Haskell keeps both novel and movie at hand, moving from one to the other, comparing and distinguishing what Margaret Mitchell expresses from what obsessive producer David O. Selznick, directors George Cukor and Victor Fleming, screenplaywrights Sidney Howard and a host of fixers (including Ben Hecht and Scott Fitzgerald), and actors Vivien Leigh, Clark Gable, Hattie McDaniel, and others convey. She emphasizes the contributions of Selznick, Leigh, and in an entire chapter, Mitchell, drawing heavily and analytically on existing biographies, the literature of women and the Civil War, Civil War films (especially Birth of a Nation and Jezebel), and film criticism to such engaging effect as to not just revisit GWTW but to revive and intensify the enduring fascination of what Selznick dubbed the American Bible. --Olson, Ray Copyright 2009 Booklist.
When it comes to reporting on politics, nobody does it smarter or funnier than bestselling author Molly Ivins. In Shrub, Ivins focuses her Texas-size smarts on the biggest politician in her home state: George Walker Bush, or "Shrub," as Ivins has nicknamed Bush the Younger. A candidate of vague speeches and an ambiguous platform, Bush leads the pack of GOP 2000 presidential hopefuls; "Dubya" could very well be our next president. What voters need now is an original, smart, and accessible analysis of Bush--one that leaves the "youthful indiscretions" to the tabloids and gets to the heart of his policies and motivations. Ivins is the perfect woman for the job. With her trademark wit and down-home wisdom, Molly Ivins shares three pieces of advice on judging a politician: "The first is to look at the record. The second is to look at the record. And third, look at the record." In this book, Ivins takes a good, hard look at the record of the man who could be the leader of the free world. Beginning with his post-college military career, Ivins tracks Dubya's winding, sometimes unlikely path from a failed congressional bid to a two-term governorship. Bush has made plenty of friends and supporters along the way, including Texas oil barons, evangelist Billy Graham, and co-investors in the Texas Rangers baseball team. "You would have to work at it to dislike the man," she writes. But for all of Bush's likeability, Ivins points to a disconcerting lack of political passion from this ascending presidential candidate. In her words, "If you think his daddy had trouble with 'the vision thing,' wait till you meet this one." Witty, trenchant, and on target, Ivins gives a singularly perceptive and entertaining analysis of George W. Bush. To head to the voting booth without it would be downright un-American. From Shrub: The Short but Happy Political Life of George W. Bush " The past is prologue in politics. If a politician is left, right, weak, strong, given to the waffle or the flip-flop, or, as sometimes happens, an able soul who performs well under pressure, all that will be in the record." ¸ Bush's welfare record: "Texas pols like to 'git tuff' on crime, welfare, commies, and other bad stuff. Bush proposed to git tuff on welfare recipients by ending the allowance for each additional child--which in Texas is $38 a month." ¸ Bush and the Christian right: "Bush has learned to dance with the Christian right. It has been interesting and amusing to watch the process. Interesting because it's sometimes hard to tell who's leading and who's following; amusing because when a scion of Old Yankee money gets together with a televangelist with too much Elvis, the result is swell entertainment." ¸ Bush's environmental record: Since Governor Bush's election, Texas air quality has been rated the worst in the nation, leading all fifty states in overall toxic releases, recognized carcinogens in the air, cancer risk, and ten other categories of pollutants. ¸ Bush's military career: "Bush was promoted as the Texas Air National Guard's anti-drug poster boy, one of life's little ironies given the difficulty he has had answering cocaine questions all these years later. 'George Walker Bush is one member of the younger generation who doesn't get his kicks from pot or hashish or speed,' reads a Guard press release of 1970. 'Oh, he gets high, all right, but not from narcotics.
A simultaneously rollicking and sobering indictment of the policies of President George W. Bush, Bushwhacked chronicles the destructive impact of the Bush administration on the very people who put him in the White House in the first place. Here are the ties that connected Bush to Enron, yes, but here, too, is the story of the woman who walks six miles to the unemployment office daily, wondering what happened to the economic security Bush promised. Here are reports on failed nation-building missions in Kabul and Baghdad. Here, too, the story of a rancher who has fallen prey to a Bush-Cheney interior department that is perhaps a wee bit too cozy with the oil industry. Bushwhacked is highly original and entirely thought-provoking—essential reading for anyone living in George W. Bush's America.
There's a little-known school in Halifax that kids are excited to attend every day, right through until they graduate. It's a place where they absorb "real-world" skills, including critical thinking, and complex literacy, math and second-language abilities, so that they stick. They gather for intense, whole-school discussions on local issues, create art using geometric calculations, and dig into the school garden while learning about the biology of the native plant garden — all in one typical week. Over forty years, the Halifax Independent School has developed an approach to education that reflects the ideas of leading educators but follows no set formula. It offers parents and educators a vision of what schools could be like right across the country. In this account of "the best school in the world," readers will find ideas big and small for how Canadian schools could do a better job of engaging, challenging and educating their students.
Private corporations are rarely discussed as playing a role in efforts to curb civil violence, even though they often have strong interests in maintaining stability. Violence often damages the infrastructure necessary to deliver goods to market or may directly target companies. Corporations also have a normative obligation to conduct business in ways that promote peace. While there are historical examples of firm-instigated violence and firms reaping benefits from instability and conflict, there is also evidence that corporations proactively engage in peacebuilding. For example, firms devise programs to promote economic development, offer access to education, and employ former combatants. In The Building and Breaking of Peace, Molly M. Melin develops a theory of the conflicting roles corporations play in both building and preventing peace. Melin shows that corporations engage in peacebuilding when there is a gap in the state's capacity to enforce laws, but they also weigh the opportunity costs of peacebuilding, responding to the need for action when conditions enable them to do so. Firms are uniquely situated in their ability to raise the cost of violence, and proactive firms can increase the years of peace in a country. At the same time, an active private sector can make it harder for states with ongoing conflict to reach an agreement, as they act as an additional veto player in the bargaining process. Including original cross-national data of peacebuilding efforts by firms in Latin America, the Middle East, and Africa from 2000 to 2018, and in-depth case analyses of corporate actions and outcomes in Colombia, Northern Ireland, and Tunisia, Melin shows that corporations help to prevent violence but not resolve it. In examining the corporate motives for peacebuilding and the implications of these activities for preventing violence and conflict resolution, the book builds a more holistic picture of the peace and conflict process. The findings also help explain why armed civil conflicts persist despite the multitude of diverse actors working to end them.
In a world of climate change and declining oil supplies, what is the plan for the provisioning of resources? Green economists suggest a need to replace the globalised economy, and its extended supply chains, with a more 'local' economy. But what does this mean in more concrete terms? How large is a local economy, how self-reliant can it be, and what resources will still need to be imported? The concept of the 'bioregion' -- developed and popularised within the disciplines of earth sciences, biosciences and planning -- may facilitate the reconceptualisation of the global economy as a system of largely self-sufficient local economies. A bioregional approach to economics assumes a different system of values to that which dominates neoclassical economics. The global economy is driven by growth, and the consumption ethic that matches this is one of expansion in range and quantity. Goods are defined as scarce, and access to them is a process based on competition. The bioregional approach challenges every aspect of that value system. It seeks a new ethic of consumption that prioritises locality, accountability and conviviality in the place of expansion and profit; it proposes a shift in the focus of the economy away from profits and towards provisioning; and it assumes a radical reorientation of work from employment towards livelihood. This book by leading green economist Molly Scott Cato sets out a visionary and yet rigorous account of what a bioregional approach to the economy would mean -- and how to get there from here.
This book examines the appetite for Egyptian and Egyptian-looking artwork in Italy during the century following Rome's annexation of Aegyptus as a province. In the early imperial period, Roman interest in Egyptian culture was widespread, as evidenced by works ranging from the monumental obelisks, brought to the capital over the Mediterranean Sea by the emperors, to locally made emulations of Egyptian artifacts found in private homes and in temples to Egyptian gods. Although the foreign appearance of these artworks was central to their appeal, this book situates them within their social, political, and artistic contexts in Roman Italy. Swetnam-Burland focuses on what these works meant to their owners and their viewers in their new settings, by exploring evidence for the artists who produced them and by examining their relationship to the contemporary literature that informed Roman perceptions of Egyptian history, customs, and myths.
When four college girls decide to live off campus together, they experience a year of romance that will change the rest of their lives. From Misha, who is unable to live down her ex-boyfriends deception, to party girl Indy who is forever being rescued from herself by besotted Kier, When We Met brings together four incredible authors who combine their talents to tell four original stories from inside one house.
The Moravian town of Salem joined with its industrial neighbor, Winston, to officially become the city of Winston-Salem in 1913. Located in the Piedmont section of North Carolina, at the foothills of the Blue Ridge Mountains, Winston-Salem has a rich cultural heritage. Tourists and residents alike visit Old Salem to experience the restored Moravian village and participate in traditional events. Some come to explore Winston-Salem's historic homes and neighborhoods and to sample the city's varied culinary treats. Others come to tour picturesque college campuses, attend sporting events, and partake in the city's vast array of arts offerings.
Growing up, Molly Walling could not fathom the source of the dark and intense discomfort in her family home. Then in 2006 she discovered her father's complicity in the murder of two black men on December 12, 1946, in Anguilla, deep in the Mississippi Delta. Death in the Delta tells the story of one woman's search for the truth behind a closely held, sixty-year old family secret. Though the author's mother and father decided that they would protect their three children from that past, its effect was profound. When the story of a fatal shoot-out surfaced, apprehension turned into a devouring need to know. Each of Walling's trips from North Carolina to the Delta brought unsettling and unexpected clues. After a hearing before an all-white grand jury, her father's case was not prosecuted. Indeed, it appeared as if the incident never occurred, and he resumed his life as a small-town newspaper editor. Yet family members of one of the victims tell her their stories. A ninety-three-year-old black historian and witness gives context and advice. A county attorney suggests her family's history of commingling with black women was at the heart of the deadly confrontation. Firsthand the author recognizes how privilege, entitlement, and racial bias in a wealthy, landed southern family resulted in a deadly abuse of power followed by a stifling, decades-long cover up. Death in the Delta is a deeply personal account of a quest to confront a terrible legacy. Against the advice and warnings of family, Walling exposes her father's guilty agency in the deaths of Simon Toombs and David Jones. She also exposes his gift as a writer and creative thinker. The author, grappling with wrenching issues of family and honor, was long conflicted about making this story public. But her mission became one of hope that confronting the truth might somehow move others toward healing and reconciliation.
In a book that compares Virginia Woolf's writing with that of the novelist, actress, and feminist activist Elizabeth Robins (1862–1952), Molly Hite explores the fascinating connections between Woolf's aversion to women's "pleading a cause" in fiction and her narrative technique of complicating, minimizing, or omitting tonal cues. Hite shows how A Room of One's Own, Mrs. Dalloway, and The Voyage Out borrow from and implicitly criticize Robins's work. Hite presents and develops the concept of narrative tone as a means to enrich and complicate our readings of Woolf's modernist novels. In Woolf's Ambiguities, she argues that the greatest formal innovation in Woolf's fiction is the muting, complicating, or effacing of textual pointers guiding how readers feel and make ethical judgments about characters and events. Much of Woolf's narrative prose, Hite proposes, thus refrains from endorsing a single position, not only adding value ambiguity to the cognitive ambiguity associated with modernist fiction generally, but explicitly rejecting the polemical intent of feminist novelists in the generation preceding her own. Hite also points out that Woolf reconsidered her rejection of polemical fiction later in her career. In the unfinished draft of her "essay-nove;" The Pargiters, Woolf created a brilliant new narrative form allowing her to make unequivocal value judgments.
Take one baby and a mother who's not sure if she's ready. Add a soldier returned from war and a grandmother holding the fort. Mix in a landscape of flatness and a pinch of violence in the countryside and maybe, just maybe, you'll get a miracle." "Molly Davies' debut, A Miracle, is a play about wanting a better life. It premiered at the Royal Court Theatre, London, on 27 February 2009." --Book Jacket.
In Grasslands Grown Molly P. Rozum explores the two related concepts of regional identity and sense of place by examining a single North American ecological region: the U.S. Great Plains and the Canadian Prairie Provinces. All or parts of modern-day Alberta, Montana, Saskatchewan, North Dakota, South Dakota, and Manitoba form the center of this transnational region. As children, the first postconquest generation of northern grasslands residents worked, played, and traveled with domestic and wild animals, which introduced them to ecology and shaped sense-of-place rhythms. As adults, members of this generation of settler society worked to adapt to the northern grasslands by practicing both agricultural diversification and environmental conservation. Rozum argues that environmental awareness, including its ecological and cultural aspects, is key to forming a sense of place and a regional identity. The two concepts overlap and reinforce each other: place is more local, ecological, and emotional-sensual, and region is more ideational, national, and geographic in tone. This captivating study examines the growth of place and regional identities as they took shape within generations and over the life cycle.
This book is primarily designed as a sourcebook for lawyers and psychiatrists who are interested or involved in the subject of diminished responsibility. It is an attempt to convey a general picture of the concept which shows how it has been interpreted by the courts and expert witnesses. The book begins with an overview and analysis of the concept of diminished responsibility and a general introduction of where law and psychiatry intersect in this area. Thereafter the authors adopt the traditional approach of describing and discussing basic principles in relation to the various aspects of "abnormality of mind" as envisaged under the definition of diminished responsibility, before passing to a study of actual cases. The final chapter is an attempt to deal with and confront what are perceived to be the potentially problematical issues (recommending proposals wherever feasible) in which the complex relationship between law and psychiatry is presently concerned in interpreting diminished responsibility.
Molly McClain tells the remarkable story of Ellen Browning Scripps (1836–1932), an American newspaperwoman, feminist, suffragist, abolitionist, and social reformer. She used her fortune to support women’s education, the labor movement, and public access to science, the arts, and education. Born in London, Scripps grew up in rural poverty on the Illinois prairie. She went from rags to riches, living out that cherished American story in which people pull themselves up by their bootstraps with audacity, hard work, and luck. She and her brother, E. W. Scripps, built America’s largest chain of newspapers, linking midwestern industrial cities with booming towns in the West. Less well known today than the papers started by Joseph Pulitzer and William Randolph Hearst, Scripps newspapers transformed their owners into millionaires almost overnight. By the 1920s Scripps was worth an estimated $30 million, most of which she gave away. She established the Scripps Institution of Oceanography in La Jolla, California, and appeared on the cover of Time magazine after founding Scripps College in Claremont, California. She also provided major financial support to organizations worldwide that promised to advance democratic principles and public education. In Ellen Browning Scripps, McClain brings to life an extraordinary woman who played a vital role in the history of women, California, and the American West.
FBI BAU Special Agent Ruby Hunter remains haunted by “The 13 Killer,” the serial killer who took everything from her—including her partner—before she put him away for good. Yet somehow, though behind bars, new bodies are showing up with his trademark 13 signature. Is he behind it? “Molly Black has written a taut thriller that will keep you on the edge of your seat… I absolutely loved this book and can’t wait to read the next book in the series!” —Reader review for Girl One: Murder IF I RETURN is book #5 in a new series by #1 bestselling mystery and suspense author Molly Black, whose books have received over 2,000 five-star reviews and ratings. Victims of a new killer are being found with a mysterious signature left at the crime scene: a single King from a deck of cards left on their chests. Why? Ruby senses the puppetry of the 13 killer, but the connection remains elusive. Until, in a twist she did not anticipate, all becomes shockingly clear. But will it be too late? A complex psychological crime thriller full of twists and turns and packed with heart-pounding suspense, the RUBY HUNTER mystery series will make you fall in love with a brilliant new female protagonist and keep you turning pages late into the night. Future books in the series will soon be available.
The Question is the Answer is a teacher’s guide to helping young readers generate text-based questions. The purpose of this book is to help teachers and parents value and promote student-generated questions to facilitate motivation, engagement, and cognitive development.
A practical and empowering personal finance guide for women of all ages from the founder of Ladies Finance Club, Molly Benjamin. Money matters can seem overwhelming, but if you know the full picture and set yourself up with a few simple systems, you can live a life of choice and have control of your financial future. (And, yes, you can still buy the shoes!) Girls Just Wanna Have Funds provides straightforward and invaluable insight that will help you get on top of your own money game. Work out a simple system to manage your money each pay Learn to negotiate the salary you are worth Start investing with less than $50 Get out of debt once and for all Get on the property ladder faster Feel secure about your future and retirement Take the awkwardness out of discussing funds with your partner Teach your kids to be savvy about money
Best Friends. Mad Science. It can get pretty dull living on a small, out-of-the-way station like Wilnick SS. Best Friends Sanity Jones and Tallulah Vega do their best to relieve the monotony of every day space life by finding adventures, solving mysteries, and taking turns getting each other into and out of trouble. But when Sanity's latest science project-an extremely-illegal-but-impossibly-cute three-headed kitten-escapes from the lab and starts causing havoc, the girls will have to turn the station upside down to find her-before the damage becomes irreversible! Readers will be over the moon for this rollicking space adventure by debut author Molly Brooks.
Dancing out of Line transports readers back to the 1840s, when the craze for social and stage dancing forced Victorians into a complex relationship with the moving body in its most voluble, volatile form. By partnering cultural discourses with representations of the dance and the dancer in novels such as Jane Eyre, Bleak House, and Daniel Deronda, Molly Engelhardt makes explicit many of the ironies underlying Victorian practices that up to this time have gone unnoticed in critical circles. She analyzes the role of the illustrious dance master, who created and disseminated the manners and moves expected of fashionable society, despite his position as a social outsider of nebulous origins. She describes how the daughters of the social elite were expected to “come out” to society in the ballroom, the most potent space in the cultural imagination for licentious behavior and temptation. These incongruities generated new, progressive ideas about the body, subjectivity, sexuality, and health. Engelhardt challenges our assumptions about Victorian sensibilities and attitudes toward the sexual/social roles of men and women by bringing together historical voices from various fields to demonstrate the versatility of the dance, not only as a social practice but also as a forum for Victorians to engage in debate about the body and its pleasures and pathologies.
Both Hegel's philosophy and psychoanalytic theory have profoundly influenced contemporary thought, but they are traditionally seen to work in separate rather than intersecting universes. This book offers a new interpretation of Hegel's Phenomenology of Spirit and brings it into conversation the work of two of the best-known contemporary psychoanalysts, Christopher Bollas and André Green. Hegel and Psychoanalysis centers a consideration of the Phenomenology on the figure of the Unhappy Consciousness and the concept of Force, two areas that are often overlooked by studies which focus on the master/slave dialectic. This book offers reasons for why now, more than ever, we need to recognize how concepts of intersubjectivity, Force, the Third, and binding are essential to an understanding of our modern world. Such concepts can allow for an interrogation of what can be seen as the profoundly false and constructed senses of community and friendship created by social networking sites, and further an idea of a "global community," which thrives at the expense of authentic intersubjective relations.
Arguably the most prolific and most widely read philosopher of our time, Slavoj Žižek has made indelible interventions into many disciplines of the so-called human sciences that have transformed the terms of discussion in these fields. Although his work has been the subject of many volumes of searching criticism and commentary, there is no assessment to date of the value of his work for the development of these disciplines. Žižek Now brings together distinguished critics to explore the utility and far-ranging implications of Žižek's thought and provide an evaluation of the difference his work makes or promises to make in their chosen fields. As such, the volume offers chapters on quantum physics and Žižek's transcendentalist materialist theory of the subject, Hegel's absolute, materialist Christianity, postcolonial violence, eco-politics, ceremonial acts, and the postcolonial revolutionary subject. Contributors to the volume include Adrian Johnston, Ian Parker, Todd McGowan, Bruno Bosteels, Erik Vogt, Verena Conley, Joshua Ramey, Jamil Khader, and Žižek himself.
Since it was chartered in 1857, Salem Cemetery reflects the personal taste and imagination of individuals who designed their family plots, vaults, and markers. A walk along the winding paths, noting names on markers and vaults, is a walk through the city's history, recalling the people who lived, labored, and loved here.
An insightful look at the arguments for and against universal adoption of a vegan diet and lifestyle. As concern grows over the environmental costs and ethical implications of intensive factory farming, an increasing number of people are embracing diets and lifestyles free from animal products. Should We All Be Vegan? gives a fluid and engaging account of the evolution of veganism. Over the course of four easily digestible chapters, food writer Molly Watson reveals the truth about veganism’s impact on our health, the planet, and the global economy. Chapters like “The Evolution of Veganism” and “Why Go Vegan Today?” examine the development of veganism from the earliest meat-free human diets to the rise in mainstream adoption of a plant-based diet and lifestyle today; “The Challenges of Veganism” surveys the nutritional and societal pitfalls of a vegan lifestyle; and, lastly “A Vegan Planet” envisions possible futures for veganism and their impact on the earth. Watson evaluates every angle of the debate on veganism in this primer, reviewing the evidence for its effects on health and assessing the ethics, environmental impact, and feasibility of adopting a vegan lifestyle worldwide.
Leadership That Matters examines transformational leadership-leadership that not only improves productivity and performance but also makes a positive difference in the lives of organization members. Traditional leaders achieve superior results because of their ability to transform people from dutiful followers into self-directed leaders who go beyond simply doing what is expected of them. Drawing on research that investigates leadership, culture, and performance in dozens of organizations, the Sashkins describe the specific behaviors and personal characteristics of transformational leaders. They show how you can construct an empowering organizational culture that nurtures self-reliance and long-term thinking. They offer practical advice on how you can become a transformational leader—and make leadership matter.
The Herb Girl is a psychological novel set in and around Purfleet in Essex in 1923 and concerns the great divide; spiritualism, the complication that may be the after-life and our relationship with it. By way of a damning gypsy's curse, a Scots-born female rogue, savage inexplicable accidents, murder and two of the oldest sexual dysfunctions known to civilisation, The Herb Girl chronicles a few months in the life and close family of a bewitching, heavily-pregnant, Cornish-bred herbalist, whose life is not entirely guiltless. The Herb Girl is a self-contained maze, a story involving poisoning, manslaughter, spiritualism, explosives, and rage. But who is the narrator? What is his wholly abhorrent secret and why is he so personally judgmental?
Chronicles the joint effort of the U.S. government, the publishing industry, and the nation's librarians to boost troop morale during World War II by shipping more than one hundred million books to the front lines for soldiers to read during what little downtime they had.
When he was small and his parents told him if he was good he would get a sweet, the boy knew it was not true. Getting the sweet had nothing to do with being good. 'Badger Do Best' has landed, bringing with it a new world of rules and regulations. But the kids in the classroom are fighting back. Tired of being guinea pigs in yet another government scheme, can the class of 4N bring down the education regime set to pacify them? After years working in the classroom, Molly Davies imagines a mutiny of eight-year-olds in her play commissioned by the Royal Court. God Bless the Child received its world premiere in the Upstairs space on 12 November 2014, directed by Royal Court Artistic Director Vicky Featherstone.
In Apostles of Reason, Molly Worthen offers a sweeping history of modern American evangelicalism, arguing that the faith has been shaped not by shared beliefs but by battles over the relationship between faith and reason.
This “satisfying send-up of a design primer . . . presents lessons in hostile faucetry, blinding fluorescents and vicious exposed ductwork.” —The New York Times True modernity requires much more than discipline, vision, and a willingness to live without upper kitchen cabinets. It’s Lonely in the Modern World outlines exactly what’s required to achieve sleek design and the requisite ennui. From the creators of the Unhappy Hipsters website, this essential guide is to hipsters what The Official Preppy Handbook was to prepsters. The authors advise on a number of topics. Readers will learn how to navigate the vast array of concrete finishes and plywood grades, accessorize with children and pets, and opine with authority on rooflines. Featuring detailed illustrations, beautifully staged photos, and helpful charts, this master manual is perfect for aspiring modernists, those who love them, and, of course, those who love to hate them.
“Graceful yet precise, poetic yet deeply rooted in research, this exploration of an overlooked painter is gorgeous — a joy to read. Molly Peacock’s insights and empathy with her subject bring to life both Mary Hiester Reid and her luscious flower paintings.” — Charlotte Gray, author of The Massey Murder Molly Peacock uncovers the history of neglected painter Mary Hiester Reid, a trailblazing artist who refused to choose between marriage and a career. Born into a patrician American family in the middle of the nineteenth century, Mary Hiester Reid was determined to be a painter and left behind women’s design schools to enter the art world of men. After she married fellow artist George Reid, she returned with him to his home country of Canada. There she set about creating over 300 stunning still life and landscape paintings, inhabiting a rich, if sometimes difficult, marriage, coping with a younger rival, exhibiting internationally, and becoming well-reviewed. She studied in Paris, traveled in Spain, and divided her time between Canada and the United States where she lived among America’s Arts and Crafts movement titans. She left slender written records; rather, her art became her diary and Flower Diary unfolds with an artwork for each episode of her life. In this sumptuous and precisely researched biography, celebrated poet and biographer Molly Peacock brings Mary Hiester Reid, foremother of painters such as Georgia O’Keefe, out of the shadows, revealing a fascinating, complex woman who insisted on her right to live as a married artist, not as a tragic heroine. Peacock uses her poet’s skill to create a structurally inventive portrait of this extraordinary woman whom modernism almost swept aside, weaving threads of her own marriage with Hiester Reid’s, following the history of empathy and examining how women manage the demands of creativity and domesticity, coping with relationships, stoves, and steamships, too. How do you make room for art when you must go to the market to buy a chicken for dinner? Hiester Reid had her answers, as Peacock gloriously discovers.
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