At the end of French colonization in Algeria, four categories of people held French citizenship or had strong ties with France: European settlers, Jews, mixed-race individuals, and Harkis. The end of the War of Independence exiled most of them from Algeria, traumatized them in various ways, and transferred many to metropolitan France. Remnants of the Franco-Algerian Rupture: Archiving Postcolonial Minorities examines the legacies of these transnational identities through narratives that dissent from official histories, both in France and Algeria. This literature takes particular stories of exile and loss and constructs a memory around a Mosaic father figure embodying the native land, Algeria. Mona El Khoury argues that these filiation narratives create a postcolonial archive: a discursive foundation that makes historical minorities visible,while disrupting French and Algerian hegemonies. El Khoury questions the power of literature to repair history while contending that these literary strategies seek to do justice to the dead Algerian father, even as they valorize enduring minority identifications.
Relates the story of ten years of knowledge and experience of a team of development researchers investigating sustainable rural livelihoods in the community of Arsaal in arid north-eastern Lebanon. Covers how fruit growing became a source of conflict between the growers and pastoralists, the problems of poor soil conditions, limited access to water and loss of biodiversity, and lack of access to agricultural extension knowledge and services as well as to markets for fruit products and women's handicrafts.
Why the pursuit of state recognition by seemingly marginal religious groups in Egypt and elsewhere is a devotional practice Over the past decade alone, religious communities around the world have demanded state recognition, exemption, accommodation, or protection. They make these appeals both in states with a declared religious identity and in states officially neutral toward religion. In this book, Mona Oraby argues that the pursuit of official recognition by religious minorities amounts to a devotional practice. Countering the prevailing views on secularism, Oraby contends that demands by seemingly marginal groups to have their religious differences recognized by the state in fact assure communal integrity and coherence over time. Making her case, she analyzes more than fifty years of administrative judicial trends, theological discourse, and minority claims-making practices, focusing on the activities of Coptic Orthodox Christians and Baháʼí in modern and contemporary Egypt. Oraby documents the ways that devotion is expressed across a range of sites and sources, including in lawyers’ offices, administrative judicial verdicts, televised media and film, and invitation-only study sessions. She shows how Egypt’s religious minorities navigated the political and legal upheavals of the 2011 uprising and now persevere amid authoritarian repression. In a Muslim-majority state, they assert their status as Islam’s others, finding belonging by affirming their difference; and difference, Oraby argues, is the necessary foundation for collective life. Considering these activities in light of the global history of civil administration and adjudication, Oraby shows that the lengths to which these marginalized groups go to secure their status can help us to reimagine the relationship between law and religion.
Charity is an economic act. This premise underlies a societal transformation—the merging of religious and capitalist impulses that Mona Atia calls “pious neoliberalism.” Though the phenomenon spans religious lines, Atia makes the connection between Islam and capitalism to examine the surprising relations between charity and the economy, the state, and religion in the transition from Mubarak-era Egypt. Mapping the landscape of charity and development in Egypt, Building a House in Heaven reveals the factors that changed the nature of Egyptian charitable practices—the state’s intervention in social care and religion, an Islamic revival, intensified economic pressures on the poor, and the subsequent emergence of the private sector as a critical actor in development. She shows how, when individuals from Egypt’s private sector felt it necessary to address poverty, they sought to make Islamic charities work as engines of development, a practice that changed the function of charity from distributing goods to empowering the poor. Drawing on interviews with key players, Atia explores the geography of Islamic charities through multiple neighborhoods, ideologies, sources of funding, projects, and wide social networks. Her work shifts between absorbing ethnographic stories of specific organizations and reflections on the patterns that appear across the sector. An enlightening look at the simultaneous neoliberalization of Islamic charity work and Islamization of neoliberal development, the book also offers an insightful analysis of the political and socioeconomic movements leading up to the uprisings that ended Mubarak’s rule and that amplified the importance of not only the Muslim Brotherhood but also the broader forces of Islamic piety and charity.
“The [Vagrant Trilogy] extends far beyond the timeline of devastating events, and instead shows us something greater: humanity.” - Broadway World The Vagrant Trilogy is a set of three plays by award-winning Arab American playwright Mona Mansour which explores the Palestinian condition prior to, during, and after the infamous Six-Day War. It sketches the devastating effect this conflict had on members of the Palestinian diaspora scattered in Europe and in Lebanese refugee camps. With productions in Washington DC, New York, and Abu Dhabi, this trilogy has moved audiences across both America and the Arabic-speaking world. The Hour of Feeling, The Vagrant, and Urge for Going offer a deep exploration of the Palestinian struggle for home and identity, a powerful glimpse into a reality that many face and few understand. The volume includes a foreword by director Mark Wing-Davey; an introduction by Arab American theatre scholars Hala Baki and Michael Malek Najjar; the three plays in their final performance versions; an interview with playwright Mona Mansour; and a critical essay by literary scholar Diya Abdo. This collection of Mansour's outstanding plays is another important contribution to the Arab American theatrical canon and the larger body of American drama.
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