It's not easy being a tween. A lot of us are either in a tunnel or a bridge. A lot of us don't know who we are. Instead of following Barney's advice, we end up doing what popstars do. --Kelley, age 10 No longer little children, but not yet teenagers, tweens are beginning to see themselves as autonomous while still struggling to understand where they fit in. It can also be an awkward time for teachers who cherish the hilarious and poignant personalities of tween writers, but feel pressured by a new emphasis on testing in the intermediate grades. Many teachers have virtually abandoned writers' workshops in favor of formula writing and prompts, even though these workshops may be essential for understanding the emerging competencies and personalities of eight- to twelve-year-olds. Bruce Morgan and Deb Odom teach together at a school where formula writing and test preparation led to stagnant writing scores, student boredom, and teacher discouragement. They worked with their colleagues in grades 3-6 to make some dramatic changes in their collective writing instruction. These changes included a return to their roots as writing workshop teachers, but with new twists. The teaching staff drew up new common standards for writing assessment and achievement. The revised writing programs also involved integrating insights from reading strategy instruction with a renewed emphasis on the basics of writers' workshop: student choice, teacher modeling, revision, and using quality children's literature as mentor text. Writing Through the Tween Years documents how teachers can get back to the joys of teaching writing in a literature-rich, thoughtful environment. There may be no better way to understand and reach tween writers.
The latest in the Lambda Literary Award-winning mystery series finds disgraced journalist Benjamin Justice discovering a link between a writer's death and a controversial condo development.
In the first biography of Ginsberg since his death in 1997 and the only one to cover the entire span of his life, Ginsberg's archivist Bill Morgan draws on his deep knowledge of Ginsberg's largely unpublished private journals to give readers an unparalleled and finely detailed portrait of one of America's most famous poets. Morgan sheds new light on some of the pivotal aspects of Ginsberg's life, including the poet's associations with other members of the Beat Generation, his complex relationship with his lifelong partner, Peter Orlovsky, his involvement with Tibetan Buddhism, and above all his genius for living.
This is the ultimate guide to Jack Kerouac's New York, packed with photos from the '50s and '60s, and filled with information and anecdotes about the people and places that made history.
Cyborg, John Stewart, Aqualad, Kid Flash, Batwing, Vixen, Amazing-Man, and more take center stage to highlight the power of Black excellence across the DC Universe in stories from a variety of comics’ finest Black artists and writers! Collects DC Power: A Celebration #1, a gallery of spectacular Black History Month variant covers from 2021 and 2022, and the Dawn of DC’s Cyborg #1!
Tactical knives are the fast-growing field of American bladesmithing. Now, in one groundbreaking volume, tactical knife expert James Morgan Ayres shares more than four decades of real-world experience with purpose-designed knives. You’ll find it all in The Tactical Knife: fixed blades, folders, defensive uses, survival uses, product reviews—in short, everything you need to make an informed decision about your choice of a tactical knife. Newly updated with specifications and reviews for new products as well as new information on recent developments in the field, James Morgan Ayres provides the latest need-to-know info on the subject for first time owners (or potential owners) of tactical knives as well as experts who want the latest intel on new products. Features inside include: Origins of the Tactical Knife The Bowie knife Tactical Knives of the Mid-twentieth Century Steel, Heat Treating, Geometry, Design, Grinds, and Forging Choosing a Tactical Knife Basic Skills, Maintenance, and Tactics Complete with hundreds of detailed color photos, tips, tactics, and techniques, The Tactical Knife is the best book out there for all your tactical knife needs. When choosing a tactical knife, don’t guess—know! Keep yourself on the cutting edge—with The Tactical Knife! Skyhorse Publishing is proud to publish a broad range of books for hunters and firearms enthusiasts. We publish books about shotguns, rifles, handguns, target shooting, gun collecting, self-defense, archery, ammunition, knives, gunsmithing, gun repair, and wilderness survival. We publish books on deer hunting, big game hunting, small game hunting, wing shooting, turkey hunting, deer stands, duck blinds, bowhunting, wing shooting, hunting dogs, and more. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
A captivating debut, introducing a spirited young heroine coming of age in coastal Maine during the early 1960s. When her mother disappears during a weekend trip, Florine Gilham's idyllic childhood is turned upside down. Until then she'd been blissfully insulated by the rhythms of family life in small town Maine: watching from the granite cliffs above the sea for her father's lobster boat to come into port, making bread with her grandmother, and infiltrating the summer tourist camps with her friends. But with her mother gone, the heart falls out of Florine's life and she and her father are isolated as they struggle to manage their loss. Both sustained and challenged by the advice and expectations of her family and neighbors, Florine grows up with her spirit intact. And when her father's past comes to call, she must accept that life won't ever be the same while keeping her mother vivid in her memories. With Fannie Flagg's humor and Elizabeth Stroud's sense of place, this debut is an extraordinary snapshot of a bygone America through the eyes of an inspiring girl blazing her own path to womanhood.
It is June in the turbulent year of 1968. Tim Bruce is about to leave on a trip to Europe before being drafted into the war in Vietnam. At a party at his parent's home, he overhears his father, Carlton, tell a stranger about his service in the Second World War, a place called Clarrach, and a woman named Gwyneth. Carlton says, "I'd have married her if it hadn't been for the war." Tim has never heard of this woman, and something in his father's voice makes him decide to seek her out. She lives near Clarrach, a small town high in the hills of Wales, in a house with thick stone walls, hand-hewn beams, and a roof of blue Welsh slate. Now married to the local doctor, Rhys Edwards, she is not happy to be reminded of a figure from her past. Very reluctantly, she invites Tim into her house. Both expect this to be a mere fleeting visit, but circumstances beyond their control cause Tim to end up spending days with Gwyneth and Rhys. During that time, he learns of his father's connection to her, and comes to admire the acerbic Rhys and his way of practicing medicine. Tim falls in love with the ancient country of Wales and, especially, with the beautiful and enigmatic Gwyneth. The Sound of Her Name spans two generations and two troubled times: the Vietnam era and the Second World War. It is a story of love, betrayal, and the loss of innocence, and also of a search for redemption, renewal, and forgiveness.
Much has been written about the lives and art of Heide, but finally the remaining members of the inner circle have entrusted the full story to be told through this intimate biography of John and Sunday Reed. Part romance, part tragedy, Modern Love explores the complex lives of these champions of successive generations of Australian artists and writers, detailing their artistic endeavours and passionate personal entanglements. It is a story of rebellion against their privileged backgrounds and of a bohemian existence marked by extraordinary achievements, intense heartbreak and enduring love. John and Sunday’s was a remarkable partnership that affected all those who crossed the threshold into Heide and which altered the course of art in Australia.
In Spider Season by John Morgan Wilson, Benjamin Justice was once one of the most prominent and respected journalists in Los Angeles, even the country. But when it was discovered that he'd invented the sources for his Pulitzer Prize winning series of articles, he lost everything - his job, his reputation, his friends. Now, many years later, Justice has finally published a memoir revealing the truth behind the events that cost him so much and made him permanently radioactive in the journalism community. And this book may be his last chance to turn things around, to make a living writing as he'd always wanted. But his memoir brings out more than the truth - it brings out long-forgotten , long hidden ghosts from his past. And Justice finds himself, and everyone/everything he holds dear under attack.
This book explores the possibilities of intercultural training through literature, especially as related to collegiate study abroad programs. It presents a behavioral analysis of American literary characters through the lens of Milton Bennett's Developmental Model of Intercultural Sensitivity, which identifies sensitivity to cultural differences within a six-stage developmental continuum. The literary characters studied in this work all undergo an early separation which forces them to experience and relate to different worldviews. Moby Dick's Ishmael leaves land for an epic whaling adventure. Hester is forced to live on the outskirts of town in The Scarlet Letter. The nameless protagonist of The Country of the Pointed Firs leaves the city for the country. The title character of The American emigrates to Europe. Ellison's narrator in Invisible Man experiences a series of separations, starting at his college acceptance. For Whom the Bell Tolls' Robert Jordan leaves his Montana teaching job to fight in the Spanish Civil War. The book tracks each character's progress along Bennett's continuum, demonstrating how people--both real and fictional--can manifest intercultural sensitivity through exposure to different people, places, and experiences. The book concludes with a firsthand account of how the author's own students advanced along Bennett's continuum themselves following an intensive study of Ernest Hemingway's novels and a study abroad experience in Havana, Cuba.
Once again, the Author uses his vivid imagination to capture the heroic and humorous exploits of his famed characters. You will see for the 6th time that the Author uses the unique personalities of his subjects to capture visionary excellence. From the formation of the Canine Mafia to Canines and Martians, the author will surely convince you that his sense of humor is only in your imagination. The next generation of pets will serve as a stepping stone for future adventures.
The social realist movement, with its focus on proletarian themes and its strong ties to New Deal programs and leftist politics, has long been considered a depression-era phenomenon that ended with the start of World War II. This study explores how and why African American writers and visual artists sustained an engagement with the themes and aesthetics of social realism into the early cold war-era--far longer than a majority of their white counterparts. Stacy I. Morgan recalls the social realist atmosphere in which certain African American artists and writers were immersed and shows how black social realism served alternately to question the existing order, instill race pride, and build interracial, working-class coalitions. Morgan discusses, among others, such figures as Charles White, John Wilson, Frank Marshall Davis, Willard Motley, Langston Hughes, Sterling Brown, Elizabeth Catlett, and Hale Woodruff.
When twelve-year-old Keara and her friends are captured for not sacrificing their darkbeasts--animals they have bonded to with a psychic connection since birth--Keara meets the crown prince and realizes this fight is bigger and more political than she had imagined.
This innovative study of the Montreal novel in French looks at how imaginary and material landscapes come together to produce a city of neighbourhoods.
Now a firmly established part of world literature course offerings in many general education curricula, African literature is no longer housed exclusively with African Studies programs, and is often studied in English, French, Portuguese, Women's Studies, and Comparative Studies departments. This book helps fill the great need for research materials on this topic, presenting the best resources available for 300 African writers. These writers have been carefully selected to include both well-known writers and those less commonly studied yet highly influential. They are drawn from both the Sub-Sahara and the Maghreb, the major geographical regions of Africa. The study of Africa was introduced into the curriculum of institutions of higher learning in the United States in the 1960s, when the Black Consciousness movement in the United States and the Cold War and decolonization movements in Africa created a need for the systematic study of other regions of the world. Between 1986 and 1991, three Africans won Nobel literature prizes: Soyinka, Mahfouz, and Gordimer, and the visibility of African writers increased. They are now a firmly established part of world literature courses in many general education curricula throughout North America. African Writers is meant to serve as a resource for introductory material on 300 writers from 39 countries. These writers were selected on the basis on two criteria: that there is material on them in an easily available reference work; and that there is some information of research value on free Web sites. Each writer is from the late-19th or 20th century, with the notable exception of Olaudah Equiano, an 18th-century African whose slave narrative is generally considered the first work of African literature. All entries are annotated.
In Schools of Fiction, Morgan Day Frank considers a bizarre but integral feature of the modern educational experience: that teachers enthusiastically teach literary works that have terrible things to say about school. From Ishmael's insistence in Herman Melville's Moby-Dick that a whale-ship was my Yale College and my Harvard, to the unnamed narrator's expulsion from his southern college in Ralph Ellison's Invisible Man, the most frequently taught books in the English curriculum tend to be those that cast the school as a stultifying and inhumane social institution. Why have educators preferred the anti-scholasticism of the American romance tradition to the didacticism of sentimentalists? Why have they organized African American literature as a discursive category around texts that despaired of the post-Reconstruction institutional system? Why did they start teaching novels, that literary form whose very nature, in Mikhail Bakhtin's words, is not canonic? Reading literature in class is a paradoxical undertaking that, according to Day Frank, has proved foundational to the development of American formal education over the last two centuries, allowing the school to claim access to a social world external to itself. By drawing attention to the transformative effect literature has had on the school, Schools of Fiction challenges some of our core assumptions about the nature of cultural administration and the place of English in the curriculum. The educational system, Day Frank argues, has depended historically on the cultural objects whose existence it is ordinarily thought to govern and the academic subject it is ordinarily thought to have marginalized.
This study examines how debates about history during the French Revolution informed and changed the nature of the British novel between 1790 and 1814. During these years, intersections between history, political ideology, and fiction, as well as the various meanings of the term "history" itself, were multiple and far reaching. Morgan Rooney elucidates these subtleties clearly and convincingly. While political writers of the 1790s--Burke, Price, Mackintosh, Paine, Godwin, Wollstonecraft, and others--debate the historical meaning of the Glorious Revolution as a prelude to broader ideological arguments about the significance of the past for the present and future, novelists engage with this discourse by representing moments of the past or otherwise vying to enlist the authority of history to further a reformist or loyalist agenda. Anti-Jacobin novelists such as Charles Walker, Robert Bisset, and Jane West draw on Burkean historical discourse to characterize the reform movement as ignorant of the complex operations of historical accretion. For their part, reform-minded novelists such as Charlotte Smith, William Godwin, and Maria Edgeworth travesty Burke's tropes and arguments so as to undermine and then redefine the category of history. As the Revolution crisis recedes, new novel forms such as Edgeworth's regional novel, Lady Morgan's national tale, and Jane Porter's early historical fiction emerge, but historical representation--largely the legacy of the 1790s' novel--remains an increasingly pronounced feature of the genre. Whereas the representation of history in the novel, Rooney argues, is initially used strategically by novelists involved in the Revolution debate, it is appropriated in the early nineteenth century by authors such as Edgeworth, Morgan, and Porter for other, often related ideological purposes before ultimately developing into a stable, nonpartisan, aestheticized feature of the form as practiced by Walter Scott. The French Revolution Debate and the British Novel, 1790-1814 demonstrates that the transformation of the novel at this fascinating juncture of British political and literary history contributes to the emergence of the historical novel as it was first realized in Scott's Waverley (1814).
The New Brother's Grimm examines the twelve volumes of the very popular Left Behind series by Tim LaHaye and Jerry B. Jenkins, relating the story and the theological arguments of each book and then challenging those arguments. One of the centerpieces of their interpretation of the Bible is that the church of Christ will be raptured to be with Christ for seven years. During that time people who have been left behind will have an opportunity to accept Christ as savior, but they will have to pass through the tribulation'a time of unimaginable horror with Satan ruling the world. At its end, Christ will appear with his heavenly army and defeat the forces of Antichrist in the battle of Armageddon. After that Christ will establish an earthly kingdom lasting exactly 1000 years, during which Satan will be bound in the bottomless pit. Ultimately, the author suggests that the theological premises set forth in the series are at best dubious and at worst theological snake oil.
Charles Morgan was the dramatic critic of The Times for most of the years between 1922 and 1939. The reviews for this small selection are taken from thousands written for The Times and from his weekly articles for the New York Times on the London theatre. Morgan was widely regarded as the most influential critic of his day. His fellow critic, James Agate, wrote 'When Morgan is on form he has us all beat.' Though most were written overnight for the following day’s paper, they were given space allowed to no modern critic. Beautifully written, they bring to life many of the great actors and actresses and the dramatists, old and new, as the theatre moved from the frivolous Twenties into the shadow of another war and towards the modern theatre of today. As they mirror the development of English theatrical taste in the inter-war years, they are as much a delight to read, both witty and erudite, as they are an important historical record.
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