Nazneen finds herself married off to a man twice her age and moved to London, where she meets a younger man involved in radical politics and begins to wonder if she has a say in her own destiny.
Yasmin Ghorami is twenty-six, in training to be a doctor (like her Indian-born father) and engaged to the charismatic, upper-class Joe Sangster, whose domineering mother, Helen, is a famous feminist. Though both Yasmin's parents and Joe's mother approve of the marriage, the cultural gulf between them is vast as, it turns out, is the gulf in sexual experience between Yasmin and Joe. The novel opens as Yasmin, her parents and her brother pile into their car, packed with Indian food prepared by Yasmin's mother, to go to dinner to meet Joe's mother in her elegant townhouse in one of London's poshest neighborhoods. Contrary to all of Yasmin's fears, her unsophisticated and somewhat flamboyant mother is embraced and celebrated by Helen and her friends. Many complications ensue when Yasmin discovers that Joe has had an affair with a co-worker, and Yasmin's ne'er do well brother is banished from the house by her father, and Yasmin's mother moves to Helen's house in protest. Love Marriage is a story of emotionally fraught self-discovery and how the secrets people keep hidden affect their most intimate relationships. Joe hides the exact nature of his promiscuous past; Yasmin's brother and mother keep a monumental secret from their father; Yasmin has a wildly erotic affair of her own; and the story of her parents' love marriage proves to be a cover-up for a dark, tragic history. In the wake of extreme upheaval, Yasmin finds herself, and her life, transformed"--
***As dramatised on BBC Radio Four*** SHORTLISTED FOR THE MAN BOOKER PRIZE THE SUNDAY TIMES and NEW YORK TIMES BESTSELLER A RICHARD AND JUDY PICK 'Written with a wisdom and skill that few authors attain in a lifetime' SUNDAY TIMES Still in her teenage years, Nazneen finds herself in an arranged marriage with a disappointed older man. Away from her Bangladeshi village, home is now a cramped flat in a high-rise block in London's East End. Nazneen knows not a word of English, and is forced to depend on her husband. Confined in her tiny flat, Nazneen sews furiously for a living, shut away with her buttons and linings - until the radical Karim steps unexpectedly into her life. On a background of racial conflict and tension, they embark on a love affair that forces Nazneen finally to take control of her fate. A GRANTA BEST OF BRITISH YOUNG NOVELIST SHORTLISTED FOR THE GUARDIAN FIRST BOOK AWARD 'A brilliant evocation of sensuality' DAILY TELEGRAPH 'A novel that will last' GUARDIAN 'Highly evolved and accomplished' OBSERVER Reader's love for BRICK LANE: 'Memorable and gripping' ***** 'The kind of book that changes your perception of the world' ***** 'This has become a classic and i can see why'***** 'Funny, sharp and very touching' *****
A new collection of short stories set in the Alentejo province of Portugal features a range of colorful characters, linked by a vivid sense of place and time, including Teresa, a beautiful young girl from the village engaged to a suitable man, who yearns to see the world, and Vasco, a café owner who is losing business to the new Internet café down the road. By the author of Brick Lane. Reprint. 60,000 first printing.
This book studies the complex relationship of religion to modernity and argues that modernity should be understood as the consequence, not the cause, of the new intellectual landscape of the 19th century. Shows how the adoption of historicism in the 19th century engendered Islamic modernism as a theological reform movement.
Monica Gurdjian was born in Bucharest, Romania, where her earliest memories were of a brutal and oppressive communist regime. Her multicultural and multi-faith family - her mother, was an Austrian operetta singer of Jewish descent and her father, a Roman Orthodox Armenian surgeon - fled to Vienna in 1960, hoping for a better life. Regrettably, the familys first year of freedom was informed by prejudice and lack of employment opportunities and they eventually made their way to Iran, where they found acceptance and a true home for 13 years until they immigrated to Canada. Monica saw herself as a descendant of talented and brave individuals - both her grandfathers had risked their lives to shield Jewish families from the Nazis. Neither she nor her family were defined by cultural or religious markers. They just happened to be Jewish, Christians, Armenians, Romanians and Austrians. As Monica navigated lifes peaks and valleys, flavoured by a kaleidoscope of cultures and religions, she learned to embrace her label-less identity.
Originally published in 1977, this volume completes with a wealth of case material and against the background of a whole century, Monica Wilson's detailed study of the Nyakyusa-Ngonde people of Tanzania and Malawi. The unusual age-village system for which the Nyakyusa are well known has broken down under the economic presures of the prohibition of cattle raiding, lad shortage and labour migration and the changing values of the 20th century. The book traces the roots of these developments which are parallelled in many parts of Africa and emphasize the zig-zag nature of the path of social change.
In this searing debut novel, for readers of Katie Kitamura and Rachel Cusk, the tragic aftermath of a youthful relationship years after its end brings the life of a mourning woman in New York--and the pursuit of art--into stark relief. Told in short passages through a musical device, this international story follows Julienne and Gaspar to Syria, China, Germany and elsewhere. Julienne, a student of sculpture, and Gaspar, a young composer, fall in love at a small college and share a home for more than a decade before encountering the fundamental rift that will change their lives. The reverberations of grief force Julienne to confront her painful past including the mystery of her own birth and the fantastical story ascribed to it by her flight attendant mother, so that she can envision, for the first time, a real future. Ultimately, Thieving Sun is a profound and contemporary meditation on art, grief, debt, suicide, loss, and the danger of being alive.
Edmond Dantes thinks life is grand until he is arrested and imprisoned for a crime he did not commit. Upon his ill-gotten freedom, armed with the map to find a vast and endless treasure, Edmond embarks on an adventure to redeem his honor and seek vengeance for the long years he suffered locked away in prison. French men and sensuality go hand in hand, and although Edmond has been out of the game of love for sometime, he learns how to get exactly what he wants, and who. Betrayal, lust, rage, and hope all run along the same emotional vein and Edmond learns how to twist people’s emotions toward exactly what he needs to gain his redemption. Sensuality Level: Sensual
This study is the first to examine the important political role played by astrology in Italian court culture. Reconstructing the powerful dynamics existing between astrologers and their prospective or existing patrons, The Duke and the Stars illustrates how the “predictive art” of astrology was a critical source of information for Italian Renaissance rulers, particularly in times of crisis. Astrological “intelligence” was often treated as sensitive, and astrologers and astrologer-physicians were often trusted with intimate secrets and delicate tasks that required profound knowledge not only of astrology but also of the political and personal situation of their clients. Two types of astrological predictions, medical and political, were taken into the most serious consideration. Focusing on Milan, Monica Azzolini describes the various ways in which the Sforza dukes (and Italian rulers more broadly) used astrology as a political and dynastic tool, guiding them as they contracted alliances, made political decisions, waged war, planned weddings, and navigated health crises. The Duke and the Stars explores science and medicine as studied and practiced in fifteenth-century Italy, including how astrology was taught in relation to astronomy.
It was December 1938. A family sat around the dinner table as they did each night. But this night was different. In a few fateful moments, their lives would change forever. This true story, told by Jani Teschner, follows his familys journey in Slovakia, through bunkers, homes of strangers, and concentration camps during the holocaust. Through a combination of his wits and the good deeds of strangers, Jani escapes death seven times, but not everyone in his family is as lucky. Now Jani's words are part of the pages of history for the world to knowand to never forget.
The subject of this book is linguistic minorities, and how language is used by speakers of languages which are not the main language of communication. This is a core topic for sociolinguists, who examine how language is actually used within a given context. Globalization, migration, and the erosion of nationhood is creating far more linguistic minorities as society becomes increasingly pluralistic. One of the major sites of contact between languages is the school, and this book focuses on linguistic interaction within this educational context. Through a careful examination of the language practices in the daily life of a school, Monica Heller explores issues such as changing language policy, bilingualism, identity, power, ideology and gender from the point of view of the minority speaker. In so doing she provdies a fresh new insight into this important area of sociolinguistics. Linguistic Minorities and Modernity is written in an accessible and lively narrative style, and uses real-life examples and case studies to illustrate the discussions. The text has been revised throughout, and includes a new introduction by the author. The book is suitable for undergraduate and postgraduate students of sociolinguistics and linguistic anthropology.
Edmond Dantes thinks life is grand until he is arrested and imprisoned for a crime he did not commit. Upon his ill-gotten freedom, and armed with the map to find a vast and endless treasure, Edmond embarks on an adventure to redeem his honor and seek vengeance for the long years he suffered locked away in prison. Frenchmen and sensuality go hand in hand, and although Edmond has been out of the game of love for some time, he learns how to get exactly what he wants, and from whom. Betrayal, lust, rage, and hope all run along the same emotional vein, and Edmond learns how to twist people’s emotions to gain his redemption. Sensuality Level: Sensual
By looking at the problem of complicity in political violence from a social versus a legal perspective, The Politics of Conflict offers readers new insight into the ways in which violence operates. To do this, Monica Ingber applies Gilles Deleuze's analysis of the novellas of Leopold Sacher-Masoch, particularly Venus in Furs, to the politics of violence in Iraq. Specifically, Ingber develops the concept of transubstantiatory violence, to think through the relationship between social complicity and political violence. By assessing politics in Iraq through the lens of transubstantiatory violence, it becomes possible to see how social complicity validates what would be otherwise viewed as illegitimate forms of violence. This legitimization of violence is addressed through the problematization of the modern correlation of security, law, and the social contract by exploring three key areas of socio-politics: state-making and nation-building, political movements, and the popular militia. A serious study that makes important contributions to political science, political philosophy, and conflict studies, The Politics of Conflict demonstrates an alternative view of violence that is provocative in its ability to destabilize dominant understandings of regime violence and the counter-reactions of opposition movements.
For years, the teaching and learning of fractions has been associated with rote memorization. But this mechanical approach to instruction—which strips students of an ability to reason or make sense of math—has resulted in a failure of understanding. Author Monica Neagoy, drawing on decades of research studies, evidence from teacher practice, and 25 years of experience working around the world with teachers, students, and parents, addresses seven big ideas in the teaching and learning of fractions in grades 2–6. Each idea is supported by a vignette from a real classroom, common misconceptions, a thorough unpacking of productive mathematical thinking, and several multistep and thought-provoking problems for teachers to explore. She offers three fundamental reasons why it's imperative for us to take a closer look at how we teach fractions: Fractions play a key role in students' feelings about mathematics. Fractions are fundamental to school math and daily life. Fractions are foundational to success in algebra. While a solid grounding in algebra is necessary for a STEM career, the worthy goal of "algebra for all" will not be possible until "fractions for all" is a reality. Unpacking Fractions provides teachers with concrete strategies for achieving that reality—in short, helping all students gain the knowledge they need to feel at ease with fractions.
Classic literature has never been so sexy! With some modern sensuality sprinkled into these vaunted literary classics, reading the canon is more delectable than ever. This value-priced digital collection includes spiced-up editions of: Daisy Miller by Gabrielle Vigot & Henry James Far from the Madding Crowd by Pan Zador & Thomas Hardy A Room with a View by Coco Rousseau & E. M. Forster The Age of Innocence by Coco Rousseau & Edith Wharton The Count of Monte Cristo by Monica Corwin & Alexandre Dumas. Sensuality Level: Sensual
Illness as a Work of Thought is a practical application of Foucault's archaeological and genealogical methods of the study of illness and modernity. From medicine and psychiatry to psychology and the social sciences, Monica Greco explores what the history of these different disciplines contributes to what we understand by the term 'psychosomatics' and analyses how the study of psychosomatic illness can transform the way we think of illness, subjectivity and the ethics and politics of health.
Monica Germana considers four thematic areas of the supernatural - quests, dangerous women, doubles and ghosts - each explored in one of the four main chapters. Being the first critical work to bring together contemporary women's writing and the Scottish fantasy tradition, the volume pioneers in-depth investigation of some previously neglected texts such as Ali Smith's Hotel World; Alice Thompson's Justine; Margaret Elphinstone's longer fiction, as well as offering new readings of more popular texts including A.L. Kennedy's So I am glad, Emma Tennant's The Bad Sister and Two Women of London. Underlying the broad scope of this survey are the links - both explicit and implicit - established between the examined texts and the Scottish supernatural tradition.Having established a connection with a distinctively Scottish canon, Monica Germana points to the ways in which the selected texts simultaneously break from past traditions and reveal points of departure through their exploration of otherness as well as their engagement with feminist and postmodernist discourses in relation to the questions of identity and the interrogation of the real.
This book constitutes the thoroughly refereed proceedings of the 10th International Conference on Visual Information Systems, VISUAL 2008, held in Salerno, Italy, September 11-12, 2008. The 35 papers presented in this volume, together with 3 keynote speeches, were carefully reviewed and selected from 58 submissions. The topics covered are information and data visualization; advances techniques for visual information management; mobile visual information systems; image and video indexing and retrieval; applications of visual information systems; and industrial experiences.
For some, the Portuguese village of Mamarrosa is a place from which to escape; for others it is a place to run from trouble. Vasco, a cafT owner who has never recovered from the death of his wife, clings to a notion that his years in the USA make him superior to the other villagers. One English tourist makes Mamarrosa the subject of her fantasy of a new life, while for a young engaged couple, it is where their dreams finally fall apart. At the book's opening an old man reflects on his life in this seemingly tranquil setting, and anticipates the return of Marco Afonso Rodrigues, the prodigal son of the village. When he does finally appear, villagers, tourists and expatriates are brought together, and their passions and disappointments must inevitably collide.
She was the most famous woman in the world. She died tragically, too young, in a terrible accident. The world mourned. Monica Ali, the beloved author of Brick Lane, explores the extraordinary question: what if she hadn't died? Lydia lives in a nondescript town somewhere in the American Midwest. She's a nice, normal woman - if strikingly beautiful. She lives a nice, normal life: her friends are normal, her job is normal, her hobbies are normal. Her friends and boyfriend adore her. But her past is shrouded in mystery. Who is Lydia? Where does she come from? And why is her English accent so posh? Lydia is a woman with secrets. Extraordinary secrets. She might even be the most famous woman on the planet... a woman whose death the world mourned by millions. Who is she? *~*~* Praise for Untold Story*~*~* 'A beautiful, gripping accomplishment, a treat for the heart and the head, and will be a joy to readers who believe in the possibility that a book can transform your basic sense of life' Andrew O'Hagan 'A terrific, clever, multi-layered and subtle book (and let's not forget - hugely entertaining)' Joanne Harris 'Haunting and intensely readable, this is something between a thriller and a ghost story' Lady Antonia Fraser 'A startlingly intelligent, perceptive and entertaining piece of fiction. It's quite brilliant' Henry Sutton, Daily Mirror 'Thoughtful, compassionate... a suspenseful and gripping read' Suzi Feay, Financial Times 'Ali's third-person princess is a very convincing and sympathetic figure... extremely skilfully done' Tibor Fischer, Observer
The only video guide devoted exclusively to movies made outside the Hollywood studio system. Here are reviews of 1,000 films, many of which have moved out of the art houses and into mainstream theaters. The book brims with attitude and humor, trivia, 50 intriguing sidebars of information, and approximately 100 photos.
The Caine Prize for African Writing, Africa's leading literary prize, is for a short story published in English by a writer of African origin. Each year, the winning story and shortlisted entries are collected and published in one volume. The eighth winner is Monica Arac de Nyeko from Uganda for Jambula Tree. Chair of Judges Jamal Mahjoub from Sudan describes her story as a witty and touching portrait of a community which is affected forever by a love which blossoms between two adolescents.
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