In the late 1980s football was in a state of crisis. Falling attendances and a genuine unease among potential spectators about going to live football matches suggested that, without radical changes, the game would soon become a minority spectator sport. Originally published in 1989, reissued now with a new preface, Football in its Place presented a new approach to the problem that concentrates on the spectators’ experience of football and on the places where it is played. This approach recognizes four themes, which relate directly to the spectators’ experience: spectator comfort; the need for effective crowd control; the problems of coping in emergencies; and variations in club cultures. A special chapter on football-related violence shows how this needs to be understood in relation to all of these themes and not treated as a problem in isolation. This was said to be the only way to reverse the spiral that had given rise to hooliganism. Finally, the authors discuss the options for the future on football. They emphasize that football is a recreational activity whose management should be treated as part of the leisure industry. All aspects of the game, its traditions, club variations and heritage, needed to be harnessed if football was again to be Britain’s most popular spectator sport. Today we can see the impact that the points made in this book have contributed to how we continue to watch and enjoy football now.
This unique book provides practical and legal clarity on all questions concerning landlord's consent, such as: What is a valid and effective request for consent? When can a tenant impose its desire for change on a reluctant landlord? What is a reasonable as opposed to an unreasonable refusal of consent? And what are the perils if either side calls it wrong? Since the last edition of this book in 2008, the law relating to landlord's consent, has evolved considerably. The purpose of this new edition is to bring that evolution into the much-loved analysis which have made practitioners say that previous editions have been that rare beast: a book about law that is actually enjoyable to read and which allows the practitioner and student clearly to see the wood for the trees.
Readers who love YA historical fiction will fall in love with Kate Roper, a 15 year old girl from Haworth, West Yorkshire, who finds herself working at the Parsonage, home to Reverend Bronte and his four children, Bramwell, Charlotte, Emily and Anne. "I am just going to write because I cannot help it." Charlotte Brontë 'October 19th, 1846. Kate felt as though the date was etched upon her heart forever.' When Mother and her beloved twin brothers are taken by the Haworth 'miasma', Father drowns his sorrow in drink and younger sister Lizzie begins to run wild. It is left to Kate at only fifteen to keep her family out of the dreaded workhouse. She is offered a cleaning job at the Parsonage, home of Reverend Brontë, his son Branwell and the three Brontë sisters, Charlotte, Anne, and Emily. Kate harbours a secret; to write for the famous Blackwood Magazine, but poverty and gender are against her. Luke, a farmer's son, has dreams of being an engineer, and wants to marry Kate but believes writing stories is a waste of time. One day whilst repairing the fire in the Parsonage sitting room, Kate sees a small volume of Shakespeare on the shelf. She decides to borrow it, only to be caught by Charlotte Brontë. When Miss Charlotte discovers Kate's passion for books, a friendship begins to develop. Charlotte and her sister Anne fill Kate's head with ideas of equality between women and men. "Women feel just as men feel," declares Miss Charlotte. Kate confides in Charlotte that she writes and is encouraged to see her writing as more than just a dream. Kate also begins to spot clues that the Brontë sisters are writing novels. Then she meets Seth, an artist, on the moor with equally free ideas about women and men. Now Kate is faced with a dilemma. Marriage to the dependable Luke or a new independent life, influenced by Seth and his artist friends. The novel ends a year after it opens with Kate making the biggest decision of her life. Miriam Halahmy has written a novel which brings the Brontës alive for a new generation of readers. Themes of women's rights, the harsh realities of poverty and inequality are illuminated in uncluttered, beautiful character-driven storytelling and through it all shines the indomitable spirit of the human soul. In a world of increasing inequality and global attacks on women's rights, this is a novel for our time.
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