This issue of Veterinary Clinics: Exotic Animal Practice, Guest Edited by Dr. Minh Huynh in collaboration with Consulting Editor, Dr. Joerg Mayer, focuses on Technological Advances in Exotic Pet Practice. Topics covered in this issue include: Medical Applications for 3D Printing in Exotic Pet Medicine; Use of Bone Plates in Exotic Pet Medicine; Smartphone-based Devices for Medical Use in Exotic Pet Medicine; Technological Advances in Endoscopic Equipment and Endosurgery in Exotic Pet Medicine; Technological Advances in Surgical Equipment in Exotic Pet Medicine; Technological Advances in Diagnostic Imaging in Exotic Pet Medicine; Technological Advances in Exotic Pet Anesthesia; Advances in Exotic Pet Clinical Pathology; Technological Advances in Herpetology; Advances in Therapeutics and Delayed Drug Release; Permanent Implantable Devices in Exotic Pet Medicine; Technological Advances in Exotic Pet Wound Management; and Dissemination of Medical Information in Exotic Pet Practice.
Two days after Saigon fell to the communists, Hoa Minh Truong walked along the path leading to the Tan Xuyen village council. He had been there many times during his army service but this time he was filled with fear. The extra-tight security included a young Viet Cong trooper who clutched a Russian-made AK-47 automatic rifle in his small hands. The gun was just one of many multi-death tools supplied in the name of revolution by the major communist powers to Vietnam's communists. The trooper could not have been more than fifteen years old. In the yard next to the building Hoa noticed a huge heap of uniforms, helmets, boots, belts and ammunition. All of these items had been dumped there when the South Vietnam government surrendered and ordered its forces to disarm. Hoa was on the losing side of the war for reasons that, to him, remained unclear and unacceptable. Now, he and many thousands of others were being forced into so-called re-education camps. Held there without trial, these prisoners faced terrible conditions and cruel punishments. Many did not survive, but Hoa did. In this remarkable book, he offers his story to the world. Author Hoa Minh Truong is a well-published author of fiction, non-fiction and poetry in the Vietnamese language. He now lives in Perth, Australia with his wife and daughter.
A country uncommonly rich in plants, animals, and natural habitats, the Socialist Republic of Vietnam shelters a significant portion of the world’s biological diversity, including rare and unique organisms and an unusual mixture of tropical and temperate species. This book is the first comprehensive account of Vietnam’s natural history in English. Illustrated with maps, photographs, and thirty-five original watercolor illustrations, the book offers a complete tour of the country’s plants and animals along with a full discussion of the factors shaping their evolution and distribution. Separate chapters focus on northern, central, and southern Vietnam, regions that encompass tropics, subtropics, mountains, lowlands, wetland and river regions, delta and coastal areas, and offshore islands. The authors provide detailed descriptions of key natural areas to visit, where a traveler might explore limestone caves or glimpse some of the country’s twenty-seven monkey and ape species and more than 850 bird species. The book also explores the long history of humans in the country, including the impact of the Vietnam-American War on plants and animals, and describes current efforts to conserve Vietnam’s complex, fragile, and widely threatened biodiversity.
The term “ladies first” is simply a verbal courtesy in Western culture. In reality, women receive unfair treatment in earning power and on nearly every level where it counts in society. The worst situations exist in Asian and African regions, including the Middle East. This book recounts a humble Vietnamese woman’s life. Indeed, the common circumstance of a female’s lower position and gender discrimination is influenced by history, including the religious beliefs espoused by Confucius. This woman’s family lived in central Vietnam, but had to flee their village because of the invading terrorist Vietcong. Her family had become dissidents in their own homeland. Moving to Saigon, they worked hard to rebuild a new life, but everything was taken from them after the Vietcong won the war. After living a year in a refugee camp, she ultimately resettled into a new life in Australia. This brave woman lived, worked, and suffered through the county’s colonial French period, through the democratic government of South Vietnam, and later survived the ruthless regime of the Communist takeover. Her dramatic true story blends the history, culture, and religious concerns that have affected millions of Vietnamese women, while also reflecting the panorama of the Vietnamese people
Winner of the PEN/Jerard Award Chicago Tribune Best Book of the Year Kiriyama Notable Book "[A] perfectly pitched and prodigiously detailed memoir." - Boston Globe As a Vietnamese girl coming of age in Grand Rapids, Michigan, Nguyen is filled with a rapacious hunger for American identity, and in the pre-PC-era Midwest (where the Jennifers and Tiffanys reign supreme), the desire to belong transmutes into a passion for American food. More exotic- seeming than her Buddhist grandmother's traditional specialties, the campy, preservative-filled "delicacies" of mainstream America capture her imagination. In Stealing Buddha's Dinner, the glossy branded allure of Pringles, Kit Kats, and Toll House Cookies becomes an ingenious metaphor for Nguyen's struggle to become a "real" American, a distinction that brings with it the dream of the perfect school lunch, burgers and Jell- O for dinner, and a visit from the Kool-Aid man. Vivid and viscerally powerful, this remarkable memoir about growing up in the 1980s introduces an original new literary voice and an entirely new spin on the classic assimilation story.
The dramatic novel Good Evening, Vietnam is a love story interrupted by war.During his tour of duty in Vietnam, a young U.S. chopper co-pilot falls in love with a Vietnamese girl. After his chopper is shot down, he is taken prisoner by the Vietcong. Under a POW exchange in 1973, he returns to America, leaving behind his pregnant girlfriend.After the Vietcong take over Saigon, they imprison hundreds of thousands of South Vietnamese who worked with the Americans, force others into the jungles, and denounce the children of U.S. soldiers. Most of these abandoned children were left homeless, some became gangsters, and others joined bandit gangs.Many years later, when the American pilot’s mental health finally recovers from his ordeals, he travels back to Vietnam for closure. There he is robbed by a gang leader, who later looks at the wallet of the man he robbed, and finds a surprising photo.Good Evening, Vietnam is the stunning story of a reunion that was too long in coming.
Jazz in Socialist Hà Nội: Improvisations between Worlds examines the germination and growth of jazz under communist rule—perceived as the "music of the enemy" and "ideologically decadent"—in the Vietnamese capital of Hà Nội. After disappearing from the scene in 1954 following the end of the First Indochina War, jazz reemerged in the public sphere decades later at the end of the Cold War. Since then, Hà Nội has established itself as a vital and vibrant jazz center, complete with a full jazz program in the national conservatoire. Featuring interviews with principal players involved in cultivating the scene from past to present, this book presents the sociocultural encounters between musicians and the larger powers enmeshed in the broader political economy, detailing jazz’s journey to garner respect comparable to classical music as an art form possessing high artistic value. Ethnographical sketches explore how Vietnamese musicians learn and play jazz while sustaining and nurturing the scene, providing insight as to how jazz managed to grow in such an environment. Jazz in Socialist Hà Nội sheds light on those underlying caveats that allow Vietnamese jazz musicians to navigate the middle grounds between "worlds"—between music and politics—not as an act of resistance, but as realisation of artistic expression.
An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer."--Trinh T. Minh-ha Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas. Extensively illustrated in color and black and white, Cinema-Interval covers a wide range of issues, many of them concerning "the space between"--between viewer and film, image and text, interviewer and interviewee, lover and beloved. As an added bonus, the complete scripts of Trinh's films Surname Viet Given Name Nam and A Tale of Love are also included in the volume. Cinema-Interval will be an essential work for readers interested in contemporary film art, feminist thought, and postcolonial studies.
Shortlisted for the EuroSEAS Humanities Book Prize 2022 Quyền Văn Minh (b. 1954) is not only a jazz saxophonist and lecturer at the prestigious Vietnam National Academy of Music, but he is also one of the most preeminent jazz musicians in Vietnam. Considered a pioneer in the country, Minh is often publicly recognized as the “godfather of Vietnamese jazz.” Playing Jazz in Socialist Vietnam tells the story of the music as it intertwined with Minh’s own narrative. Stan BH Tan-Tangbau details Minh’s life story, telling how Minh pioneered jazz as an original genre even while navigating the trials and tribulations of a fervent socialist revolution, of the ideological battle that was the Cold War, of Vietnam’s war against the United States, and of the political changes during the Đổi Mới period between the mid-1980s and the 1990s. Minh worked tirelessly and delivered two breakthrough solo recitals in 1988 and 1989, marking the first time jazz was performed in the public sphere in the socialist state. To gain jazz acceptance as a mainstream musical art form, Minh founded Minh Jazz Club. With the release of his debut album of original compositions in 2000, Minh shaped the nascent genre of Vietnamese jazz. Minh’s endeavors kickstarted the momentum, from his performing jazz in public, teaching jazz both formally and informally, and contributing to the shaping of an original Vietnamese voice to stand out among the many styles in the jazz world. Most importantly, Minh generated a public space for musicians to play and for the Vietnamese to listen. His work eventually helped to gain jazz the credibility necessary at the national conservatoire to offer instruction in a professional music education program.
Since Vietnam introduced economic reforms in the mid-1980s, domestic service has become an established sector of the labour market, and domestic workers have become indispensable to urban life in the rapidly changing country. This book analyzes the ways in which the practices and discourses of domestic service serve to forge and contest emerging class identities in post-reform Vietnam. Drawing on a rich and diverse range of qualitative data, including ethnographies, interviews, and narratives, it shows that such practices and discourses are rooted in cultural notions of gender and rural-urban difference and enduring socialist structures of feeling, which, in turn, clash with the realities of growing differentiation. Domestic workers’ experiences reveal negotiations with class boundaries actively set by the urban middle class, who seek distinction through emerging notions and practices of domesticity. These boundaries are nevertheless riddled with gender and class anxiety on the side of the latter, partly because of the very struggles and contestations of the domestic workers. More broadly, Minh T. N. Nguyen links the often invisible intimate dynamics of class formation in the domestic sphere with wider political economic processes in a post-socialist country embarking on marketization while retaining the political control of a party-state. As a pioneering ethnographic study of domestic service in Vietnam today, this book will be of great interest to students and scholars of Southeast Asian culture & society, social anthropology, gender studies, human geography and development studies.
This reference manual provides a list of approximately 300 technical terms and phrases common to environmental engineering which non-English speakers often find difficult to understand in English. The manual provides the terms and phrases in alphabetical order, followed by a concise English definition, then a translation of the term in Vietnamese and, finally, an interpretation or translation of the term or phrase in Vietnamese. Following the Vietnamese translations section, the columns are reversed and reordered alphabetically in Vietnamese with the English term and translation following the Vietnamese term or phrase. The objective is to provide a technical term reference manual for non-English speaking students and engineers who are familiar with Vietnamese, but uncomfortable with English, and to provide a similar reference for English speaking students and engineers working in an area of the world where the Vietnamese language predominates.
This book describes the nature of public-private partnerships (PPPs) in the health sector in Vietnam. It defines health-related PPPs, describes their key characteristics, and develops a taxonomy of the different types of PPPs that exist in practice, illustrated by international examples. It also assesses the regulatory and institutional framework for the health PPP program in Vietnam, as well as financing and accountability mechanisms for PPPs at its national and subnational levels. It provides an overview of the PPP project pipeline in Vietnam and analyzes important issues in the health PPPs’ design, preparation, and implementation, using eight case studies involving projects in different phases of the project cycle. This book also examines barriers that have hampered the successful design and implementation of health care PPPs in Vietnam. These barriers may be broadly categorized as barriers in the PPP policy and regulatory framework, in the public sector, in the private sector, and in the financial sector. It proposes feasible and actionable recommendations so that the government can consider tackling the identified barriers and advance the successful design and implementation of health PPPs.
Reverend Doctor Minh Van Lam was born into a Buddhist family in 1939 in Bac Lieu Province, South Vietnam. His mother said family and friends thought he would live until three years after his birth. After he accepted the Lord Jesus Christ in 1947, when he was eight years old, he asked God to let him live until he was eighteen years old so that he could work and make money for his mother, and then he would die. But God performed miracles, allowing him to continue living. These are some highlights from his early career: He graduated from the National School of Pedagogy in Saigon in 1959. He graduated from the English Language School of the Defense Language Institute in Lackland Air Force Base to become a teacher of the English language in 1968. He was a public elementary school principal and high school teacher in Soc Trang, South Vietnam, as well as the Armed Forces Language School instructor of the South Vietnam Army in Saigon. He holds a bachelor of arts in biblical studies from the Washington Bible College in Lanham, Maryland, a master of divinity from the Capital Bible Seminary in Lanham, Maryland, and a doctor of ministry from the Liberty Baptist Theological Seminary in Lynchburg, Virginia. He has been a mission pastor of Grand Ave Baptist Church in Fort Smith, Arkansas; Vietnamese Hope Baptist Church in Alexandria, Virginia; Vietnamese United Baptist Church in Austin, Texas; First Baptist Church of Pensacola, Florida; Vietnamese Gospel Baptist Church in Orlando, Florida; and Vietnamese Gospel Baptist Church of Alexandria, Virginia (from 1987 to 1995 and 2010 to the present). He was an adjunct professor of the Boyce Bible College of the Southern Baptist Theological Seminary Extension and the John Leland Center for Theological Studies in Arlington, Virginia, and was vice president of the Vietnamese Baptist Theological School in Dallas, Texas. He has been a speaker at Vietnamese National Church conferences in the United States, Canada, Europe, and Australia, as well as a speaker for the Alpha and Omega Program at Vietnam Public Radio in Washington, DC. His sermons may be found online at www.vietgospel.org, www.vietchristian.com, and www.tinlanhhyvong.com.
Framer Framed brings together for the first time the scripts and detailed visuals of three of Trinh Minh-ha's provocative films: Reassemblage, Naked Spaces--Living isRound, and Surname Viet Given Name Nam.
Xa hoi ngay nay qua de cao cuoc song vat chat khien cho nguoi tre bi lac vao dong chay cua the gioi ao ma ho lam tuong la that. Ho bi nhan chim trong vong xoay cua tieu thu va canh tranh, tiep xuc qua de dang voi cac phuong tien khien tan hoai than tam, dam me duc lac, dinh mac vao nhung hanh phuc tra hinh, ton tho chu nghia ca nhan. Lieu nguoi tre co tim thay duoc hanh phuc dich thuc trong mot the gioi ao nhu vay? Nguoi chien binh khong phai ai xa la ma chinh la nguoi tre khong danh mat minh vao ma luc cua the gioi ao bang cach nhan biet dau la thuc va dau la ao de lua chon cho minh loi song dung dan la chi tiep xuc va su dung cac phuong tien lanh manh trong doi song hang ngay. Nguoi tre co the tro thanh nguoi chien binh vi dai khi biet thuc tap tam an lac de chien thang nhung cam do, nhung duc vong hay nhung dam me nho nhen ngay trong chinh ban than minh. Va day cung chinh la muc tieu dang de vuon toi trong cuoc song thuc cua nguoi tre.
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