Love meets murder in this new cozy mystery series set in a quirky romance bookstore, with a heroine to die for. Lizzie Hale may be the lucky owner of a successful romance bookshop, Love Under the Covers, but she's decidedly un-lucky in love. Though she's read almost every famous romance novelist, from Jane Austen to Nora Roberts, none have helped her figure out how to get—and keep—a man. But Lizzie has bigger problems to worry about. Like murder. When Brody Pierce, swoon-worthy ranch owner and resident bachelor, is found stabbed through the chest, hearts were heard breaking all over idyllic Tinker's Creek. But when Lizzie's aunt is implicated in the murder, she's determined to clear her name. Lizzie quickly realizes that Brody was a hunk with many hidden secrets, and she's soon leafing through a stack of suspects longer than Brody's list of lovers. With the killer still on the loose, Lizzie will have to find the truth before this act of passion ignites a fire she can't put out.
When real life starts mimicking the plot of one of the romance books that line the shelves in her bookstore, it's up to Lizzie Hale to catch the killer, in this riveting new Love is Murder mystery. Lizzie Hale thought mail-order brides existed only between the pages of the historical romances she stocks in her bookstore, Love Under the Covers. But when not one, but two local men introduce her to their respective new wives, she's forced to reevaluate that notion. Lizzie is surprised when Al Little, the owner of the local hardware store, asks Lizzie and her aunt Charmaine to help Svetlana, his new bride straight from Russia, to settle into Tinker's Creek, but they agree. Everything is going swimmingly—until a wrench gets thrown into their plans when Svetlana is found drowned in the creek. With Al's suspicious best friend—who has his own mysterious mail-order bride—and the secretive matchmaker who put them together, Lizzie's got more suspects than she knows what to do with. But she'll have to nail down who the killer is fast, before someone else winds up dead.
Love meets murder in this new cozy mystery series set in a quirky romance bookstore, with a heroine to die for. Lizzie Hale may be the lucky owner of a successful romance bookshop, Love Under the Covers, but she's decidedly un-lucky in love. Though she's read almost every famous romance novelist, from Jane Austen to Nora Roberts, none have helped her figure out how to get—and keep—a man. But Lizzie has bigger problems to worry about. Like murder. When Brody Pierce, swoon-worthy ranch owner and resident bachelor, is found stabbed through the chest, hearts were heard breaking all over idyllic Tinker's Creek. But when Lizzie's aunt is implicated in the murder, she's determined to clear her name. Lizzie quickly realizes that Brody was a hunk with many hidden secrets, and she's soon leafing through a stack of suspects longer than Brody's list of lovers. With the killer still on the loose, Lizzie will have to find the truth before this act of passion ignites a fire she can't put out.
When real life starts mimicking the plot of one of the romance books that line the shelves in her bookstore, it's up to Lizzie Hale to catch the killer, in this riveting new Love is Murder mystery. Lizzie Hale thought mail-order brides existed only between the pages of the historical romances she stocks in her bookstore, Love Under the Covers. But when not one, but two local men introduce her to their respective new wives, she's forced to reevaluate that notion. Lizzie is surprised when Al Little, the owner of the local hardware store, asks Lizzie and her aunt Charmaine to help Svetlana, his new bride straight from Russia, to settle into Tinker's Creek, but they agree. Everything is going swimmingly—until a wrench gets thrown into their plans when Svetlana is found drowned in the creek. With Al's suspicious best friend—who has his own mysterious mail-order bride—and the secretive matchmaker who put them together, Lizzie's got more suspects than she knows what to do with. But she'll have to nail down who the killer is fast, before someone else winds up dead.
Mimi Cerniglia's autobiography begins with the introduction of the two people who will become the parents of her two sisters and her. You will find out why furniture manufacturing in the Piedmont area of North Carolina was important in the author's life and the state of North Carolina. Depression era modes of transportation and communication come alive from her excellent descriptions. Due to a family incident religion's decline and eventual rejection unfolds slowly. An annual family event helps the reader learn about the homestead of a southern family who had owned slaves. Terms used in local government reminds the reader that North Carolina was one of the original thirteen colonies and was settled from east to west. Public school education in her college town was so important the citizens paid extra tax for city schools. The end of World War II brought peace time production of everything. College and an education career as well as marriage led to the birth of a son and a move to Florida. More education in North Carolina and a return to Florida for the son's education was interspersed with a new marriage. Following traveling and house building in North Carolina came death and a move back to Florida to be near her successful son and twin grandsons. Her senior years of reading, writing and golf stopped due to illness. Recovery from illness and pursuit of academic endeavors concludes the book.
Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change. Engaging theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public.
A fast-paced semi-memoir about diners, drugs, and California in the 1970s Over Easy is a brilliant portrayal of a familiar coming-of-age story. After being denied financial aid to cover her last year of art school, Margaret finds salvation from the straightlaced world of college and the earnestness of both hippies and punks in the wisecracking, fast-talking, drug-taking group she encounters at the Imperial Caf , where she makes the transformation from Margaret to Madge. At first she mimics these new and exotic grown-up friends, trying on the guise of adulthood with some awkward but funny stumbles. Gradually she realizes that the adults she looks up to are a mess of contradictions, misplaced artistic ambitions, sexual confusion, dependencies, and addictions. Over Easy is equal parts time capsule of late 1970s life in California--with its deadheads, punks, disco rollers, casual sex, and drug use--and bildungsroman of a young woman who grows from a na ve, sexually inexperienced art-school dropout into a self-aware, self-confident artist. Mimi Pond's chatty, slyly observant anecdotes create a compelling portrait of a distinct moment in time. Over Easy is an immediate, limber, and precise semi-memoir narrated with an eye for the humor in every situation.
“Radical and revolutionary.” —Jonny Sun, New York Times bestselling author of Goodbye, Again A collection of powerful interconnected essays and affirmations that follow Mimi Zhu’s journey toward embodying and re-learning love after a violent romantic relationship, a stunning and provocative book that will guide and inspire readers to lean into love with softness In their early twenties, Mimi Zhu was a survivor of intimate-partner abuse. This left them broken, in search of healing and ways to re-learn love. This work is a testament to the strength and adaptability all humans possess, a tribute to love. Be Not Afraid of Love explores the intersections of love and fear in self-esteem, friendship, family dynamics, and romantic relationships, and extends out to its effects on society and the greater political realm. In sharing their own intimate encounters with oppression, healing, joy, and community, Mimi invites readers to reflect deeply on their own experiences as well, with the intention of acting as a guide to undoing the hurt or uncertainty within them. In this heartrending and revolutionary book, Mimi reminds us, be not afraid of love.
The first edition of The Dynamics of Social Welfare Policy reinvented the standard social welfare policy text to speak to students in a vital new way. This second edition builds on its strengths, with a more accessible graphic design and a thorough update of the effects of recent political and legislative changes on social welfare programs. The book begins by discussing how social problems are constructed. After an analysis of social welfare policy, its purposes, and functions, a unique policy model bolsters the text's overarching progressive narrative. Through this model, students learn how five key social forces-ideology, politics, history, economics, and social movements-interact both to create and to change the social welfare system. By applying this model to five critical social welfare policy issues-income security, employment, housing, health, and food-the text demonstrates to students that every kind of social work practice embodies a social welfare policy. The model is also telling in identifying the triggers of social change and the effects of race, class, and gender. By applying the policy model to the latest developments in social welfare, the chapter-long case studies in this second edition equip students with knowledge about social welfare policy and the tools for comparative analysis. With this knowledge, students begin to understand that both the whole and the parts of the social welfare system affect what they actually do as social workers. Once they grasp this concept, they'll understand why it is so important to learn social welfare policy. The Dynamics of Social Welfare Policy 2E captures the fluidity and change inherent in social policy like no other textbook. Its approach remains the most invigorating, forward-thinking one available. Highlights from this edition include: * Revised data in text, charts, and graphs show how government policies are proving the points made throughout the chapters *Exhaustive statistics are included about every major social program's budget, benefits, and participants *Underlying policy model has been updated in response to the evolving political environment *Content and writing style are appropriate to both bachelor's- and master's-level programs *More graphics and attractive new two-color interior design make debates easier to grasp and the book easier to navigate Visit www.oup.com/us/dynamics for access to the instructor's manual and test bank.
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