A CUP OF CAPPUCCINO FOR THE ENTREPRENEUR'S SPIRIT AMERICAN INDIAN WOMEN ENTREPRENEURS' EDITION features American Indian Women Entrepreneurs' true short stories written to inspire, energize and teach the reader. The stories include adversities, challenges, triumphs, and successes experienced by the entrepreneur to help readers discover passion and basic principles they can use to live the entrepreneurial dream. Touching both the heart and the head, these stories provide the opportunity to hear directly from American Indian Women who have overcome obstacles to enjoy success and self-confidence. They did it! You can do it too!
“Bassett at last provides a path to understand better the specifically Aztec characteristics of the teteoh and their ritual ‘embodiments.’” —Ethnohistory Following their first contact in 1519, accounts of Aztecs identifying Spaniards as gods proliferated. But what exactly did the Aztecs mean by a “god” (teotl), and how could human beings become gods or take on godlike properties? This sophisticated, interdisciplinary study analyzes three concepts that are foundational to Aztec religion—teotl (god), teixiptla (localized embodiment of a god), and tlaquimilolli (sacred bundles containing precious objects)—to shed new light on the Aztec understanding of how spiritual beings take on form and agency in the material world. In The Fate of Earthly Things, Molly Bassett draws on ethnographic fieldwork, linguistic analyses, visual culture, and ritual studies to explore what ritual practices such as human sacrifice and the manufacture of deity embodiments (including humans who became gods), material effigies, and sacred bundles meant to the Aztecs. She analyzes the Aztec belief that wearing the flayed skin of a sacrificial victim during a sacred rite could transform a priest into an embodiment of a god or goddess, as well as how figurines and sacred bundles could become localized embodiments of gods. Without arguing for unbroken continuity between the Aztecs and modern speakers of Nahuatl, Bassett also describes contemporary rituals in which indigenous Mexicans who preserve costumbres (traditions) incorporate totiotzin (gods) made from paper into their daily lives. This research allows us to understand a religious imagination that found life in death and believed that deity embodiments became animate through the ritual binding of blood, skin, and bone.
Whether you’re a dedicated knitter who bestows lovingly crafted gifts upon family and friends at every possible occasion, a sometimes knitter with a bag of fully conceived but half-completed projects, or a newcomer who has recently taken up the needles with great gusto, you know the rewards that this hobby can bring. You may also know that knitting as a hobby can verge on obsession—be it the compulsive purchasing of stunning hand-spun wool, the desire to rip out nearly finished sweaters because you dropped a stitch, or the need to knit wherever, whenever, or however you can. Most important, though, knitting offers a camaraderie, a society of women and men who converse in a language all their own, flock to yarn stores with religious devotion, and can recite the time and place where they first learned to purl. These feelings are what KnitLit is all about. In this charming collection of stories, essays, anecdotes, and recollections, knitters of every “color” celebrate their hobby and share with you the joy it brings into their lives. From the touching tale of a caring woman whose hand-knit dolls bring security to young hospital patients, to the hilarious story of a woman scorned who sends her ex-boyfriend a scarf knit with wolf hair only to have it torn to shreds by his dogs, to the moving recollection of a man whose grandmother’s dying wish was to knit all the wool in her knitting stash, to the finely wrought account of a man who keeps alive the memories of his companions and friends who have succumbed to AIDS by wearing the sweaters they left behind, KnitLit is a gift from knitters to knitters—crafted with as much love and care as an afghan or a wool scarf. Wrap yourself in KnitLit, and be inspired.
During the civil war that wracked El Salvador from the mid-1970s to the early 1990s, the Salvadoran military tried to stamp out dissidence and insurgency through an aggressive campaign of crop-burning, kidnapping, rape, killing, torture, and gruesome bodily mutilations. Even as human rights violations drew world attention, repression and war displaced more than a quarter of El Salvador’s population, both inside the country and beyond its borders. Beyond Displacement examines how the peasant campesinos of war-torn northern El Salvador responded to violence by taking to the hills. Molly Todd demonstrates that their flight was not hasty and chaotic, but was a deliberate strategy that grew out of a longer history of collective organization, mobilization, and self-defense.
As bloody wars raged in Central America during the last third of the twentieth century, hundreds of North American groups “adopted” villages in war-torn Guatemala, Nicaragua, and El Salvador. Unlike government-based cold war–era Sister City programs, these pairings were formed by ordinary people, often inspired by individuals displaced by US-supported counterinsurgency operations. Drawing on two decades of work with former refugees from El Salvador as well as unprecedented access to private archives and oral histories, Molly Todd’s compelling history provides the first in-depth look at “grassroots sistering.” This model of citizen diplomacy emerged in the mid-1980s out of relationships between a few repopulated villages in Chalatenango, El Salvador, and US cities. Todd shows how the leadership of Salvadorans and left-leaning activists in the US concerned with the expansion of empire as well as the evolution of human rights–related discourses and practices created a complex dynamic of cross-border activism that continues today.
One fall evening in 1880, Russian painter Ilya Repin welcomed an unexpected visitor to his home: Lev Tolstoy. The renowned realists talked for hours, and Tolstoy turned his critical eye to the sketches in Repin's studio. Tolstoy's criticisms would later prompt Repin to reflect on the question of creative expression and conclude that the path to artistic truth is relative, dependent on the mode and medium of representation. In this original study, Molly Brunson traces many such paths that converged to form the tradition of nineteenth-century Russian realism, a tradition that spanned almost half a century—from the youthful projects of the Natural School and the critical realism of the age of reform to the mature masterpieces of Tolstoy, Fyodor Dostoevsky, and the paintings of the Wanderers, Repin chief among them. By examining the classics of the tradition, Brunson explores the emergence of multiple realisms from the gaps, disruptions, and doubts that accompany the self-conscious project of representing reality. These manifestations of realism are united not by how they look or what they describe, but by their shared awareness of the fraught yet critical task of representation. By tracing the engagement of literature and painting with aesthetic debates on the sister arts, Brunson argues for a conceptualization of realism that transcends artistic media. Russian Realisms integrates the lesser-known tradition of Russian painting with the familiar masterpieces of Russia's great novelists, highlighting both the common ground in their struggles for artistic realism and their cultural autonomy and legitimacy. This erudite study will appeal to scholars interested in Russian literature and art, comparative literature, art history, and nineteenth-century realist movements.
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