This book examines how the process of remembering Stalinist repression in Romania has shifted from individual, family, and group representations of lived and witnessed experiences characteristic of the 1990s to more recent and state-sponsored expressions of historical remembrance through their incorporation in official commemorations, propaganda sites, and restorative and compensatory measures. Based on fieldwork dealing with Stalinist repression and memorialization, together with archival research on the secret police (Securitate), it adopts an interdisciplinary approach to reveal the resurfacing of particular themes. As such it draws on concepts from sociology, political science, and legal studies, related to memory, justice, redress, identity, accountability, and reconciliation. A study of competing narratives concerning the meaning of the past as part of a struggle over the legitimacy of the post-communist state, Repression, Resistance, and Collaboration in Stalinist Romania 1944–1964 combines memory studies with a transitional justice approach that will appeal to scholars of sociology, heritage and memory studies, politics, and law.
Constructing Suitable Devices for Preservation of the Young Adults' English Vernacular into the Romanian Translation of Catcall is an applied research that proposes innovative linguistics devices to assist the professional in the task of translating exceptional genera which appear in children books, including scientific extracts and mixtures of foreign words. The findings are proposed as recommendations to translators of children's literature who are expected to make informed decisions when challenged by the new features in the genre, such as Web pages, word games, reconstruction of imageries, and much more. The task of creating each one of the six devices into Romanian is tackled step by step, taking into account the language particularities and cultural implications for both contexts. The representation of how each device contributes toward the proper incorporation of the English vernacular element into Romanian is conducted in a suitable and careful manner taking into account relevant opinions and scholarly approaches to translating children's literature. This scientific linguistic study provides innovative and effective tools for all professionals in the field.
This book, with a foreword by Arthur F. Kinney, covers the majorissues of the stage history and translation in the negotiation betweenRomanian culture and Shakespeare, raising questions about what aShakespeare play becomes when incorporated in a different andallegedly liminal culture. The study reflects the growingcross-fertilization of approaching Shakespeare in Romaniantranslations, productions, literary adaptations, and criticism, looking atthe way in which Romania's collective cultural memory is constructed, re-examined, and embedded in the adoption of Shakespeare in certainperiods. While it posits the problematics in the historical developmentof Shakespeare's presence in Romanian culture, the study gives adetailed history of the translations and productions of the plays, focusing on the most significant aspects of their literary, social, andpolitical appropriation over the past two centurie
Cristi Puiu's black comedy The Death of Mr. Lazarescu announced the arrival of the New Romanian Cinema as a force on the film world stage. As critics and festival audiences embraced the new movement, Puiu emerged as its lodestar and critical voice. Monica Filimon explores the works of an artist dedicated to truth not as an abstract concept, but as the ephemeral revelation of the fuller, ungraspable world beyond the screen. Puiu's innovative use of the handheld camera as an observer and his reliance on austere, restricted narration highlight the very limits of human understanding, guiding the viewer's intellectual and emotional sensibilities to the reality that has been left unfilmed. Filimon examines the director's ethics of epiphany not only in relation to the collective and personal histories that have triggered it, but also in dialogue with the films, texts, and filmmakers that have shaped it.
This book examines how the process of remembering Stalinist repression in Romania has shifted from individual, family, and group representations of lived and witnessed experiences characteristic of the 1990s to more recent and state-sponsored expressions of historical remembrance through their incorporation in official commemorations, propaganda sites, and restorative and compensatory measures. Based on fieldwork dealing with Stalinist repression and memorialization, together with archival research on the secret police (Securitate), it adopts an interdisciplinary approach to reveal the resurfacing of particular themes. As such it draws on concepts from sociology, political science, and legal studies, related to memory, justice, redress, identity, accountability, and reconciliation. A study of competing narratives concerning the meaning of the past as part of a struggle over the legitimacy of the post-communist state, Repression, Resistance, and Collaboration in Stalinist Romania 1944–1964 combines memory studies with a transitional justice approach that will appeal to scholars of sociology, heritage and memory studies, politics, and law.
The present volume focuses on the relationship with Communism of Romania's most important religious denominations and their attempt to cope with that difficult past which continues to cast an important shadow over their present. For the first time ever, this volume considers both the majority Romanian Orthodox Church and significant minority denominations such as the Roman and Greek Catholic Churches, the Reformed Church, the Hungarian Unitarian Church, and the Pentecostal Christian Denomination. It argues that no religious group escaped collaboration with the Communists. After 1989, however, most denominations had little desire to tackle their tainted past and make a clean start. In part, this situation was facilitated by the country's deficient legislation that did not encourage the pursuit of lustration, which in turn did not lead to a serious movement of elite renewal in the religious realm. Instead, a strong process of reproduction of the old elites and their adaptation to democracy has been the dominant characteristic of the post-Communist period.
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