Winner of the Governor General’s Literary Award In this stunning coming-of-age novel, the award-winning author of Women Talking balances grief and hope in the voice of a witty, beleaguered teenager whose family is shattered by fundamentalist Christianity "Half of our family, the better–looking half, is missing," Nomi Nickel tells us at the beginning of A Complicated Kindness. Left alone with her sad, peculiar father, her days are spent piecing together why her mother and sister have disappeared and contemplating her inevitable career at Happy Family Farms, a chicken slaughterhouse on the outskirts of East Village. Not the East Village in New York City where Nomi would prefer to live, but an oppressive town founded by Mennonites on the cold, flat plains of Manitoba, Canada. This darkly funny novel is the world according to the unforgettable Nomi, a bewildered and wry sixteen–year–old trapped in a town governed by fundamentalist religion and in the shattered remains of a family it destroyed. In Nomi's droll, refreshing voice, we're told the story of an eccentric, loving family that falls apart as each member lands on a collision course with the only community any of them have ever known. A work of fierce humor and tragedy by a writer who has taken the American market by storm, this searing, tender, comic testament to family love will break your heart. “Brilliant.” —New York Times Book Review “A darkly funny and provocative novel.” —O, the Oprah Magazine
The basis of the Oscar-winning film from writer/director Sarah Polley, starring Rooney Mara, Claire Foy, Jessie Buckley, with Ben Whishaw and Frances McDormand. INTERNATIONAL BESTSELLER “This amazing, sad, shocking, but touching novel, based on a real-life event, could be right out of The Handmaid's Tale.” -Margaret Atwood, on Twitter "Scorching . . . a wry, freewheeling novel of ideas that touches on the nature of evil, questions of free will, collective responsibility, cultural determinism, and, above all, forgiveness." -New York Times Book Review, Editors' Choice One evening, eight Mennonite women climb into a hay loft to conduct a secret meeting. For the past two years, each of these women, and more than a hundred other girls in their colony, has been repeatedly violated in the night by demons coming to punish them for their sins. Now that the women have learned they were in fact drugged and attacked by a group of men from their own community, they are determined to protect themselves and their daughters from future harm. While the men of the colony are off in the city, attempting to raise enough money to bail out the rapists and bring them home, these women-all illiterate, without any knowledge of the world outside their community and unable even to speak the language of the country they live in-have very little time to make a choice: Should they stay in the only world they've ever known or should they dare to escape? Based on real events and told through the “minutes” of the women's all-female symposium, Toews's masterful novel uses wry, politically engaged humor to relate this tale of women claiming their own power to decide.
One morning Mel Toews put on his coat and hat and walked out of town, prepared to die. A loving husband and father, faithful member of the Mennonite church, and immensely popular school teacher, he was a pillar of his close-knit community. Yet after a lifetime of struggle, he could no longer face the darkness of manic depression. Now his daughter Miriam, an award-winning writer, has given her father a voice for his whole story. In Swing Low, Miriam recounts Mel's life as she imagines he would have told it, right up to the day he took his final walk. Toews takes us deep inside the experience of depression, but she also gives us winsome and hilarious tales of country life: growing up on a farm, courting a wife, becoming a teacher, and rearing a strong, happy family in the midst of private torment." --
After her father took his own life in 1998, Miriam Toews decided to face her confusion and pain straight on. In writing her father’s memoir, she was motivated by two primary goals: For her own sake, she needed to understand, or at least accept, her father’s final decision. For her father’s sake, she needed to honour him, to elucidate his life and to demonstrate its worth. Apart from its brief prologue and epilogue, Swing Low is written entirely from Mel Toews’s perspective. Miriam Toews has her father tell his story from bed as he waits in a Steinbach hospital to be transferred to a psychiatric facility in Winnipeg. Mel turns to writing to make sense of his condition, to review his life in the hope of seeing it more clearly. He remembers himself as an anxious child, the son of a despondent father and an alcoholic mother, who never once made him feel loved. At seventeen he was diagnosed with manic depression (now known as bipolar disorder). His psychiatrist’s predictions were grim: Mel shouldn’t count on marrying, starting a family or holding down a job. With great courage and determination, Mel went on to do all three: he married his childhood sweetheart, had two happy daughters and was a highly respected and beloved teacher for forty years. Although Mel was able to keep his disorder hidden from the community, his family frequently witnessed his unravelling. Over the years this schism between his public and private life grew wider. An outgoing and tireless trailblazer at school, he often collapsed into silence and despair at home. Ironically, in trying to win his family’s love through hard work and accomplishments, he deprived them of what they yearned for most: his presence, his voice. Once he retired from teaching – "the daily ritual of stepping outside himself" – Mel lost his creative outlet and, with it, his hope. In the Globe and Mail, author Moira Farr described Swing Low as "audacious, original and profoundly moving." She added: "Getting into the head of your own father – your own largely silent, mentally ill father, who killed himself – has to be a kind of literary high-wire act that few would dare to try.… Healing is a likely outcome of a book imbued with the righteous anger, compassion and humanity of Swing Low.
Move over, Scout Finch! There's a new contender for feistiest girl in fiction, and her name is Swiv." -USA Today, "Best Books of the Year" "Toews is a master of dialogue." -New York Times Book Review, Editors' Choice "A revelation." -Richard Russo NPR Best Books of the Year * Shortlisted for the Scotiabank Giller Prize * Writers' Trust Fiction Prize Finalist * Indie Next Pick * Amazon Editors' Pick * Apple Book of the Month From the bestselling author of Women Talking and All My Puny Sorrows, a compassionate, darkly humorous, and deeply wise novel about three generations of women. “You're a small thing,” Grandma writes, “and you must learn to fight.” Swiv's Grandma, Elvira, has been fighting all her life. From her upbringing in a strict religious community, she has fought those who wanted to take away her joy, her independence, and her spirit. She has fought to make peace with her loved ones when they have chosen to leave her. And now, even as her health fails, Grandma is fighting for her family: for her daughter, partnerless and in the third term of a pregnancy; and for her granddaughter Swiv, a spirited nine-year-old who has been suspended from school. Cramped together in their Toronto home, on the precipice of extraordinary change, Grandma and Swiv undertake a vital new project, setting out to explain their lives in letters they will never send. Alternating between the exuberant, precocious voice of young Swiv and her irrepressible, tenacious Grandma, Fight Night is a love letter to mothers and grandmothers, and to all the women who are still fighting-painfully, ferociously- for a way to live on their own terms.
This saga of bad luck and good company is a wry, scary, heartfelt ode to the traverses we have to make in life when we're at the end of our rope and there's no net below us." —ELLE When Hattie's moody boyfriend dumps her in Paris, she returns home to find that her sister Min is in the psych ward again. Freaked out by the prospect of becoming a surrogate mother to Min's kids, Logan and Thebes, Hattie decides to take them in the family van to find their father, last heard to be running an idiosyncratic art gallery in South Dakota. What ensues is a remarkable journey across America, as aunt and kids—through chaos as diverse as their personalities—discover one another to be both far crazier and far more normal than any of them thought.
[A] memorable portrait of a struggling young person who finds unexpected resilience and peace . . . Hilarious, heartbreaking, and poignant." —Booklist Miriam Toews welcomes her readers to the Have–a–Life housing project (better known as Half–a–Life). The welfare regulations are endless and the rate–fink neighbors won't mind their own business. Lucy Von Alstyne sends fictitious letters to her friend Alicia, pretending to be the father of Alicia's twins. When the two mothers and their five children set off on a journey to find him, facing along the way the complications of living in poverty and raising fatherless children, Lucy discovers this just may be the summer of her amazing luck.
Winner of the McNally Robinson Book of the Year Award “Tonic for the spirit: a charming, deeply moving, unerringly human story, perfectly shaped and beautifully told.” —The Globe and Mail Life in Winnipeg didn’t go as planned for Knute and her daughter. But living back in Algren with her parents and working for the longtime mayor, Hosea Funk, has its own challenges: Knute finds herself mixed up with Hosea’s attempts to achieve his dream of meeting the Prime Minister—even if that means keeping the town’s population at an even 1,500. Bringing to life small–town Canada and all its larger–than–life characters, A Boy of Good Breeding is a big–hearted, hilarious novel about finding out where you belong.
From the bestselling author of Women Talking, a "wrenchingly honest, darkly funny novel" (Entertainment Weekly). Elf and Yoli are sisters. While on the surface Elfrieda's life is enviable (she's a world-renowned pianist, glamorous, wealthy, and happily married) and Yolandi's a mess (she's divorced and broke, with two teenagers growing up too quickly), they are fiercely close-raised in a Mennonite household and sharing the hardship of Elf's desire to end her life. After Elf's latest attempt, Yoli must quickly determine how to keep her family from falling apart while facing a profound question: what do you do for a loved one who truly wants to die? All My Puny Sorrows is a deeply personal story that is as much comedy as it is tragedy, a goodbye grin from the friend who taught you how to live.
Nomi Nickel lives with her father, Ray, in East Village, a small Mennonite town in Manitoba. She dreams of escaping to the big city, but since her mother and sister left home, it's hard to imagine leaving her father behind. As she begins to piece together the story behind her mother's disappearance, she finds herself on a direct collision course with the town's minister. With fierce originality and brilliance, Miriam Toews takes us straight to the centre of Nomi's world and the complicated kindness at the heart of family life.
Knute is a twenty-four-year-old single mother who returns home to Algren with her daughter to look after her father Tom, who has suffered a heart attack. Meanwhile, Hosea Funk, a friend of Tom's and the mayor of Algren has a lot on his mind. The prime minister has promised to pay a visit to whichever town in Canada has the smallest population. Algren has held this position for some time but recent baby booms and returning families, like Knute, threaten to tip Algren over the magic 1500 . . .
From the award-winning author of A Complicated Kindness comes a heart-wrenching yet wryly funny story about setting out on the road to self-discovery, and finding the strength to survive in the face of immeasurable loss. Nineteen-year-old Irma Voth lives in a Mennonite community in northern Mexico, surrounded by desert and both physically and culturally isolated from the surrounding towns and cities. It’s been six years since her family up and left Canada to escape the prying eyes of the government and preserve their religious freedom, but Irma still misses the minor freedoms she had in their small town. She even misses the cold. This new life has not been an easy one, and Irma finds herself deserted by her husband of one year, who has left to pursue a life of drug-running, instead of working her family’s farm. The most devastating blow for Irma is that he didn’t take her with him, take her away, so now she’s left to live under her father’s domineering rule alone. Things change for Irma when a film crew moves into the empty house next door. They’ve come to make a movie about the Mennonite community, and have made a deal with Irma’s father to stay on their land. The director enlists Irma to work for them as a translator, as she can speak not only Spanish and English but Plattdeutsch, or Low German, the language of her people. At first bemused by the ragged and absurd crewmembers, Irma comes to embrace the passion and creative freedom of their world – but in doing so brings on the wrath of her father, who is determined to keep her from it at all costs. When Irma’s thirteen-year-old sister Aggie begins to come by and spend time with the crew, their father is sent over the edge with rage, and Irma is forced to make a hard decision to save not only herself, but her younger sister, and to break the dark chain of violence holding her family. The girls flee to the capital, Mexico City, not knowing where they’ll find food or shelter, let alone build a life, but knowing for the first time that they are free to make that choice. And even as they begin to understand the truth of the tragedy that has their family in its grip, Irma and Aggie use their love as a source of strength to help each other move on from their past lives and work toward a future that can truly become anything they want it to be.
By the author of Swing Low. Welcome to Have-a-Life welfare housing project (better known as Half-a-Life). The welfare regulations are endless and the ratfink neighbours won't mind their own business, but when Lish and Lucy head to Colorado to find the fire-eater, Lucy discovers this just may be the summer of her amazing luck.
FROM THE WRITER OF THE OSCAR-WININNG WOMEN TALKINGINTERNATIONAL BESTSELLING AUTHORLONGLISTED FOR THE DUBLIN LITERARY AWARD'Go Grandma Elvira!' Margaret Atwood'Wickedly funny and fearlessly honest.' The New Yorker'Glorious.' Sarah Moss____________You are a small thing, and you must learn to fight.Swiv has taken this advice too literally. Now she's suspended from school, in the care of her foul-mouthed, hilarious grandmother. Mom is busy being pregnant, so Grandma gives Swiv a very different education. Swiv learns maths with Amish jigsaws and How to Dig a Winter Grave. Grandma's methods may be unorthodox, but she has faced the worst of life with a wild, independent spirit and this is what she hopes to pass on. Time is running short. Grandma's health is failing and the baby is on the way - can Grandma inspire this fire in Swiv, and ensure it never goes out?Poignant, hilarious and deeply moving, Fight Night is a girl's love letter to the women raising her and a tribute to one family's fighting spirit.'A love letter to our brave and brilliant matriarchs.' Glamour'Miriam Toews is a genius.' R. O. Kwon'As compelling and hilarious and indecently sad as life can be.' Financial Times
Her uncle, known as The Mouth, is head of the church, responsible for the harsh laws and cruel 'shunning', yet that doesn't stop Nomi falling for the town's most unsuitable boy - Travis. In such a secretive and god-fearing community, Nomi finds it impossible to find ways to express her many and growing passions.
**READ THE BOOK BEFORE YOU WATCH THE MAJOR FILM STARRING CLAIRE FOY, JESSIE BUCKLEY, ROONEY MARA AND BEN WHISHAW**'Don't miss this.' MARGARET ATWOOD'Beautiful. . . a novel for the times.' LISA McINERNEY'Tender, enraging and brimming with a bitter wit.' The Times'An astonishment, a volcano of a novel.' LAUREN GROFFIn a remote Mennonite colony, over a hundred girls and women were knocked unconscious and violated-by what many thought were ghosts or demons-as punishment for their sins. Their accounts were chalked up to 'wild female imagination.' Women Talking is an imagined response to these real events. When the women learn that they were in fact drugged and attacked by men in their community, they hold a secret meeting in a hayloft. They have two days to make a plan before the rapists are bailed out and brought home: will they dare to escape?'Profound, affecting stuff.' Sunday Telegraph'Brave and thoughtful.' Observer
Follow the Troutmans as they learn about themselves and each other through chaos as diverse as their personalities, while embarking on a journey across the United States weathering sleazy motel rooms, car repairs, and bizarre people.
The powerful storm threatens. A young girl is running in desperation from someone or something unseen. Quickly as the assailant draws near, lightening etches the sky, beginning the mystery of Lillia. Many years later, just the mere thought of the old Wright home place is enough to sink the spirits of young Shally Thomas. At age 15 she has memories of the way the house grinned at her, of ghostly spirits, and of the way it touched her senses with darkness and unpleasant odors. Shally must now move with her parents to the old home place. Shally, three new friends including Jillie, Craig, Sanders, and her great Aunt Liz all play a part to solve the 60-year-old mystery of what happened to Aunt Liz's twin sister, Lillia.
A Novel by the Governor General’s Literary Award—winning author of A Complicated Kindness Lucy Van Alstyne always thought she’d grow up to become a forest ranger. Instead, at the age of eighteen, she’s found herself with quite a different job title: Single Mother on the Dole. As for the father of her nine-month-old son, Dillinger, well…it could be any of number of guys. At the Have-a-Life housing project–aptly nicknamed Half-a-Life by those who call it home–Lucy meets Lish, a zany and exuberant woman whose idea of fashion is a black beret with a big silver spider brooch stuck on it. Lish is the mother of four daughters, two by a man on welfare himself and twins from a one-week stand with a fire-eating busker who stole her heart–and her wallet. Living on the dole isn’t a walk in the park for Lucy and Lish. Dinner almost always consists of noodles. Transportation means pushing a crappy stroller through the rain. Then there are the condescending welfare agents with their dreaded surprise inspections. And just across the street is Serenity Place, another housing project with which Half-a-Life is engaged in a full-on feud. When the women aren’t busy snitching on each other, they’re spreading rumours–or plotting elaborate acts of revenge. In the middle of a mosquito-infested rainy season, Lish and Lucy decide to escape the craziness of Half-A-Life by taking to the road. In a van held together with coat-hangers and electrical tape and crammed to the hilt with kids and toys, they set off to Colorado in search Lish’s lost love and the father of her twins. Whether they’ll find him is questionable, but the down-and-out adventure helps Lucy realize that this just may be the summer of her amazing luck. Miriam Toews’s debut novel, Summer of My Amazing Luck opens our eyes to a social class rarely captured in fiction. At once hilarious and heartbreaking, it is inhabited by an unforgettable and poignant group of characters. Shortlisted for both the McNally Robinson Book of the Year Award and for the Stephen Leacock Memorial Medal for Humour, it also earned Miriam the John Hirsch Award for the Most Promising Manitoba Writer.
In this completely captivating book, Miriam Toews has created some of the most engaging characters in Canadian literature: Hattie, Logan and Thebes are bewildered, hopeful, angry, and most of all, absolutely alive. Full of richly skewed, richly funny detail, The Flying Troutmans is a uniquely affecting novel. Days after being dumped by her boyfriend Marc in Paris – "he was heading off to an ashram and said we could communicate telepathically" – Hattie hears her sister Min has been checked into a psychiatric hospital, and finds herself flying back to Winnipeg to take care of Thebes and Logan, her niece and nephew. Not knowing what else to do, she loads the kids, a cooler, and a pile of CDs into their van and they set out on a road trip in search of the children's long-lost father, Cherkis. In part because no one has any good idea where Cherkis is, the traveling matters more than the destination. On their wayward, eventful journey down to North Dakota and beyond, the Troutmans stay at scary motels, meet helpful hippies, and try to ignore the threatening noises coming from under the hood of their van. Eleven-year-old Thebes spends her time making huge novelty cheques with arts and crafts supplies in the back, and won't wash, no matter how wild and matted her purple hair gets; she forgot to pack any clothes. Four years older, Logan carves phrases like "Fear Yourself" into the dashboard, and repeatedly disappears in the middle of the night to play basketball; he's in love, he says, with New York Times columnist Deborah Solomon. Meanwhile, Min can't be reached at the hospital, and, more than once, Hattie calls Marc in tears. But though it might seem like an escape from crisis into chaos, this journey is also desperately necessary, a chance for an accidental family to accept, understand or at least find their way through overwhelming times. From interwoven memories and scenes from the past, we learn much more about them: how Min got so sick, why Cherkis left home, why Hattie went to Paris, and what made Thebes and Logan who they are today.
The twenty-first century has opened with a rapidly changing map of Christianity. While its influence is waning in some of its traditional Western strongholds, it is growing at a phenomenal pace in the global South. And yet this story has largely eluded the corporate news brokers of the West. Layered as it is with countless personal and corporate stories of remarkable faith and witness, it nevertheless lies ghostlike behind the newsprint and webpages of our print media, outside the camera's vision on the network evening news. Miriam Adeney has lived, traveled and ministered widely. She has walked with Christians in and from the far reaches of the globe. As she pulls back the veil on real Christians--their faith, their hardships, their triumphs and, yes, their failures--an inspiring and challenging story of a kingdom that knows no borders takes shape. This is a book that coaxes us out of our comfortable lives. It beckons us to expand our vision and experience of the possibilities and promise of a faith that continues to shape lives, communities and nations.
A Literary Biography of Robin Blaser: Mechanic of Splendor is the first major study illustrating Robin Blaser’s significance to North American poetry. The poet Robin Blaser (1925–2009) was an important participant in the Berkeley Renaissance of the 1950s and San Francisco poetry circles of the 1960s. The book illuminates Blaser’s distinctive responses to and relationships with familiar writers including Robert Duncan, Jack Spicer, and Charles Olson via their correspondence. Blaser contributed to the formation of the serial poem as a dominant mode in post-war New American poetry through his work and engagement with the poetry communities of the time. Offering a new perspective on a well-known and influential period in American poetry, Miriam Nichols combines the story of Blaser’s life—coming from a mid-western conservative religious upbringing and his coming of age as a gay man in Berkeley, Boston, and San Francisco—with critical assessments of his major poems through unprecedented archival research. This literary biography presents Blaser’s poetry and poetics in the many contexts from which it came, ranging from the Berkeley Renaissance to the Vancouver scene; from surrealism to phenomenology; from the New American poetry to the Canadian postmodern; from the homoerotic to high theory. Throughout, Blaser’s voice is heard in the excitement of his early years in Berkeley and Boston and the seriousness of the later years where he was doing most of his living in his work.
You're only the greatest person ever invented and he's some boy who's probs never had a conversation with a side of the sun before - but like Let's Be Modest About It Tosh and Lou. 22 scenes. Other friends have come, got boyfriends and gone. So what? Tosh and Lou have each other. They'll never be like the other girls. They won't sit in a narrative someone else thought up. This is love. This is enough. This is enough. Scenes with girls by Miriam Battye premiered at the Royal Court Theatre, London, in January 2020.
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