The Mississippi Story invites readers to examine the connection between place and the visual arts of the state. Based on an exhibition from the permanent collection of the Mississippi Museum of Art, this book explores artwork produced within the state by artists who were native to or lived in Mississippi or by travelers who created work about the state. Patti Carr Black presents the overall theme of place in four sections: the influence of the land on the art, Mississippi's people as depicted in its art, life in Mississippi as observed by its artists, and the exporting of Mississippi culture through its artists. Numerous artists' biographies are included as well as more than one hundred full-color illustrations.
The Mississippi Story invites readers to examine the connection between place and the visual arts of the state. Based on an exhibition from the permanent collection of the Mississippi Museum of Art, this book explores artwork produced within the state by artists who were native to or lived in Mississippi or by travelers who created work about the state. Patti Carr Black presents the overall theme of place in four sections: the influence of the land on the art, Mississippi's people as depicted in its art, life in Mississippi as observed by its artists, and the exporting of Mississippi culture through its artists. Numerous artists' biographies are included as well as more than one hundred full-color illustrations.
Contributions by Megan Abbott, Michael Almereyda, Kris Belden-Adams, Maude Schuyler Clay, William Dunlap, W. Ralph Eubanks, William Ferris, Marti A. Funke, Lisa Howorth, Amanda Malloy, Richard McCabe, Emily Ballew Neff, Robert Saarnio, and Anne Wilkes Tucker The Beautiful Mysterious: The Extraordinary Gaze of William Eggleston is an examination of the life and work of the artist widely considered to be the father of color photography. William Eggleston was born in 1939 and grew up in the Mississippi Delta town of Sumner. His innovative 1976 exhibition at the Museum of Modern Art in New York helped establish color photography as an artistic medium and has inspired photographers and artists around the world. Edited by Ann J. Abadie, the catalog contains fifty-five Eggleston photographs, thirty-six that were featured in The Beautiful Mysterious exhibition at the University of Mississippi Museum from September 2016 to February 2017. Eggleston’s longtime friend William Ferris, a celebrated folklorist, donated all the photographs to the Museum. The photographs range from 1962 into the 1980s, representing each of Eggleston’s projects during that time. Some of the photographs are inscribed with Eggleston’s rare handwritten notes about location, people, dates, and projects. Eight of Eggleston’s early dye transfers are in the collection. Many of these works had not been on public display before this exhibition, including black-and-white images that are unique-copy single prints. This is a penetrating examination of the influence of the Mississippi Delta and the American South on Eggleston’s work and of Eggleston’s influence on photography and other creative fields.
Golden Days includes twenty oral histories of women who graduated from Mississippi State College for Women (now Mississippi University for Women) at least fifty years ago. From Mary Ellen Weathersby Pope's (1926) description of a teaching career beginning just before the 1927 Delta flood to Juanita McCown Hight's (1934) account of campus conversations with violinist Jascha Heifetz and writer/adventurer Richard Halliburton, these stories illustrate the profound influence of the nation's first public college for women on the lives of the storytellers. Vivid reminiscences about life on campus recall a different world of blue uniforms, rigid rules, and demanding faculty. Even after many decades, these women still clearly remember particular teachers who inspired and pushed them to succeed, midnight dormitory pranks played on long-suffering "social advisers," and the spring Zouave marching drills directed by the indomitable Emma Ody Pohl. Whether they graduated in 1926 or 1956, there is a common thread running through these memories: an appreciation for academic life, strong leadership, cultural experiences that enriched lives, a recognition that the university gave self-confidence to pursue unusual or difficult careers, and a gratitude for remarkable friendships which have lasted a lifetime. The Southern Women's Institute of Mississippi University for Women provides a foundation for research and inclusive outreach through the study of women in both traditional and non-traditional roles. The Institute's research focuses on the history of MUW and the position women hold in the culture and foundation of the South both today and in the future.
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