Sri M is widely known as a spiritual leader and teacher. However, he believes, for him to truly connect with someone and guide them, they must be friends. In this book, Mohini Kent asks him about love, life, religion, marriage, death and everything in between making it a one-stop shop complete collection of Sri M's teachings and philosophy. Following the ancient form of a conversation between a guru and disciple, this book is easy to read and relatable for people of all ages.
Set against a background of monsoons and heat waves, shanty towns and expensive bungalows, rich old women and angry young men, love and tradition, lives will change forever. As an only child, Simi a well born Hindu young woman grew up with comforts and certainties. Then suddenly, many things change. Her country is convulsed by the riots that have periodically gripped India since Britain’s abrupt withdrawal and the bloody Partition of 1947, tearing society apart along lines of religion, caste and community. To the horror of her grandmother and the outrage of their friends Simi falls deeply in love with Muslim doctor...‘Mohini Kent explores the effects of Partition and the social unrest, resentment, and religious conflicts in 1947 India. This is an important and provocative novel’ (Mark Tully) ‘Black Taj takes forbidden, unbiddable love, the staple of romantic fiction and uses it to tell a much deeper and terrible tale of communal hatred still burning and destroying lives and hopes in India today. We are carried away by the love story between two strong characters and also pulled down into the depths of hell by the author who wants us to know, to feel the agonies of a tragically divided land. The novel is both deeply pessimistic and highly optimistic’ (Yasmin AlibhaiBrown) ‘This is a beautifully realised story for the new Indian century’. (Andy Marino) ‘A riveting read set against an intricate tapestry of love and religion in postIndependence India’ (Anita Raghavan, author of, The Billionaire's Apprentice ) ‘Mohini Kent’s novel sensitively explores the effects of the partition and the social unrest, resentment and religious conflict of 1947 India. She writes with care, honesty and commitment that this important subject deserves. This book is a valuable addition to the growing literature of the partition’ (Sudeep Sen, author) ‘A deeply moving and sensitively written novel exploring the intercommunal violence in India, a subject often ignored or poorly examined. It adds greatly to our understanding of how human relations are structured and identities composed’(Lord Bhikhu Parekh) ‘Fascinating, poignant, thrilling – a brilliant read! Provides an excellent and moving insight into social history’. (Royina Grewal author of Babur Conqueror of Hindustan). ‘Mohini Kent is a gripping storyteller, Before you know where you are, you are deep into her novel’. (Amit Roy, Telegraph India and Eastern Eye UK).‘Brilliantly dramatises. This is no period romance but an ambitious and brilliantly realised attempt to trace through the tangled and compromised net of religious and social relationships the trajectory of India itself since Independence. This is a beautifully realised story for the new Indian century’. (Andy Marino, biographer of Narendra Modi).‘A thundery tale told with all the brilliance, force and fury of a Monsoon rainstrom as it pelts down towards its torrential climax. To be in bondage to the past as so many Indians still are, is only one of many curses that some as yet unknown god needs to free us from’. (Roshan Seth)‘Gripping, humorous and ultimately a profoundly humane story about human frailty and prejudice. Mohini Kent creates marvellous characters that inhabit a broad canvas which elegantly chronicles relationships in India, where the past can eclipse the future. A must read for anyone interested in understanding the mind of modern India’. (Shomit Mitter).
Coping with the customs and expectations in the countries where they are now living, the mainly female characters in these tales have to choose whether to cling to their Indian culture, discard it completely, or learn how to adjust and compromise. It's a challenge! Themes of courtship, marriage and betrayal - of losing and re-forming one's identity while trying to live up to Indian ideals of behaviour in an alien environment - contain all the vibrancy of India herself. And amidst the fragrance, colour and beloved familiarity of the rituals that accompany the characters, many varied and sometimes disturbing dramas are played out in these stories by: Va Naidu, Achala Sharma, Anil Prabha Kumar, Anshu Johri, Archana Penuli, Aruna Sabharwal, Chaand Chazelle, Divya Mathur, Ila Prasad, Kadambari Mehra, Neena Paul, Purnima Varman Pushpa Saxena, Shail Agrawal, Sneh Thakore and Sudershen Priyadershini.
Set against a background of monsoons and heat waves, shanty towns and expensive bungalows, rich old women and angry young men, love and tradition, lives will change forever. As an only child, Simi a well born Hindu young woman grew up with comforts and certainties. Then suddenly, many things change. Her country is convulsed by the riots that have periodically gripped India since Britain’s abrupt withdrawal and the bloody Partition of 1947, tearing society apart along lines of religion, caste and community. To the horror of her grandmother and the outrage of their friends Simi falls deeply in love with Muslim doctor...‘Mohini Kent explores the effects of Partition and the social unrest, resentment, and religious conflicts in 1947 India. This is an important and provocative novel’ (Mark Tully) ‘Black Taj takes forbidden, unbiddable love, the staple of romantic fiction and uses it to tell a much deeper and terrible tale of communal hatred still burning and destroying lives and hopes in India today. We are carried away by the love story between two strong characters and also pulled down into the depths of hell by the author who wants us to know, to feel the agonies of a tragically divided land. The novel is both deeply pessimistic and highly optimistic’ (Yasmin AlibhaiBrown) ‘This is a beautifully realised story for the new Indian century’. (Andy Marino) ‘A riveting read set against an intricate tapestry of love and religion in postIndependence India’ (Anita Raghavan, author of, The Billionaire's Apprentice ) ‘Mohini Kent’s novel sensitively explores the effects of the partition and the social unrest, resentment and religious conflict of 1947 India. She writes with care, honesty and commitment that this important subject deserves. This book is a valuable addition to the growing literature of the partition’ (Sudeep Sen, author) ‘A deeply moving and sensitively written novel exploring the intercommunal violence in India, a subject often ignored or poorly examined. It adds greatly to our understanding of how human relations are structured and identities composed’(Lord Bhikhu Parekh) ‘Fascinating, poignant, thrilling – a brilliant read! Provides an excellent and moving insight into social history’. (Royina Grewal author of Babur Conqueror of Hindustan). ‘Mohini Kent is a gripping storyteller, Before you know where you are, you are deep into her novel’. (Amit Roy, Telegraph India and Eastern Eye UK).‘Brilliantly dramatises. This is no period romance but an ambitious and brilliantly realised attempt to trace through the tangled and compromised net of religious and social relationships the trajectory of India itself since Independence. This is a beautifully realised story for the new Indian century’. (Andy Marino, biographer of Narendra Modi).‘A thundery tale told with all the brilliance, force and fury of a Monsoon rainstrom as it pelts down towards its torrential climax. To be in bondage to the past as so many Indians still are, is only one of many curses that some as yet unknown god needs to free us from’. (Roshan Seth)‘Gripping, humorous and ultimately a profoundly humane story about human frailty and prejudice. Mohini Kent creates marvellous characters that inhabit a broad canvas which elegantly chronicles relationships in India, where the past can eclipse the future. A must read for anyone interested in understanding the mind of modern India’. (Shomit Mitter).
Coping with the customs and expectations in the countries where they are now living, the mainly female characters in these tales have to choose whether to cling to their Indian culture, discard it completely, or learn how to adjust and compromise. It's a challenge! Themes of courtship, marriage and betrayal - of losing and re-forming one's identity while trying to live up to Indian ideals of behaviour in an alien environment - contain all the vibrancy of India herself. And amidst the fragrance, colour and beloved familiarity of the rituals that accompany the characters, many varied and sometimes disturbing dramas are played out in these stories by: Va Naidu, Achala Sharma, Anil Prabha Kumar, Anshu Johri, Archana Penuli, Aruna Sabharwal, Chaand Chazelle, Divya Mathur, Ila Prasad, Kadambari Mehra, Neena Paul, Purnima Varman Pushpa Saxena, Shail Agrawal, Sneh Thakore and Sudershen Priyadershini.
The visionary Buddhist teacher Nagarjuna was head of Nalanda University in the second century. His most famous work, Mulamadhyamakakarika, or the Middle Way, is the path in-between extremes. His Ratnamala is a guide to ethical conduct leading to personal happiness. He greatly added to the understanding of the Buddha's fundamental teachings of emptiness and impermanence, earning him the sobriquet of The Second Buddha.Colourful fables surround his life and death. He is said to have recovered the Prajnaparamita (Perfection of Wisdom) Sutra from the Naga (cobra) King. They say his mastery over magic, meditation and alchemy was such that he was invited to teach them in their underwater kingdom in exchange for the sutras.This distinctive book with rare artworks, brings together the distilled essence of Nagarjuna's timeless wisdom as also captures the legends associated with his life.
Sri M is widely known as a spiritual leader and teacher. However, he believes, for him to truly connect with someone and guide them, they must be friends. In this book, Mohini Kent asks him about love, life, religion, marriage, death and everything in between making it a one-stop shop complete collection of Sri M's teachings and philosophy. Following the ancient form of a conversation between a guru and disciple, this book is easy to read and relatable for people of all ages.
The groom died in a celebratory gunfire after the wedding. What to do with the big fat Indian wedding feast already prepared for the hundreds of guests?! Sri and Mia have to hit the ground running when they move to India to take over the struggling family business, Restaurant Annapurna. Set in Hyderabad, also known as the City of Pearls, this is a story of three generations coming together in the span of a year across cultural, social and generational divides. The family deals with life and death and grapple with love and loss. They celebrate the many festivals of India, a wedding and their grand reopening. The younger ones are awed by the ancient city with it’s ultra modern trappings while the elders witness the magic and power of digital revolution and social media. They also sample their way through Hyderabadi cuisine, an intoxicating mix of Mughalai, Turkish and Arabic influences on Andhra, Telangana and Marathwada foods; street food at midnight, a mango feast at the Taj, Anglo Indian at an old friend’s, eclectic gastro-pub fare, Indian Chinese, fusion desserts at the latest bakery, cheeseburgers in a tropical tree house…but, what about Annapurna? And why Sweet Neem? Cover Design IPR: Thousand Oaks Restaurant, Pune Concept & Design: Arti Agarwal Illustrator: Aranyalay Chinchpure
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