Molly Price isn't a celebrity. She's never been on a reality show or had her name thrown about in the gossip column. But, like so many of us, she has a story to tell. And what a story it is! From an amazingly complicated upbringing with twists and turns that seem at times to be unbelievable, Molly is able to draw you into her world. It's a world that you may find to be completely different from your own, but most likely you'll be able to find so much to relate to as she introduces you to her family, her friends, and a host of situations that will make you giggle and even tear up, often times in the same sentence. Amazingly insightful, Molly understands the value of the little things in life, knowing that at any moment the life she thought she had finally figured out, just might be rocked from its core, and everything changes. It takes a very open mind to be able to see the good in the worst of times, but that is just Molly. Even in cases of the most horrifying memories from her childhood, White Trash Princess offers a new perspective that will make you see things differently, maybe even think about the kind of legacy you hope to leave behind for those in your life...Brook Morello
The democratic imagination is facing significant challenges. These challenges involve not only deep philosophical questions about the core values of democracy, but also pressing practical issues related to how we should understand and confront the rise of right-wing authoritarian populism. What should our stance be as defenders of democratic life? The two most prominent efforts to orient us here are the deliberative and agonistic models of democracy. The former emphasizes reasoned discussion, but some worry that this exclusive focus overlooks structures of injustice that distort civil deliberation. The latter prioritizes contestation and conflict, but its proponents struggle to explain why this prime orientation to defeating political opponents will not also corrode our commitment to normative democratic restraints, like fairness. This book develops an understanding of the moral core of democracy. In doing so, it illuminates how these two faces of democratic life, the deliberative and agonistic, each has a significant, but constrained, role to play in a more capacious comprehension of what our democratic commitments require of us. The "communicative model" of democracy we propose provides better grounds for facing the challenges of contemporary anti-democratic movements than either the deliberative or agonistic models alone"--
A mommy manifesto for the mom who proudly strives to be less-than-perfect Michelle Lamar is a wry observer of the politics of elementary schools, the perfect moms who run them, and the kids who are trying to grow up without being embarrassed to death by their parents. This book imparts invaluable advice on how to survive the brutal world of parenting, bake sales, and the PTA. The White Trash Mom Handbook is a welcome and humorous approach to handling the pressures of modern-day motherhood. Readers can get a good laugh while learning the knowledge and skills needed to become a White Trash Mom: Fake Bakin' - transform store-bought treats into bake sale bestsellers! Making Friends - how to spot a fellow White Trash Mom from 50 paces Helping Out - give back to the school without sacrificing your time or sanity. The White Trash Mom Handbook will teach moms to let go of being the best and embrace their inner rebel so they can enjoy their kids more, avoid PTA purgatory, and get a real life.
White china" is Molly Wolf’s personal shorthand for the kind of religious language and ideas that often seem abstract and daunting. Those of us who don’t know how to break the code of words like hermeneutics are left to struggle in a landscape of abstraction and purity, intimidated and uncomfortable with our ability to handle them. We might mispronounce the words or use them wrongly, and then what would people think of us? They’re pure like white china; we might drop and break them or get them dirty. And they certainly aren’t something we can consume–who can eat china? In this beautifully written collection, Molly Wolf serves up her unique brand of what she calls God-Talk. She takes the language of Christian faith and religion, sets it in the context of her keen observations of everyday experience, and unpacks it, opening it up to make it real and close up and important. Revel in Wolf’s juicy metaphors and rejoice in the fact that she serves up a feast for all those who hunger to eat.
In Shades of Gray Molly Littlewood McKibbin offers a social and literary history of multiracialism in the twentieth-century United States. She examines the African American and white racial binary in contemporary multiracial literature to reveal the tensions and struggles of multiracialism in American life through individual consciousness, social perceptions, societal expectations, and subjective struggles with multiracial identity. McKibbin weaves a rich sociohistorical tapestry around the critically acclaimed works of Danzy Senna, Caucasia (1998); Rebecca Walker, Black White and Jewish: Autobiography of a Shifting Self (2001); Emily Raboteau, The Professor's Daughter (2005); Rachel M. Harper, Brass Ankle Blues (2006); and Heidi Durrow, The Girl Who Fell from the Sky (2010). Taking into account the social history of racial classification and the literary history of depicting mixed race, she argues that these writers are producing new representations of multiracial identity. Shades of Gray examines the current opportunity to define racial identity after the civil rights, black power, and multiracial movements of the late twentieth century changed the sociopolitical climate of the United Statesand helped revolutionize the racial consciousness of the nation. McKibbin makes the case that twenty-first-century literature is able to represent multiracial identities for the first time in ways that do not adhere to the dichotomous conceptions of race that have, until now, determined how racial identities could be expressed in the United States" --
It was on the frontier, where “civilized” men and women confronted the “wilderness,” that Europeans first became Americans—or so authorities from Frederick Jackson Turner to Theodore Roosevelt claimed. But as the frontier disappeared, Americans believed they needed a new mechanism for fixing their collective identity; and they found it, historian Molly K. Varley suggests, in tales of white Americans held captive by Indians. For Americans in the Progressive Era (1890–1916) these stories of Indian captivity seemed to prove that the violence of national expansion had been justified, that citizens’ individual suffering had been heroic, and that settlers’ contact with Indians and wilderness still characterized the nation’s “soul.” Furthermore, in the act of memorializing white Indian captives—through statues, parks, and reissued narratives—small towns found a way of inscribing themselves into the national story. By drawing out the connections between actual captivity, captivity narratives, and the memorializing of white captives, Varley shows how Indian captivity became a means for Progressive Era Americans to look forward by looking back. Local boosters and cultural commentators used Indian captivity to define “Americanism” and to renew those frontier qualities deemed vital to the survival of the nation in the post-frontier world, such as individualism, bravery, ingenuity, enthusiasm, “manliness,” and patriotism. In Varley’s analysis of the Progressive Era mentality, contact between white captives and Indians represented a stage in the evolution of a new American people and affirmed the contemporary notion of America as a melting pot. Revealing how the recitation and interpretation of these captivity narratives changed over time—with shifting emphasis on brutality, gender, and ethnographic and historical accuracy—Americans Recaptured shows that tales of Indian captivity were no more fixed than American identity, but were consistently used to give that identity its own useful, ever-evolving shape.
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