A provocative look at one's life-altering journey from tragedy to triumph, Dr. Patrick Milroy's The Forest Tabernacle offers a vulnerable and honest account that deeply grips the truth about personal perseverance and endurance that leads to a transformational encounter with the living Christ. Be inspired as history becomes his-story." Rev. Dr. Lennett J. Anderson Do not enter the path of the wicked, And do not walk in the way of evil.14 Avoid it, do not travel on it; Turn away from it and pass on.15 For they do not sleep unless they have done evil; And their sleep is taken away unless they make someone fall.16 Proverbs 4: 14-16 NKJV In 1986, at the age of 24, Patrick Milroy took a term off from his university study to embark on a solo bicycle tour from St. Thomas, Ontario to Fort Lauderdale, Florida. A spiritual journey and memoir, The Forest Tabernacle documents his struggle with the Roman Catholic religion of his childhood, his relationship with Christ, overcoming sexual violence and answering the call on his life to be a healer and educator. What would you do with your life if you met Christ? What would you do with your life if you attempted to walk without Christ? What will it take for you to renew your relationship with Christ? As Patrick toils with his identity and relationship with Christ, from bike trails to roadways, campgrounds to cafe's, he comes across a variety of eccentric characters, yet the most poignant of his experiences remodels his unmarred faith. Join Patrick on his remarkable journey that influenced and shaped the rest of his life. www.TheForestTabernacle.com
Running Anatomy, Second Edition, features 48 of the most effective exercises for runners—each with clear step-by-step descriptions—and 155 anatomical illustrations highlighting the runner’s muscles in action.
This anthology brings together twenty outstanding works of recent scholarship on the history of the visual arts in the United States from the colonial period to 1945. The selected essays--all written within the past two decades--reflect the interdisciplinary character of current art historiography in America and the variety of approaches that contribute to the dynamism in the field. The authors take up diverse subjects--from colonial portraits to nineteenth-century sculptures of women to photographic images of New York--and invite those with a general knowledge of the history of American art to think more deeply about art and culture. Employing many interpretive methodologies, including iconology, social history, structuralism, psychobiography, and feminist theory, the contributors to this volume combine close analysis of specific art objects or groups of objects with discussion of how these works of art operated within their cultural contexts. The authors consider the works of such artists as John Singleton Copley, Charles Willson Peale, Winslow Homer, Thomas Eakins, Georgia O'Keeffe, and Jackson Pollock as they assess how paintings, sculpture, prints, drawings, and photographs have carried meaning within American society. And they investigate how the conceptualization, production, and presentation of works of art both inform and are informed by prevailing attitudes toward the role of the arts and the artist in American culture.
When manufacturers and retailers vacate traditional locations, they leave holes in a city's fabric that signal a shifting urban-industrial terrain. Who should mend these spaces, and how should they approach the problem? Using Toronto's Dundas Square and surrounding area as a case study, this book meticulously reconstructs the redevelopment process to explore the theories and practices used. It traces the labyrinth of competing interests that can sideline and nearly overwhelm the public planning function. In these circumstances, Moore Milroy concludes that practising planners are marooned by planning theories that begin from the premise that urban space is a social construction and only secondarily a function of technology and aesthetics.
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