Boca Raton. South Florida's wealthy enclave of sand, surf, martinis, and murder . . . From high society "Boca Babe" to Harley-riding private eye, Harriet Horowitz has established her rep as a kick-ass P.I. with an insider's connection to both the high life and the low life of Florida's Palm Beach coast. Like "Junior" Castellano, a big-time land developer who hires Harriet to find the silver-haired gigolo who broke Mama Castellano's heart, Harriet is practical when it comes to solving problems. Simple enough, until the Boca police find Junior bulldozed at one of his construction sites. Was Junior killed by his mother's con man? Or by a bitter ex-wife or spurned ex-girlfriend? Maybe by his estranged sons? And what about the bartender at Hog Heaven, who was about to lose her home in a trailer park because of Junior's latest land development deal? Harriet will do whatever it takes to protect others. Even if Junior Castellano's enemy list is longer than the reservations at a Boca cocktail bar, and the scheme he was hatching was big enough to destroy the whole city. A hurricane is heading toward Boca. It should be named Harriet.
Patients at a posh Boca Raton rehab center are ending up stiffer than a Boca babe's smile. Tough PI Harriet Horowitz, once a bedazzled babe herself, signs in at The Oasis at the request of a frightened friend. As a pattern emerges in the murders, it's clear the killer is targeting patients with an unusual addiction. How did they end up with the same drug problem at the same time and in the same rehab together? Harriet's sleuthing leads her down a path of secrets and danger, and what she learns could lead her undercover assignment to a dead end. Miriam Auerbach is the author of a satirical mystery series set in Boca Raton, Florida and featuring Harley-riding, wisecracking female private eye Harriet Horowitz. Her debut novel, Dirty Harriet, won the Romantic Times Reviewers' Choice Award for Best First Series Romance. Miriam can only assume that this is because the heroine kills her husband on page one. In a parallel universe, Miriam is known as Miriam Potocky, professor of social work at Florida International University in Miami. She lives in South Florida with her husband and their multicultural canines, a Welsh Corgi and a Brussels Griffon. Visit Miriam at Miriamauerbach.com.
Book One of the Dirty Harriet Mysteries "A terrific investigative tale . . . using dark humor and starring a fabulous [character] who deserves future tales."--Harriet Klausner, an Amazon.com top reviewer Goodbye mansion, hello Hog. This former Boca Babe is now a Biker Babe with a rap sheet and a license to track down bad guys and solve crimes. Go ahead. Make her day. Harriet "Dirty Harriet" Horowitz had it all. Money. Plastic Surgery. Servants. Then her husband raised his fist one time too many, and she shot and killed him. Now, she lives in the South Florida swamps, rides a Harley, and owns a private eye agency. Her best friend--the only friend who makes sense anymore--is an alligator named Lana. Then the Contessa von Phul, a woman from Harriet's society days, hires Harriet to investigate the death of a Mayan immigrant worker. With her assistant Lupe--an eccentric civil servant--and a .44 Magnum, Dirty Harriet hits the mean streets of Boca Raton to dig for clues. What won't she do to uncover the truth? Her search for answers forces her to return to her old world of Boca Babes and McMansions. When she discovers scandal after scandal, will she be able to escape Boca with her life--yet again? Dirty Harriet, Miriam Auerbach's debut mystery novel, won a Romantic Times Reviewers' Choice Award. Miriam can only assume that this is because the heroine kills her husband on page one. In a parallel universe, Miriam is known as Miriam Potocky, professor of social work at Florida International University in Miami. She lives in South Florida with her husband and their multicultural canines, a Welsh Corgi and a Brussels Griffon. Visit Miriam at miriamauerbach.com.
Miriam Auerbach continues her saga with another can't-put-down story filled with unique characters and laugh-out-loud humor. Four and a half stars."--RT Book Reviews Once again, it's Harriet's job to kick some butt in Boca Raton. Someone is murdering clergy members in Florida's ritzy resort haven--starting with the minister at the gay wedding of private detective Harriet Horowitz's best friends. Suspicion focuses on the drag queens of the Holy Rollers Motorcycle Club and Gospel Choir, who provided the wedding's musical entertainment. Harriet--always defending the underdog--is hired to clear the choir's name. Pretty soon a rabbi becomes the next victim, and Harriet's lust-buddy, Israeli martial arts instructor Lior Ben Yehuda, is arrested as the prime suspect. It's time for Harriet to climb on her Harley and wreck the pampered peace of the society that used to think of her as just another wealthy Boca babe. Dirty Harriet rides again. Dirty Harriet, Miriam Auerbach's debut mystery novel, won a Romantic Times Reviewers' Choice Award. Miriam can only assume that this is because the heroine kills her husband on page one. In a parallel universe, Miriam is known as Miriam Potocky, professor of social work at Florida International University in Miami. She lives in South Florida with her husband and their multicultural canines, a Welsh Corgi and a Brussels Griffon. Visit Miriam at miriamauerbach.com.
Based on a true story the author linked this novel to timeless quotes by expanding these five life concepts: Follow a dream, Faith, Be positive, Be grateful and, pursue your goals. This story is an ode to love and friendship
After years of abuse by her husband, Boca Babe Harriet Horowitz made a split-second decision that ended her $100 manicures and $20,000 shopping sprees forever, and earned her the nickname Dirty Harriet. Defender of the downtrodden. But why do her cases keep leading back to the soul-sucking life she's left behind? Because where there's glitz, there's scandal, and some lunatic's killing off the only good people left in Boca Raton (the clergy). This time Harriet's got backup. Lior Ben Yehuda--hard-body personal trainer and ex-commando--a younger man commited to helping her out. A man whose flirtatious advances Harriet is finding increasingly hard to resist... Once again, it's up to Dirty Harriet to make good in a town gone bad.
Patients at a posh Boca Raton rehab center are ending up stiffer than a Boca babe's smile. Tough PI Harriet Horowitz, once a bedazzled babe herself, signs in at The Oasis at the request of a frightened friend. As a pattern emerges in the murders, it's clear the killer is targeting patients with an unusual addiction. How did they end up with the same drug problem at the same time and in the same rehab together? Harriet's sleuthing leads her down a path of secrets and danger, and what she learns could lead her undercover assignment to a dead end. Miriam Auerbach is the author of a satirical mystery series set in Boca Raton, Florida and featuring Harley-riding, wisecracking female private eye Harriet Horowitz. Her debut novel, Dirty Harriet, won the Romantic Times Reviewers' Choice Award for Best First Series Romance. Miriam can only assume that this is because the heroine kills her husband on page one. In a parallel universe, Miriam is known as Miriam Potocky, professor of social work at Florida International University in Miami. She lives in South Florida with her husband and their multicultural canines, a Welsh Corgi and a Brussels Griffon. Visit Miriam at Miriamauerbach.com.
SOMETIMES, A WOMAN'S GOT TO GET DIRTY TO GET THINGS CLEAN… Leaving the glamorous Boca Raton lifestyle behind wasn't easy for Boca-born Harriet Horowitz. But when she'd asked her physically abusive husband to make her day— he'd agreed (in front of 500 people)— and Harriet became single (a widow). Though it had been a clear-cut case of self-defense, she lost everything…yet wound up finding more. Her crash from the heights of society led her to a home in the desolate, haunting Everglades, a job as a private investigator and a new identity as tough cookie Dirty Harriet. It was a new world for Harriet. Until a murder case involving vulnerable migrant women brought her back to Boca Raton and forced her to face a past she'd thought she'd left in the dust.…
Boca Raton. South Florida's wealthy enclave of sand, surf, martinis, and murder . . . From high society "Boca Babe" to Harley-riding private eye, Harriet Horowitz has established her rep as a kick-ass P.I. with an insider's connection to both the high life and the low life of Florida's Palm Beach coast. Like "Junior" Castellano, a big-time land developer who hires Harriet to find the silver-haired gigolo who broke Mama Castellano's heart, Harriet is practical when it comes to solving problems. Simple enough, until the Boca police find Junior bulldozed at one of his construction sites. Was Junior killed by his mother's con man? Or by a bitter ex-wife or spurned ex-girlfriend? Maybe by his estranged sons? And what about the bartender at Hog Heaven, who was about to lose her home in a trailer park because of Junior's latest land development deal? Harriet will do whatever it takes to protect others. Even if Junior Castellano's enemy list is longer than the reservations at a Boca cocktail bar, and the scheme he was hatching was big enough to destroy the whole city. A hurricane is heading toward Boca. It should be named Harriet.
Radical ideologies may manifest differently at first, but they do follow a similar logic: truth claims, promises of salvation and a unifying common enemy. In Yemen's transition process today, the secessionist movement Al-Hirak has summoned the spirit of South Yemen, the only Marxist state in Arabia. This book meticulously describes how East Germany supported the implantation of this alien ideology in Yemen through its policy of »Socialist state- and nation-building«. In the same breath, the analysis captures the GDR's activities in the Middle East and their vital role in Moscow's Cold War strategy. Last but least, the study provides one of the few compact overviews of East German foreign policy in the English language of today.
Rarely does one person’s family history intersect dramatically with a country’s momentous events. In Where Is My Home? A Refugee Journey, Miriam Potocky-Tripodi describes the Czech Republic’s decades-long struggle for freedom and how it affected her own life. Only after the fall of Communism in 1989 could the author reclaim her homeland by visiting Prague and discovering her Czech heritage. This family history, written with both poignancy and unwavering honesty, is the story of how the Nazi and Soviet invaders tried to destroy the soul of the Czech people. Yet the story also contains vignettes of triumph, from the author’s father’s defiance of Communist officials to an uncle’s dreams of escape. Like Czech history, this family account has moments of aching sadness. The author relates how she searched for any scrap of information about her grandparents, who were murdered by the Nazis at Auschwitz. Yet, this book also reveals glimpses of radiance, from a painter’s sly humor to the author's feelings of connection to her fellow Czechs. Can an exile ever return home after decades of living in America? This difficult question reverberates throughout this book, leaving the reader with a richer understanding of Czech history and one person's quest for self-identity.
Rarely does one person’s family history intersect dramatically with a country’s momentous events. In Where Is My Home? A Refugee Journey, Miriam Potocky-Tripodi describes the Czech Republic’s decades-long struggle for freedom and how it affected her own life. Only after the fall of Communism in 1989 could the author reclaim her homeland by visiting Prague and discovering her Czech heritage. This family history, written with both poignancy and unwavering honesty, is the story of how the Nazi and Soviet invaders tried to destroy the soul of the Czech people. Yet the story also contains vignettes of triumph, from the author’s father’s defiance of Communist officials to an uncle’s dreams of escape. Like Czech history, this family account has moments of aching sadness. The author relates how she searched for any scrap of information about her grandparents, who were murdered by the Nazis at Auschwitz. Yet, this book also reveals glimpses of radiance, from a painter’s sly humor to the author's feelings of connection to her fellow Czechs. Can an exile ever return home after decades of living in America? This difficult question reverberates throughout this book, leaving the reader with a richer understanding of Czech history and one person's quest for self-identity.
Provides a detailed look at several bold medical innovations that have saved and improved the lives of millions of patients, including mechanical ventilation, organ transplantation and other life-saving surgical techniques.
Shows how Ozick’s characters attempt to mediate a complex Jewish identity, one that bridges the differences between traditional Judaism and secular American culture.
What has Athens to do with Jerusalem?” Asked by the early Christian Tertullian, the question was vigorously debated in the nineteenth century. While classics dominated the intellectual life of Europe, Christianity still prevailed and conflicts raged between the religious and the secular. Taking on the question of how the glories of the classical world could be reconciled with the Bible, Socrates and the Jews explains how Judaism played a vital role in defining modern philhellenism. Exploring the tension between Hebraism and Hellenism, Miriam Leonard gracefully probes the philosophical tradition behind the development of classical philology and considers how the conflict became a preoccupation for the leading thinkers of modernity, including Matthew Arnold, Moses Mendelssohn, Kant, Marx, Nietzsche, and Freud. For each, she shows how the contrast between classical and biblical traditions is central to writings about rationalism, political subjectivity, and progress. Illustrating how the encounter between Athens and Jerusalem became a lightning rod for intellectual concerns, this book is a sophisticated addition to the history of ideas.
This Element presents newly-collected cross-national data on reelection rates of lower house national legislators from almost 100 democracies around the world. Reelection rates are low/high in countries where clientelism and vote buying are high/low. Drawing on theory developed to study lobbying, the authors explain why politicians continue clientelist activities although they do not secure reelection. The Element also provides a thorough review of the last decade of literature on clientelism, which the authors define as discretionary resource distribution by political actors. The combination of novel empirical data and theoretically-grounded analysis provides a radically new perspective on clientelism. Finally, the Element suggests that clientelism evolves with economic development, assuming new forms in highly developed democracies but never entirely disappearing.
Medical care prices in the United States are not only the most expensive in the world, but there are wide variations in what physicians are paid. Doctors at the frontlines of medical care who manage complex conditions argue that they receive disproportionately lower fees than physicians performing services such as minor surgeries and endoscopies. Fixing Medical Prices goes to the heart of the U.S. medical pricing process: to a largely unknown yet influential committee of medical organizations affiliated with the American Medical Association that advises Medicare. Medicare’s ready acceptance of this committee’s recommendations typically sets off a chain reaction across the entire American health care system. For decades, the U.S. policymaking structure for pricing has reflected the influence of physician organizations. What Miriam Laugesen’s rich analysis shows is how these organizations navigate the arcane and complex work of this advisory committee. Contradicting the story of a profession in political decline, Fixing Medical Prices demonstrates that the power of physician organizations has simply become more subtle. Laugesen’s investigation into the exorbitant cost of American medical care will be of interest to those who follow the politics of health care policy, the influence of interest groups on rate setting, and the medical profession’s past and future role in our health care system.
This work studies aspects of the symbolic construction of public spaces by means of linguistic resources (i.e. linguistic landscapes or LLs) in a number of world-cities. The sociology of language leads us to this field and to study the intermingling impacts of globalization, the national principle and multiculturalism – each one conveying its own distinct linguistic markers: international codes, national languages and ethnic vernaculars. Eliezer and Miriam Ben-Rafael study the configurations of these influences, which they conceptualize as multiple globalization, in the LLs of downtowns, residential quarters, and marginal neighborhoods of a number of world-cities. They ask how far worldwide codes of communication gain preeminence, national languages are marginalized and ethnic vernaculars impactful. They conclude by suggesting a paradigm of multiple globalizations.
Bringing together contributions from researchers and practitioners, this book provides a definitive introduction to Video Interaction Guidance. The approach is discussed from a range of theoretical perspectives and within the contexts of narrative therapy, infant and attachment interventions, positive psychology and mindfulness.
This book challenges the assumption that men write of war, women of the hearth. The Lebanese war has seen the publication of many more works of fiction by women than by men. Miriam Cooke has termed these women the Beirut Decentrists, as they are decentered or excluded from both literary canon and social discourse. Although they may not share religious or political affiliation, they do share a perspective which holds them together. Cooke traces the transformation in consciousness that has taken place among women who observed and recorded the progress towards chaos in Lebanon. During the so-called "two year" war of 1975-76 little comment was made about those (usually men in search of economic security) who left the saturnalia of violence, but with time attitudes changed. Women became aware that they had remained out of a sense of responsibility for others and that they had survived. Consciousness of survival was catalytic: the Beirut Decentrists began to describe a society that had gone beyond the masculinization normal in most wars and achieved an almost unprecedented feminization. Emigration, the expected behavior for men before 1975, became the sin qua non for Lebanese citizenship. The writings of the Beirut Decentists offer hope of an escape from the anarchy. If men and women could espouse the Lebanese women's sense of responsibility, the energy that had fueled the unrelenting savagery could be turned to reconstruction. But that was before the invasion of 1982.
Books Across Borders: UNESCO and the Politics of Postwar Cultural Reconstruction, 1945-1951 is a history of the emotional, ideological, informational, and technical power and meaning of books and libraries in the aftermath of World War II, examined through the cultural reconstruction activities undertaken by the Libraries Section of the United Nations Educational, Scientific and Cultural Organization (UNESCO). The book focuses on the key actors and on-the-ground work of the Libraries Section in four central areas: empowering libraries around the world to acquire the books they wanted and needed; facilitating expanded global production of quality translations and affordable books; participating in debates over the contested fate of confiscated books and displaced libraries; and formulating notions of cultural rights as human rights. Through examples from France, Poland, and surviving Jewish Europe, this book provides new insight into the complexities and specificities of UNESCO’s role in the realm of books, libraries, and networks of information exchange during the early postwar, post-Holocaust, Cold War years.
Kracauer. Film, medium of a disintegrating world. -- Curious Americanism. -- Benjamin. Actuality, antinomies. -- Aura: the appropriation of a concept. -- Mistaking the moon for a ball. -- Micky-maus. -- Room-for-play. -- Adorno. The question of film aesthetics. -- Kracauer in exile. Theory of film.
A nuanced study of early Christian exegesis Miriam DeCock analyzes four important early Christian treatments of the Gospel of John, including commentaries by Origen and Cyril from the Alexandrian tradition and the homilies of John Chrysostom and the commentary of Theodore of Mopsuestia, which represent Antiochian traditions. DeCock maintains that the traditional distinction between nonliteral and literal interpretations in these two early Christian centers remains helpful despite recent challenges to the paradigm. She argues that a major and abiding distinction between the two schools lies in the manner in which Alexandrian and Antiochian authors apply the gospel text to their respective communities. DeCock demonstrates that the Antiochenes find primarily literal moral examples and doctrinal teachings in John's Gospel, whereas the Alexandrians find both these and nonliteral teachings concerning the immediate situation of the church and of its individual members. Features An examination of each author's interpretations of a selection of texts Focused explorations of John 2; 4; and 9-11 in early Christian exegesis A study of early literal non-literal interpretations of John's Gospel
This book explores the concept of liminality in the representation of women in eighteenth and nineteenth century literature, as well as in contemporary rewritings, such as novels, films, television shows, videogames, and graphic novels. In particular, the volume focuses on vampires, prostitutes, quixotes, and detectives as examples of new women who inhabit the margins of society and populate its narratives. Therefore, it places together for the first time four important liminal identities, while it explores a relevant corpus that comprises four centuries and several countries. Its diachronic, transnational, and comparative approach emphasizes the representation across time and space of female sexuality, gender violence, and women’s rights, also employing a liminal stance in its literary analysis: facing the past in order to understand the present. By underlining the dialogue between past and present this monograph contributes to contemporary debates on the representation of women and the construction of femininity as opposed to hegemonic masculinity, for it exposes the line of thought that has brought us to the present moment, hence, challenging assumed stereotypes and narratives. In addition, by using popular narratives and media, the present work highlights the value of literature, films, or alternative forms of storytelling to understand how women’s place in society, their voice, and their presence have been and are still negotiated in spaces of visibility, agency, and power.
The late Miriam Roshwald here examines the role of the nineteenth-century ghetto or shtetl through the eyes of three contemporaneous Jewish writers: Karl Emil Franzos (1848-1904), Sholom Aleichem (aka Sholom Rabinovitz, 1859-1916), and Shmuel Yosef Agnon (aka Samuel Josef Czaczkes, 1888-1970).
In the late sixteenth century, English merchants and diplomats ventured into the eastern Mediterranean to trade directly with the Turks, the keepers of an important emerging empire in the Western Hemisphere, and these initial exchanges had a profound effect on English literature. While the theater investigated representations of religious and ethnic identity in its portrayals of Turks and Muslims, poetry, Miriam Jacobson argues, explored East-West exchanges primarily through language and the material text. Just as English markets were flooded with exotic goods, so was the English language awash in freshly imported words describing items such as sugar, jewels, plants, spices, paints, and dyes, as well as technological advancements such as the use of Arabic numerals in arithmetic and the concept of zero. Even as these Eastern words and imports found their way into English poetry, poets wrestled with paying homage to classical authors and styles. In Barbarous Antiquity, Jacobson reveals how poems adapted from Latin or Greek sources and set in the ancient classical world were now reoriented to reflect a contemporary, mercantile Ottoman landscape. As Renaissance English writers including Shakespeare, Jonson, Marlowe, and Chapman weighed their reliance on classical poetic models against contemporary cultural exchanges, a new form of poetry developed, positioned at the crossroads of East and West, ancient and modern. Building each chapter around the intersection of an Eastern import and a classical model, Jacobson shows how Renaissance English poetry not only reconstructed the classical past but offered a critique of that very enterprise with a new set of words and metaphors imported from the East.
When Alfred Kinsey's massive studies Sexual Behavior in the Human Male and Sexual Behavior in the Human Female appeared in 1948 and 1953, their detailed data spurred an unprecedented public discussion of the nation's sexual practices and ideologies. As they debated what behaviors were normal or average, abnormal or deviant, Cold War Americans also celebrated and scrutinized the state of their nation, relating apparent changes in sexuality to shifts in its political structure, economy, and people. American Sexual Character employs the studies and the myriad responses they evoked to examine national debates about sexuality, gender, and Americanness after World War II. Focusing on the mutual construction of postwar ideas about national identity and sexual life, this wide-ranging, shrewd, and lively analysis explores the many uses to which these sex surveys were put at a time of extreme anxiety about sexual behavior and its effects on the nation. Looking at real and perceived changes in masculinity, female sexuality, marriage, and homosexuality, Miriam G. Reumann develops the notion of "American sexual character," sexual patterns and attitudes that were understood to be uniquely American and to reflect contemporary transformations in politics, social life, gender roles, and culture. She considers how apparent shifts in sexual behavior shaped the nation's workplaces, homes, and families, and how these might be linked to racial and class differences.
This is a monograph about the medieval Jewish community of the Mediterranean port city of Alexandria. Through deep analyses of contemporary historical sources, mostly documents from the Cairo Geniza, life stories, conducts and practices of private people are revealed. When put together these private biographies convey a social portrait of an elite group which ruled over the local community, but was part of a supra communal network.
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