school to claim access to a social world external to itself. By drawing attention to the transformative effect literature has had on the school, Schools of Fiction challenges some of our core assumptions about the nature of cultural administration and the place of English in the curriculum. The educational system, Day Frank argues, has depended historically on the cultural objects whose existence it is ordinarily thought to govern and the academic subject it is ordinarily thought to have marginalized.
Enriched with examples and carefully-constructed scenarios, Family Law offers students a helpful framework on which they can hang principles, academic analysis, and critical discussion.
In this landmark work, Pulitzer Prize–winning author Ted Morgan examines the McCarthyite strain in American politics, from its origins in the period that followed the Bolshevik Revolution to the present. Morgan argues that Senator Joseph McCarthy did not emerge in a vacuum—he was, rather, the most prominent in a long line of men who exploited the issue of Communism for political advantage. In 1918, America invaded Russia in an attempt at regime change. Meanwhile, on the home front, the first of many congressional investigations of Communism was conducted. Anarchist bombs exploded from coast to coast, leading to the political repression of the Red Scare. Soviet subversion and espionage in the United States began in 1920, under the cover of a trade mission. Franklin Delano Roosevelt granted the Soviets diplomatic recognition in 1933, which gave them an opportunity to expand their spy networks by using their embassy and consulates as espionage hubs. Simultaneously, the American Communist Party provided a recruitment pool for homegrown spies. Martin Dies, Jr., the first congressman to make his name as a Red hunter, developed solid information on Communist subversion through his Un-American Activities Committee. However, its hearings were marred by partisan attacks on the New Deal, presaging McCarthy. The most pervasive period of Soviet espionage came during World War II, when Russia, as an ally of the United States, received military equipment financed under the policy of lend-lease. It was then that highly placed spies operated inside the U.S. government and in America’s nuclear facilities. Thanks to the Venona transcripts of KGB cable traffic, we now have a detailed account of wartime Soviet espionage, down to the marital problems of Soviet spies and the KGB’s abject efforts to capture deserting Soviet seamen on American soil. During the Truman years, Soviet espionage was in disarray following the defections of Elizabeth Bentley and Igor Gouzenko. The American Communist Party was much diminished by a number of measures, including its expulsion from the labor unions, the prosecution of its leaders under the Smith Act, and the weeding out, under Truman’s loyalty program, of subversives in government. As Morgan persuasively establishes, by the time McCarthy exploited the Red issue in 1950, the battle against Communists had been all but won by the Truman administration. In this bold narrative history, Ted Morgan analyzes the paradoxical culture of fear that seized a nation at the height of its power. Using Joseph McCarthy’s previously unavailable private papers and recently released transcripts of closed hearings of McCarthy’s investigations subcommittee, Morgan provides many new insights into the notorious Red hunter’s methods and motives. Full of drama and intrigue, finely etched portraits, and political revelations, Reds brings to life a critical period in American history that has profound relevance to our own time.
This sequel to "Random passage" continues the saga of the inhabitants of Cape Random. It also tells the story of today's Newfoundland, a place where the past overshadows the present and shapes the future. Lave Andrews, a young professional sent from Ottawa to assess the fisheries crisis, discovers her roots as she explores the province.
Originally established March 30, 1910, as Mississippi Normal College, The University of Southern Mississippi was built on 120 acres of cutover timber land and created to provide training for public school teachers. Chester M. Morgan outlines the evolution of the institution and tells the story of a gracious heritage born of adversity and nurtured by a century of perseverance and determination. From the success of its graduates and the passion of its faculty to its ability to meet and conquer challenges brought by scarce state funding, world wars, social movements, and natural disasters, the author captures the persistent spirit and strength that is the unchanging force behind the university's success. Following the institution's transition from Mississippi Normal College (1912-1924), to State Teachers College (1924-1940), to Mississippi Southern College (1940-1962), to its current designation as The University of Southern Mississippi (1962-present), the story captures every element and facet of campus life. From academics and arts to athletics and administration, the author presents a rich and varied look at how Southern Miss became the modern comprehensive university it is today.
The private and public writings in this volume reveal the early relationship between renowned Civil War diarist Sarah Morgan (1842-1909) and her future husband, Francis Warrington Dawson (1840-1889). Gathered here is a selection of their letters along with various articles that Morgan wrote anonymously for the Charleston News and Courier, which Dawson owned and edited. In January 1873 Morgan met Frank Dawson, an English expatriate, Confederate veteran, and newspaperman. By then Morgan had left her native Louisiana and was living near Columbia, South Carolina, with her younger brother, James Morris Morgan. When Sarah Morgan and Frank Dawson met, he was mourning the recent death of his first wife. She, in turn, was still grieving over her family’s many wartime losses. The couple’s relationship came to encompass both the personal and the professional. To free Morgan from an unhappy dependence on her brother, Dawson urged her to write professionally for his paper. During 1873 Morgan wrote more than seventy pieces on such topics as French and Spanish politics, race relations, the insanity plea, funerals, and fashion gossip---editorials that caused a sensation in Charleston. Only after attaining financial independence through her secret newspaper career did Morgan marry Frank Dawson, in 1874. Morgan’s commentary gives us a candid portrayal of the way one southern woman viewed her postwar world---even as she struggled to find her place in it.
The New York Times bestseller that tells the story of an overheated stock market and the financial disaster that led to the Great Depression of the 1930s. A riveting living history about Black Tuesday, October 29, 1929. Captures the era, the intoxicating expectancy, the hope that ruled men’s heart and minds before the bubble burst and the black despair of the decade that followed.
Embarking from England in the early 1800s, seventeen-year-old Lavinia Andrews and her family land in the tiny Newfoundland settlement of Cape Random, a remote fishing outpost set in a stark, rocky landscape on the edge of the sea. Here the Andrewses find themselves among a strange and intriguing group of outcasts with whom they must eke out a living. As the community grows—struggling to survive against the dangers of starvation, accident, and illness—deep friendships develop, as do marriages, rivalries, and intrigues, all set against the backdrop of the magnificent and wild ocean. Epic in scope, luminous in language, Cape Random is a lyrical tribute to the decency and kindness possible among people even in the most difficult circumstances. This title was previously published in Canada as Random Passage.
This is the story of a small group of English immigrants and their struggle to establish a community and livelihood in the forbidding environment of Cape Random on the NE coast of Newfoundland in mid-environment of Cape Random on the NE coast of Newfoundland in the mid-1800s.
THEM’S MY PEOPLE begins with an 1875 era shenanigan about Ben, an old and poor pioneer who is doing all he can to feed his family, either within or outside the law—mostly outside and how he handles this situation as the authorities chase him. The assorted stories cover several decades reaching into the 1960s. They are vivid, colorful, comic, and tragic; they are full of pain, love, friendship, sin, temptation, and salvation. These people handled their problems and their situations in their own time, in their own way, in their own language, and according to their own customs and integrated patterns of human behavior. They are tough; they are hard hitting.
Nobody loves baseball more than Joe Morgan. He's proved it with his hall-of-fame performance on the field and his brilliant color commentary in the broadcast booth. Bob Costas says, "There may not be anyone alive who knows more about baseball than Joe Morgan. In his playing days, Morgan was a key cog in the Big Red Machine, and he saw the game at its zenith. From his perch in the broadcast booth he watched as baseball self-destructed, culminating in the devastating strike of 1994. And in 1998, he saw the game come back with baseball's electrifying resurgence in the season of McGwire, Sosa, and the Yankees. But as great as '98 was, Joe knows that baseball still has a lot of problems. And while baseball may be back, Joe wants the fans, the players, and the owners to know that some serious changes still need to be made. In Long Balls, No Strikes, Morgan draws on three decades' experience and passion as he dissects what has gone wrong and right for baseball. Some of his insights may seem unorthodox, some will be controversial, but that's never stopped Joe Morgan before. How do we improve the game on the field? Raise the mound Abolish the designated hitter forever Make the umpires learn the strike zone And that's only the beginning. . . . How do we improve the game off the field? Erase the invisible color line that keeps African-Americans from holding management positions Expand the talent pool by sending more scouts to the inner cities Have all teams share equally from the same profit pool And that's not all. . . . Joe Morgan doesn't believe in "the good old days." Tomorrow's game can be even better than yesterday's. But at the end of the century, the game stands at a crossroads. One path leads right back to the troubles that nearly destroyed the game forever in 1994. The other leads to a new Golden Age. If baseball wants to continue to thrive, some changes must be made. But before there are changes, we need to ask the right questions. And if Joe Morgan doesn't know the answers, then no one does.
The Boy from Hyden, KY by John D. Morgan The author was born in Hyden, Kentucky. There were eight in his family. When he was fourteen years old, he suffered the loss of his mother, two younger brothers, and a niece to a house fire.
In 1896 McKinley swept away all rivals to win the presidential nomination on the first ballot. Faced in the general election by the well-respected and highly touted orator William Jennings Bryan, Republicans adopted their "Front Porch Campaign." Thousands of citizens from across the country were brought to McKinley's home in Canton for a handshake and a few words. Hanna arranged for this $3.5 million campaign to be paid for by big business, with oil baron John D. Rockefeller writing the largest check. McKinley's military service and his support among veterans were significant factors in his campaign. He became the first presidential candidate in a generation to win a majority of the popular vote." "This extensively revised and expanded edition of H. Wayne Morgan's William McKinley and His America will be an important resource for historians and scholars."--BOOK JACKET.
The Return of the Grey Partridge tells the extraordinary story of how wildlife is restored to the Arundel Estate in West Sussex. Prompted by the collapse in numbers of one species, the grey partridge of the title, the managers of the estate woke up to the devastating effect modern farming methods were having on wildlife. Following the estate through the seasons of one year, the book shows how the farm of Peppering is gradually renatured: fields are divided up with hedgerows and trees, beetle banks are built across fields, the land is manured rather than fed with artificial fertilisers, and much of it is returned to pasture. Detailed descriptions of nature give a sense of this large estate coming back to life - still very much farmland, but with a rapid increase in wildlife and biodiversity. And the partridges return. Written in collaboration with the Duke of Norfolk, owner of the Arundel Estate, this moving and hopeful account shows how modern farming can work in partnership with nature to restore not only birdlife but to benefit the whole ecosystem.
This vivid, panoramic history continues the exciting story begun in Wilderness at Dawn, tracing through the eyes--and adventures--of ordinary people the saga of the settlement of the United States. "Embraces the texture and the drama of the West in all its heartbreak and heroism".--Booklist. Photos & maps.
At age 60 Dr. Richard Morgan wrote No Wrinkles on the Soul as he faced the unknowns of aging and felt the need for a book to help himself and others navigate its challenges, especially the spiritual ones. Now 91, Morgan still faces many unknowns, and once again has written a book that describes how it feels to be old and encourages others in the same stage of life. "The years have taken a toll on my body," he writes, "but my mind and spirit are still young!" Light of Setting Suns contains stories of people age 90 and beyond who have remained vital and spiritually alive, including the author's own experiences. Morgan shows how to discover wellness, even in years of decline, and how these years may be unexpectedly rich and meaningful. This book shows readers that, even at an advanced age, they still have the opportunity to shine with the Spirit.
This is the history of the relationship between mass produced visual media and religion in the United States. It is a journey from the 1780s to the present - from early evangelical tracts to teenage witches and televangelists, and from illustrated books to contemporary cinema. David Morgan explores the cultural marketplace of public representation, showing how American religionists have made special use of visual media to instruct the public, to practice devotion and ritual, and to form children and converts. Examples include: studying Jesus as an American idol Jewish kitchens and Christian Parlors Billy Sunday and Buffy the Vampire Slayer Uncle Tom’s Cabin and the anti-slavery movement. This unique perspective reveals the importance of visual media to the construction and practice of sectarian and national community in a nation of immigrants old and new, and the tensions between the assimilation and the preservation of ethnic and racial identities. As well as the contribution of visual media to the religious life of Christians and Jews, Morgan shows how images have informed the perceptions and practices of other religions in America, including New Age, Buddhist and Hindu spirituality, and Mormonism, Native American Religions and the Occult.
Told from dual perspectives that span two books, this moving and emotionally-driven love story will leave readers breathless and reeling in equal measure. It continues. Tom watches from afar, day in, day out, seeing Lily laugh, seeing her cry - an unravelling actress, ripe for the taking. All he needs is one photo, the money it could make, the life it could give him and his family. So why can't he do it? Lily's also at a cross-roads. It's clear now that no matter how far she runs, she can't ever escape fame, the paparazzi, even her boyfriend. Surely it's just a matter of time before she does something stupid, something she’ll forever regret. Give them their big headline. Their front page news. Unless someone can convince the actress there’s more to life than sacrifice. It ends...?
Neighbors in the Supernova, tells the story of Frank Tolovski, a physicist bent on revenge of his longtime friend and colleague Jacque Bellamy who stole his career, his life and his love. Frank has created a device, the TX-88, by which to travel back in time to where it all began and take back what is rightfully his. From his home in suburban Minnesota, Frank's moment has come to carry out his plan. If you like time travelers, quirky characters, and alternate worlds, this book is for you!
Mothers-Sisters/Daughters-Friends is a collection of short stories about eight women living in Hopeville, Georgia. They are ordinary women with an extraordinary love for each other. Although the ladies are confronted with many trials and tribulations in life, their love is constant.
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