Running Board Memories" is a collection of the authentic experiences of a young girl growing up during the 1920s and 1930s. With the country in economic turmoil due to the effects of the Dust Bowl and the Great Depression, her family is initially successful in evading the destitution of others by taking to the road. They target areas not yet wiped out by the loss of income to find consumers of their products, using a bartering system when customers are unable to pay with cash. For several years they are able to not only make a living, but are able to enjoy their travels in the states of Arkansas, Oklahoma, Louisiana, and Texas. When the situation becomes so bad that no one has any money and everyone seems destined for the "poorhouse," Millie and her family are forced to return to their farm in rural Arkansas to "ride out" the hard times. Her stories are then of their day-to-day struggle to survive, with lessons in life that have guided the author through nearly a hundred years of life.
Running Board Memories" is a collection of the authentic experiences of a young girl growing up during the 1920s and 1930s. With the country in economic turmoil due to the effects of the Dust Bowl and the Great Depression, her family is initially successful in evading the destitution of others by taking to the road. They target areas not yet wiped out by the loss of income to find consumers of their products, using a bartering system when customers are unable to pay with cash. For several years they are able to not only make a living, but are able to enjoy their travels in the states of Arkansas, Oklahoma, Louisiana, and Texas. When the situation becomes so bad that no one has any money and everyone seems destined for the "poorhouse," Millie and her family are forced to return to their farm in rural Arkansas to "ride out" the hard times. Her stories are then of their day-to-day struggle to survive, with lessons in life that have guided the author through nearly a hundred years of life.
Gestures of Music Theater: The Performativity of Song and Dance offers new, cutting-edge essays focusing on song and dance as performative gestures that not only entertain but also act on audiences and performers. The chapters range across musical theater, opera, theater, and other artistic practices, from Glee to Gardzienice, Beckett to Disney, Broadway to Turner-Prize-winning sound installation. The chapters draw together these diverse examples of vocality and physicality by exploring their affect rather than through considering them as texts. The book's contributors derive methodologies from many disciplines. Resisting discrete discipline-based enquiry, they share methodologies and performance repertoires with discipline-based scholarship from theater studies, musicology, and cultural studies, among other approaches. Together, they view these as neighboring voices whose dialogue enriches the study of contemporary music theater.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.