From 1910 to 1919, New Orleans suffered at the hands of its very own Jack the Ripper–style killer. The story has been the subject of websites, short stories, novels, a graphic novel, and most recently the FX television series American Horror Story. But the full story of gruesome murders, sympathetic victims, accused innocents, public panic, the New Orleans Mafia, and a mysterious killer has never been written. Until now. The Axeman repeatedly broke into the homes of Italian grocers in the dead of night, leaving his victims in a pool of blood. Iorlando Jordano, an innocent Italian grocer, and his teenaged son Frank were wrongly accused of one of those murders; corrupt officials convicted them with coerced testimony. Miriam C. Davis here expertly tells the story of the search for the Axeman and of the eventual exoneration of the innocent Jordanos. She proves that the person mostly widely suspected of being the Axeman was not the killer. She also shows what few have suspected—that the Axeman continued killing after leaving New Orleans in 1919. Only thirty years after Jack the Ripper stalked the streets of Whitechapel, the Axeman of New Orleans held an American city hostage. This book tells that story.
Dame Kathleen Kenyon has always been a larger-than-life figure, likely the most influential woman archaeologist of the 20th century. In the first full-length biography of Kenyon, Miriam Davis recounts not only her many achievements in the field but also her personal side, known to very few of her contemporaries. Her public side is a catalog of major successes: discovering the oldest city at Jericho with its amazing collection of plastered skulls; untangling the archaeological complexities of ancient Jerusalem and identifying the original City of David; participating in the discipline’s most famous all-woman excavation at Great Zimbabwe. Her development (with Sir Mortimer Wheeler) of stratigraphic trenching methods has been universally emulated by archaeologists for over half a century. Her private life—her childhood as daughter of the director of the British Museum, her accidental choice of a career in archaeology, her working at bombed sites in London during the blitz, and her solitary retirement to Wales—are generally unknown. Davis provides a balanced and illuminating picture of both the public Dame Kenyon and the private person.
From 1910 to 1919, New Orleans suffered at the hands of its very own Jack the Ripper–style killer. The story has been the subject of websites, short stories, novels, a graphic novel, and most recently the FX television series American Horror Story. But the full story of gruesome murders, sympathetic victims, accused innocents, public panic, the New Orleans Mafia, and a mysterious killer has never been written. Until now. The Axeman repeatedly broke into the homes of Italian grocers in the dead of night, leaving his victims in a pool of blood. Iorlando Jordano, an innocent Italian grocer, and his teenaged son Frank were wrongly accused of one of those murders; corrupt officials convicted them with coerced testimony. Miriam C. Davis here expertly tells the story of the search for the Axeman and of the eventual exoneration of the innocent Jordanos. She proves that the person mostly widely suspected of being the Axeman was not the killer. She also shows what few have suspected—that the Axeman continued killing after leaving New Orleans in 1919. Only thirty years after Jack the Ripper stalked the streets of Whitechapel, the Axeman of New Orleans held an American city hostage. This book tells that story.
Dame Kathleen Kenyon has always been a larger-than-life figure, likely the most influential woman archaeologist of the 20th century. In the first full-length biography of Kenyon, Miriam Davis recounts not only her many achievements in the field but also her personal side, known to very few of her contemporaries. Her public side is a catalog of major successes: discovering the oldest city at Jericho with its amazing collection of plastered skulls; untangling the archaeological complexities of ancient Jerusalem and identifying the original City of David; participating in the discipline’s most famous all-woman excavation at Great Zimbabwe. Her development (with Sir Mortimer Wheeler) of stratigraphic trenching methods has been universally emulated by archaeologists for over half a century. Her private life—her childhood as daughter of the director of the British Museum, her accidental choice of a career in archaeology, her working at bombed sites in London during the blitz, and her solitary retirement to Wales—are generally unknown. Davis provides a balanced and illuminating picture of both the public Dame Kenyon and the private person.
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Winner of the 2009 Robert Park Book Award for best Community and Urban Sociology book! Branding New York traces the rise of New York City as a brand and the resultant transformation of urban politics and public life. Greenberg addresses the role of "image" in urban history, showing who produces brands and how, and demonstrates the enormous consequences of branding. She shows that the branding of New York was not simply a marketing tool; rather it was a political strategy meant to legitimatize market-based solutions over social objectives.
Demers revives the memory of journalist Miriam Green Ellis, an all-but-forgotten feminist, suffragist, and agricultural reporter who documented the modernist sphere for over four decades and who refused to be confined to the "women's pages." With written material from the University of Alberta's Miriam Green Ellis Collection, accompanied by an excellent selection of photographs, Ellis's inimitable voice and views on Albertans, westerners, and Canadians in the early decades of the twentieth century emerge clearly. Readers interested in Canadian women studies, journalism, or feminism will find Ellis's highly coloured perspective both entertaining and informative.
First published serially in the Yiddish daily newspaper di Varhayt in 1916–18, Diary of a Lonely Girl, or The Battle against Free Love is a novel of intimate feelings and scandalous behaviors, shot through with a dark humor. From the perch of a diarist writing in first person about her own love life, Miriam Karpilove’s novel offers a snarky, melodramatic criticism of radical leftist immigrant youth culture in early twentieth-century New York City. Squeezed between men who use their freethinking ideals to pressure her to be sexually available and nosy landladies who require her to maintain her respectability, the narrator expresses frustration at her vulnerable circumstances with wry irreverence. The novel boldly explores issues of consent, body autonomy, women’s empowerment and disempowerment around sexuality, courtship, and politics. Karpilove immigrated to the United States from a small town near Minsk in 1905 and went on to become one of the most prolific and widely published women writers of prose in Yiddish. Kirzane’s skillful translation gives English readers long-overdue access to Karpilove’s original and provocative voice.
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