John Roberts was the best baseball player of generation, but he never went professional. After not playing for 16 years he sneaks in the spring training and earns a place on the Indianapolis Comets. He lands a contract where he is allowed to choose which games he pitches until he looses. He starts with the first game of the season. However, in mid-April team management discovers John dark secret, one that will only allow possibly the most talented player of all time to play for one season. John is helped in his quest by old friends from high school and new ones in the form of the Indianapolis Comets players, coaches, and owner. He plays the entire summer, leading his team into the playoffs even as the team management fights to keep his secret hidden from the league and the press. In October, John gathers what strength he has left to face the World Series and the terrible exposure of his secret.
In Creativity as Co-Therapist, experienced psychotherapist and creativity expert, Lisa Mitchell, bridges the gap between theoretical knowledge and therapeutic application by teaching psychotherapists of all backgrounds to see therapy as their art form. Readers are guided through the five stages of the creative process to help them understand the complexities of approaching their work creatively and to effectively identify areas in which they tend to get stuck when working with clients. Along the way workbook assignments, case studies, personal stories, and hands-on art directives will inspire the reader to think outside the box and build the creative muscles that hold the key to enlivening their work.
[A] stunning, multilayered debut . . . . with a great deal of intelligent, beautifully written panache. . . . What a satisfying novel, with its shifting perspectives and competing stories and notion that our relationship to the truth changes with time and distance." -The New York Times A fiercely imagined fiction debut in which two young women face what happened the summer they were twelve, when a handsome stranger abducted them Everyone thought we were dead. We were missing for nearly two months; we were twelve. What else could they think? -Lois It's always been hard to talk about what happened without sounding all melodramatic. . . . Actually, I haven't mentioned it for years, not to a goddamned person. -Carly May The summer precocious Lois and pretty Carly May were twelve years old, they were kidnapped, driven across the country, and held in a cabin in the woods for two months by a charismatic stranger. Nearly twenty years later, Lois has become a professor, teaching British literature at a small college in upstate New York, and Carly May is an actress in Los Angeles, drinking too much and struggling to revive her career. When a movie with a shockingly familiar plot draws the two women together once more, they must face the public exposure of their secret history and confront the dark longings and unspeakable truths that haunt them still. Maggie Mitchell's Pretty Is beautifully defies ripped-from-the-headlines crime story expectations and announces the debut of a masterful new storytelling talent.
Living with Lynching: African American Lynching Plays, Performance, and Citizenship, 1890–1930 demonstrates that popular lynching plays were mechanisms through which African American communities survived actual and photographic mob violence. Often available in periodicals, lynching plays were read aloud or acted out by black church members, schoolchildren, and families. Koritha Mitchell shows that African Americans performed and read the scripts in community settings to certify to each other that lynching victims were not the isolated brutes that dominant discourses made them out to be. Instead, the play scripts often described victims as honorable heads of households being torn from model domestic units by white violence. In closely analyzing the political and spiritual uses of black theatre during the Progressive Era, Mitchell demonstrates that audiences were shown affective ties in black families, a subject often erased in mainstream images of African Americans. Examining lynching plays as archival texts that embody and reflect broad networks of sociocultural activism and exchange in the lives of black Americans, Mitchell finds that audiences were rehearsing and improvising new ways of enduring in the face of widespread racial terrorism. Images of the black soldier, lawyer, mother, and wife helped readers assure each other that they were upstanding individuals who deserved the right to participate in national culture and politics. These powerful community coping efforts helped African Americans band together and withstand the nation's rejection of them as viable citizens. The Left of Black interview with author Koritha Mitchell begins at 14:00. An interview with Koritha Mitchell at The Ohio Channel.
A Washington caper of fraud, blood, oil, and international intrigue with the fearless and irreverent Kate Boothe Since sticking to her principles during the last presidential election, Kate Boothe has watched her political consulting business shrink. When she and her partner Jack are approached to do media strategy for the Essex Group, its a ticket into the inner circle of politics, and Kate plunges in. On her first tour of duty for the company, a jaunt that sends her to Paris, she rendezvous with a longtime friend, a reporter who just happens to be investigating her new employer until he turns up murdered. Determined to unravel the reason for his deathand to bring down the perpetratorKate and her partner Jack find themselves caught up in a scheme involving fraud, blood, arms dealers, and oil in the ultimate power game. Praise for the The Latest Bombshell: Sassy, smart, sexy, and savvy.USA Today An unflagging, consistently entertaining Washington caper delivered with considerable assurance and flair. Newsday
Machine generated contents note: Introduction: how settlers gained self-government and indigenous people (almost) lost it; Part I.A Four-Cornered Contest: British Government, Settlers, Missionaries and Indigenous Peoples: 1. Colonialism and catastrophe: 1830; 2. 'Another new world inviting our occupation': colonisation and the beginnings of humanitarian intervention, 1831-1837; 3. Settlers oppose indigenous protection: 1837-1842; 4. A colonial conundrum: settler rights versus indigenous rights, 1837-1842; 5. Who will control the land? Colonial and imperial debates 1842-1846; Part II. Towards Self-Government: 6. Who will govern the settlers? Imperial and settler desires, visions, utopias, 1846-1850; 7. 'No place for the sole of their feet': imperial-colonial dialogue on Aboriginal land rights, 1846-1851; 8. Who will govern Aboriginal people? Britain transfers control of Aboriginal policy to the colonies, 1852-1854; 9. The dark side of responsible government? Britain and indigenous people in the self-governing colonies, 1854-1870; Part III. Self-Governing Colonies and Indigenous People, 1856-c.1870: 10. Ghosts of the past, people of the present: Tasmania; 11. 'A refugee in our own land': governing Aboriginal people in Victoria; 12. Aboriginal survival in New South Wales; 13. Their worst fears realised: the disaster of Queensland; 14. A question of honour in the colony that was meant to be different: Aboriginal policy in South Australia; Part IV. Self-Government for Western Australia: 15. 'A little short of slavery': forced Aboriginal labour in Western Australia 1856-1884; 16. 'A slur upon the colony': making Western Australia's unusual constitution, 1885-1890; Conclusion.
INSTANT #1 SUNDAY TIMES BESTSELLER • A rollicking history of England’s kings and queens from Arthur to Elizabeth I, a tale of power, glory, and excessive beheadings by award-winning British actor and comedian David Mitchell “Clever, amusing, gloriously bizarre and razor sharp. Mitchell [is] a funny man and a skilled historian.”―The Times Think you know the kings and queens of England? Think again. In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits. Taking us back to King Arthur (spoiler: he didn’t exist), Mitchell tells the founding story of post-Roman England up to the reign of Elizabeth I (spoiler: she dies). It’s a tale of narcissists, inadequate self-control, middle-management insurrection, uncivil wars, and a few Cnuts, as the English evolved from having their crops stolen by the thug with the largest armed gang to bowing and paying taxes to a divinely anointed king. How this happened, who it happened to, and why the hell it matters are all questions that Mitchell answers with brilliance, wit, and the full erudition of a man who once studied history—and won’t let it off the hook for the mess it’s made. A funny book that takes history seriously, Unruly is for anyone who has ever wondered how the British monarchy came to be—and who is to blame.
A FACE IN THE MOON is available through iUniverse, Amazon.com, Barnes and Noble.com, numerous other online book sites, and may be ordered through any bookstore. A FACE IN THE MOON is a look back at those lost days when colors seemed more vivid and when being in love seemed the only thing that mattered. The narrator, Jack Lohman, is an inexperienced twenty-two-year old, who was recently dumped by his first real girlfriend, and is soon to leave graduate school for who knows what. Enter Loni, a bright-eyed, free-spirited seventeen-year old who has had more than her share of experience -- she lost her virginity on her fourteenth birthday, has had more boyfriends and drugs than she cares to remember, as well as a mental breakdown that she's trying her best to forget. From the moment Jack meets Loni, his life begins to change. She teaches him how to laugh, and makes him feel, for perhaps the first time in his life, that he can be loved without judgment. Yet, ironically, it is Loni's harsh self-evaluation that paralyzes her at times, turning the carefree, uninhibited woman/child into a speechless, listless teenager who laments the days when life used to be more fun. She promises to tell Jack some day about her breakdown of the summer before but for now it's still too painful for her. Meanwhile, Jack loves her, but wonders if she'll ever fully let him into her life. A FACE IN THE MOON is a story about two young lovers struggling to find each other and their ways in the world. And when a series of events keeps them apart longer than expected, it becomes the story of whether their new love can survive the pressures of separation and emotional disturbance.
‘WOW!!!!… What an absolutely stunning, gorgeous and unputdownable read!!... Devastatingly heart-breaking… I was utterly glued to the pages and I could not bring myself to put it down. I was carrying my phone to read it on kindle every chance that I got and I had tears absolutely streaming down my face… I was completely mind-blown at the end… Devastatingly beautiful, heart-warming and heart-breaking book!!!’ Bookworm86, ⭐⭐⭐⭐⭐ England, 1940. Dearest Ruby, you must have heard the news by now. The very worst has happened. Our countries are at war. What can I do? How can I stop this nightmare from happening? One day soon we’ll be together again. I swear. I love you. E. x Present day. Ruby Summers has lived an extraordinary life. Now, at ninety-six years old and living in a quiet countryside retirement home, Ruby may be an elderly lady, but her memory remains perfect. She remembers the summer in rural Norfolk eighty years ago when she fell in love with Edmondo, and the stolen moments spent in the orchard dreaming of their future. But tears fill her green eyes when she also remembers the September morning they embraced as they listened to war being declared on the wireless. As her village turned against Edmondo and his Italian family, Ruby knew she would be forced to make an impossible choice – one that would lead to a betrayal her heart never recovered from, and an earth-shattering secret she has never shared… But when lonely Ruby decides to take part in a letter-writing scheme for the elderly, and single mother Cassie replies, she realises this could be her chance. Her last chance. By revisiting her past, can she finally share the secret that has haunted her for all these years? And will her unexpected connection with Cassie unearth truths even Ruby never knew were hidden – or will it tear both their lives apart? This totally gripping and irresistible story of wartime love and heartbreak will captivate readers who love Lorna Cook, Fiona Valpy and The Guernsey Literary and Potato Peel Pie Society. Readers love Letters to a Stranger: ‘Wow!… Amazing… beautiful… did not want this book to end… absolutely perfect!… If I could rate it higher than 5 stars I would.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Absolutely amazing… 5 stars just isn’t enough.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Heart-breaking… a truly amazing experience. You simply forget you are reading and just let it pull you in and wrap its arms around you.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Fantastic… very hard to put this book down!’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘Brilliant! I didn't want the book to end… excellent!’ Netgalley reviewer ⭐⭐⭐⭐⭐ ‘Completely charmed me!… made me smile and cheer… wonderful… I am dying to read more!… 5 glowing stars.’ Goodreads reviewer ⭐⭐⭐⭐⭐ ‘I was hooked… you'll want to go back and reread the book to spot all the clues again!’ Goodreads reviewer ⭐⭐⭐⭐⭐
This book is a comprehensive filmography of biographical films featuring the lives of 65 great classical composers. Performances analyzed include Richard Burton as Richard Wagner, Cornel Wilde as Frederic Chopin, Gary Oldman as Ludwig van Beethoven, Tom Hulce as Mozart, and Katharine Hepburn as Clara Schumann, among others. Arranged alphabetically by composer's name and illustrated1with stills and posters, the text provides a brief biography of each composer and analyzes the feature films portraying him or her. Emphasis is given to the factual accuracy of the screenplay, the validity of the portrayal, and the film's presentation of the composer's music.
A THRILLING NEW SERIES FROM THE NUMBER ONE BESTSELLER CAROLINE MITCHELL 'One of the best opening chapters I've ever read' - ANGELA MARSONS 'Terrifying, mysterious and suspenseful. A brilliant read.' - PATRICIA GIBNEY _______ 'I remember the day I died quite clearly.' Blackhall Manor has witnessed many dark crimes, long before five teenage girls break in to play the Midnight Game. It was supposed to be a game, but only four girls come home. Detective Sarah Noble has just returned to the force, and no one knows more about Blackhall Manor than her. Except perhaps Elliott Carter, who is only seven but has seen things in his dreams most adults could never imagine. It's a case that will bring them together and shake Sarah to her core. Will she be ready to meet the Midnight Man? A gripping and twisty thriller, perfect for fans of C. J. Tudor, Cara Hunter and Alex North. _______ PRAISE FOR THE MIDNIGHT MAN 'If you like early Stephen King you'll love The Midnight Man' - Robert Dugoni, New York Times bestseller 'Caroline Mitchell at her dark and twisty best' - Teresa Driscoll, author of I Am Watching You 'Will keep you on the edge of your seat' - Alice Hunter, author of The Serial Killer's Wife 'A spine tingling, creepy book' - John Marrs, author of The One 'Creepy and intense' - Mel Sherratt, author of Ten Days 'A tense and deliciously creepy read' - D.S. Butler, author of On Cold Ground 'Twisty, tense and creepy as hell... I loved it!' - K.L. Slater, author of The Widow 'A spooky, twisty mystery with a spine-chillingly ending' - Susi Holliday, author of The Last Resort
Grief as a lifelong human experience is the scope of this absorbing book. Kenneth Mitchell and Herbert Anderson explore the multiple dimensions of the problem, including the origins and dynamics of grief, loss throughout life, caring for those who grieve, and the theology of grieving. This examination is enriched by vivid illustrations and case histories of individuals whose experiences the authors have shared.
Cambridge Global English Stages 7-9 follow the Cambridge Lower Secondary English as a Second Language (ESL) Curriculum Framework. Workbook 8 is organised into eighteen thematic units of study based on the Cambridge International Examinations English as a Second Language Scheme of Work for Stage 8 The units are carefully structured to reinforce the language learning of the Coursebook, at the same time as extending students' knowledge via a range of exercise types. CEFR Level: B1.
On a bright sunny day in June of 1972, Anna Johansson, a recent high school graduate, begins her shift as a summer seasonal maid at the Eugene Hotel in Monroe, Wisconsin. In the fall, she will attend the University of Wisconsin in Madison to earn a degree in teaching. One of the many mysteries of life is not knowing what the day has in store for you. It can be a horrific reminder that life can change in an instant, turn on a dime, without warning. The tragedy is that you don’t see it coming when going through the mundane routine of everyday life. On this particular day, just another day in Anna’s life, proved to be such a day. When the urgent call came into the police department that a dead body had been discovered in the Eugene Hotel, Police Chief Brandon Johns and Detective Samantha Gates immediately responded. After quickly examining the body, the question of whether the death was a suicide or a homicide hangs heavily in the air. During the investigation, one thing has become crystal clear: all the people of interest they interview are lying to them. Working their way through the entanglement of lies, deception and smoking mirrors proves to be very frustrating. When the veil behind all of this duplicity is finally lifted, exposing the truth, will the mystery be solved? Books by William Mitchell Ross in Monroe Mystery Series Deceived by Self All Passion Denied Love’s Obsession Echoes Screaming in the Night A Greedy Vengeance Murder for Malice Who Killed Fritz Zuber?
NEW YORK TIMES BESTSELLER • The long-awaited new novel from the bestselling, prize-winning author of Cloud Atlas and The Bone Clocks. New York Times Book Review Editors’ Choice • “Mitchell’s rich imaginative stews bubble with history and drama, and this time the flavor is a blend of Carnaby Street and Chateau Marmont.”—The Washington Post “A sheer pleasure to read . . . Mitchell’s prose is suppler and richer than ever . . . Making your way through this novel feels like riding a high-end convertible down Hollywood Boulevard.”—Slate NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The Washington Post • NPR • USA Today • The Guardian • The Independent • Kirkus Reviews • Men’s Health • PopMatters Utopia Avenue is the strangest British band you’ve never heard of. Emerging from London’s psychedelic scene in 1967, and fronted by folk singer Elf Holloway, blues bassist Dean Moss and guitar virtuoso Jasper de Zoet, Utopia Avenue embarked on a meteoric journey from the seedy clubs of Soho, a TV debut on Top of the Pops, the cusp of chart success, glory in Amsterdam, prison in Rome, and a fateful American sojourn in the Chelsea Hotel, Laurel Canyon, and San Francisco during the autumn of ’68. David Mitchell’s kaleidoscopic novel tells the unexpurgated story of Utopia Avenue’s turbulent life and times; of fame’s Faustian pact and stardom’s wobbly ladder; of the families we choose and the ones we don’t; of voices in the head, and the truths and lies they whisper; of music, madness, and idealism. Can we really change the world, or does the world change us?
By any measure, the story of the Scottish National Party is an extraordinary one. Forced to endure decades of electoral irrelevance since its creation in the 1930s, during which it often found itself grappling with internal debate on strategy, and rebellion from within its own ranks, the SNP virtually swept the board in the 2015 general election, winning all but three of Scotland's fifty-nine seats in Westminster. What's more, under the current leadership of Nicola Sturgeon, the SNP has never been a more important force in the landscape of British politics. The leaders who have stood at its helm during this tumultuous eighty-year history - from Sir Alexander MacEwen to Nicola Sturgeon and Alex Salmond - have steered the SNP vessel with varying degrees of success, but there is no doubt that all have contributed to the shape, purpose and ultimate goal of the party of government we see today. The latest addition to the acclaimed British Political Leaders series, Scottish National Party Leaders examines each of these senior figures for the first time, and is essential reading for anyone curious about how this former fringe party evolved into a political phenomenon, changing not only the face of Scottish politics, but British politics as well.
“A vibrant memoir of race, violence, family, and manhood…a virtuosic wail of a book” (The Boston Globe), Survival Math calculates how award-winning author Mitchell S. Jackson survived the Portland, Oregon, of his youth. This “spellbinding” (NPR) book explores gangs and guns, near-death experiences, sex work, masculinity, composite fathers, the concept of “hustle,” and the destructive power of addiction—all framed within the story of Mitchell Jackson, his family, and his community. Lauded for its breathtaking pace, its tender portrayals, its stark candor, and its luminous style, Survival Math reveals on every page the searching intellect and originality of its author. The primary narrative, focused on understanding the antecedents of Jackson’s family’s experience, is complemented by survivor files, which feature photographs and riveting short narratives of several of Jackson’s male relatives. “A vulnerable, sobering look at Jackson’s life and beyond, in all its tragedies, burdens, and faults” (San Francisco Chronicle), the sum of Survival Math’s parts is a highly original whole, one that reflects on the exigencies—over generations—that have shaped the lives of so many disenfranchised Americans. “Both poetic and brutally honest” (Salon), Mitchell S. Jackson’s nonfiction debut is as essential as it is beautiful, as real as it is artful, a singular achievement, not to be missed.
The telephone rings. You rush to answer it. The person you have been thinking about says, ‘Hello.’ For some inexplicable reason, you feel compelled to take the long way home from work. Only later you discover a tragic accident would have blocked your usual route home. Someone you haven’t seen in years comes to mind. A few days later, you bump into him or her. Everyone is naturally psychic. Perhaps you regularly solve problems in your dreams—or experience ‘ah-ha’ moments out-of-the blue. Maybe your ‘inner voice’ guides the decisions you make. Or are you someone who just knows something without knowing why you know it? Perhaps you can recall a time when you had a hunch and trusted it because it felt right. Have sensations like ‘butterflies’ in your stomach—or the hairs standing up on the back of your neck—ever alerted you to danger? Maybe you’ve glimpsed the future, heard a voice from Beyond, or acted upon an impulse that has saved your life. Every day people from all walks of life sense the unspoken, read between the lines and experience events that defy logic. Subtle or dramatic, these are all hallmarks of natural psychic ability. In this book , Mitchell Coombes will share with you remarkable real-life stories about extraordinary moments of psychic awakening by everyday people. Astonished parents talk about the amazing psychic gifts of their young children. Pet lovers recall heartbreaking moments when saying goodbye to a much loved pet—only to sense their welcomed return from the spirit world days, months, or even years later. These and many more heartfelt, surprising and profound psychic moments will give you the keys to open the doors for your very own psychic journey…
This book explores how media and religion combine to play a role in promoting peace and inciting violence. It analyses a wide range of media - from posters, cartoons and stained glass to websites, radio and film - and draws on diverse examples from around the world, including Iran, Rwanda and South Africa. Part One considers how various media forms can contribute to the creation of violent environments: by memorialising past hurts; by instilling fear of the ‘other’; by encouraging audiences to fight, to die or to kill neighbours for an apparently greater good. Part Two explores how film can bear witness to past acts of violence, how film-makers can reveal the search for truth, justice and reconciliation, and how new media can become sites for non-violent responses to terrorism and government oppression. To what extent can popular media arts contribute to imagining and building peace, transforming weapons into art, swords into ploughshares? Jolyon Mitchell skillfully combines personal narrative, practical insight and academic analysis.
Explains the distinctive political orientation of America's young adults, outlining six key attributes, from lack of party affiliation to computer skills, that promise to transform the political landscape.
Shortlisted for the Political Books Awards 'Best Parliamentary Memoir 2018' Austin Mitchell is a political maverick. For thirty-eight years he was a fly in the parliamentary ointment, a recurring itch on the body politic. A maverick may annoy the whips, threaten party discipline and challenge the solemnities of Parliament. Troublemakers they may well be, but the Commons would certainly be a duller place without them. However Mitchell's dissidence wasn't all bitterness without volume control. Rattling the cage, swimming against the tide, pursuing honourable causes and, of course, fighting for his constituency, Grimsby, proved a rewarding career in itself. Confessions of a Political Maverick succeeds in uncovering the realities behind the pretentious parliamentary facade of tradition and the stuffy complacency of Britain's failing political class. Dissenting from the peculiar and highly particular conformity of career politicians dedicated to climbing the greasy pole can be a lonely role, but it can also be fun. It certainly was for Austin Mitchell.
The plots of many films pivot on the moment when a dowdy girl with bad hair, ill-fitting outdated clothing, and thick glasses is changed into an almost unrecognizable glamour girl. Makeover scenes such as these are examined beginning with 1942's Now, Voyager. The study examines whether the film makeover is voluntary or involuntary, whether it is always successful, how much screen time it takes up, where in the narrative structure it falls, and how the scene is actually filmed. Films with a Pygmalion theme, such as My Fair Lady, Vertigo, and Shampoo, are examined in terms of gender relations: whether the man is content with his creation and what sort of woman is the ideal. Some films' publicity capitalizes on a glamorous star's choice to play an unattractive character, as discussed in a chapter examining stars like Bette Davis, Meryl Streep, and Cameron Diaz. Topics also include folk literature's Cinderella tale, men as the inspiration for makeovers in teen flicks films like Clueless, She's All That, and Me, Natalie, and class repositioning in such movies as Working Girl, Pretty Woman, and Grease. Photographs are presented in a before/after format, showing the change in the madeover character.
From the time his Nazi regime launched World War II to the present, Adolf Hitler has frequently been depicted on film. He was largely ridiculed at first, since laughter was a powerful weapon and morale booster for nations at war. Later representations were more somber and realistic, yet Hitler's image never escaped the undertone of scorn. This book concentrates exclusively on portrayals of Hitler in feature films and television miniseries. The filmography covers films with a factual historical storyline, fictional stories, alternate histories, parodies and films where actors playing Hitler have a cameo. Each entry provides production credits, an annotated cast list, an analysis and synopsis of the film, an evaluation of the actor playing Hitler in terms of the strengths and weaknesses of his portrayal, and representative quotations from the film.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.