Louis Ferdinand Céline (the pseudonym of Louis Destouches) was a famous novelist and ferocious anti-Semitic pamphleteer who rose to fame before Hitler, but perfectly represented the fascist mind-set that swept across Europe between 1932 and 1944. Never a Nazi himself, he was author of Journey to the End of the Night, Death on the Installment Plan, Guignol's Band, Homage to Zola, and a series of "pamphlets." The latter are a potpourri of racist editorials, ballet scenarios, and anti-Semitic confessions so violent that an aesthete like Andre Gide thought them parodies of other anti-Semitic literature. Little wonder the Nazis regarded Céline as a fellow-traveler. He retreated with the Nazis across the Rhine and sought refuge with them, first in Germany and then in Denmark. In 1951, he benefitted from an amnesty as a wounded veteran of both World Wars. Before his death in 1961 he had regained his popularity with the public and was regarded as a classic writer. Now that the body of his work is in translation, Céline's fame in the literary world circles the globe. Céline, perhaps more than any other analysis, helps shed some light on this enigmatic figure. It establishes his literary importance, and, at the same time, examines his anti-Semitism. After a final meeting, Hindus declared that "Celine is a splinter in my mind that I've got either to absorb completely or eject completely." The reader of this fascinating critical memoir of one of the twentieth century's most controversial literary figures is apt to be left with a similar dilemma.
This is a sustained inquiry into the thought of the influential scholar and critic Irving Babbitt (1865-1933), intellectual leader of the movement known as the New Humanism. Milton Hindus considers the subjects that most interested Babbitt: ethics, literature, education, and social and political conservatism in the United States. In their most general sense, his concerns were man and his nature as the root of all social order. For Babbitt, efforts to improve social conditions must begin and end with the individual human being.In rejecting notions that society is primarily responsible for moral deficiencies in the individual, or that the individual is bom good only to be corrupted by society, Babbitt places responsibility squarely with the individual. As Hindus shows, Babbitt sees human beings as a mixture of good and evil impulses, shaped by what he called "the inner check." Virtue is thus a result of self-discipline, reinforced and confirmed by habit.Babbitt's thinking, emphasizing as it does proven values and accepted wisdom, calls upon us to advance ourselves by rediscovery of the lessons of the past. Hindus demonstrates that Babbitt has much to offer us as we consider contemporary social and political issues. In contrast to those who emphasize avant-garde postures and fashionable ideologies, as well as those conservative followers of outdated theories and dead-end formulas, Babbitt's reinvigorating spirit inspires new insights.Although there have been a number of studies of Irving Babbitt and the New Humanism, Hindus is singular in his combination of detailed consideration of a number of Babbitt's books with his own essays on contemporary issues, approached in what Hindus calls a Babbitian spirit. Like Babbitt's own writings, this book is addressed to the general reader. It will be of particular importance to teachers of comparative literature and those interested in the connections between literature and social thought and philosophy.
Louis Ferdinand Céline (the pseudonym of Louis Destouches) was a famous novelist and ferocious anti-Semitic pamphleteer who rose to fame before Hitler, but perfectly represented the fascist mind-set that swept across Europe between 1932 and 1944. Never a Nazi himself, he was author of Journey to the End of the Night, Death on the Installment Plan, Guignol's Band, Homage to Zola, and a series of "pamphlets." The latter are a potpourri of racist editorials, ballet scenarios, and anti-Semitic confessions so violent that an aesthete like Andre Gide thought them parodies of other anti-Semitic literature. Little wonder the Nazis regarded Céline as a fellow-traveler. He retreated with the Nazis across the Rhine and sought refuge with them, first in Germany and then in Denmark. In 1951, he benefitted from an amnesty as a wounded veteran of both World Wars. Before his death in 1961 he had regained his popularity with the public and was regarded as a classic writer. Now that the body of his work is in translation, Céline's fame in the literary world circles the globe.Céline, perhaps more than any other analysis, helps shed some light on this enigmatic figure. It establishes his literary importance, and, at the same time, examines his anti-Semitism. After a final meeting, Hindus declared that "Celine is a splinter in my mind that I've got either to absorb completely or eject completely." The reader of this fascinating critical memoir of one of the twentieth century's most controversial literary figures is apt to be left with a similar dilemma.
Whittaker Chambers is one of the most controversial figures in modern American history a former Communist spy who left the party, testified against Alger Hiss before the House Un-American Activities Committee, and wrote a classic autobiography, Witness. Dismissed by some as a crank, reviled by others as a traitor, Chambers still looms as a Dostoevskian figure over three decades after his death in 1961. A man of profound pessimism, rare vision, and remarkable literary talents, his continuing importance was attested to when Ronald Reagan posthumously awarded him the Medal of Freedom in 1984. Ghosts on the Roof, originally published in 1989, brings together more than fifty short stories, essays, articles, and reviews that originally appeared in Time, Life, National Review, Commonweal, The American Mercury, and the New Masses. Included are essays on Karl Marx, Reinhold Niebuhr, James Joyce, Franz Kafka, George Santayana, Dame Rebecca West, Ayn Rand, and Greta Garbo. These show Chambers at his best, as a peerless historian of ideas.
Whittaker Chambers is one of the most controversial figures in modern American history a former Communist spy who left the party, testified against Alger Hiss before the House Un-American Activities Committee, and wrote a classic autobiography, Witness. Dismissed by some as a crank, reviled by others as a traitor, Chambers still looms as a Dostoevskian figure over three decades after his death in 1961. A man of profound pessimism, rare vision, and remarkable literary talents, his continuing importance was attested to when Ronald Reagan posthumously awarded him the Medal of Freedom in 1984. Ghosts on the Roof, originally published in 1989, brings together more than fifty short stories, essays, articles, and reviews that originally appeared in Time, Life, National Review, Commonweal, The American Mercury, and the New Masses. Included are essays on Karl Marx, Reinhold Niebuhr, James Joyce, Franz Kafka, George Santayana, Dame Rebecca West, Ayn Rand, and Greta Garbo. These show Chambers at his best, as a peerless historian of ideas.
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