Liz is a young woman and a promising painter. Beth, her aunt, is an established painter. This story is about their lives. Beth is missing near the Black Hills where she owns a large ranch. Jake, their ranch foreman, calls Liz with the news of Beths disappearance where she is studying in North Carolina. Liz is studying art at a college near the beach home and property the family owns. The familys pasts are intertwined with an old gold mine, visions, swampland, and ancient hills of South Dakota. Secrets are revealed as the story continues. Visions called mirrors guide Liz. Since childhood, both she and her aunt Beth have painted messages at the bottom of their paintings. This is the way to help Liz solve problems with their lives, past events, and the lands they own. Along the way, she meets Ben Kelly, a Native American. He is a professor at the university and does archeology research. Their lives intermingle, both learning about each others pasts, lifestyles, and ideals. Jake is not only her foreman as Liz soon discovers family secrets after Beths body is discovered in the old gold mine. Many characters keep the storyline moving in several directions.
Anna, the main character, fi nds herself immersed in a sequence of events that involve a friendship with Rose, a Native American. Deceit, treachery, and fraud enter their real life. The spirit world encompasses the two womens way of life. A blackbird named Caw twists Anna and Roses lives toward new and unforeseen events. They share this part of their lives with the spirit bird. At times the bird enables Anna to deal with the spiritual world and helps her to remember her past. A love interest develops between Anna and Sam, a Native American attorney, who takes an interest in her and the Indian artifacts. A connection to Indian artifacts leads to accidents, crime, abuse, arson, and murder. Pottery, quilting, and painting are interests that bind the two women in an exciting experience for the reader. Memories of her early childhood at the family farm, a winter storm, an art gallery, and a local caf are all parts of an intriguing novel. Pieces is the title because many pieces were the reason the story was written. We are a lifetime of pieces.
Anna, the main character, fi nds herself immersed in a sequence of events that involve a friendship with Rose, a Native American. Deceit, treachery, and fraud enter their real life. The spirit world encompasses the two women's way of life. A blackbird named Caw twists Anna and Rose's lives toward new and unforeseen events. They share this part of their lives with the spirit bird. At times the bird enables Anna to deal with the spiritual world and helps her to remember her past. A love interest develops between Anna and Sam, a Native American attorney, who takes an interest in her and the Indian artifacts. A connection to Indian artifacts leads to accidents, crime, abuse, arson, and murder. Pottery, quilting, and painting are interests that bind the two women in an exciting experience for the reader. Memories of her early childhood at the family farm, a winter storm, an art gallery, and a local café are all parts of an intriguing novel. Pieces is the title because many pieces were the reason the story was written. We are a lifetime of pieces.
Anna, the main character, fi nds herself immersed in a sequence of events that involve a friendship with Rose, a Native American. Deceit, treachery, and fraud enter their real life. The spirit world encompasses the two womens way of life. A blackbird named Caw twists Anna and Roses lives toward new and unforeseen events. They share this part of their lives with the spirit bird. At times the bird enables Anna to deal with the spiritual world and helps her to remember her past. A love interest develops between Anna and Sam, a Native American attorney, who takes an interest in her and the Indian artifacts. A connection to Indian artifacts leads to accidents, crime, abuse, arson, and murder. Pottery, quilting, and painting are interests that bind the two women in an exciting experience for the reader. Memories of her early childhood at the family farm, a winter storm, an art gallery, and a local caf are all parts of an intriguing novel. Pieces is the title because many pieces were the reason the story was written. We are a lifetime of pieces.
Liz is a young woman and a promising painter. Beth, her aunt, is an established painter. This story is about their lives. Beth is missing near the Black Hills where she owns a large ranch. Jake, their ranch foreman, calls Liz with the news of Beth's disappearance where she is studying in North Carolina. Liz is studying art at a college near the beach home and property the family owns. The family's pasts are intertwined with an old gold mine, visions, swampland, and ancient hills of South Dakota. Secrets are revealed as the story continues. Visions called mirrors guide Liz. Since childhood, both she and her aunt Beth have painted messages at the bottom of their paintings. This is the way to help Liz solve problems with their lives, past events, and the lands they own. Along the way, she meets Ben Kelly, a Native American. He is a professor at the university and does archeology research. Their lives intermingle, both learning about each other's pasts, lifestyles, and ideals. Jake is not only her foreman as Liz soon discovers family secrets after Beth's body is discovered in the old gold mine. Many characters keep the storyline moving in several directions.
Foodborne bacterial infections are a major healthcare concern worldwide. Bacteriophages, the natural enemies of bacteria, are an ideal means to detect and control foodborne pathogens. In this chapter, bacteriophages for use in food are introduced and general considerations regarding phage characteristics, application-specific parameters and potential problems are presented. Bacteriophage lytic enzymes are discussed as potent novel antimicrobials. The use of bacteriophage preparations in the detection of foodborne pathogens is illustrated. Recent regulatory approvals and scientific advances in bacteriophage-based pathogen detection and control are described.
This volume details all British sites that have yielded fossil reptiles, describing in detail the fifty most important localities and providing an extensive bibliography of everything published on British Fossil reptiles since 1676.
This important book offers practicing psychiatrists and clinical psychologists,psychiatric residents, and social workers an invaluable overview of what is currently known about schizophrenia- Its etiology, management, and treatment.
The assassination of John Fitzgerald Kennedy is one of the milestones of history. Everyone, it is said, remembers where they were when they heard the news. Because the official investigation, the Warren Commission, set up by Kennedy’s successor in the White House, Lyndon Johnson, was such a whitewashing travesty of justice, the world has felt itself free to speculate ever more wildly about what really happened in Dealey Plaza, Dallas, in November 1963. The killer, said the Warren Commission, was the peculiar loner, Lee Harvey Oswald, and he acted alone. Evidence, science and common sense have long ago proved that this was not possible. So it was the Russians. It was the Cubans. It was the Mafia. It was Lyndon Johnson. It was the Secret Service. It was the FBI. It was the CIA. It was that murky conspiratorial bunch, the Military-Industrial Complex. This book evaluates all the above and comes to another conclusion entirely. The reason that we are still arguing about who was responsible for a murder committed in front of a large crowd in broad daylight is that no one was prepared to put up their hands and admit their responsibility for not doing their jobs properly. Yes, there was a conspiracy, but the ‘cock-up’ element was even greater. Why was there inadequate Secret Service protection for the president in Dallas? Why was the motorcade route made public well in advance? Why was Lee Oswald identified on the word of a single witness? Why was Jack Ruby allowed to slip past dozens of policemen to kill Oswald? Why were the lawyers of the Warren Commission allowed to select witnesses and bully them into saying what they had not seen? Why did subsequent governmental inquiries fudge the physics of a headshot and a bungled autopsy? Why does the American mainstream media still cling to the lone gunman, single bullet theory? The answer is simple. Everybody in 1963 and for many years afterwards were far too concerned about covering their own backs. Truth and justice got lost somewhere in all of that.
Discover the darker side of this scenic destination with over twenty true-crime tales, accompanied by photos and illustrations. Its natural beauty attracts countless visitors—but notorious cases of murder, deceit, and pure malice have marked the long history of this apparently peaceful island. From crimes of passion to opportunistic killings and coldly premeditated acts of murder, the full spectrum of criminality is recounted here. For this journey into a bloody, neglected aspect of the past, Isle of Wight historian and crime writer M.J. Trow has selected over twenty notorious episodes that give a fascinating insight into criminal acts and the criminal mind. He throws light into the shadowy world of the smugglers, pirates, and robbers who plagued the island’s early history. He recalls the escape attempts of Charles I from Carisbrooke Castle, the mysterious loss of the Mary Rose and HMS Royal George, and the scandalous conduct of Lady Worsley. In vivid, sometimes shocking detail, he reconstructs notable criminal cases, including the brutal murders that have marked the island’s more recent past. In addition, he delves into the history of the island’s three prisons—Albany, Parkhurst, and Camp Hill—which have housed many of Britain’s most violent criminals.
The author writes for all those interested in the dynamics of racism, from professionals in counselling, group analysis and psychotherapy working in multiracial and multicultural societies to those exposed to racism who need help in dealing with the impact of their experiences. She also addresses the concept of victims becoming perpetrators if support is not given to contain the process. Herself a group analyst, the author experienced at first hand racial discrimination within the system, but rather than succumb has instead produced an enduring and proficient work that draws heavily on personal experience. Combining years of counselling skill with a natural compassion, she makes the subject of racism approachable, thus motivating all those wanting to explore the issues. For people whose experience of broken attachments crosses racial lines, this book is possibly the first to use Bowlby's Attachment Theory as a framework for understanding racism.
This book brings together fifteen essays investigating aspects of interculturality. Like its author, it operates at the borderline between social anthropology and intercultural philosophy. It seeks to make a contribution to intercultural philosophy, by formulating with great precision and painful honesty the lessons deriving from extensive intercultural experiences as an anthropologist. Its culminating section presents an intercultural philosophy revolving on the tenet 'cultures do not exist'. The kaleidoscopic nature of intercultural experiences is reflected in the diversity of these texts. Many belong to a field that could be described as "meta-anthropology", others are more clearly philosophical; occasionally they spill over into belles lettres, ancient history, and comparative cultural and religious studies. The ethnographic specifics supporting the arguments are diverse, deriving from various African situations in which the author has conducted participatory field research (Tunisia, Zambia, Botswana, and South Africa).
This year-long collection is diveded into six bimonthly themes, and, in the popular daybook style, Daily Bread encourages healthy food choices, and offers inspiration.
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