A murder in a garden turns the four new owners of Yon Bonnie Books into amateur detectives, in a captivating new cozy mystery novel from Molly MacRae. Set in the weeks before the annual Inversgail Literature Festival in Scotland, Plaid and Plagiarism begins on a morning shortly after the four women take possession of their bookshop in the Highlands. Unfortunately, the move to Inversgail hasn’t gone as smoothly as they’d planned. First, Janet Marsh is told she’ll have to wait before moving into her new home. Then she finds out the house has been vandalized. Again. The chief suspect? Una Graham, an advice columnist for the local paper—who’s trying to make a name for herself as an investigative reporter. When Janet and her business partners go looking for clues at the house, they find a body—it’s Una, in the garden shed, with a sickle in her neck. Janet never did like that garden shed. Who wanted Una dead? After discovering a cache of nasty letters, Janet and her friends are beginning to wonder who didn’t, including Janet’s ex-husband. Surrounded by a cast of characters with whom readers will fall in love, the new owners of Yon Bonnie Books set out to solve Una’s murder so they can get back to business. A delightful and deadly new novel about recognizing one’s strengths and weakness—while also trying to open a new book shop—Plaid and Plagiarism is the start of an entertaining new Scottish mystery series.
In the latest from the bestselling author of Plagued by Quilt, Kath Rutledge yarn bombs Blue Plum, Tennessee—and gets tangled up in the mystery of a bumped-off bagpiper. It’s time for Handmade Blue Plum, an annual arts and crafts fair, and Kath and her knitting group TGIF (Thank Goodness It’s Fiber) plan to kick off the festivities with a yarn bombing. But they’re not the only ones needling Blue Plum. Bagpiper and former resident Hugh McPhee had just returned after a long absence, yet his reception is anything but cozy. The morning after his arrival, he’s found dead in full piper’s regalia. Although shaken, Kath and her knitting group go forward with their yarn installation—only to hit a deadly snag. Now, with the help of Geneva, the ghost who haunts her shop, Kath and TGIF need to unravel the mystery before someone else gets kilt!
Yarn shop owner Kath Rutledge is looking forward to the grand opening of the Blue Plum Vault, a new co-op of small shops, but in the week before the grand opening, two of the new shopkeepers, Nervie and Belinda, declare each other’s embroidery patterns and antique embroidered linens fakes, copies—and stolen goods. Kath is caught in the middle when she’s asked to use her textile expertise to decide if there’s any truth to the accusations.Then, the day before the grand opening, an exquisite tablecloth that Kath has fallen in love with—the pride of Belinda’s shop—is found cut to shreds. Belinda accuses Nervie of the outrage, but Nervie has an airtight alibi: she was at Kath’s shop, the Weaver’s Cat, teaching a crewel embroidery class.Despite worries over the rivalry and vandalism, the opening is a success—until Belinda is found dead, stabbed in the back with a pair of scissors from the Weaver’s Cat. Geneva, the ghost who haunts Kath’s store, claims she saw the murderer leaving the scene of the crime. But the ghost is the ultimate unreliable witness—only Kath and her shop manager can see or hear her. That means it’s up to Kath, TGIF, and especially Geneva the ghost to solve the crime before the killer cuts another life short.
When widowed folklorist Maureen Nash visits a legendary North Carolina barrier island shell shop, she discovers its resident ghost pirate and the mystery of a local’s untimely death . . . As a professional storyteller, Maureen Nash can’t help but see the narrative cues woven through her life. Like the series of letters addressed to her late husband from a stranger—the proprietor of The Moon Shell, a shop on Ocracoke Island, off the coast of North Carolina. The store is famous with shell collectors, but it’s the cryptic letters from Allen Withrow, the shop’s owner, that convince Maureen to travel to the small coastal town in the middle of hurricane season. At the very least, she expects she’ll get a good story out of the experience, never anticipating it could end up a murder mystery . . . In Maureen’s first hours on the storm-lashed island, she averts several life-threatening accidents, stumbles over the body of a controversial Ocracoke local, and meets the ghost of an eighteenth-century Welsh pirate, Emrys Lloyd. To the untrained eye, all these unusual occurrences would seem to be random misfortunes, but Maureen senses there may be something connecting these stories. With Emrys’s supernatural assistance, and the support of a few new friends, Maureen sets out unravel the truth, find a killer, and hopefully give this tale a satisfying ending . . . while also rewriting her own.
The new mystery in the Highland Bookshop series, bringing together a body outside a pub, a visiting author determined to find the killer, and a murderously good batch of scones . . . Inversgail, on the west coast of the Scottish Highlands, welcomes home native daughter and best-selling environmental writer Daphne Wood. Known as the icon of ecology, Daphne will spend three months as the author in residence for the Inversgail schools. Janet Marsh and her business partners at Yon Bonnie Books are looking forward to hosting a gala book signing for her. Daphne, who hasn’t set foot in Scotland in thirty years, is . . . eccentric. She lives in the Canadian wilderness, in a cabin she built herself, with only her dog for a companion, and her people skills have developed a few rough-hewn edges. She and the dog (which she insists on bringing with her) cause problems for the school, the library, and the bookshop even before they get to Inversgail. Then, on the misty night they arrive, a young man—an American who’d spent a night in the B&B above Yon Bonnie Books—is found dead outside a pub. Daphne did her Inversgail homework and knows that Janet and her partners solved a previous murder. She tries to persuade them to join her in uncovering the killer and the truth. To prove she’s capable, she starts poking and prying. But investigating crimes can be murder, and Daphne ends up dead, poisoned by scones from the tearoom at Yon Bonnie Books. Now, to save the reputation of their business—not to mention the reputation of their scones—Janet and her partners must solve both murders. And Daphne’s dog might be able to help them, if only they can get it to stop howling . . .
The latest entry in the charming Highland Bookshop mystery series finds the women of Yon Bonnie Books embroiled in the death of a local doctor, which sets off a chain of other curious—and deadly—events. Out for a bicycle ride in the hills beyond Inversgail, Janet Marsh discovers the body of Dr. Malcolm Murray. The elderly Murray and his own bicycle went off the road and down a steep slope—he’s sprawled in the burn at the bottom, his damaged bike in a patch of thistles on the bank. Janet calls the Police Scotland emergency number. Tire tracks at the side of the narrow road suggest a vehicle might have been involved. But if it was an accident, the driver hasn’t come forward. And if it wasn’t an accident. . . . But who would want the well-loved, retired doctor dead? A few days after the death, a box of vintage first editions is left on the doorstep of Yon Bonnie Books with a note: “Please look after these books. Thank you.” Janet and her crew at the shop are at first delighted, and then mystified—what exactly does “look after” mean? Are they free to sell them? And what are the odd notes penciled in the margins? With a little digging, the women decide the books might belong to Malcolm Murray or his reclusive brother, Gerald. When Janet and Christine call at Malcolm’s house, they find his confused, angry sister and evidence of a burglary. When they go to Gerald’s modest croft house, they find the door ajar and Gerald dead inside, stabbed with a regimental dagger. While the police try to determine if the Murray brothers’ deaths are connected and who’s responsible, Janet and the bookshop owners try to find out how and why the box of books ended up on their doorstep. The police are interested in those questions, too, and they’re more than a little suspicious. Are the Yon Bonnie women as good with burglar tools as they are with books—and at finding bodies?
The latest novel in the national bestselling Haunted Yarn Shop Mystery series Yarn shop owner Kath Rutledge is at a historic farm in Blue Plum, Tennessee, volunteering for the high school program Hands on History. But when a long-buried murder is uncovered on the property, Kath needs help from Geneva the ghost to solve a crime that time forgot.... Kath and her needlework group TGIF (Thank Goodness It’s Fiber) are preparing to teach a workshop at the Holston Homeplace Living History Farm, but their lesson in crazy quilts is no match for the crazy antics of the assistant director, Phillip Bell. Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm’s original dump site—until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can’t help but wonder if it’s somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it’s up to Kath to thread the clues together before someone else becomes history.
In the latest novel in the beloved Highland Bookshop Mystery Series, a murder at a baronial manor leads to a poisonous game of cat and mouse—with the women of Yon Bonnie Books playing to win. After 93 well-lived years, Violet MacAskill is ready to simplify her life. Her eccentric solution? She’ll throw a decanting and decluttering party at her family home—a Scottish Baronial manor near the seaside town of Inversgail, Scotland. Violet sets aside everything she wants or needs, then she invites her many friends in to sip sherry and help themselves to whatever they want from all that’s left. Janet Marsh and Christine Robertson, two of the women who own Yon Bonnie Books in Inversgail, enjoy themselves at the party. Not everyone who attends has a good time, though. Wendy Erskine, director of the Inversgail museum, is found dead, and rumors swirl about food poisoning from a local food truck. Then Violet tells Constable Hobbs that a tin of rat poison is missing. And when Hobbs’ own grandmother comes under suspicion for murder, he enlists the women from Yon Bonnie Books, and the race is on to find the murderer. But where do they begin? Are there clues in the “Shocking Stockings” exhibit at the museum? Will the antique scrapbook pasted full of trivia about arsenic and bygone poisoners offer a solution? Or does the answer lie closer to home—is one of Violet’s friends truly toxic? Poisonous games are afoot in Inversgail and the women of Yon Bonnie Books are playing to win.
Too bad dead pigeons are only the beginning . . . Margaret Welch is in her idea of heaven. She has what many people only dream of - a successful bookstore in a charming old house. Even better, she and her bookstore are located in Stonewall, a town nestled in the foothills of Tennessee's Blue Ridge Mountains. Unfortunately, Margaret also has a sister - Bitsy. The morning Bitsy flings a dead pigeon on her sales counter Margaret redefines her mission in life. "Never assume anything as far as Bitsy is concerned" sound like sane words to her, and that's good, because Margaret's going to need them. Next on the scene is a mysterious stranger, quickly followed by the Dumpster incident, the renegade goats, and the exploding goldfish pond. When events take a murderous turn, Margaret realizes, for her own safety and sanity, she'll have to pull her nose out of her bookstore and solve the crimes herself. Margaret and Bitsy have entertained readers through seven short stories in Alfred Hitchcock Mystery Magazine. Lawn Order is a small town mystery that will keep you laughing and guessing from start to finish.
The new novel in the acclaimed Highland Bookshop mystery series finds a true-crime author murdered in the charming seacoast town of Inversgail—can the women of Yon Bonnie Books discover the killer’s identity before he or she strikes again? True crime writer Heather Kilbride arrives in the seacoast town of Inversgail, Scotland, to research a recent murder for her new book. But if that’s true, why does she seem more interested in William Clark, a shadowy lawyer with no connection to the murder? Her nosy questions arouse the suspicions of Constable Hobbs, the members of a local writers’ group, and Janet Marsh and her crew of amateur sleuths at Yon Bonnie Books. Heather’s unconventional research methods prove deadly when Janet discovers her lifeless body. Except the “body” turns out to be a dummy dressed-up to look like Heather. Meanwhile, Heather is sitting at a safe distance observing Janet’s reactions. Then Heather is found dead—again—sprawled at the base of an ancient standing stone; and this time it’s for real. Clutched in her hand is a valuable miniature book last seen at Yon Bonnie Books, and now the police want to know how Heather, the miniature book, and Janet are all connected. But Janet and her group of sleuths have two questions of their own: Who else is interested in knowing that connection—and is that person a cold-blooded killer?
Margaret Welch has what many only dream of -- a successful bookstore in a charming old house in a picturesque town nestled in the foothills of Tennessee's Blue Ridge Mountains. Unfortunately, Margaret also has a sister, Bitsy. First Bitsy flings a dead pigeon on her sales counter. Next comes the mysterious stranger, the Dumpster incident, the renegade goats, and the exploding goldfish pond. Then events take a more deadly turn, and Margaret investigates.
In the latest novel in the beloved Highland Bookshop Mystery Series, a murder at a baronial manor leads to a poisonous game of cat and mouse—with the women of Yon Bonnie Books playing to win. After 93 well-lived years, Violet MacAskill is ready to simplify her life. Her eccentric solution? She’ll throw a decanting and decluttering party at her family home—a Scottish Baronial manor near the seaside town of Inversgail, Scotland. Violet sets aside everything she wants or needs, then she invites her many friends in to sip sherry and help themselves to whatever they want from all that’s left. Janet Marsh and Christine Robertson, two of the women who own Yon Bonnie Books in Inversgail, enjoy themselves at the party. Not everyone who attends has a good time, though. Wendy Erskine, director of the Inversgail museum, is found dead, and rumors swirl about food poisoning from a local food truck. Then Violet tells Constable Hobbs that a tin of rat poison is missing. And when Hobbs’ own grandmother comes under suspicion for murder, he enlists the women from Yon Bonnie Books, and the race is on to find the murderer. But where do they begin? Are there clues in the “Shocking Stockings” exhibit at the museum? Will the antique scrapbook pasted full of trivia about arsenic and bygone poisoners offer a solution? Or does the answer lie closer to home—is one of Violet’s friends truly toxic? Poisonous games are afoot in Inversgail and the women of Yon Bonnie Books are playing to win.
Yarn shop owner Kath Rutledge is looking forward to the grand opening of the Blue Plum Vault, a new co-op of small shops, but in the week before the grand opening, two of the new shopkeepers, Nervie and Belinda, declare each other’s embroidery patterns and antique embroidered linens fakes, copies—and stolen goods. Kath is caught in the middle when she’s asked to use her textile expertise to decide if there’s any truth to the accusations.Then, the day before the grand opening, an exquisite tablecloth that Kath has fallen in love with—the pride of Belinda’s shop—is found cut to shreds. Belinda accuses Nervie of the outrage, but Nervie has an airtight alibi: she was at Kath’s shop, the Weaver’s Cat, teaching a crewel embroidery class.Despite worries over the rivalry and vandalism, the opening is a success—until Belinda is found dead, stabbed in the back with a pair of scissors from the Weaver’s Cat. Geneva, the ghost who haunts Kath’s store, claims she saw the murderer leaving the scene of the crime. But the ghost is the ultimate unreliable witness—only Kath and her shop manager can see or hear her. That means it’s up to Kath, TGIF, and especially Geneva the ghost to solve the crime before the killer cuts another life short.
The latest entry in the charming Highland Bookshop mystery series finds the women of Yon Bonnie Books embroiled in the death of a local doctor, which sets off a chain of other curious—and deadly—events. Out for a bicycle ride in the hills beyond Inversgail, Janet Marsh discovers the body of Dr. Malcolm Murray. The elderly Murray and his own bicycle went off the road and down a steep slope—he’s sprawled in the burn at the bottom, his damaged bike in a patch of thistles on the bank. Janet calls the Police Scotland emergency number. Tire tracks at the side of the narrow road suggest a vehicle might have been involved. But if it was an accident, the driver hasn’t come forward. And if it wasn’t an accident. . . . But who would want the well-loved, retired doctor dead? A few days after the death, a box of vintage first editions is left on the doorstep of Yon Bonnie Books with a note: “Please look after these books. Thank you.” Janet and her crew at the shop are at first delighted, and then mystified—what exactly does “look after” mean? Are they free to sell them? And what are the odd notes penciled in the margins? With a little digging, the women decide the books might belong to Malcolm Murray or his reclusive brother, Gerald. When Janet and Christine call at Malcolm’s house, they find his confused, angry sister and evidence of a burglary. When they go to Gerald’s modest croft house, they find the door ajar and Gerald dead inside, stabbed with a regimental dagger. While the police try to determine if the Murray brothers’ deaths are connected and who’s responsible, Janet and the bookshop owners try to find out how and why the box of books ended up on their doorstep. The police are interested in those questions, too, and they’re more than a little suspicious. Are the Yon Bonnie women as good with burglar tools as they are with books—and at finding bodies?
In this mystery in the Haunted Yarn Shop series, Kath Rutledge is about to learn the true meaning of TGIF—Thank Goodness It’s Fiber.… That’s the name of the spunky group of fiber and needlework artists founded by Ivy McClellan, Kath’s beloved grandmother. Though Ivy has recently passed on, the members still meet regularly at her fiber and fabric shop, The Weaver’s Cat, which Kath has now inherited. But that’s only the first in a series of surprises when Kath returns to the small town of Blue Plum, Tennessee, to settle her grandmother’s affairs. There’s been a murder, and it turns out her grandmother was the prime suspect. Before she can begin to clear Ivy’s name, Kath encounters a looming presence in the form of a gloomy ghost. It turns out the specter has just as much interest in solving the murder as Kath. So, with a little help from the members of TGIF—and a stubborn spirit from beyond—she sets out to unravel the clues and hook the real killer...
In the latest from the bestselling author of Plagued by Quilt, Kath Rutledge yarn bombs Blue Plum, Tennessee—and gets tangled up in the mystery of a bumped-off bagpiper. It’s time for Handmade Blue Plum, an annual arts and crafts fair, and Kath and her knitting group TGIF (Thank Goodness It’s Fiber) plan to kick off the festivities with a yarn bombing. But they’re not the only ones needling Blue Plum. Bagpiper and former resident Hugh McPhee had just returned after a long absence, yet his reception is anything but cozy. The morning after his arrival, he’s found dead in full piper’s regalia. Although shaken, Kath and her knitting group go forward with their yarn installation—only to hit a deadly snag. Now, with the help of Geneva, the ghost who haunts her shop, Kath and TGIF need to unravel the mystery before someone else gets kilt!
The latest novel in the national bestselling Haunted Yarn Shop Mystery series Yarn shop owner Kath Rutledge is at a historic farm in Blue Plum, Tennessee, volunteering for the high school program Hands on History. But when a long-buried murder is uncovered on the property, Kath needs help from Geneva the ghost to solve a crime that time forgot.... Kath and her needlework group TGIF (Thank Goodness It’s Fiber) are preparing to teach a workshop at the Holston Homeplace Living History Farm, but their lesson in crazy quilts is no match for the crazy antics of the assistant director, Phillip Bell. Hamming it up with equal parts history and histrionics, Phillip leads an archaeological dig of the farm’s original dump site—until one student stops the show by uncovering some human bones. When a full skeleton is later excavated, Kath can’t help but wonder if it’s somehow connected to Geneva, the ghost who haunts her shop, and whom she met at this very site. After Phillip is found dead, it’s up to Kath to thread the clues together before someone else becomes history.
Clearly, the debate is no longer over agricultural sustainability as a legitimate goal, but about how to fulfill that goal. Research is a vital factor contributing to the creation of a sustainable agriculture. Entrenched ideas about the way agricultural research is conducted have been challenged by farmers, environmentalists, food-safety advocates, rural activists, and others. ø William Lockeretz and Molly D. Anderson meet these challenges and chart a reasoned course through the fray. They analyze the potential and the limits of various research approaches associated with alternative agriculture: multidisciplinary research, application of ecological principles in understanding agricultural systems, emphasis on the use of agricultural information, use of working farms as research sites, and the involvement of farmers in agricultural research. They also propose reforms in institutional aspects of agricultural research?the organization of academic departments, evaluation of professional achievement, functioning of grant programs, and the education of agricultural researchers.
Kath Rutledge is settling in as the owner of the Weaver’s Cat, a fiber and fabric shop in Blue Plum, Tennessee. But nothing, not even the ghost haunting her shop, prepares her for the mystery that will leave the whole town spinning.... It’s time for Blue Plum’s annual historical festival, and everyone—including Kath and her spunky fiber and needlework group, TGIF—is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot—with a bullet from a modern-day gun. Kath has her theories about who wanted to end Reva Louise’s life. But there’s also talk of a sniper stalking Blue Plum, and Kath’s shop is suspected to be the murderer’s hideout. Now Kath, her TGIF pals, and the gloomy ghost, Geneva, must unravel the mystery quickly, or someone else might be left hanging by a thread....
PRAISE FOR EDUCATING PHYSICIANS "Educating Physicians provides a masterful analysis of undergraduate and graduate medical education in the United States today. It represents a major educational document, based firmly on educational psychology, learning theory, empirical studies, and careful personal observations of many individual programs. It also recognizes the importance of financing, regulation, and institutional culture on the learning environment, which suffuses its recommendations for reform with cogency and power. Most important, like Abraham Flexner's classic study a century ago, the report recognizes that medical education and practice, at their core, are profoundly moral enterprises. This is a landmark volume that merits attention from anyone even peripherally involved with medical education." —Kenneth M. Ludmerer, author, Time to Heal: American Medical Education from the Turn of the Century to the Era of Managed Care "This is a very important book that comes at a critical time in our nation's history. We will not have enduring health care reform in this country unless we rethink our medical education paradigms. This book is a call to arms for doing just that." —George E. Thibault, president, Josiah Macy, Jr. Foundation "The authors provide us with the evidence-based model for physician education with associated changes in infrastructure, policy, and our roles as educators. Whether you agree or not with their conclusions, if you are a teacher this book is a must-read as it will frame both what and how we discuss medical education throughout the current century." —Deborah Simpson, associate dean for educational support and evaluation, Medical College of Wisconsin "A provocative book that provides us with a creative vision for medical education. Using in-depth case studies of innovative educational practices illustrating what is actually possible, the authors provide sage advice for transforming medical education on the basis of learning theories and educational research." —Judith L. Bowen, professor of medicine, Oregon Health & Science University
Focusing on British women writers' knowledge of ancient Egypt, Youngkin shows the oftentimes limited but pervasive representations of ancient Egyptian women in their written and visual works. Images of Hathor, Isis, and Cleopatra influenced how British writers such as George Eliot and Edith Cooper came to represent female emancipation.
Growing up, I hated to practice. I thought it was a frustrating waste of time that didn't accomplish much of anything. I did it because I was a diligent student and I knew it was expected of me, but I didn't quite see the point. My practice in those days consisted of getting out my instrument, playing through a few times the music my teacher had assigned, and then calling it a day. When I messed up, I'd start over, trying to play without the mistake. Or sometimes I'd repeat the spot where I had tripped up once or twice to correct the mistake, and then I'd just go on. Anything that wasn't immediately made better by these two methods was essentially ignored. Maybe my teacher won't notice that I can't really play that part, I thought"--
Boys’ achievement has attracted great attention in recent years in many countries. This comprehensive book based on sound research in schools provides practical insights into how the achievement of boysand girls can be raised. It reminds us that it is not all boys or no girlswho underachieve. It demonstrates the respective roles of teaching andlearning, school culture and social factors. No easy answers butexcellent ideas backed by evidence from authoritative, thoroughresearchers with a firm basis in schools." Judy Sebba, Professor of Education, University of Sussex "Teachers will find this book invaluable. It is based on quality researchwhich actually evaluates the impact of the various strategies suggestedfor raising boys' achievement. What is more, in contrast to many of themore 'quick-fix' works in this field, the authors’ discussion and analysisis measured and nuanced, and supported by an in-depth understandingof the wealth of theory and research around gender and achievement.It provides a welcome and weighty contribution to an evercontroversial debate." Becky Francis, London Metropolitan University In this important book, the authors evaluate different approaches and advocate practical, evidence-based strategies, which have the potential to promote boys’ as well as girls’ achievements. The approaches are discussed within the context of inclusivity, acknowledging the diverse needs and interests of different boys and the invisibility and continuing disadvantage of some girls. The book begins and ends with reflections from students of their own school experiences, and makes practical recommendations for the future. This book draws upon empirical research and work initiated as part of the DfES project on Raising Boys’ Achievement. It brings together theoretical and practical issues, and reflects upon the construction of the debate about boys’ apparent under-achievement from the perspectives of girls as well as boys. The authors critically explore notions of under-achievement and ‘value added’, and consider how useful the concept of the ‘gender gap’ is in advancing the debates. Raising Boys’ Achievement in Secondary Schoolsis key reading for undergraduate and postgraduate Education students, PGCE students, headteachers, senior managers within schools and local education authorities, and policy makers.
Whether you’re a lyricist, songwriter, or band, this powerful and inspiring book covers the essentials of contemporary craft—guiding you from good to great, then taking you through marketing, promotion, finding the right publisher, placing your song with an artist, getting signed, and providing the foundation for a successful writing career. This indispensable guide features exclusive and highly informative interviews with insiders across multiple genres, including Tim Wipperman, “the publisher’s publisher” in Nashville, Grammy-nominee J.P. Saxe (“If the World Was Ending”) and Grammy-winner Debbie Hupp (“You Decorated My Life”), R&B mega-producers/writers for Rihanna, Carl Sturken and Evan Rogers, Grammy-winner and composer of instrumental music Art Munson, jingle writer Jim Andron, and Grammy- and Emmy-winning children’s songwriters Michael Silversher and Patty Silversher. “This is a wonderful book that offers superb advice to songwriters, new and experienced. Molly Leikin gives you solid, practical information, whether you are writing and composing for yourself or the whole world. Listen to her advice. This book may well be your ticket to songwriting success!” —Philip Lee Williams, award-winning novelist and poet
Kath Rutledge’s grandmother left her a charming fiber and fabric shop, a close-knit group of needlework lovers, and a television-addicted ghost in the attic. She may also have inherited the special skills required to untangle a murder. Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF—Thank Goodness it’s Fiber—are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else—two bodies spread under a tall tree. And one of those bodies is someone they know. Kath’s friends nudge her to investigate, and no one is more adamant than Geneva, the ghost who loves to play assistant sleuth. But when Kath discovers another murder cut from the same cloth, she’s more determined than ever to hang a roving killer out to dry…
Kath Rutledge is settling in as the owner of the Weaver’s Cat, a fiber and fabric shop in Blue Plum, Tennessee. But nothing, not even the ghost haunting her shop, prepares her for the mystery that will leave the whole town spinning.... It’s time for Blue Plum’s annual historical festival, and everyone—including Kath and her spunky fiber and needlework group, TGIF—is getting in on the action. Expert spinners are being gathered, and a businessman has approached Kath about using the second-floor windows of her store for part of a reenactment. But the reenactment ends in real-life bloodshed when local baker Reva Louise Snapp is shot—with a bullet from a modern-day gun. Kath has her theories about who wanted to end Reva Louise’s life. But there’s also talk of a sniper stalking Blue Plum, and Kath’s shop is suspected to be the murderer’s hideout. Now Kath, her TGIF pals, and the gloomy ghost, Geneva, must unravel the mystery quickly, or someone else might be left hanging by a thread....
In this mystery in the Haunted Yarn Shop series, Kath Rutledge is about to learn the true meaning of TGIF—Thank Goodness It’s Fiber.… That’s the name of the spunky group of fiber and needlework artists founded by Ivy McClellan, Kath’s beloved grandmother. Though Ivy has recently passed on, the members still meet regularly at her fiber and fabric shop, The Weaver’s Cat, which Kath has now inherited. But that’s only the first in a series of surprises when Kath returns to the small town of Blue Plum, Tennessee, to settle her grandmother’s affairs. There’s been a murder, and it turns out her grandmother was the prime suspect. Before she can begin to clear Ivy’s name, Kath encounters a looming presence in the form of a gloomy ghost. It turns out the specter has just as much interest in solving the murder as Kath. So, with a little help from the members of TGIF—and a stubborn spirit from beyond—she sets out to unravel the clues and hook the real killer...
Kath Rutledge’s grandmother left her a charming fiber and fabric shop, a close-knit group of needlework lovers, and a television-addicted ghost in the attic. She may also have inherited the special skills required to untangle a murder. Always up for trying something new, Kath and her friends from the fiber and needlework group TGIF—Thank Goodness it’s Fiber—are visiting Cloud Hollow Farm for the day to learn the fine art of dyeing. With spring in the air, the friends head out to greet the sheep. But the sheep are more interested in something else—two bodies spread under a tall tree. And one of those bodies is someone they know. Kath’s friends nudge her to investigate, and no one is more adamant than Geneva, the ghost who loves to play assistant sleuth. But when Kath discovers another murder cut from the same cloth, she’s more determined than ever to hang a roving killer out to dry…
This abundantly illustrated work contains color photographs of over 100 castles from Great Britain, Ireland, France, Germany, Spain and the Netherlands. With 100 full-color illustrations.
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