Vivid and entertaining ... this is history as it plays upon the emotions. Empires crumble, hearts are broken' THE TIMES From the bestselling author of Red Azalea comes the much-anticipated sequel to Empress Orchid At the end of the nineteenth century China is rocked by foreign attacks and local rebellions. The only constant is the power wielded by one woman, Tzu Hsi, also known as Empress Orchid, who must face the perilous condition of her empire and devastating personal losses. In this sequel to the bestselling Empress Orchid, Anchee Min brings to life one of the most important figures in Chinese history, a very human leader who sacrifices all she has to protect both those she loves and her doomed empire.
The construction and operation of highways has a significant impact on the environment. While such impact is impossible to avoid, modern highways are constructed and landscaped to minimise these impacts as far as possible. Good landscaping minimises the impact on those living or working close to the highway, while at the same time regenerating the natural landscape disturbed during construction. Using as its background the successful landscape design of the Nanjing-Hangzhou Expressway in Jiangsu Province, China, which opened to traffic in 2007, Highway Landscape Design includes reference to all aspects of the landscaping of highways, including interchanges, embankments, central reservations, bridges, service and toll station areas, and drainage systems. Appropriate consideration is given to the negative impact on the surrounding environment during the process of construction and it discusses the ecological evaluation and conservation strategy for the highway route. China is in some respects at the forefront of highway landscape design as a result of rapid growth and development coupled with the financial resources to implement major infrastructure works, and the concepts, technologies and methods developed for this Expressway provide valuable experience for sustainable development strategies for such infrastructure.
From the national bestselling author of Red Azalea: “Extraordinary . . . Min lets [Madame Mao] be seen as never before. Bottom line: riveting” (People). In a sweeping, erotically charged story, Anchee Min creates a finely nuanced portrait of one of the most fascinating, and vilified, women of the twentieth century. Madame Mao is almost universally known as the “white-boned demon”—ambitious, vindictive, and cruel—whose bid to succeed her husband led to the death of millions. But Anchee Min’s story begins with a young girl named Yunhe, the unwanted daughter of a concubine who ignored her mother’s pleas and refused to have her feet bound. It was the first act of rebellion for this headstrong, beautiful, and charismatic girl, who would find fame as an actress in Shanghai, and later fall in love and marry Mao Zedong. The great revolutionary leader proved to be an inattentive husband with a voracious appetite for infidelity, but the couple stayed together through the Communist victory, the disastrous Great Leap Forward, and the chaos of the Cultural Revolution. Min uses historical facts and her lush, penetrating psychological imagination to take us beyond the myth of the person who so greatly influenced an entire generation of Chinese. The result is a complex portrait of a woman who railed against the confines of her culture, whose deep-seated insecurities propelled her to reinvent herself constantly, and whose ambition was matched only by her ferocious, never-to-be-fulfilled need to be loved. “Sheer poetry.” —The Wall Street Journal “A magnificent book: consequential, significant, beautiful . . . The true heroine is writer Anchee Min.” —San Diego Union-Tribune
Despite efforts to attain a more balanced approach, Western historians have largely interpreted China's modern period in terms of China's "response to the West." To a surprising extent, this bias has prevailed even among Chinese historians, for whom the reaction to imperialism has remained a dominant concept. This book, by a scholar who is neither Chinese nor Western,goes far to set the balance right. Min Tu-ki, Korea's leading Sinologist, shows how China's own internal agenda has conditioned Chinese political life during the transition to modernity. Min sets the stage with two chapters about Chinese scciety under Ch'ing rule, one on a Korean visitor's reaction to eighteeenth-century China, the other on the social condition of the lower gentry. Each casts new light on the Chinese elite and their relation to state power. The chapters that follow-particularly the discussion of "political feudalism"-examine the conceptual resources available within the Chinese tradition for coming to terms with modernity. Min's internalist approach provides both a creative new vision of the encounter between two civilizations and a distinguished introduction to Korean Sinology.
Intercultural theater is a prominent phenomena of twentieth-century international theater. This books views intercultural theatre as a process of displacement and re-placement of various cultural and theatrical forces, a process which the author describes as 'the poetics of displacement'.
This book draws a colorful and widespread picture of global affine hypersurface theory up to the most recent state. Moreover, the recent development revealed that affine differential geometry – as differential geometry in general – has an exciting intersection area with other fields of interest, like partial differential equations, global analysis, convex geometry and Riemann surfaces. The second edition of this monograph leads the reader from introductory concepts to recent research. Since the publication of the first edition in 1993 there appeared important new contributions, like the solutions of two different affine Bernstein conjectures, due to Chern and Calabi, respectively. Moreover, a large subclass of hyperbolic affine spheres were classified in recent years, namely the locally strongly convex Blaschke hypersurfaces that have parallel cubic form with respect to the Levi-Civita connection of the Blaschke metric. The authors of this book present such results and new methods of proof.
From a master of the historical novel, Empress Orchid sweeps readers into the heart of the Forbidden City to tell the fascinating story of a young concubine who becomes China's last empress. Min introduces the beautiful Tzu Hsi, known as Orchid, and weaves an epic of a country girl who seized power through seduction, murder, and endless intrigue. When China is threatened by enemies, she alone seems capable of holding the country together. In this "absorbing companion piece to her novel Becoming Madame Mao" (New York Times), readers and reading groups will once again be transported by Min's lavish evocation of the Forbidden City in its last days of imperial glory and by her brilliant portrait of a flawed yet utterly compelling woman who survived, and ultimately dominated, a male world.
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