This book offers a comparative and historical analysis of foreign direct investment (FDI) liberalization in China and India and explains how the return of these countries' diasporas affects such liberalization. It examines diasporic investment from Western FDIs and finds that diasporas, rather than Western nations, have fueled globalization in the two Asian giants. In China, diasporas contributed the lion's share of FDI inflows. In India, returned diasporas were bridges for, and initiators of, Western investment at home. Min Ye illustrates that diasporic entrepreneurs helped to build China into the world's manufacturing powerhouse and that Indian diasporas facilitated their homeland's success in software services development.
English translation and appreciation by Peter Chen and Michael Tan Reviewed by Chan Chiu MingAn original English translation from the Chinese text:A companion edition of the book in Chinese is available — the original classical text translated into modern Chinese and profusely annotated by Associate Professor Dr Chan Chiu Ming of National Institute of Education, Singapore.
In this book, Li Min proposes a new paradigm for the foundation and emergence of the classical tradition in early China, from the late Neolithic through the Zhou period. Using a wide range of historical and archaeological data, he explains the development of ritual authority and particular concepts of kingship over time in relation to social memory. His volume weaves together the major benchmarks in the emergence of the classical tradition, particularly how legacies of prehistoric interregional interactions, state formation, urban florescence and collapse during the late third and the second millenniums BCE laid the critical foundation for the Sandai notion of history among Zhou elite. Moreover, the literary-historical accounts of the legendary Xia Dynasty in early China reveal a cultural construction involving social memories of the past and subsequent political elaborations in various phases of history. This volume enables a new understanding on the long-term processes that enabled a classical civilization in China to take shape.
Taiwan has been depicted as an island facing the incessant threat of forcible unification with the People’s Republic of China. Why, then, has Taiwan spent more than three decades pouring capital and talent into China? In award-winning Rival Partners, Wu Jieh-min follows the development of Taiwanese enterprises in China over twenty-five years and provides fresh insights. The geopolitical shift in Asia beginning in the 1970s and the global restructuring of value chains since the 1980s created strong incentives for Taiwanese entrepreneurs to rush into China despite high political risks and insecure property rights. Taiwanese investment, in conjunction with Hong Kong capital, laid the foundation for the world’s factory to flourish in the southern province of Guangdong, but official Chinese narratives play down Taiwan’s vital contribution. It is hard to imagine the Guangdong model without Taiwanese investment, and, without the Guangdong model, China’s rise could not have occurred. Going beyond the received wisdom of the “China miracle” and “Taiwan factor,” Wu delineates how Taiwanese business people, with the cooperation of local officials, ushered global capitalism into China. By partnering with its political archrival, Taiwan has benefited enormously, while helping to cultivate an economic superpower that increasingly exerts its influence around the world.
From the national bestselling author of Red Azalea: “Extraordinary . . . Min lets [Madame Mao] be seen as never before. Bottom line: riveting” (People). In a sweeping, erotically charged story, Anchee Min creates a finely nuanced portrait of one of the most fascinating, and vilified, women of the twentieth century. Madame Mao is almost universally known as the “white-boned demon”—ambitious, vindictive, and cruel—whose bid to succeed her husband led to the death of millions. But Anchee Min’s story begins with a young girl named Yunhe, the unwanted daughter of a concubine who ignored her mother’s pleas and refused to have her feet bound. It was the first act of rebellion for this headstrong, beautiful, and charismatic girl, who would find fame as an actress in Shanghai, and later fall in love and marry Mao Zedong. The great revolutionary leader proved to be an inattentive husband with a voracious appetite for infidelity, but the couple stayed together through the Communist victory, the disastrous Great Leap Forward, and the chaos of the Cultural Revolution. Min uses historical facts and her lush, penetrating psychological imagination to take us beyond the myth of the person who so greatly influenced an entire generation of Chinese. The result is a complex portrait of a woman who railed against the confines of her culture, whose deep-seated insecurities propelled her to reinvent herself constantly, and whose ambition was matched only by her ferocious, never-to-be-fulfilled need to be loved. “Sheer poetry.” —The Wall Street Journal “A magnificent book: consequential, significant, beautiful . . . The true heroine is writer Anchee Min.” —San Diego Union-Tribune
Audio files for this volume may be downloaded on the web in MP3 format at http://www.kleartextbook.com. A CD is also available for purchase. The Advanced Intermediate Level texts are the third of a five-level series developed collaboratively by leading classroom teachers and linguists of Korean. All series volumes have been developed in accordance with performance-based principles and methodology--learner-centeredness, contextualization, use of authentic materials, function/task-orientedness, balance between skill getting and skill using, and integration of speaking, listening, reading, writing, and culture. Grammar points are systematically introduced with simple but adequate explanations and abundant examples, exercises, and drills. Each lesson of this volume consists of pre-reading activities, one or two main reading texts, new words, useful expressions, exercises, comprehension questions, related reading, discussion and composition, and English translation of the reading texts.
The book provides necessary knowledge for readers interested in developing the theory of uniform experimental design. It discusses measures of uniformity, various construction methods of uniform designs, modeling techniques, design and modeling for experiments with mixtures, and the usefulness of the uniformity in block, factorial and supersaturated designs. Experimental design is an important branch of statistics with a long history, and is extremely useful in multi-factor experiments. Involving rich methodologies and various designs, it has played a key role in industry, technology, sciences and various other fields. A design that chooses experimental points uniformly scattered on the domain is known as uniform experimental design, and uniform experimental design can be regarded as a fractional factorial design with model uncertainty, a space-filling design for computer experiments, a robust design against the model specification, and a supersaturated design and can be applied to experiments with mixtures.
The construction and operation of highways has a significant impact on the environment. While such impact is impossible to avoid, modern highways are constructed and landscaped to minimise these impacts as far as possible. Good landscaping minimises the impact on those living or working close to the highway, while at the same time regenerating the natural landscape disturbed during construction. Using as its background the successful landscape design of the Nanjing-Hangzhou Expressway in Jiangsu Province, China, which opened to traffic in 2007, Highway Landscape Design includes reference to all aspects of the landscaping of highways, including interchanges, embankments, central reservations, bridges, service and toll station areas, and drainage systems. Appropriate consideration is given to the negative impact on the surrounding environment during the process of construction and it discusses the ecological evaluation and conservation strategy for the highway route. China is in some respects at the forefront of highway landscape design as a result of rapid growth and development coupled with the financial resources to implement major infrastructure works, and the concepts, technologies and methods developed for this Expressway provide valuable experience for sustainable development strategies for such infrastructure.
This book offers a detailed analysis of the domestic politics of regionalism in the three major nations of Northeast Asia (China, Japan, and Korea), as well as in the most important external actor, the United States.
Despite efforts to attain a more balanced approach, Western historians have largely interpreted China's modern period in terms of China's 'response to the West.' This book, by a scholar who is neither Chinese nor Western, goes far to set the balance right. Min Tu-ki, Korea's leading Sinologist, shows how China's own internal agenda has conditioned Chinese political life during the transition to modernity.
In the small southern town of Chin-kiang, two young girls from very different worlds collide and become inseparable companions. Willow is hardened by poverty and fearful for her future; Pearl is the daughter of a Christian missionary who desperately wishes she was Chinese too. Neither could have foreseen the transformation of the little American girl embarrassed by her blonde hair into the Nobel Prize-winning writer and one of China's modern heroines, Pearl S. Buck. When the country erupts in civil war between the Nationalists and the Communists, Pearl and Willow are brutally reminded of their differences. Pearl's family is forced to flee the country and Willow is punished for her loyalty to her 'cultural imperialist' friend. And yet, in the face of everything that threatens to tear them apart, the paths of these two women remain intimately entwined.
“Admirers of Empress Orchid will be interested in this sequel. Others may find the introduction to relatively modern Chinese history a revelation” (Rocky Mountain News). During the tumultuous end of the nineteenth century in China, the only constant was the power wielded by one person: the resilient, ever-resourceful Tzu Hsi, Lady Yehonala—or Empress Orchid—as readers came to know her in Anchee Min’s critically acclaimed novel covering the first part of her life. In The Last Empress, Orchid moves from the intimacy of the concubine quarters into the spotlight of the world stage. Devastating personal losses take their toll, leaving her yearning to step aside, but only she—allied with the progressives, but loyal to the conservative Manchu clan of her dynasty—can hold the nation’s rival factions together. Anchee Min offers a powerful revisionist portrait based on extensive research of one of the most important figures in Chinese history. Viciously maligned by the western press of the time as the “Dragon Lady,” a manipulative, blood-thirsty woman who held onto power at all costs, the woman Min gives us is a compelling, very human leader who assumed power reluctantly, and who sacrificed all she had to protect those she loved and an empire that was doomed to die. “The vision of an empress who very nearly had it all: vulnerability and strength, motherhood and power, earthiness and dignity, compassion and ambition.” —The Washington Post “Invokes the intrigue and opulence of nineteenth-century China while telling the story of its improbably dominant ruler.” —Los Angeles Times
Revolutionary Stagecraft draws on a rich corpus of literary, historical, and technical materials to reveal a deep entanglement among technological modernization, political agendas, and the performing arts in modern China. This unique approach to Chinese theater history combines a close look at plays themselves, performance practices, technical theater details, and behind-the-scenes debates over “how to” make theater amid the political upheavals of China’s 20th century. The book begins at a pivotal moment in the 1920s—when Chinese theater artists began to import, use, and write about modern stage equipment—and ends in the 1980s when China's scientific and technological boom began. By examining iconic plays and performances from the perspective of the stage technologies involved, Tarryn Li-Min Chun provides a fresh perspective on their composition and staging. The chapters include stories on the challenges of creating imitation neon, rigging up a makeshift revolving stage, and representing a nuclear bomb detonating onstage. In thinking about theater through technicity, the author mines well-studied materials such as dramatic texts and performance reviews for hidden technical details and brings to light a number of previously untapped sources such as technical journals and manuals; set design renderings, lighting plots, and prop schematics; and stage technology how-to guides for amateur thespians. This approach focuses on material stage technologies, situating these objects equally in relation to their technical potential, their human use, and the social, political, economic, and cultural forces that influence them. In each of its case studies, Revolutionary Stagecraft reveals the complex and at times surprising ways in which Chinese theater artists and technicians of the 20th century envisioned and enacted their own revolutions through the materiality of the theater apparatus.
“This story of the unlikely meeting of two vulnerable women is a beautifully woven page turner. The battle-weary woman and the pin-up girl who meet, connect, separate: each changed by the brief union.” --Heather Morris, author of the #1 New York Times bestseller The Tattooist of Auschwitz A dazzling work of historical fiction, based on true events, about two women who seem the most unlikely to ever meet: Alice, a Korean war survivor and translator for the American forces in Seoul and Marilyn Monroe, who is visiting Korea on a four-day USO tour. February 1954. Although the Korean War armistice was signed a year ago, most citizens of Seoul still battle to return to some semblance of normalcy. Conditions are dismal. Children beg for food, and orphanages are teeming. Alice J. Kim, a Korean translator and typist for the American forces still sanctioned in the city, yearns for the life she used to live before her country was torn apart. Then Alice’s boss makes an announcement—the American movie star Marilyn Monroe will be visiting Korea on a four-day USO tour, and Alice has been chosen as her translator. Though intrigued, Alice has few expectations of the job—what could she and a beautiful actress at the peak of her fame possibly have to talk about? Yet the Marilyn she meets, while just as dazzling and sensual as Alice expected, is also surprisingly approachable. As Marilyn’s visit unfolds, Alice is forced into a reckoning with her own painful past. Moving and mesmerizing, The Starlet and the Spy is a beautiful portrayal of unexpected kinship between two very different women, and of the surprising connections that can change, or even save, a life.
This book interrogates anew the phenomenon of tradition in a dialogical debate with a host of Western thinkers and critical minds. In contrast to the predominantly Western approaches, which look at traditions (Western and non-Western) from a predominantly (Western) modernist perspective, this book interrogates, from an intercultural perspective, the transnational and transcultural consecration, translation, (re)invention, and displacement of traditions (theatrical and cultural) in the aesthetic-political movement of twentieth-century theatre and performance, as exemplified in the case studies of this book. It looks at the question of traditions and modernities at the centre of this aesthetic-political space, as modernities interculturally evoke and are haunted by traditions, and as traditions are interculturally refracted, reconstituted, refunctioned, and reinvented. It also looks at the applicability of its intercultural perspective on tradition to the historical avant-garde in general, postmodern, postcolonial, and postdramatic theatre and performance and to the twentieth-century "classical" intercultural theatre and the twenty-first-century "new interculturalisms" in theatre and performance. To conclude, it looks at the future of tradition in the ecology of our globalized theatrum mundi and considers two important interrelated concepts, future tradition and intercultural tradition. This book will be of great interest to students and scholars in performance studies.
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