#1 New York Times Bestseller In this decidedly unhelpful, candid, hilarious “how-to” guide, YouTube personality Miranda Sings offers life lessons and tutorials with her signature sassy attitude. Over six million social media fans can’t be wrong: Miranda Sings is one of the funniest faces on YouTube. As a bumbling, ironically talentless, self-absorbed personality (a young Gilda Radner, if you will), she offers up a vlog of helpful advice every week on her widely popular YouTube channel. For the first time ever, Miranda is putting her advice to paper in this easy-to-follow guide, illustrated by Miranda herself. In it, you’ll find instructions on everything: how to get a boyfriend (wear all black and carry a fishing net), to dressing for a date (sequins and an orange tutu), to performing magic (“Magic is Lying”), and much, much more! Miranda-isms abound in these self-declared lifesaving pages, and if you don’t like it…well, as Miranda would say…“Haters, back off!”
From the #1 New York Times bestselling author of Selp-Helf comes the “leaked” diary of YouTube comedic personality Miranda Sings. Taped together so the world can read all about her life through her eyes, My Diarrhe includes pages from Miranda’s baby book, poems from her years as an emotional teen, secrets from her dating life, and stories from her rise to fame. As Miranda herself says, “It has every single secret about my life in it. My first kiss, my first period, stories about secret family members, secret photos of other celebrities, etc... so don’t read it!”
From the #1 New York Times bestselling author of Selp-Helf comes the “leaked” diary of YouTube comedic personality Miranda Sings. Taped together so the world can read all about her life through her eyes, My Diarrhe includes pages from Miranda’s baby book, poems from her years as an emotional teen, secrets from her dating life, and stories from her rise to fame. As Miranda herself says, “It has every single secret about my life in it. My first kiss, my first period, stories about secret family members, secret photos of other celebrities, etc... so don’t read it!”
Well hello to you, Dear Book Peruser and thank you for your kind interest in my book o'Miranda. Here you will find my favourite six scripts, hand-picked from all three series, with introductions by moi, and some other tit-bits, and silliness. Because no book of this ilk should be without tit-bits and silliness. If nothing else it's fun to say tit-bits. Repeat after me: tit-bits. You're welcome. I hope you enjoy seeing the scripts in their pure written form on the page before they translated to what you have seen on screen. And if you're a lovely young person still at school let me know if your drama teacher ever lets you do an episode for the school play. Nothing would make me happier. Though I bagsy play Miranda. Your favourite, number one bestselling, comedian Miranda Hart is giving you an access-all-areas VIP backstage pass to her award-winning sitcom. Miranda Hart has won bundles of awards, written a bestselling book and completed a sell-out nationwide tour. But it was her award-winning BBC sitcom Miranda which first made her a much-loved household name. Here Miranda gives us an access-all-areas VIP backstage pass to Miranda the sitcom. The Best of Miranda is a beautiful and hilarious book which will delight Miranda's many fans and earn her many new ones.
A backstage pass to the groundbreaking, hit musical Hamilton, winner of the 2016 Pulitzer Prize for Drama and Eleven Tony Awards, including Best Musical, including the award-winning libretto, behind-the-scenes photos and interviews, and exclusive footnotes from composer-lyricist-star Lin-Manuel Miranda, now streaming on Disney+ with the original cast. Lin-Manuel Miranda's groundbreaking musical Hamilton is as revolutionary as its subject, the poor kid from the Caribbean who fought the British, defended the Constitution, and helped to found the United States. Fusing hip-hop, pop, R&B, and the best traditions of theater, this once-in-a-generation show broadens the sound of Broadway, reveals the storytelling power of rap, and claims our country's origins for a diverse new generation. Hamilton: The Revolution gives readers an unprecedented view of both revolutions, from the only two writers able to provide it. Miranda, along with Jeremy McCarter, a cultural critic and theater artist who was involved in the project from its earliest stages -- "since before this was even a show," according to Miranda -- traces its development from an improbable performance at the White House to its landmark opening night on Broadway six years later. In addition, Miranda has written more than 200 funny, revealing footnotes for his award-winning libretto, the full text of which is published here. Their account features photos by the renowned Frank Ockenfels and veteran Broadway photographer, Joan Marcus; exclusive looks at notebooks and emails; interviews with Questlove, Stephen Sondheim, leading political commentators, and more than 50 people involved with the production; and multiple appearances by President Obama himself. The book does more than tell the surprising story of how a Broadway musical became a national phenomenon: It demonstrates that America has always been renewed by the brash upstarts and brilliant outsiders, the men and women who don't throw away their shot.
A must read...I couldn't put it down." —Simone Elkeles on Catching Jordan From the bestselling author of Catching Jordan comes a new teen romance sure to appeal to fans of Sarah Dessen. SOME RULES WERE MEANT TO BE BROKEN. Kate has always been the good girl. Too good, according to some people at school—although they have no idea the guilty secret she carries. But this summer, everything is different... This summer she's a counselor at Cumberland Creek summer camp, and she wants to put the past behind her. This summer Matt is back as a counselor too. He's the first guy she ever kissed, and he's gone from geeky songwriter who loved The Hardy Boys to a buff lifeguard who loves to flirt...with her. Kate used to think the world was black and white, right and wrong. Turns out, life isn't that easy... Praise for Miranda Keaneally: "Fresh, fearless, and totally romantic."—Sarah Ockler, bestselling author of the Twenty Boy Summer "Catching Jordan is the romantic comedy I've been waiting for. I loved it!"—Jennifer Echols, author of Such a Rush "An incredibly well-written, beautiful story that balances romance, drama, and comedy perfectly."—Bookish, on Stealing Parker
#1 New York Times Bestseller In this decidedly unhelpful, candid, hilarious “how-to” guide, YouTube personality Miranda Sings offers life lessons and tutorials with her signature sassy attitude. Over six million social media fans can’t be wrong: Miranda Sings is one of the funniest faces on YouTube. As a bumbling, ironically talentless, self-absorbed personality (a young Gilda Radner, if you will), she offers up a vlog of helpful advice every week on her widely popular YouTube channel. For the first time ever, Miranda is putting her advice to paper in this easy-to-follow guide, illustrated by Miranda herself. In it, you’ll find instructions on everything: how to get a boyfriend (wear all black and carry a fishing net), to dressing for a date (sequins and an orange tutu), to performing magic (“Magic is Lying”), and much, much more! Miranda-isms abound in these self-declared lifesaving pages, and if you don’t like it…well, as Miranda would say…“Haters, back off!”
What does the sublime sound like? Harmonious, discordant, noisy, rustling, silent? Miranda Eva Stanyon rereads and resounds this crucial aesthetic category in English and German literatures of the long eighteenth century from a musical perspective and shows how sonorous sublimes lay at the heart of a central and transformative discourse. For Enlightenment and Romantic era listeners, the musical sublime represented a sonic encounter of the most extreme kind, one that tested what humans were capable of feeling, imagining, thinking, and therefore becoming. The sublime and music have not always sung from the same hymn sheet, Stanyon observes. She charts an antagonistic intimacy between the two, from the sublime's rise to prominence in the later seventeenth century, through the upheavals associated with Kant in the late eighteenth century, and their reverberations in the nineteenth. Offering readings of canonical texts by Longinus, Dryden, Burke, Klopstock, Herder, Coleridge, De Quincey, and others alongside lesser-known figures, she shows how the literary sublime was inextricable from musical culture, from folksongs and ballads to psalmody, polychoral sacred music, and opera. Deeply interdisciplinary, Resounding the Sublime draws literature into dialogue with sound studies, musicology, and intellectual and cultural history to offer new perspectives on the sublime as a phenomenon which crossed media, disciplines, and cultures. An interdisciplinary study of sound in history, the book recovers varieties of the sublime crucial for understanding both the period it covers and the genealogy of modern and postmodern aesthetic discourses. In resounding the sublime, Stanyon reveals a phenomenon which was always already resonant. The sublime emerges not only as the aesthetic of the violently powerful, a-rational, or unrepresentable, but as a variegated discourse with competing dissonant, harmonious, rustling, noisy, and silent strains, one in which music and sound illustrate deep divisions over issues of power, reason, and representation.
Jenny is a third-rate music-hall chanteuse living in Edwardian London. When she remarks to her mentor and lover Leo that she never wants to grow old, she is unwittingly making a pact with the Devil. Her contract to love him will reside at the Metaphysical Bank in High Street Kensington—forever. Leo has lived through thousands of years in numerous incarnations. As he gleefully exploits what 20th century London has to offer—as a magician ("the Great Pantoffsky"), fighter pilot, coke dealer, city banker—Jenny finds that the joy of eternal youth is short-lived. Her unchanging appearance provokes questions and Jenny has to move abroad or constantly reinvent herself. For 60 years she has to pass herself off as her own offspring. When she bears a real daughter that may or may not be Leo's, his destructive nature comes to the fore. She flees from him and destroys the contract that she has never read. At the same time Leo understands that Jenny is the one woman that he has truly loved and that perhaps it is time the Devil made a stab at family life, whatever the consequences. A compelling journey through 20th-century Europe and beyond, Miranda Miller’s ingenious take on the Faust story is by turns humorous, erotic, and terrifying.
NEW YORK TIMES BESTSELLER • The eagerly awaited follow-up to the #1 New York Times bestseller Hamilton: The Revolution, Lin-Manuel Miranda’s new book gives readers an extraordinary inside look at In the Heights, his breakout Broadway debut, written with Quiara Alegría Hudes, now a Hollywood blockbuster. “[An] exuberant, unique, and invaluable record of dynamic, brilliant, and soulful creativity.”—Booklist (starred review) In 2008, In the Heights, a new musical from up-and-coming young artists, electrified Broadway. The show’s vibrant mix of Latin music and hip-hop captured life in Washington Heights, the Latino neighborhood in upper Manhattan. It won four Tony Awards and became an international hit, delighting audiences around the world. For the film version, director Jon M. Chu (Crazy Rich Asians) brought the story home, filming its spectacular dance numbers on location in Washington Heights. That’s where Usnavi, Nina, and their neighbors chase their dreams and ask a universal question: Where do I belong? In the Heights: Finding Home reunites Miranda with Jeremy McCarter, co-author of Hamilton: The Revolution, and Quiara Alegría Hudes, the Pulitzer Prize–winning librettist of the Broadway musical and screenwriter of the film. They do more than trace the making of an unlikely Broadway smash and a major motion picture: They give readers an intimate look at the decades-long creative life of In the Heights. Like Hamilton: The Revolution, the book offers untold stories, perceptive essays, and the lyrics to Miranda’s songs—complete with his funny, heartfelt annotations. It also features newly commissioned portraits and never-before-seen photos from backstage, the movie set, and productions around the world. This is the story of characters who search for a home—and the artists who created one.
But I suppose Steven and I knew something about broken things--that sometimes you just couldn't mend them. Never stopped trying though. Because you can't-until you do: stop and leave the broken thing behind.'Struggling to bear the legacy of her grandparents' experience of the Holocaust and her mother's desperate fragility, Sally seeks to reconnect with her brother Steven. Once close, Steven seems a stranger to her now that he has left London for Brighton. The echoes of their history once bound them--but it is an inheritance Steven can no longer share. Starlings reaches back through three generations of inherited trauma, exploring how the impact of untold stories ricochets down the years. As Sally winds her way back to catch the moment when Steven slipped away, she collects the fractured words and sliding memories that might piece together her grandparents' journeys. Having always looked through the eyes of ghosts she cannot appease, she at last comes to hear what speechless mouths might have said: perhaps Before may be somewhere we can never truly leave behind and After simply the place we must try to make our home. In delicate brushstrokes, this extraordinary first novel captures a family unravelling as the unspeakable finds a voice. It is by turns sad, hopeful, and deeply compelling.
When Miranda Sawyer interviewed Noel Gallagher in 1995, his gag wishing Damon Albarn would die of AIDS became front-page news. This fascinating pop history, exploring the mid-90s moment when British music suddenly meant everything, explains why. Picking out twenty key songs, delving into the surprising stories behind them and their unlikely creators, Uncommon People takes us back to when Jarvis Cocker became a national hero, Trainspotting was a global hit, fire-starting seemed like a good night out - and it felt as though the revolution was happening. Initially a music press nickname, Britpop became an unexpected musical movement centred around outsiders and misfits, drop-outs and weirdos who refused to compromise on their ideas, even when they were thrust into the international spotlight. Not just a scene for white guys with guitars, but something wilder and more interesting, with songs that have proved timeless. Exploring the era's key artists - Oasis, Blur, Tricky, Pulp, Underworld, Manic Street Preachers, The Prodigy, Suede, Chemical Brothers, Garbage, Supergrass, Radiohead, PJ Harvey and more - through their definitive anthems, Miranda Sawyer transports us back to the beating heart of the nineties. Uncommon People re-lives the mad exhilaration of what it was like to hear these songs for the very first time - and what it was like to make them. With amazing new interviews, and I-was-there insights, this book offers a backstage pass to all the most interesting bits of Britpop's Greatest Hits. Forget New Labour, forget earnest trend theories, this book is all about the music, the people and being right there, right now.
A humorous and affectionate look at modern Spain, and a celebration of the country's greatest book, from the pen of a brilliant young writer. When in 1987 Miranda France spent a year living in Madrid, the post-dictatorship ebullience was at its height. Pornography and soft drugs were legalised alongside more basic freedoms, such as divorce, party-affiliation and kissing in the street. In 1998 she returned to make a journey through the great cities and towns of central Spain - Madrid, Toledo, Segovia, Salamanca and others. With the new prosperity, much has changed. But much has also endured, as she learns from the people she meets, who include a private detective, a shepherd, various nuns, two belly dancers and a Castilian separatist. She also discovers that Cervantes' DON QUIXOTE' published in 1605 and the most translated book after the Bible - is a work of genius which still helps to explain the Spanish character: today's Spaniards still suffer from Don Quixote's delusions, and are as stubborn, inflexible and unrealistic as they have always been.
THE SUNDAY TIMES NUMBER ONE BESTSELLER 'It will certainly raise what I call a smile in her thousands of fans' DAILY MAIL 'Miranda Hart will carry you along with the sheer force of her charm, bumbling cheer and charisma.' SUNDAY EXPRESS Well hello to you dear browser. Now I have your attention it would be rude if I didn't tell you a little about my literary feast. So, here is the thing: is it just me or does anyone else find that adulthood offers no refuge from the unexpected horrors, peculiar lack of physical coordination and sometimes unexplained nudity, that accompanied childhood and adolescence? Does everybody struggle with the hazards that accompany, say, sitting elegantly on a bar stool; using chopsticks; pretending to understand the bank crisis; pedicures - surely it's plain wrong for a stranger to fondle your feet? Or is it just me? I am proud to say I have a wealth of awkward experiences - from school days to life as an office temp - and here I offer my 18-year-old self (and I hope you too dear reader) some much needed caution and guidance on how to navigate life's rocky path. Because frankly where is the manual? The much needed manual to life. Well, fret not, for this is my attempt at one and let's call it, because it's fun, a Miran-ual. I thank you.
In the early decades of the twentieth century, New York caught the attention of Spanish writers. Many of them visited the city and returned to tell their experience in the form of a literary text. That is the case of Pruebas de Nueva York (1927) by Jose Moreno Villa (1887-1955), El crisol de las razas (1929) by Teresa de Escoriaza (1891-1968), Anticipolis (1931) by Luis de Oteyza (1883-1961) and La ciudad automatica (1932) by Julio Camba (1882-1962). In tune with similar representations in other European works, the image of New York given in these texts reflects the tensions and anxieties generated by the modernisation embodied by the United States. These authors project onto New York their concerns and expectations about issues of class, gender and ethnicity that were debated at the time, in the context of the crisis of Spanish national identity triggered by the end of the empire in 1898.
Practice makes perfect. Everyone at Hundred Oaks High knows that career mentoring day is a joke. So when Maya said she wanted to be a rock star, she never imagined she'd get to shadow the Jesse Scott, Nashville's teen idol. But spending the day with Jesse is far from a dream come true. He's as gorgeous as his music, but seeing all that he's accomplished is just a reminder of everything Maya's lost: her trust, her boyfriend, their band, and any chance to play the music she craves. Not to mention that Jesse's pushy and opinionated. He made it on his own, and he thinks Maya's playing back up to other people's dreams. Does she have what it takes to follow her heart—and go solo? Praise for Miranda Kenneally's Breathe, Annie, Breathe: "[An] expertly paced and realistic romance."—Booklist, starred review "Heartfelt, uplifting, and quite possibly enough motivation to make readers reach for their running shoes." —Publisher's Weekly "Breathe, Annie, Breathe is an emotional, heartfelt, and beautiful story about finding yourself after loss and learning to love. Her best book yet." —Jennifer L. Armentrout, New York Times bestselling author of Wait for You
“Enthralling.… Seymour powerfully evokes the world from which Rhys never really escaped, one of prejudice, abuse, and abuse’s shamefaced offspring, complicity.” —James Wood, The New Yorker An intimate, profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. Jean Rhys is one of the most compelling writers of the twentieth century. Memories of her Caribbean girlhood haunt the four short and piercingly brilliant novels that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England, a body of fiction—above all, the extraordinary Wide Sargasso Sea—that has a passionate following today. And yet her own colorful life, including her early years on the Caribbean island of Dominica, remains too little explored, until now. In I Used to Live Here Once, Miranda Seymour sheds new light on the artist whose proud and fiercely solitary life profoundly informed her writing. Rhys experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil, all of which contributed to the “Rhys woman” of her oeuvre. Today, readers still intuitively relate to her unforgettable characters, vulnerable, watchful, and often alarmingly disaster-prone outsiders; women with a different way of moving through the world. And yet, while her works often contain autobiographical material, Rhys herself was never a victim. The figure who emerges for Seymour is cultured, self-mocking, unpredictable—and shockingly contemporary. Based on new research in the Caribbean, a wealth of never-before-seen papers, journals, letters, and photographs, and interviews with those who knew Rhys, I Used to Live Here Once is a luminous and penetrating portrait of a fascinatingly elusive artist.
Dear Teen Me includes advice from over 70 YA authors (including Lauren Oliver, Ellen Hopkins, and Nancy Holder, to name a few) to their teenage selves. The letters cover a wide range of topics, including physical abuse, body issues, bullying, friendship, love, and enough insecurities to fill an auditorium. So pick a page, and find out which of your favorite authors had a really bad first kiss! Who found true love at 18? Who wishes he'd had more fun in high school instead of studying so hard? Some authors write diary entries, some write letters, and a few graphic novelists turn their stories into visual art. And whether you hang out with the theater kids, the band geeks, the bad boys, the loners, the class presidents, the delinquents, the jocks, or the nerds, you'll find friends—and a lot of familiar faces—in these pages.
What happens when getting played on Radio 1 isn't the goal anymore? What if music is really just about music? A few years ago, Little Fish were signed to a major label and recorded an album in LA. They've toured with some big names (last year Debbie Harry saw them supporting Courtney Love and asked them to join Blondie for a UK tour, for instance) and played all over the world. But earlier this year, they did the opposite of what the traditional rock n' roll myth says you should do: they came home again. They left their label, set up a recording studio in an Oxford bungalow, and started doing the things that made them happy, instead of the things they thought they should do to get played on Radio 1. They sent hand-letter-pressed cards to their fans, held raffles in the middle of their gigs, and played acoustic sets at local open mic nights. Independence has raised a lot of questions for Little Fish. Why do we make music? What do people want from bands? How do you create a community? How can we make a living? What is a living? Joined by friend and writer Miranda Ward, who quit her job to follow them on their adventure, they plan to explore these questions, even if they never find answers, and to tell the stories about being in a band that you don't get to hear in NME. F**k the Radio is a book about Little Fish, but it's also a book about making it work, making your own way, and making stuff - music, comics, t-shirts, fishy paper squares, stickers, badges, vinyl, stop-motion animations, even books. And fresh apple juice. It's about declaring your independence and rewriting the myths you live by.
Even though she thinks Caleb's mom blames her for his accidental death two months ago, Jessa agrees to pack up her ex-boyfriend's bedroom, but every item she touches makes Jessa question what she knows about his death, his family, and their year-long relationship.
Evoking the pleasures of music as well as food, the word sabor signifies a rich essence that makes our mouths water or makes our bodies want to move. American Sabor traces the substantial musical contributions of Latinas and Latinos in American popular music between World War II and the present in five vibrant centers of Latin@ musical production: New York, Los Angeles, San Antonio, San Francisco, and Miami. From Tito Puente�s mambo dance rhythms to the Spanglish rap of Mellow Man Ace, American Sabor focuses on musical styles that have developed largely in the United States�including jazz, rhythm and blues, rock, punk, hip hop, country, Tejano, and salsa�but also shows the many ways in which Latin@ musicians and styles connect US culture to the culture of the broader Americas. With side-by-side Spanish and English text, authors Marisol Berr�os-Miranda, Shannon Dudley, and Michelle Habell-Pall�n challenge the white and black racial framework that structures most narratives of popular music in the United States. They present the regional histories of Latin@ communities�including Chicanos, Tejanos, and Puerto Ricans�in distinctive detail, and highlight the shared experiences of immigration/migration, racial boundary crossing, contesting gender roles, youth innovation, and articulating an American experience through music. In celebrating the musical contributions of Latinos and Latinas, American Sabor illuminates a cultural legacy that enriches us all.
In this volume, Miranda Morris and Ṭānuf Sālim Di-Kišin present material from the rich poetic tradition of this remote island, in Arabic and English, as well as in the unique Soqoṭri language.
Notes for Cellists: A Guide to the Repertoire is a collection of accessible essays about key compositions for the cello from the seventeenth century to the present. Each essay provides historical context and a brief analysis of a composition. This book will be of interest to enthusiasts of the cello and students of all levels seeking to enrich their understanding of cello music, and a much-needed reference guide for teachers and professional players.
A deadly memoir about being bold, black and brave in work, life and love 'Sharing my story is important ... I think it is true that you don't aspire to be what you cannot see. I would like this book to show you that you can push yourself to do things you never dreamed you would do.' As a young Larrakia Tiwi girl Miranda Tapsell often felt like an outsider. Growing up, she looked for faces like hers on our screens. There weren't many. And too often there was a negative narrative around First Nation lives, and Aboriginal and Torres Strait Islander women especially. As she got older, Miranda stopped expecting others would help change things and set about doing something herself. Combining her pride in her Aboriginality and passion for romantic comedies with her love of Darwin, the Tiwi Islands and the Top End, Miranda co-wrote, produced and starred in the box office hit Top End Wedding. In this engaging memoir, Miranda shares the path she took to acting and how her role in The Sapphires and then in Love Child inspired her to create a film about coming back to family and culture. And, it would turn out, that as she was writing her romantic lead she was also conjuring up some magic that saw a real-life love ignite. This deadly, ballad-loving rom-com nerd also asks us all to open our minds and our hearts to the importance of country and culture, In doing so, Miranda shows us how we will all be richer for it. Funny, wise and thought-provoking, Top End Girl will have you at hello.
Her childhood nearly destroyed her. Only the magic of the garden could save her. Poppy was six years old when she was rescued from her abusive mother and taken to her grandparents' farm to recover. There, under a wide South African sky, Poppy succumbs to the magic of their garden. Slowly, her memories fade and her wounds began to heal. But as Poppy grows up into a strange, fierce and beautiful young woman, her childhood memories start to surface. And then a love affair with a married man across the valley explodes her world...
In a profound recollection Miranda* remembers her earthly mission. Under the guidance of Spirit and extra-terrestrials Miranda* undergoes years of training, in multiple dimensions and the synchronistic realm. With spiritual initiations as well as trials and suffering, Miranda* evolves, rapidly integrating lessons learned in other lifetimes, and developing the paranormal abilities needed for the monumental role she is to play as she fulfills her destiny. On a trip to Peru in 2001 she finds an ancient engraved stone, and when she unravels its message, it unveils a Truth so astonishing that she guards it in secret. Revealing the written prophecy too soon may unleash the greatest religious and political revolution in the history of mankind. Tuning in to the collective consciousness, Miranda* has waited to come forward until humanity was not only ready for this momentous message, but eagerly awaiting it. With the Mayan Calendar ending in 2012, that time is now. After The Secret which quickly spread around the world, this book is The Revelation. Adventure, romance, magic and miracles all come together in an inspiring blend of spirituality, mythology and cosmic science. Incredulous as it may appear, this is a true story.
Zephania lives a sheltered life, content to let her best friend Kai receive most of the attention. When the two friends transfer to a new school, Zeph meets Aaron and begins to learn about loyalty, friendship, love, and her own nature.
Writing from her personal experience, Miranda Holden shows that nurturing an authentic soul life brings a level of power, wisdom, strength and vision beyond what is commonly available, and that it can transform a life of struggle into one of exceptional ease, depth and joy. She sets out to communicate in a very accessible way ideas and methods that would otherwise take years of meditation, wading through mystic texts and many, many hours of therapy. Accessing the spirit within can provide us with peace, true stability and meaning in a fast changing world where business, conventional religion and family life are fast being altered beyond recognition.
“A Secret History-esque tale...All the ingredients for the perfect summer read.” —The Millions “Captivating, thoughtful, and tense, a great read for those who enjoy psychological thrillers and complex puzzles. Highly recommended.” —New York Journal Review of Books “It’s time to come Home. All five of you. Or else.” Saskia was a damaged, lonely teenager when she arrived at the lakeside commune called Home. She was entranced by the tang of sourdough starter; the midnight call of the loons; the triumph of foraging wild mushrooms from the forest floor. But most of all she was taken with Abraham, Home's charismatic leader, the North Star to Saskia and the four other teens who lived there, her best and only friends. Two decades later, Saskia is shuttered in her Connecticut estate, estranged from the others. Her carefully walled life is torn open by threatening letters. Unless she and her former friends return to the land in rural Maine, the terrible thing they did as teenagers—their last-ditch attempt to save Home—will be revealed. From vastly different lives, the five return to confront their blackmailer and reckon with the horror that split them apart. How far will they go to bury their secret forever? New York Times bestselling author Miranda Beverly-Whittemore’s Fierce Little Thing is a mesmerizing story of friendship and its reckonings.
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