The intellectual scope and courage to contend with the largest puzzles of human existence and organization distinguish great social thinkers. Barrington Moore's Social Origins of Dictatorship and Democracy was a foundational work of historical sociology that influenced a generation of social scientists and, decades later, continues to be widely read and taught. Here, Moore takes up the same tools of historical comparison to investigate why groups of people kill and torture each other. His answer is arrestingly simple: people persecute those whom they perceive as polluting due to their "impure" religious, political, or economic ideas. Moore's search begins with the Old Testament's restrictions on sexual behavior, idolatry, diet, and handling unclean objects. He argues that religious authorities seeking to distinguish the ancient Hebrews from competing groups invented, along with monotheism, the association of impure things with moral failure and the violation of God's will. This allowed people to view those holding competing ideas as contaminated and, more important, contaminating. Moore moves next to the French Wars of Religion, in which Protestants and Catholics massacred each other over the control of purity, and the French Revolution, which perfected terror and secularized purity. He then combs the major Asian religions and finds--to his surprise--that violent efforts to eradicate the "impure" were largely absent before substantial Western influence. Moore's provocative conclusion is that monotheism--with its monopoly on virtue and failure to provide supernatural scapegoats--is responsible for some of the most virulent forms of intolerance and is a major cause of human nastiness and suffering. Moore does not say that the monotheist tradition was the primary source of Nazism, Stalinism, Maoism, violent Hindu fundamentalism, or ethnic cleansing in Rwanda and the former Yugoslavia, but he does identify it as an indispensable cause because it justified, encouraged, and spread vindictive persecution throughout the world. Once again, Moore has drawn on his comprehensive understanding of history and talent for speaking directly to readers to address one of the most crucial questions about human past and future. This book is for anyone who has ever heard the word genocide and asked why.
The creatures are stirring in this perennial holiday favorite as they wait for Santa Clause to arrive. An animal-centric take on the classic. Clement C. Moore’s original poem, “A Visit from St. Nicholas,” has been brought to lovable life by the talented Sofia Sita. In this edition, the beloved poem is joined with delightful illustrations imagining the visit from the house’s animals’ perspectives. Children will be delighted to snuggle in for story time on Christmas Eve and wait for their own visit from Santa Claus after reading this book.
The 1920s saw the birth of the tango, the "jazz craze," bohemian Paris, the Harlem Renaissance, and the primitivists. It was a time of fundamental change in the music of nearly all Western countries, including Cuba. Significant concessions to blue-collar and non-Western aesthetics began on a massive scale, making artistic expression more democratic.In Cuba, from about 1927 through the late thirties, an Afrocubanophile frenzy seized the public. Strong nationalist sentiments arose at this time, and the country embraced afrocubanismo as a means of expressing such feelings. Black street culture became associated with cubanidad (Cubanness) and a movement to merge once distinct systems of language, religion, and artistic expression into a collective of national identity.Nationalizing Blackness uses the music of the 1920s and 1930s to examine Cuban society as it begins to embrace Afrocuban culture. Moore examines the public debate over "degenerate Africanisms" associated with comparas or carnival bands; similar controversies associated with son music; the history of blackface theater shows; the rise of afrocubanismo in the context of anti-imperialist nationalism and revolution against Gerardo Machado; the history of cabaret rumba; an overview of poetry, painting, and music inspired by Afrocuban street culture; and reactions of the black Cuban middle classes to afrocubanismo. He has collected numerous illustrations of early twentieth-century performers in Havana, many included in this book.Nationalizing Blackness represents one of the first politicized studies of twentieth-century culture in Cuba. It demonstrates how music can function as the center of racial and cultural conflict during the formation of a national identity.
Nothing so bespeaks Christmas as Clement C. Moore’s classic poem. Ted Rand has illustrated it with lush pictures of the era in which it was written. St. Nicholas, resplendent in his suit of red, is the very picture of Moore’s jolly old elf. While paying faithful tribute to the smallest detail of the beloved myth, the artist infuses it with magical new life, creating a holiday treasure that families will share and delight in for generations to come. Complementing this classic is a Christmas ornament that includes Rand's artwork.
The well-known poem about a famous Christmas visitor is accompanied by illustrations by various nineteenth- and twentieth-century artists, including Thomas Nast, Jessie Willcox Smith, and Arthur Rackham.
NEW YORK TIMES BESTSELLER • From the governor of Maryland, the “compassionate” (People), “startling” (Baltimore Sun), “moving” (Chicago Tribune) true story of two kids with the same name: One went on to be a Rhodes Scholar, decorated combat veteran, White House Fellow, and business leader. The other is serving a life sentence in prison. The chilling truth is that his story could have been mine. The tragedy is that my story could have been his. In December 2000, the Baltimore Sun ran a small piece about Wes Moore, a local student who had just received a Rhodes Scholarship. The same paper also ran a series of articles about four young men who had allegedly killed a police officer in a spectacularly botched armed robbery. The police were still hunting for two of the suspects who had gone on the lam, a pair of brothers. One was named Wes Moore. Wes just couldn’t shake off the unsettling coincidence, or the inkling that the two shared much more than space in the same newspaper. After following the story of the robbery, the manhunt, and the trial to its conclusion, he wrote a letter to the other Wes, now a convicted murderer serving a life sentence without the possibility of parole. His letter tentatively asked the questions that had been haunting him: Who are you? How did this happen? That letter led to a correspondence and relationship that have lasted for several years. Over dozens of letters and prison visits, Wes discovered that the other Wes had had a life not unlike his own: Both had had difficult childhoods, both were fatherless; they’d hung out on similar corners with similar crews, and both had run into trouble with the police. At each stage of their young lives they had come across similar moments of decision, yet their choices would lead them to astonishingly different destinies. Told in alternating dramatic narratives that take readers from heart-wrenching losses to moments of surprising redemption, The Other Wes Moore tells the story of a generation of boys trying to find their way in a hostile world.
Christmas crept into Pine Cove like a creeping Christmas thing: dragging garland, ribbon, and sleigh bells, oozing eggnog, reeking of pine, and threatening festive doom like a cold sore under the mistletoe. 'Twas the night (okay, more like the week) before Christmas, and all through the tiny community of Pine Cove, California, people are busy buying, wrapping, packing, and generally getting into the holiday spirit. It is the hap-hap-happiest time of the year, after all. But not everybody is feeling the joy. Little Joshua Barker is in desperate need of a holiday miracle. No, he's not on his deathbed; no, his dog hasn't run away from home. But Josh is sure that he saw Santa take a shovel to the head, and now the seven-year-old has only one prayer: Please, Santa, come back from the dead. But hold on! There's an angel waiting in the wings. (Wings, get it?) It's none other than the Archangel Raziel come to Earth seeking a small child with a wish that needs granting. Unfortunately, our angel's not sporting the brightest halo in the bunch, and before you can say "Kris Kringle," he's botched his sacred mission and sent the residents of Pine Cove headlong into Christmas chaos, culminating in the most hilarious and horrifying holiday party the town has ever seen. Only Christopher Moore, the man who brought you the outrageous lost gospel Lamb and the hysterical fish tale Fluke could have devised a new holiday classic that tugs at the heartstrings and serves up a healthy slice of fruitcake to boot. Move over, Charles Dickens -- it's Christopher Moore time.
Fifty years from now, it may well turn out that the work of very few American writers has as much to say about what it means to be alive in our time as that of Lorrie Moore." —Harper's Magazine Lorrie Moore’s first novel since A Gate at the Stairs—a daring, meditative exploration of love and death, passion and grief, and what it means to be haunted by the past, both by history and the human heart From “one of the most acute and lasting writers of her generation” (Caryn James; The New York Times)—a ghost story set in the nineteenth and twenty-first centuries, an elegiac consideration of grief, devotion (filial and romantic), and the vanishing and persistence of all things—seen and unseen. A teacher visiting his dying brother in the Bronx. A mysterious journal from the nineteenth century stolen from a boarding house. A therapy clown and an assassin, both presumed dead, but perhaps not dead at all . . . With her distinctive, irresistible wordplay and singular wry humor and wisdom, Lorrie Moore has given us a magic box of longing and surprise as she writes about love and rebirth and the pull towards life. Bold, meditative, theatrical, this new novel is an inventive, poetic portrait of lovers and siblings as it questions the stories we have been told which may or may not be true. I Am Homeless If This Is Not My Home takes us through a trap door, into a windswept, imagined journey to the tragic-comic landscape that is, unmistakably, the world of Lorrie Moore.
Spread the Christmas cheer with this whimsical retelling of Clement C. Moore’s cherished poem, “A Visit from St. Nicholas.” This new edition of the classic features the text of Moore’s original poem, illustrated with beautifully detailed LEGO brick scenes and characters. See the colorful stockings hung by the chimney in the fanciful brick house, and look on at the visions of dancing brick sugarplums. Turn the pages to reveal Saint Nicholas with his bundle of toys and his eight trusty reindeer, and watch as he magically slides down the chimney to bring presents to the good little girls and boys before shouting, “Now dash away, dash away, dash away all!” This treasured Christmas poem in brick will quickly become the highlight of your holiday storybooks and a great new tradition for the whole family!
Remember when everything was looking up? When the government was running at a surplus, pollution was disappearing, peace was breaking out in the Middle East and Northern Ireland, and the Bridge to the 21st century was strung with high–speed Internet cable and paved with 401K gold? Well, so much for the future. Michael Moore, the award–winning provocateur behind Roger & Me and the bestseller Downsize This!, now returns to size up the new century – and that big, ugly special–interest group that's laying waste to the world as we know it: stupid white men. Whether he's calling for United Nations action to overthrow the Bush Family Junta, calling on African–Americans to place 'whites only' signs over the entrances of unfriendly businesses, or praying that Jesse Helms will get kissed by a man, Stupid White Men is Mike's Manifesto on Malfeasance and Mediocrity. So if you're feeling the same way and you're wondering what's going to give out first – the economy, Dick Cheney's pacemaker, or your new VW Beetle – here's the book for you.
“Christopher Moore is a very sick man, in the very best sense of the word.” —Carl Hiaasen The undead rise again in Bite Me, the third book in New York Times bestselling author Christopher Moore’s wonderfully twisted vampire saga. Joining his farcical gems Bloodsucking Fiends and You Suck, Moore’s latest in continuing story of young, urban, nosferatu style love, is no Twilight—but rather a tsunami of the irresistible outrageousness that has earned him the appellation, “Stephen King with a whoopee cushion and a double-espresso imagination” from the Atlanta Journal-Constitution and inspired Denver’s Rocky Mountain News to declare him, “the 21st century’s best satirist.”
In their stunning follow-up to the classic bestseller We Were Soldiers Once . . . and Young, Lt. Gen. Hal Moore and Joe Galloway return to Vietnam and reflect on how the war changed them, their men, their enemies, and both countries—often with surprising results. More than fifteen years since its original publication, the number one New York Times bestseller We Were Soldiers Once . . . and Young is still required reading in all branches of the military. Now Moore and Galloway revisit their relationships with ten American veterans of the battle—men such as Sgt. Maj. Basil Plumley and helicopter pilot Bruce "Old Snake" Crandall—as well as Lt. Gen. Nguyen Hu An, who commanded the North Vietnamese Army troops on the other side, and two of his old company commanders. These men and their countries have all changed dramatically since the first head-on collision between the two great armies back in November 1965. Traveling back to the red-dirt battlefields, commanders and veterans from both sides make the long and difficult journey from old enemies to new friends. After a trip in a Russian-made helicopter to the Ia Drang Valley in the Central Highlands, with the Vietnamese pilots using Moore's vintage U.S. Army maps and Galloway's Boy Scout compass to guide them, they reach the hallowed ground where so many died. All the men are astonished at how nature has reclaimed the land once scarred by bullets, napalm, and blood. As darkness falls, the unthinkable happens—the authors and many of their old comrades are stranded overnight, alone, left to confront the ghosts of the departed among the termite hills and creek bed. Moore and Galloway combine gritty and vivid detail with reverence and respect for their comrades. Their ability to capture man's sense of heroism and brotherhood, their love for their men and their former enemies, and their fascination with the history of this enigmatic country make for riveting reading. With sixteen pages of photos, tributes to departed friends and loved ones, and General Moore's reflections on lessons learned throughout his military career, We Are Soldiers Still puts a human face on warfare in a way that will not soon be forgotten.
This innovative text provides an excellent introduction to technology-assisted crime and the basics of investigating such crime, from the criminal justice perspective. It presents clear, concise explanations for students and professionals, who need not be technically proficient to find the material easy-to-understand and practical. The book begins by identifying and defining the most prevalent and emerging high-technology crimes — and exploring their history, their original methods of commission, and their current methods of commission. Then it delineates the requisite procedural issues associated with investigating technology-assisted crime. In addition, the text provides a basic introduction to computer forensics, explores legal issues in the admission of digital evidence, and then examines the future of high-technology crime, including legal responses.
The Fourth Edition of a seminal work in the field of mediation and conflict resolution For almost thirty years, conflict resolution practitioners, faculty, and students have depended on The Mediation Process as the all-inclusive guide to the discipline. The most comprehensive book written on mediation, this text is perfect for new and experienced conflict managers working in any area of dispute resolution—family, community, employment, business, environmental, public policy multicultural, or international. This is the expert's guide, and the Fourth Edition has been expanded and revised to keep pace with developments in the field. It includes new resources that will promote excellence in mediation and help disputants reach durable agreements and enhance their working relationships. Includes expanded information on the latest approaches for providing mediation assistance Features comprehensive guidelines for selecting the right strategy for both common and unique problems Utilizes updated, contemporary case studies of all types of disputes Offers expanded coverage of the growing field and practice of intercultural and international mediation
On a beautiful day at the beach, a young boy brings his bucket, shovel, and imagination, and builds a perfect sand castle. Right away, a dragon moves in. The boy decides to befriend his dragon and they spend time roaming the shore, flying a kite, braving the waves, defying bullies, and roasting marshmallows—all while Dad is busy sunbathing and Mom is engrossed in her book. Unfortunately, no one believes the boy when he tries to share the news of this magnificent creature. That's when the mischief begins, and the dragon becomes a force to be reckoned with. While adults will recognize the naughty antics as a ploy for attention, children will dissolve into giggles as the dragon devours every last sandwich, blows bubbles in the lemonade, and leaves claw prints in the brownies. Maybe the dragon really is running amok on the beach, or maybe it's a little boy's imagination that is running wild.
When The College Board created the Advanced Placement (AP) statistics course several years ago, they recommended several college books that closely match their syllabus. The top two books on this "short list" were Moore and McCabe's Introduction to the Practice of Statistics and Moore's The Basic Practice of Statistics. Still, these book lacked several key elements such as activities and special topics. So, starting with the classic features of IPS and BPS, veteran AP statistics instructor Dan Yates has fashioned a text that perfectly matches the College Board’s recommended syllabus. The result is the #1 book in the AP statistics market: The Practice of Statistics, TI-83 Graphing Calculator Enhanced. Because this book was written for bright high school students who are at an advanced reading level, it has also sold to many colleges and universities. These institutions love the idea of a David Moore book integrating the TI-83 Graphing Calculator, which is the most popular statistics calculator in the market. For colleges and universities who require or recommend that their students use the TI-83 Graphing Calculator, TPS is the appropriate text.
Jody never asked to become a vampire. But when she wakes up under an alley Dumpster with a badly burned arm, an aching back, superhuman strength, and a distinctly Nosferatuan thirst, she realizes the decision has been made for her. Making the transition from the nine-to-five grind to an eternity of nocturnal prowlings is going to take some doing, however, and that's where C. Thomas Flood fits in. A would-be Kerouac from Incontinence, Indiana, Tommy (to his friends) is biding his time night-clerking and frozen-turkey bowling in a San Francisco Safeway. But all that changes when a beautiful undead redhead walks through the door...and proceeds to rock Tommy's life—and afterlife—in ways he never thought possible.
Displays the full range of informed, thoughtful opinion on the place of Jews in the American politics of identity." ---David A. Hollinger, Preston Hotchkis Professor of American History, University of California, Berkeley "A fascinating anthology whose essays crystallize the most salient features of American Jewish life in the second half of the twentieth century." ---Beth S. Wenger, Katz Family Associate Professor of American Jewish History and Director of the Jewish Studies Program, University of Pennsylvania "A wonderful collection of important essays, indispensable for understanding the searing conflicts over faith, familial, and political commitments marking American Jewry's journey through the paradoxes of the post-Holocaust era." ---Michael E. Staub, Professor of English, Baruch College, CUNY, and author of Torn at the Roots: The Crisis of Jewish Liberalism in Postwar America "This provocative anthology offers fascinating essays on Jewish culture, politics, religion, feminism, and much more. It is a must-read for all those interested in the intersection of Jewish life and identity politics in the modern period." ---Joyce Antler, Samuel Lane Professor of American Jewish History and Culture, Brandeis University "This collection of essays invites the reader to engage with some of the best writing and thinking about American Jewish life by some of the finest scholars in the field. Deborah Moore's introduction offers an important framework to understand not only the essays, but the academic and political contexts in which they are rooted." ---Riv-Ellen Prell, Professor and Chair, American Studies, University of Minnesota, and editor of Women Remaking American Judaism This collection of essays explores changes among American Jews in their self-understanding during the last half of the 20th century. Written by scholars who grew up after World War II and the Holocaust who participated in political struggles in the 1960s and 1970s and who articulated many of the formative concepts of modern Jewish studies, this anthology provides a window into an era of social change. These men and women are among the leading scholars of Jewish history, society and culture. The volume is organized around contested themes in American Jewish life: the Holocaust and World War II, religious pluralism and authenticity, intermarriage and Jewish continuity. Thus, it offers one of the few opportunities for students to learn about these debates from participant scholars. The book includes a dozen photographs of contemporary Jewish experience in the United States by acclaimed Jewish photographer Bill Aron. Like the scholars of the essays, Aron participated in struggles within the Jewish community and the Jewish counterculture in the 1970s and 1980s. His images reflect shifting perspectives toward spirituality, community, feminism, and memory culture. The essays reflect several layers of identity politics. On one level, they interrogate the recent past of American Jews, starting with their experiences of World War II. Without the flourishing of identity politics and the white ethnic revival, many questions about American Jewish history might never have been explored. Those who adopted identity politics often saw Jews as an ethnic group in the United States, one connected both to other Americans and to Jews throughout the world and in the past. On another level, these essays express ideas nourished in universities during the turbulent 1970s and 1980s. Those years marked the expansion of Jewish studies as a field in the United States and the establishment of American Jewish studies as an area of specialization. Taken together they reveal the varied sources of American Jewish studies. Finally, one must note that in many cases these essays anticipate major books on the subject. Reading them now reveals how ideas took shape within the political pressures of the moment. These articles teach us not only about their subject but also about how issues were framed and debated during what might be called our fin de siecle, the end of the twentieth century and beginning of the twenty-first. The authors of these articles include several, most notably Arthur Green, Alvin Rosenfield, and the late Egon Mayer, who collectively could be thought of as the founding fathers of this new generation of Jewish scholars. Green in theology, Rosenfield in literature, and Mayer in sociology influenced younger academics such as Arnold Eisen. A slightly different relationship exists among the historians. Several come to their subject though the study of American history, including Hasia Diner, Stephen Whitfield, and Jonathan Sarna, while others approach through the portal of Jewish history, such as Paula Hyman and Jeffrey Gurock.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
From the master of subversive humor Christopher Moore comes a quirky, irreverent novel of love, myth, metaphysics, outlaw biking, angst, and outrageous redemption. As a boy, he was Samson Hunts Alone—until a deadly misunderstanding with the law forced him to flee the Crow reservation at age fifteen. Today he is Samuel Hunter, a successful Santa Barbara insurance salesman with a Mercedes, a condo, and a hollow, invented life. Then one day, destiny offers him the dangerous gift of love—in the exquisite form of Calliope Kincaid—and a curse in the unheralded appearance of an ancient god by the name of Coyote. Coyote, the trickster, has arrived to reawaken the mystical storyteller within Sam...and to seriously screw up his existence in the process.
The Night Before Christmas is an enchanting Christmas story that has brought Santa Claus to life for generations. Celebrate the holiday season with this #1 New York Times bestselling edition of the classic poem. This is the classic hardcover edition featuring an embossed cover and a four-page foldout, perfect for gifting! 'Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse Carry on a family tradition or start one of your own with this new version of the classic Christmas book for children and families. Initially published anonymously as A Visit from Saint Nicholas, and credited as a work by Clement Clark Moore, this timeless tale has been lovingly preserved in this classic edition. Bring the family together for a read-aloud and as children prepare for Santa and his reindeer on Christmas Eve. This keepsake edition includes: - A beautifully designed hardcover with an embossed foil-stamped cover - A large four-page foldout that helps immerse you in the story - Lavish illustrations by renowned, New York Times #1 bestselling artist Charles Santore - The original poem by Clement Clark Moore - A nod to Dutch references in the poem, specifically the Dutch name "Donder" for one of the reindeer The Night Before Christmas: - Is perfect for family read-alouds or gatherings - Makes a great holiday, Advent, or Christmas gift - A classic for children ages of all ages or the young at heart Charles Santore’s works has been widely exhibited in museums and celebrated with recognitions such as the prestigious Hamilton King Award, the Society of Illustrators Award of Excellence, and the Original Art 2000 Gold Medal from the Society of Illustrators. He is best known for his luminous interpretations of classic children’s stories, including The Little Mermaid, Alice's Adventures in Wonderland, Snow White, and The Wizard of Oz.
This acclaimed biography of Darwin offers an astonishing new portrait of the scientific icon, providing a completely new account of how he came to his shattering theories about human origins.
The town psychiatrist has decided to switch everybody in Pine Cove, California, from their normal antidepressants to placebos, so naturally—well, to be accurate, artificially—business is booming at the local blues bar. Trouble is, those lonely slide-guitar notes have also attracted a colossal sea beast named Steve with, shall we say, a thing for explosive oil tanker trucks. Suddenly, morose Pine Cove turns libidinous and is hit by a mysterious crime wave, and a beleaguered constable has to fight off his own gonzo appetites to find out what's wrong and what, if anything, to do about it.
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