In 1695 an unspeakable monster plagues the recently founded Grayson Point. Not even its sister city, Salem, has seen such horror--murders so bizarre that the inhabitants are certain they are the work of the devil himself. It's no devil, however. A creature of the night, Damen Baron hunts the blood of others, but he can still feel love. He feels it for one woman: Sarah Grayson, the beautiful granddaughter of the town's founder. On their wedding night, tragedy strikes and Damen's rage erupts. Three hundred years later, reporter Elizabeth Gray flies from LA to Grayson Point with a young intern, Alex, to investigate the recent murders that have occurred there. While attempting to get to the bottom of a story that defies all logic, Elizabeth must also discover the hidden truths of her family's past and survive the mass paranoia that has engulfed her hometown.
A stunning love letter to the important women who shape us -- from our own mothers and grandmothers to the legends who paved the way for girls and women everywhere. Standing on Her Shoulders a celebration of the strong women who influence us -- from our mothers, sisters, aunts, and grandmothers to the women who fought for equality and acceptance in the United States. Monica Clark-Robinson's lyrical text encourages young girls to learn about the powerful and trailblazing women who laid the path for their own lives and empowers them to become role models themselves. Acclaimed illustrator Laura Freeman's remarkable art showcases a loving intergenerational family and encourages girls to find female heroes in their own lives. Standing on Her Shoulders will inspire girls of all ages to follow in the footsteps of these amazing women.
Coretta Scott King Honor Award for Illustration2019 I couldn't play on the same playground as the white kids. I couldn't go to their schools. I couldn't drink from their water fountains. There were so many things I couldn't do. In 1963 Birmingham, Alabama, thousands of African American children volunteered to march for their civil rights after hearing Dr. Martin Luther King Jr. speak. They protested the laws that kept black people separate from white people. Facing fear, hate, and danger, these children used their voices to change the world. Frank Morrison's emotive oil-on-canvas paintings bring this historical event to life, while Monica Clark-Robinson's moving and poetic words document this remarkable time.
A COSMIC UNDERTAKING, A HESITANT STORY OF ANGELS, A COLLECTION OF RELIGION AND WHIMSY. THE ATMOSPHERIC RAMBLINGS OF AN EMPYREAN POET. EARTH IS FULL; GO BACK HOME is the second poetry book from independent poet, author, and artist Monica Robinson. This collection spans millennia and mythology, as timeless as it is modern, guaranteed to resonate with even the most resistant. From conversations with guardian angels to odes to Achilles' rage, EARTH IS FULL; GO BACK HOME pays homage to old myths and creates new legends all at once. For fans of Andrea Gibson, Allen Ginsberg, or anything in between, this is the collection for you. As always, ""if you are still here: thank you"".
Privileged debutante Alex Kincaid is sent to her uncle's ranch after receiving her third DUI in eighteen months. She doesn't know the first thing about cooking, but when it comes to the Bar K's sexy-as-sin cook, Brett, she's willing to learn. Having served his six years as an inmate at the prison ranch, Brett Hartman can almost taste his freedom. When the warden's niece arrives, his world is turned upside down. Alex argues with him at every turn and makes his already chaotic life a living hell. Fraternization will send him back to jail, away from the Bar K. So why is he willing to throw away everything he's worked for to have one night with her in his bed?
What happens when the rules we create for ourselves end up being the ones we most want to break? Between flying tequila bottles and auctioning off body shots, Allie McAllister knows how to work a crowd. When she isn't mixing drinks at The Guild, she devotes her spare time to teaching aspiring authors-namely, male authors-how to make women melt with nothing more than a pen and paper. The Mistress of Seduction has only three rules for her students: 1) Six months is the limit; 2) When she speaks, they listen; 3) Never, under any circumstances, are her students allowed to fall in love with her. Her newest student has a lot to learn when it comes to putting his passion to paper, but there's nothing Allie craves more than a challenge. Criminal defense attorney Adam Carlton is well aware he doesn't have a creative bone in his body. Just the same, after taking a body shot off the most beautiful spitfire he's ever seen, he has to see Allie again. But how? Then it hits him. He'll write a book. Warning, this title contains the following: explicit sex, graphic language
It's the most wonderful time of year and all Angel Parker wants to do is hide. Her co-workers think she's a Scrooge and the only man she wants can't even get her name right. All signs point to another lonely Christmas, until Angel finds herself doing the unthinkable-propositioning her boss at the company holiday party. For the last six months, all Brian Maxwell can think about is getting his sexy assistant, Angel in bed with him. He's tried the secretary/boss scenario before with disastrous results, but when she offers him the opportunity to spend twelve days with her, he jumps at the chance. He wants to give her the Christmas of her life, but isn't sure he's the man to do it. If he wasn't enough to keep his ex-wife interested, what makes him think he's enough for Angel?
Charity Kendrick is in a slump--three boyfriends and not a single orgasm. She is determined to turn her love life and journalism career around when her editor makes her a tempting offer--go undercover aboard the Hedonna and uncover the truth about the Heartbreaker. Scott Nolan is living every man's dream. As bartender aboard a cruise ship, he comes in contact with beautiful women nightly. His carefree life as the Hedonna Heartbreaker comes to a screeching halt the night Charity steps through the doors of his club. He hasn't seen his best friend in over a decade and that chubby girl has become a heart-stopping beauty. He is determined to be the one to make her fantasies a reality.
He is one of the world's most accomplished figures of modern finance. As chairman and chief executive officer of Citigroup, Sanford "Sandy" Weill has become an American legend, a banking visionary whose innovativeness, opportunism, and even fear drove him from the lowliest jobs on Wall Street to its most commanding heights. In this unprecedented biography, acclaimed Wall Street Journal reporter Monica Langley provides a compelling account of Weill's rise to power. What emerges is a portrait of a man who is as vital and as volatile as the market itself. Tearing Down the Walls tells the riveting inside story of how a Jewish boy from Brooklyn's back alleys overcame incredible odds and deep-seated prejudices to transform the financial-services industry as we know it today. Using nearly five hundred firsthand interviews with key players in Weill's life and career -- including Weill himself -- Langley brilliantly chronicles not only his success and scandals but also the shadows of his hidden self: his father's abandonment and his loving marriage; his tyrannical rages as well as his tearful regrets; his fierce sense of loyalty and his ruthless elimination of potential rivals. By highlighting in new and startling detail one man's life in a narrative as richly textured and compelling as a novel, Tearing Down the Walls provides the historical context of the dramatic changes not only in business but also in American society in the last half century.
This book examines child abuse and neglect - the latest research and laws, what it entails, and how to recognize and report it. It considers up-to-date studies and methodology, encourages discussions and debate, and explains judicial rulings. Different forms of maltreatment - physical abuse, neglect, psychological maltreatment, sexual abuse, fetal abuse, and Munchausen by Proxy Syndrome - are explored, as are resilience and prevention. Discussion questions, a glossary, and profiles of people actively working in the field are included. This is an invaluable resource to workers who are mandated reporters of child maltreatment and/or anyone interested in the problem.
Widely used by both family therapists and family physicians, the genogram is a graphic way of organizing the mass of information gathered during a family assessment and finding patterns in the family system. This popular text, now updated and expanded, provides a standard method for constructing a genogram, doing a genogram interview, and interpreting the results. Both entertaining and instructive, Genograms is an ideal way to introduce all those involved in family treatment - family therapists, physicians, nurses, social workers, pastoral counselors, and trainees in these fields - to this essential assessment and intervention tool.
Although many refer to the American South as the "Bible Belt", the region was not always characterized by a powerful religious culture. In the seventeenth century and early eighteenth century, religion-in terms both of church membership and personal piety-was virtually absent from southern culture. The late eighteenth century and early nineteenth century, however, witnessed the astonishingly rapid rise of evangelical religion in the Upper South. Within just a few years, evangelicals had spread their beliefs and their fervor, gaining converts and building churches throughout Virginia and North Carolina and into the western regions. But what was it that made evangelicalism so attractive to a region previously uninterested in religion? Monica Najar argues that early evangelicals successfully negotiated the various challenges of the eighteenth-century landscape by creating churches that functioned as civil as well as religious bodies. The evangelical church of the late eighteenth century was the cornerstone of its community, regulating marriages, monitoring prices, arbitrating business, and settling disputes. As the era experienced substantial rifts in the relationship between church and state, the disestablishment of colonial churches paved the way for new formulations of church-state relations. The evangelical churches were well-positioned to provide guidance in uncertain times, and their multiple functions allowed them to reshape many of the central elements of authority in southern society. They assisted in reformulating the lines between the "religious" and "secular" realms, with significant consequences for both religion and the emerging nation-state. Touching on the creation of a distinctive southern culture, the position of women in the private and public arenas, family life in the Old South, the relationship between religion and slavery, and the political culture of the early republic, Najar reveals the history behind a religious heritage that remains a distinguishing mark of American society.
Through close attention to the centrality of involuntarity in pivotal nineteenth-century American court cases that created new property relations with photographs, this book offers a historically situated theory of photography in terms of expression and an archivally-supported theory of whiteness as an aesthetics of racial capitalism"--
The Foreign Relations of the United States series presents the official documentary historical record of major foreign policy decisions and significant diplomatic activity of the United States Government. Part of a subseries of the State Department's Foreign Relations of the United States (FRUS) series that documents the most important issues in the foreign policy of the administrations of Richard M. Nixon and Gerald R. Ford, this volume documents U.S. policy towards Iran and Iraq from 1973 to 1976. The volume's six chapters are divided into two chronological sections. The first section documents the increasingly close political, economic, and strategic relationship, which developed between the U.S. and Iran during the mid-1970s. The second section covers Washington's somewhat more distant interactions with Iraq, with whom the United States did not maintain formal diplomatic relations following the 1967 Arab-Israeli war. Historians, researchers, and students in high school and above, including debate teams, may want to use this resource for the chronological timeframes for U.S. involvement with Iran druing the mid-1970s. High school, public, community college, and academic/university libraries will want to include this primary source reference work in their Middle East reference collections. Table of Contents Preface ................................................................... III Sources ................................................................... XIII Abbreviations and Terms ............................................ XXIII Persons .................................................................. XXIX Note on Covert Actions ............................................... XXXVII Iran ....................................................................... 1 Iraq ....................................................................... 599 Index ..................................................................... 915 Edited by Monica Belmonte. General Editor, Edward C. Keefer.
According to the Every Student Succeeds Act (ESSA), evidence-based practices are supported by rigorous research designs and demonstrate that they improve student outcomes, but the actual implementation of these practices in schools is limited. This essential guidebook assists coordinators of gifted education in implementing three evidence-based practices: universal screening, grouping, and acceleration. Each module includes an overview of research, administrative and assessment considerations, forms for implementing the practice, scripted presentation slides for educators and parents, and resources. Modules may be used by educators within a series of workshops for an entire school district, on an individual campus or for important stakeholders.
The secret double-life of Ruth Ellis and the Establishment cover-up that led to her unjust hanging Ruth Ellis, the last woman to be hanged in Britain, was convicted fifty years ago for shooting her lover David Blakely. The case became a notorious part of British criminal history and was turned into the film, Dance with a Stranger. The story that has been perpetuated ever since is that of a peroxide tart who killed in a fit of passion. Yet, crucial questions were left unasked in the original trial. Ruth Ellis's sister, Muriel Jakubait, knew her longest of all. She has never given up her search for justice. Now after fifty years she has decided to reveal the hard facts about their shared upbringing, and seek to piece together the full true story of her sister. As she is at pains to point out, the jealous killer tag has never been substantiated. This is a story of power, espionage, lies, loyalty, poverty, sex and betrayal. It suggests a third man may have pulled the trigger for the fatal shots. And that he belonged to a web of espionage into which Ruth Ellis fell long before the shooting. Above all, it indicates that Ruth was being run by Stephen Ward, at least a decade before his name became public in the Profumo Scandal. Muriel's motive is about more than proving her sister Ruth's innocence. It's about reclaiming the right to tell the story of her own family, stripped bare of the many tabloid myths that have accrued over the decades. She shows that Ruth was somebody damaged at a very early age - who strove to make something of herself, only to be caught up in something much bigger and end up paying with her life.
Two distinctly different meanings of piracy are ingeniously intertwined in Monica Cohen's lively new book, which shows how popular depictions of the pirate held sway on the page and the stage even as their creators were preoccupied with the ravages of literary appropriation. The golden age of piracy captured the nineteenth-century imagination, animating such best-selling novels as Treasure Island and inspiring theatrical hits from The Pirates of Penzance to Peter Pan. But the prevalence of unauthorized reprinting and dramatic adaptation meant that authors lost immense profits from the most lucrative markets. Infuriated, novelists and playwrights denounced such literary piracy in essays, speeches, and testimonies. Their fiction, however, tells a different story. Using landmarks in copyright history as a backdrop, Pirating Fictions argues that popular nineteenth-century pirate fiction mischievously resists the creation of intellectual property in copyright legislation and law. Drawing on classic pirate stories by such writers as Walter Scott, James Fenimore Cooper, Robert Louis Stevenson, and J. M. Barrie, this wide-ranging account demonstrates, in raucous tales and telling asides, how literary appropriation was celebrated at the very moment when the forces of possessive individualism began to enshrine the language of personal ownership in Anglo-American views of creative work.
As the first of the Canterbury Tales, the Knight's Tale has been the subject of a vast body of comment by scholars and lay readers. Monica McAlpine provides access to this material in the first of the Chaucer Bibliographies series to deal with a narrative portion of that author's best-known work.
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