This book provides a balanced assessment of China’s communist rule, its viability as well as its prospect of democracy. The People's Congresses and Governance in China presents a complex but convincing analysis of the transformation of governance in China. As the first systemic and theoretical study of China’s provincial legislatures, it draws our attention to one of the most promising growth points in China’s changing constitutional order. Through in depth and first hand research, the author provides a comprehensive explanation about why the provincial legislatures have acquired institutional maturation and expanded power in the context of Chinese transitional political economy. The book portrays an innovative pattern of legislative development, sums up pragmatic local strategies for market creation, and identifies multiple dynamics for promoting accountability and democracy. Based upon the case study of provincial legislatures, Ming Xia reveals the formation of a new mode of governance in China’s national politics: the network structure featuring institutional arrangements and the mohe (co-operation through competition) pattern of interaction abided by the major power players. This volume will be of interest to parliamentary scholars and parliamentarians who are concerned with the role of parliaments in transitional politics and economies of both post-communist and developing countries. It will also appeal to students and researchers of Chinese politics, governance and Asian studies.
Annotation The stories of the Chinese great emperors reflect the ancient Chinese philosophy, ideology, their wisdom and their ways of administration. Liu Bang is an outstanding example. Rising from a peasant background to become Emperor, he founded the Han Dynasty which lasted for about four hundred years and essentially laid the foundations of China as we know it. Liu Bang (256 BC?195 BC), posthumously called Emperor Gaozu, was a low-ranking functionary in an obscure corner of the realm when he caught the wave of the great uprisings against the Qin Dynasty. First as leader of a local contingent and then as general of larger and larger armies, he eventually overthrew the despotic Qin emperor. Today, the Han are the majority ethnic identity in China. This is the story of the rise of Emperor Gaozu, his alliances and his rivalries, and the priceless partnership provided by his chief military strategist Zhang Liang, who planned victorious campaigns from a distance of 1000 miles; Xiao He, who stabilized the state, pacified the people, and assured the food supply to the army; and General Han Xin, who commanded the Han army in its conquest of the State of Wei, the State of Zhao, the State of Yan and the State of Qi and played a great role in the defeat of Xiang Yu.
Since Christianity was re-introduced to China in the early nineteenth century, Chinese Christianity has undergone a holistic “transfiguration” which both truthfully restores ante-Nicene Christianity and successfully adapts to the cultural contexts of Chinese and other societies. The theoretical and theological diversity of this book is consistent with that of traditional Chinese religious writings as well as that of the ante-Nicene fathers but may be deemed un-theoretical, un-academic, or un-theological by those theologians who received Western theological training, as that tends to be too hegemonic, emotionless, and archaic in the eyes of lay believers.
English translation and appreciation by Peter Chen and Michael Tan Reviewed by Chan Chiu MingAn original English translation from the Chinese text:A companion edition of the book in Chinese is available — the original classical text translated into modern Chinese and profusely annotated by Associate Professor Dr Chan Chiu Ming of National Institute of Education, Singapore.
Yin Xu was the most talented demonic cultivator in history. Once he failed his tribulation and became a mortal, he was still a reputed good-for-nothing. But so what if he was born useless? I'm cultivating a demonic art! So what if he couldn't ascend? I am still above everyone else. Under this man ... Yin Xu said, "Next time, I want to be up there!" Teng Yong replied, "Sure, if you don't want to pick the sun to replenish your yin energy." Yin Xu said, "Then forget it, my demonic arts are more important.
This ambitious work provides a systematic study of Chinese theories of reading and writing in intellectual thought and critical practice. The author maintains that there are two major hermeneutic traditions in Chinese literature: the politico-moralistic mainstream and the metaphysico-aesthetical undercurrent. In exploring the interaction between the two, Ming Dong Gu finds a movement toward interpretive openness. In this, the Chinese practice anticipates modern and Western theories of interpretation, especially literary openness and open poetics. Classic Chinese works are examined, including the Zhouyi (the I Ching or Book of Changes), the Shijing (the Book of Songs or Book of Poetry), and selected poetry, along with the philosophical background of the hermeneutic theories. Ultimately, Gu relates the Chinese practices of reading to Western hermeneutics, offering a cross-cultural conceptual model for the comparative study of reading and writing in general.
Taiwan was able to solidly build and sustain a film industry only after locally-produced Mandarin films secured markets in Hong Kong and Southeast Asia during the 1960s and 1970s. Though only a small island with a limited population, in its heyday, Taiwan was among the top-10 film producing countries/areas in the world, turning out hundreds of martial arts kung fu films and romantic melodramas annually that were screened in theaters across Southeast Asia and other areas internationally. However, except for one acclaimed film by director King Hu, Taiwan cinema was nearly invisible on the art cinema map until the 1980s, when the films of Hou Hsiao-hsien, Edward Yang, and other Taiwan New Cinema directors gained recognition at international film festivals, first in Europe, and later, throughout the world. Since then, many other Taiwan directors have also become an important part of cinema history, such as Ang Lee and Tsai Ming-liang. The Historical Dictionary of Taiwan Cinema covers the history of cinema in Taiwan during both the Japanese colonial period (1895-1945) and the Chinese Nationalist period (1945-present). This is accomplished through a chronology highlighting the main events during the long period and an introduction which carefully analyses the progression. The bulk of the information, however, appears in a dictionary section including over a hundred very extensive entries on directors, producers, performers, films, film studios and genres. Photos are also included in the dictionary section. More information can be found through the bibliography. Taiwan cinema is truly unique and this book is a good place to find out more about it, whether you are a student, or teacher, or just a fan.
This book introduces the unusual shock-related mineralogical features of the shocked Suizhou L6 (S5) meteorite. The olivine and pyroxene in Suizhou display a mosaic shock feature, while most of plagioclase grains have transformed to glassy maskelynite. A few of the shock-induced melt veins in the meteorite are the simplest, straightest and thinnest ones among all shock-vein-bearing meteorites, and contain the most abundant high-pressure mineral species. Among the 11 identified species, tuite, xieite, and the post-spinel CF-phase of chromite are new minerals. The meteorite experienced a peak shock pressure up to 24 GPa and temperatures of up to 1000° C. Locally developed shock veins were formed at the same pressure, but at an elevated temperature of about 2000° C that was produced by localized shear-friction stress. The rapid cooling of the extremely thin shock veins is the main reason why 11 shock-induced high-pressure mineral phases could be preserved in them so well. This book offers a helpful guide for meteoritics researchers and mineralogists and invaluable resource for specialists working in high-pressure and high-temperature mineralophysics.
Yang Mu, the recipient of the 2007 International Prize for Literature Written in Chinese, is a well-known bicultural poet. Born in Taiwan during the last phase of the Japanese occupation, his life and writing have been influenced by competing forces in the historical, political, intellectual, linguistic, and aesthetic realms. Yang Mu's humanist sensibility has offered critical insights into the dangers of binary opposition and ideological thinking. His poetry has appealed to readers worldwide and is accessible in English, French, German, Dutch, Swedish, Japanese, and Korean translations. This study of Yang Mu's poetics examines the writer's literary choices from a cross-cultural perspective, highlighting the relationship between issues of international concern and modern cultural theories. Yang Mu's dialogic lyric voice engages peoples from different eras and cultures. This is achieved by addressing contemporary crises between nations or by responding to philosophical questions about identity, memory, and time. Yang Mu's works exhibit a true transcultural outlook that will significantly contribute to the development of 21st century world poetry.
A vivid chronicle of events in the feudal states of China between 722 and 468 B.C., the Tso Chuan has long been considered both a major historical document and and an influential literary model. Covering over 250 years, these historical narratives focus not only on the political, diplomatic, and military affairs of ancient China, but also on its economic and cultural developments during the turbulent era when warring feudal states were gradually working towards unification. Ending shortly after Confucius' death in 479 B.C., the Tso Chuan provides a background to the life and thought of Confucius and his followers that is available in no other work.
A beggar, an itinerant monk, leapt to greatness during a tumultuous epoch and went on to found the Ming Dynasty of China (1368--1644). As a destitute peasant with nothing to lose, he started a local rebellion; success built on success. Defeating local warlords, Zhu Yuan Zhang conquered all the southern part of China, then sent his army north and took the rest. By unifying many Chinese lands, he brought peace and prosperity after a long period of tumult. He is honored with the temple name of Ming Taizu, Grand Ancestor of Ming.
He was able to get on well with the difficult stepmother, and make his sisters all admire him, but only did not expect the marriage life with the prince is so difficult! He was a doctor in the past life but died in an accident in his work. What he didn't expect was that after his death, he was reborn into a completely strange world. In this life, he became a wealthy young master and accidentally met the prince who was escaping his life. The prince's seemingly aloof but actually kind-hearted nature attracted him deeply, he thought to himself that he would help the prince to heal his legs, which had been destroyed by the war. He also looked forward to some romantic things happens between him and the prince. Soon after, he and the prince finally got married as he wished, but he could deal with the difficult stepmother and sisters, only did not expect to be the prince's wife is so difficult! ☆About the Author☆ Cang Ming, an excellent online novel writer. His novels have rich plots and twists, and the emotional descriptions are delicate and moving. It has strong readability and is deeply loved by readers.
Liang Shu-ming (October 18, 1893 – June 23, 1988), was a legendary philosopher, teacher, and leader in the Rural Reconstruction Movement in the late Qing Dynasty and early Republican eras of Chinese history. Liang was also one of the early representatives of modern Neo-Confucianism. Guy S. Alitto, associate Professor in the Department of East Asian Languages and Civilizations (EALC) at The University of Chicago, is author of, among other things, The Last Confucian: Liang Shu-ming and the Chinese Dilemma of Modernity, and is one of the most active and influential Sinologists in America. In 1980 and again in 1984, at Liang Shu-ming’s invitation, he conducted a series of interviews with Liang in Liang's Beijing home. This book of dialogues between the American sinologist and “The Last Confucian”, Liang Shu-ming, gives a chronological account of the conversations that took place in Beijing in 1980. In these conversations, they discussed the cultural characteristics of Confucianism, Buddhism, Daoism, and their representative figures, and reviewed the important activities of Mr. Liang’s life, along with Liang’s reflection on his contact with many famous people in the cultural and political realms – Li Dazhao, Chen Duxiu, Mao Zedong, Zhou Enlai, Chiang Kai-shek, Kang Youwei, Hu Shi, etc. Rich in content, these conversations serve as important reference material for understanding and studying Mr. Liang Shuming’s thoughts and activities as well as the social and historical events of modern China.
Based largely upon original Ming documents, the Dictionary explores the lives of nearly 650 representative figures, both Chinese and foreign, who influenced the course of almost three hundred years of Chinese history. The articles span all classes, professions, and fields of endeavor, from emperors to artists, soldiers to missionaries, concubines, physicians, and pirates.
This book, first published in 1941, is a comprehensive study on the native banks that linked small Chinese traders and the larger Chinese and foreign banks. It is based on extensive research in Tientsin and Peking, and a large number of interviews with native bankers, and the result is an exhaustive study on the practice.
Over the past several years, Mainland China has undertaken reforms in various domestic areas, including culture and society, education, the economy, and the Communist Party. In addition, since September 1982 Peking has begun to pursue an independent course in foreign relations. In this volume, based on the Thirteenth Sino-American Conference in Tai
In 1978, Deng Xiaoping, China's paramount leader, launched the economic reforms that turned the world's most populous nation into an economic dynamo. Yet Deng also shaped the destiny of a China that to this day is locked in the iron embrace of the Chinese Communist Party and its ancient, intractable leaders—even though early in his regime Deng had
Chuang Tzu's first three chapters are arranged into free verse (in Chinese, in the original word order) and translated, nearly word-for-word, with extensive critical glosses vis-a-vis over fifty Chinese, Japanese, and Western commentators. The exegetical, philosophical, and contemporary implications of these chapters are then meditated upon. Here, in Chuang Tzu's world, all strivings are a play, parodying stories and arguments; each plays off of and refers to the others. Chuang Tzu lived during the third and fourth centuries B.C. Historically, he is the foremost spokesman for Taoism and its legendary founder, Lao Tzu. It was mainly due to the influence of Chuang Tzu that Indian Buddhism was transformed in China into Ch'an into the unique vehicle we usually call by its Japanese name, Zen. This is the most thorough presentation to date of the Chuang Tzu's poetic beauty, philosophical insights, and unity.
In "The Tao Within," the book embarks on a transformative journey of self-discovery, wisdom, and inner harmony. It shows how spirituality becomes a core element in our everyday lives and in maintaining our health. In the chaos of our modern world, we often find ourselves searching for meaning, purpose, and a deeper connection to our true selves. In this profound and insightful exploration, Authors, Ming Wu, Ph.D., and Judy Lin, guide us on a spiritual and medical path toward self-empowerment and unveiling the timeless wisdom of the Tao. As we witness more limitations on western medicine, this book is presenting an alternative medical option called Taoist Chinese Medicine. Drawing from ancient Chinese philosophy and spiritual traditions, "The Tao Within" offers a unique and practical roadmap for those seeking mind-body- spirit balance and fulfillment in their lives.
Hing Hing Ming reviews some of the major episodes of the Han Dynasty, from its founding by Liu Bang to the Lü Clan Disturbance and subsequent diplomatic overtures and military campaigns against the minor Chinese kingdoms, the Mongols, and Gojoseon (the ancient Korean Kingdom).
Chen (management, Chinese University of Hong Kong and Imperial College of Science, Technology, and Medicine--England) offers Western managers advice on navigating the Chinese business world. He explains the cultural and social principles underlying Chinese business organizations and their dynamics, illustrating his analyses with examples drawn from Asian and North American businesses. Communication patterns, networking, negotiation, competition, and the structure of China's transition economy are all discussed. Annotation copyrighted by Book News Inc., Portland, OR
“In Confucianism: Its Roots and Global Significance, English-language readers get a rare opportunity to read in a single volume the work of one of Taiwan’s most distinguished scholars. Although Ming-huei Lee has published in English before, the corpus of his non-Chinese writings is in German. Readers of this volume will soon discover the hard-mindedness and precision of thinking so associated with German philosophy as they enter into his discussions of Confucianism. As readers progress through this book, they will be constantly reminded that all philosophy should be truly comparative. . . . “The work is divided into three sections: Classical Confucianism and Its Modern Reinterpretations, Neo-Confucianism in China and Korea, and Ethics and Politics. These sections evince just some of the range of Ming-huei Lee’s thinking as well as his inclusive reach of Confucian philosophy to the whole of East Asia, especially to Korea. In the Ethics and Politics section, readers will get a taste for the return to his own tradition through the lens of Kantian philosophy with his analysis of Confucius and the virtue ethics debate in Confucian philosophical circles. Lee’s thinking through Mou Zongsan’s interpretation of Confucianism, Zhu Xi and the Huxiang scholars’ debate on ren, and the unfolding of the debates over the 'four buddings' and 'seven feelings' in Korea by Yi Toegye and Gi Gobong sets up the subsequent chapters of the book: a reconstruction of Wang Yangming’s philosophy and theories of democracy, and a critique of Jiang Qing’s 'political Confucianism.' His work in this book adds a sizable appendage to Confucian scholarship. Moreover, the interrelated ideas and arguments presented in this book are a special contribution to the Confucian project in English-speaking countries across the world.” —from the Editor’s Foreword An electronic version of this book is freely available thanks to the support of libraries working with Knowledge Unlatched, a collaborative initiative designed to make high-quality books open access for the public good. The open-access version of this book is licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0), which means that the work may be freely downloaded and shared for non-commercial purposes, provided credit is given to the author. Derivative works and commercial uses require permission from the publisher.
Historians of modern Chinese literature have generally used the year 1907 to mark the inception of Western-style drama in China. For in that year, a small group of Chinese students in Japan, inspired by the Japanese experiments with Western drama, decided to follow suit and form the Spring Willow Society, an amateurish dramatic club for experimental purposes. Their first play, staged in Tokyo in February of the same year, is an adaptation from Dumas' La dame aux camelias. The play had an all-male cast and used a strange mixture of old and new techniques. But to the Chinese audience brought up in the native operatic tradition, what must have seemed strange would not have been so much the mixture of technique old and new as the complete unfamiliarity of the plot and the method of its presentation: for neither the story nor the acting was anything akin to what they used to think, of as drama.
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