It is 1945 and the war is ending. Summer is upon ten-year-old Maggie Cooper, but she can’t completely look forward to it. Her mother died and things with her dad just aren’t the same. She just can’t seem to have any feelings for her baby sister. To top it all off her sister Dory follows her around wherever she goes. She has some bad times when Evelyn and her two kids show up. Maggie’s dad marries Evelyn after Maggie and her family knows her for less than a week. Evelyn moves her family in and things are rough. Maggie just can’t accept Evelyn and is miserable. But, Maggie’s sisters, her cousins Fern and Ruthie, and her friend Betty help her laugh through the tough times.
It is 1945 and the war is ending. Summer is upon ten-year-old Maggie Cooper, but she can’t completely look forward to it. Her mother died and things with her dad just aren’t the same. She just can’t seem to have any feelings for her baby sister. To top it all off her sister Dory follows her around wherever she goes. She has some bad times when Evelyn and her two kids show up. Maggie’s dad marries Evelyn after Maggie and her family knows her for less than a week. Evelyn moves her family in and things are rough. Maggie just can’t accept Evelyn and is miserable. But, Maggie’s sisters, her cousins Fern and Ruthie, and her friend Betty help her laugh through the tough times.
Here lyes Buried the Body of MARTHA PERONNEAU...Departed This Life December Ye 14th 1746 Aged 13 Years." Such an inscription was typical of 18th century grave markers in Charleston, South Carolina. Many epitaphs went on to reveal much more about the deceased: personality, religious beliefs, career accomplishments and social position. Attention to social matters was a natural part of life in Charleston, where descendants of the city's 17th century British founders sought to recreate the class-conscious culture of aristocratic England. The merging of this culture with influences from French Huguenots, German Lutherans, Scottish Presbyterians and Spanish Jews led to funeral practices unique in the American colonies. Focusing on pieces created between 1695 and 1802, this volume offers a detailed examination of the tombstones and grave markers from 18th century Charleston. It discusses not only the general trends and the symbolism of the period's gravestone art--such as skulls, portraits, ascending souls and stylized vegetation--but also examines specific instances of these popular motifs. Tombstones from Charleston's oldest and most significant churches, including the Circular Congregational Church, St. Philip's Anglican Church, the French Huguenot Church and the First (Scots) Presbyterian Church, are explored in detail. The work looks at how Charleston gravestones differed from funerary art elsewhere in the American colonies and reveals them to be some of the earliest examples of American sculpture. A guide to colonial gravestone symbols and a glossary of relevant Latin terms are also included.
Insubordinate Spirit is a unique exploration into the life of Elizabeth Winthrop and other seventeenth-century English Puritans who emigrated to the rough, virtually untouched wilderness of present-day New England. Excerpts from newly discovered personal diaries and correspondence provide readers with not only fascinating insights into the hardships, dangers, and losses inherent to English and Dutch settlers in the 1600s, but also first-hand descriptions of the local Native Americans' family life, allegiances, and society. Caught between the unendurable expectations of her Puritan relatives and land disputes with the neighboring Dutch, Elizabeth Winthrop demonstrated a tremendous strength of resolve to protect her own family and remain true to her heart.
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