The "Jacobin" novel was labeled as such in Britain because of its supposed connections to the French Revolution. This book takes an in-depth look at these novels, written between 1790 and 1805. She centers on the group surrounding Wollstonecraft and Godwin, although not exclusively, exploring the limits of their philosophy of human rights and personal subjectivity. Unlike other recent scholars, the author treats both male and female writers, making feminism an aspect of the work but not the overriding one. While the novels are the main focus, other work by the writers is considered as it pertains to their beliefs. She also discusses the reaction from those who defined the "Jacobins" by opposing them.
Winner of the 2013 ICAS Book Prize (Social Sciences) The “Tahiti” that most people imagine - white-sand beaches, turquoise lagoons, and beautiful women - is a product of 18th century European romanticism and persists today as the bedrock of Tahiti’s tourism industry. This postcard image, however, masks a different reality. The dreams and desires that the tourism industry promotes distract from the medical nightmares and environmental destruction caused by France’s 30-year nuclear testing program in French Polynesia. Tahitians see the burying of a bomb in their land as deeply offensive. For Tahitians, the land abounds with ancestral fertility, and genealogical identity, and is a source of physical and spiritual nourishment. These imagined and lived perspectives seem incompatible, yet are intricately intertwined in the political economy. Tahiti Beyond the Postcard engages with questions about the subtle but ubiquitous ways in which power entangles itself in place-related ways. Miriam Kahn uses interpretive frameworks of both Tahitian and European scholars, drawing upon ethnographic details that include ancient chants, picture postcards, antinuclear protests, popular song lyrics, and the legacy of Paul Gauguin’s art, to provide fresh perspectives on colonialism, tourism, imagery, and the anthropology of place.
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